The Coming of The New Millennium



Small Press Review, Volume 31, Numbers 9/10, September/October 1999



Comprepoetica, Sitemaster: Bob Grumman. http://www.oocities.org/SoHo/Cafe/1492

Unwrapping Spheres of Cloud & Skulls, by Guy R. Beining. 102 pp (with matter on one side of a page only); 62-65 Saunders St., Apt. 3I, Rego Park NY 11374. $35, ppd.

Valley, by Mike Daily. 224 pp; Bend Press, Box 886, San Pedro CA 90733. $13.

Chiron Review, Number 57, Spring 1999; edited by Michael Hathaway. 48 pp; 702 N. Prairie, St. John KS 67576-1516. Website: http://www.oocities.org/SoHo/Nook/1748. $4.



BEINING, Guy R. (26 September 1938). A major post-Eliot/Olson word- and field-jumbler early in his creative life, most signally in his long series, Stoma (to this day incompletely published), Beining turned painter, as well, in his forties. The result has been an outburst of master-collages that combine texts (his own and found or appropriated), photographs (ranging from porn to high science) and his own inimitable, often figure-based doodles, in which Pollockian splash-strokes unexpectedly achieve a Matisse-like elegance, with hints of Joseph Beuys and Marcel DuChamp prominently in the background. In most of these pieces, varied fragments jar against and/or flow from one another (e.g., on the first page of his 1994 Unwrapping Spheres of Cloud & Skulls where the list, "clodde/ clott/ kloz/ ie./ block/ clud/ rock/ hillock/ clod/ clot/ klut/ ie./ lump," flanks a photograph of a stairway up to a circular opening into a sky from which an over-sized man--probably Beining--looks down, and a photograph of some kind of modernistic dark-glassed container of candles). Such works seem to be Beining's present specialty. - Bob Grumman

Beining, Guy. Stoma 1322. Toronto: Curvd H&Z (#2 - 856 Somerset W., Ottawa, Canada, K1R 6R7), 1984.
______. Piecemeal I through VIII. Port Charlotte, FL: Runaway Spoon, 1989.
______. Stoma: selected poems. Huntington, WV: Aegina Press, (59 Oak Lane, Spring Valley, 25704), 1990.
______. Carved Erosion. Seattle: Elbow (Box 21671, 98111-3671), 1995.
______. too far to hear. Morris, MN: Standing Stones (7 Circle Pines, 56267), 1997.

Ho, the third millennium of the current era will be here soon (at midnight, 1 January 2000, not 2001, according to my definition of millennium: a period of time equal to one thousand sanely- countable years unless some fool or group of fools has played around with it, in which case it may be only 999 years in length, as with the first millennium of the Christion Era). I have taken its arrival as an excuse finally to go completely off-column, possibly for good. That is to say, I plan in this and at least two more columns to write whatever I wantz to, and call the mess an end-of-the-millennium round-up. Except that I will mention at least one piece of genuine Experioddica--or something close to it--in each installment. Hence the mention at the top in the list of items I'm reviewing of Guy Beining's highly satisfactory collection of collages and text, and drawings and text, and drawings and collages and text, Spheres. It's as expensive as hell but what isn't, and besides, there are only a few copies of it around, and a little of it is in full color. Each copy, too, is autographed by Beining and has a unique colored artwork glued on its title-page. Its being mentioned here guarantees its price will hit six figures by 2002 at the latest (and is, of course, why Beining gave me a free review copy of it).

Actually, I got the free copy because Richard Kostelanetz was preparing a second edition of his Dictionary of the Avant Gardes (for Schirmer's, believe it or not) and had invited me to do some entries for it, one of them to be on Beining. So I wrote to Guy for some information about himself and what he's most recently done to add to the much I already knew about both. He sent me some great photographs of full-color works I have to return, alas, plus the review copy of Spheres, and lots of other nice stuff. And I made the entry at the start of this column. I did entries on ten or twelve other people, too, but feel bad because I didn't do ten or twelve--or fifty--more, mainly for lack of time, and insufficient data (mostly having to do with such trivial matters day, month and year of birth). So, apologies to all I ought to have written into Richard's book but failed to.

So far this column doesn't seem that different from my previous ones to me but here's where everything changes, for I'm jumping into my next subject without one of my wonderfully professional transitions! It's a novel called Valley about which I wrote its author, "It reminded me somewhat of Bukowski (as novelist) but a Buk of a different generation/slant/style . . . mostly because usually so to the point, understated--a sort of bumming around into minor epiphanies. . . . I liked the collage-effect" (Warp Magazine accurately spoke of it as jumping "from genre to genre . . . (by using) a pastiche of journal entries, newspaper clippings, poetry and screenplay scenes"--graphics, too, I would add. Oh, the valley it's about is the San Fernando Valley and its characters are mostly twenty-somethings--sort of Hemingwayesquely feeling their way into literature and life as in The Sun Also Rises, it now strikes me--but it's been a long time since I read that (without the enjoyment that I read Valley), so who knows.

My poetry website, Comprepoetica, is in the list at the head of my column because I was going to get into a millenniatical spiel about all that's happened this century and all that will be happening next century which I expected to deposit me into some Serious Reminiscing about things like my SMR column, which first appeared in June 1993 and, with this, has now reappeared 36 times, and started to appear early this year at Comprepoetica, too. I was a little leery of rereading them, as I had to, to get the website editing right, but after I did, I felt okay about them. Enough to say more about them in my next installment of this series of columns.

Because I thought I ought to list some magazine above, too, and had a bunch mine editor, LF, had sent me lying around, Chiron Review made this column--even though it's not at all out of the experioddica universe. It's half contra-genteel, half mainstream poetry and prose--Marge Piercy, for instance, and an essay on Sharon Olds by Ron McFarland, some neo-Bukowski (very funny) lineated prose by Joan Jobe Smith about Bukowski, and several short reviews of books and magazines, including a good-heartedly supportive one of Lee Thorn's Fuck, which is out of the experioddica universe--at least to the degree of having poems in it by John M. Bennett. For that alone Chiron Review deserves this mention.

 


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