Explorations in Arthurian
Legends
A Literature Review
Part 7: Alfred, Lord
Tennyson
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The giant of the Victorian era was
Alfred, Lord Tennyson, whose Idylls of the King
constitute an epic in poem form. As such, Tennyson is
hearkening back to the beginnings of Arthurian
literature.
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Tennyson himself began with
The Lady of Shalott, about a woman who loves
Sir Lancelot
but cannot have him. He would later revisit this
story in Lancelot and Elaine. The tale
itself was based on a medival Italian novelette,
Donna di Scalotta. He moved to Sir
Galahad and then Morte d'Arthur in
completing his early phase of exploring the Matter
of Britain.
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Idylls of the King was written a little at
a time but can be taken as a whole.
In The Coming of Arthur, Arthur
wins a great battle against an array of foes, including
Lot
and Urien.
Arthur had come at the urging of King Leodogran,
the King of Cameliard,
whose only daughter was Guinevere.
Arthur spies Guinevere and wants her for his queen. He sends
three knights to Leodogran to ask for her hand. Bedivere,
one of the three, then tells the story of Arthur's birth.
Out of this tale come the statements that Arthur's
half-sister is Bellicent, queen of Orkney, and that Arthur
was raised by Sir Anton.
Gareth and Lynette gives us a
glimpse of the joys of being a knight and in love.
Gareth,
a younger brother of Gawain
and Mordred,
wants badly to be a knight but his mother, Bellicent, won't
let him. He wins her approval of his trip to
Camelot
with the condition that he appear as a kitchen boy. Arthur,
knowing Gareth's true identity, lets the young
knight-hopeful prove his mettle by assigning to him a task
the beautiful Lynette
had asked Lancelot to do: rescue her sister and family, who
are being held at the Castle Perilous by four evil knights.
Gareth defeats all four knights and wins Lynette's approval
and love. He also proves himself to be worthy of respect and
the king's trust.
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The two Geraint
poems, The Marriage of Geraint and Geraint and
Enid, focus on the jealous Geraint and his suspicion of
his wife's infidelity. In the first poem, we learn how the
two met: Geraint won a tournament and so won the hand of his
lady-love. The second poem is a snapshot of how mean one
person can be to another: Enid
is forced to ride ahead of Geraint and cannot speak. She
hears of a plot to rob him; but when she tells him of the
plot, he chastises her for speaking. He defeats the three
attacking knights and forces her to lead their horses. This
episode is repeated by the poet for good measure, resulting
in six horses for Enid to lead in shamed silence. Also
repeated is an episode designed to test Enid's fidelity. The
first instance is at the residence of Limour, who was a
former suitor of Enid; the second instance is at the castle
of Doorm the Bull, at which Geraint lies injured, tended by
Enid, while Doorm tries to force himself upon Enid.
Convinced finally of his wife's fidelity, Geraint rises up
and kills Doorm. Tennyson seems to be emphasizing the idea
that knights had tremendous sway over their wives in point
of fact but at the same time thought they had no control
over their hearts. He throws in Enid's friendship with
Guinevere, whom everyone knows by this time to be an
adulteress, as a further means of suspicion for Geraint.
Still, the knight's boorish behavior is difficult to
excuse.
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Balan and Balin presents us with the tale
of Balin's
madness taken full form: When Balan
sets out on a quest to kill a woods demon, Balin stays behind to
better himself at court. His fits of madness disappear, but a chance
observation of Lancelot and Guinevere being unfaithful sends him into
a mad fit of rage. He endures one fit after another, against Garlon
at the castle Pellam and against Vivien
in the surrounding woods. His final fit sends him into a frenzy that
renders him unrecognizable to his own brother and vice versa. The two
wound each other mortally and realize their mistake just before they
die.
Merlin and Vivien begin their
story in Broceliande
Forest. Vivien is here presented
as the paramour of King Mark
of Cornwall, who sent her to Camelot so she could uncover
Lancelot's and Guinevere's affair and expose its spreading
effects on the morality of the Round Table knights. Her
initial strategy, that of being made a lady-in-waiting to
Guinevere, is successful; but she fails to convince Arthur
of how much he needs her. She sets her sights on
Merlin.
The old man, depressed, sails away in a boat and lands in
Brittany, in the Broceliande Forest. Vivien has followed him
there and now is trying to get him to reveal her the secret
of the locking-away charm. She tries all manner of tricks,
including appealing to his paternal instincts and his
hedonistic instincts, but nothing works. Finally, exhausted,
Merlin relents and falls asleep. The charm secret hers,
Vivien locks Merlin away.
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Lancelot and Elaine introduces the
idea of the nine valuable jewels, one of which Arthur would
give to the winner of the annual tournament. Lancelot, of
course, won all nine, although the last took a little longer
to deliver. It seems that Lancelot had disguised himself in
the last battle, wearing unfamiliar attire and sporting the
favor of the young Elaine
of Astolat, at whose father's castle he had stayed while on
his way to the tournament. Despite the disguise, Lancelot
wins, although he is cast out for being a pretender. Arthur
charges Gawain with delivering the diamond to the winner; he
finds his way to Astolat, sees Lancelot's shield with
Elaine, and leaves the diamond with her. He returns to
Camelot and tells everyone he can find that Lancelot really
loves Elaine. She, meanwhile, has found Lancelot, who was
wounded in a skirmish after the tournament, and is nursing
him back to health. He cannot shake his love for the queen,,
however, and leaves Elaine alone. Despondent, she soon dies.
Lancelot presents the nine diamonds to Guinevere (for Elaine
had given him the last one), but she accuses him of
infidelity to her and throws the diamonds out the window.
Lancelot looks down at the river below and sees the barge
bearing Elaine's body. In it is a note that blames Lancelot
for her death. This poem ends very sadly, with the twin
images of Elaine's barge and Lancelot's
self-pity.
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The Holy Grail opens with a very
old Percivale
recounting the Grail tale to a monk named Ambrosius. The
tale tells of Galahad's
sitting in the Siege
Perilous, which revealed a vision
of the Grail.
Most of the knights took an oath to seek the Grail; Arthur
was not there, so he did not take such a vow, and he
chastised his knights for binding themselves so. The tale
takes the familiar turn of having Bors,
Percivale, and Galahad see the Grail, the latter two sharing
a vision in a chapel. Bors returns to Camelot, in this tale
accompanied by Percivale, to find a broken court: Lancelot
is consumed by his vision, which availed him an out-of-focus
glimpse; Arthur is beside himself with woe for the loss of
so many knights. The poem ends abruptly and
sadly.
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Picking up where the Grail tale left off,
Pelleas and Etarre focuses on the young knight
Pelleas,
who falls in love with the false Etarre
and wins her the prize at Arthur's "Tournament of Youth." Continually
fooled, Pelleas pursued Etarre haplessly back to her castle, where he
is locked out. He is captured, brought before Etarre, and thrown
out--twice. Gawain appears both times and offers his help, but
Pelleas refuses. Three days after the second episode, he returns to
the castle, sneaks in, and finds Gawain in bed with Etarre. He goes
crazy and ends up in the company of Percivale, who tells him of the
unfaithfulness of Guinevere and Lancelot. Pelleas rushes to Camelot
and attacks Lancelot; the older knight emerges victorious, but the
stage is set for the Red Knight.
The Last Tournament sees Arthur fighting
the Red Knight while Lancelot is presiding over a knightly tournament
at Camelot. All rules of chivalric fighting are broken, and Lancelot
overlooks all transgressions. Tristram wins the prize. He has a long
converation with Dagonet, the court fool, and then returns to
Tintagil. He and Isolt talk for hours and are in the midst of happy
revelry when Mark bursts in and stabs the defenseless Tristram in the
back, killing him. Arthur returns from his victory over the Red
Knight, who had set up his own Round Table in the north, and finds
only Dagonet, whose sadness reflects the greater gloom of the
court.
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Guinevere sees the evil plans of
Modred
and Vivien come to fruition. Modred attempts to catch
Lancelot and Guinevere in the act of adultery. In a flash,
Lancelot escapes and flees to France and Guinevere takes
refuge in the nunnery at Almesbury. She remains there and
hears the news that Arthur is making war on Lancelot while
leaving Modred behind as regent and that Modred has seized
the crown and is preparing for Arthur's attack. Arthur
himself comes to Guinevere in the abbey, saying "I did not
come to curse thee." Nonetheless, she feels remorse at what
she has done. When he leaves, she realizes that she still
loves him. She hears of his passing and grieves
heavily.
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The story of The Passing of Arthur
is told by Bedivere,
the last survivor of the Round Table. He speaks of Arthur's
wondering whether God has forsaken him and of his
conversation with the ghost of Gawain and of his
determination to follow the path fate had ordained for him.
The last battle takes place in a veiling mist, in which one
could easily believe that the knight right next to you was
your enemy, not your friend. The fateful combat of Arthur
and Modred comes after the battle is over. Bedivere takes
Arthur to a nearby chapel, and the king instructs his
faithful follower to throw Excalibur
into the lake outside. The sword lands in the hand of an
outstretched that soon disappears beneath the surface.
Arthur is carried onto a barge, to carry him to
Avilion,
"Where I will heal me of my grievous wound." The poem (and
the saga) ends with a new spring morning, a symbol of great
things to come.
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The Idylls can be interpreted as a series
of allegories on the theme of unrepentant sin's bringing down an
ideal. Fidelity, be it marital or martial, is on high trial
throughout these poems. Arthur's failure to confront the adultery of
his queen and his favorite knight result in a gradual meltdown of
moral code and chivalric code. In the end, even Lancelot is made to
be the enemy.
This theme is obvious in The Holy Grail, a
tale that lends itself to such matters. But the idea of an evil
festering slowly to a terrible end plays a major part in the madness
of Balin and the actions of Pelleas. The intenseness with which
Geraint questions Enid's fidelity begs the question of whether Arthur
is doing the same with his wife. And the happiness that Gareth and
Lynette share is what Lancelot and Guinevere can only aspire to
have.
In the end, Arthur is not dead. We don't see a
grave, and the sun comes up again. Bedivere survives to tell the
story, much as young Tom survives to tell the story in
Malory.
Tennyson, in bringing the Matter of Britain back
to verse, has come full circle, as it were. As we enter the 20th
century in our examination of Arthurian literature, we see the themes
of sadness and unavoidable fate ruling supreme. One author who would
both embrace these themes and rail against them was T.H.
White.
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