Further Adventures of Me




Small Press Review, Volume 31, Numbers 3/4, March/April 1999



The End Review, Number 1, August 1998; edited by Scott Keeney. 64pp; 464 Somerville Ave. #5, Somerville MA 02143-3230. price: donation ($3 - $5 suggested).

Comprepoetica, Sitemaster: Bob Grumman. http://www.oocities.org/SoHo/Cafe/1492

Of Manywhere-at-Once, Volume 1, 3rd ed., by Bob Grumman. 190 pp.; 1998; Pa; The Runaway Spoon Press, Box 3621, Port Charlotte FL 33949. $10, ppd.



I have exciting news about Me, but first--to avoid 100% egocentricity--I want to mention Scott Keeney's zine, The End Review, a welcome new foray beyond the mainstream (though nowhere not verbal) that includes both Charles Bernstein and his arch-enemy Richard Kostelanetz. Also Rosemary Waldrop, Bill Marsh, Henry Gould, many others. It boasts first-rate reviews that more than summarize, too, by such as Keeney himself, Steven Marks (who uses one of my words!) and Gary Sullivan (on Sheila E. Murphy).

Here's just one of its poems, "Trace," not to indicate the kind but the level of work in The End Review. It's by W.B. Keckler.

"wing," the prehensile writing
finger, phalanges
forager   (holding patterns
in dream.   bent
under a focused cone of light
pre-cinematic, avian-consciousness
warps space, convex:
a mixture
of breaths    (criss-crossing clouds
Sanskrit "vati,"       "it blows"
through Dan. & Sw. "vinge"
"wing-hand"
it stirs the minuses of words
Ovidian, as the Roman stylus
flying so fast, the person
under covert feathers
has two lateral times.  but we
are not binocular like that
left/right      (the pour of symmetry
faux-simultaneity
we're clipped./speech

Writing as a form of flight? Our "left/right" equal to "clipped./speech"--or flightlessness a period makes emphatic versus speech, a speech clipped of a bird's full vigor? Flying a form of speech? Whatever (and the poem is loaded with whatevers), such twinings as that of dream with "pre-cinematic" light with "avian consciousness" with breaths . . . of Sanskrit-- and images like, wow, "the minuses of words" that writing (writing the word "wing"?) stirs up make "Trace," for me, a master-poem (and The End Review a master-zine for having it, and other poems of equal excellence).

Now to the exciting news-bytes about Me! One is that my web- site, Comprepoetica, had its official first birthday last October. It was intended, as its name implies, to showcase poems, poetics and poets of schools and managed to collect something like fifty bios of various poets--and one critic--and samples of poetry from maybe a fifth of them in its first half-year. Some of my essays are on it, too--and the beginnings of an attempt at a dictionary of poetry-related terms. My rough first part of '98, and happy but busy summer and fall, kept me from doing much, if anything, to keep it active with new materials and publicity, so it's been drawing hardly any traffic (in spite of what I thought was my great idea of running a poll on favorite living and dead American poets (Ashbery leads living poets with 11 votes, Williams the dead with 22).

I'm now writing a weekly poetry commentary for it, and have put out word that I'd like to run reviews by others, once-a-week, if I can. So if you have any reviews, or material for review, send 'em my way (1708 Hayworth Road, Port Charlotte FL 33952). I'm soliticiting Serious Essays, as well--and feedback on anything that appears at Comprepoetica. I bring all this up not only to publicize my site but to commend the value of running a web-site (mine is free but I'm required to keep commercial advertising banners at the tops of all my files; to use the Internet costs from $15 to $30 a month--and the investment of at least a thousand dollars, generally speaking, in a computer). The main virtue: you can write whatever you want to and know it'll be published, no matter how long or intelligent, for your site can always take it. Good place, too, for old published material hardly anyone's seen (like all my published material). And maybe (yes, the odds against are about ten million to one) someone in a position to help you will see something he likes of yours (and, yow, could I use that).

My other piece of me-related news involves my book, Of Manywhere-at-Once, Volume One, which I've updated and had reprinted for the second time. Multiply this column by fifty and you'll have a pretty good idea of what my book's like. What should make you sit up, though, are the details of its printing: it cost me just fifty dollars to get ten copies done (perfect-bound with four-color, laminated covers, if I wanted them, and I didn't because of the way laminated covers tend to curl)--that's fifty dollars upfront! Five-dollars-a-book isn't cheap if you're doing a hundred copies or more, but it certainly is for just ten.

And now I can order additional copies for just $3.30 or so apiece as long as I want to. The company doing the printing, an outfit called Sprout (http://www.sproutinfo.com or 430 Tenth St. NW, S-007, Atlanta GA 30318), you see, is an "on-demand printer," so it charges only to scan your master-copy (which you have to provide) into its computer, plus $25. (In my case, the scanning charge, which is 25-cents-a-page, was waived due to a special introductory offer.) I think it's a great deal if you want to self-publish a book you don't expect to get rid of very many of, and/or if you don't have the five hundred bucks or more that you'd otherwise need. And it eliminates the need for warehouse space. I hope to use Sprout for the second volume of my Of Manywhere series--and have already also used it for the third printing of Jake Berry's Brambu Drezi, Volume One. It's really gotten me excited!




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