REAL LOVE
By John Lennon
ALL MY LITTLE PLANS AND SCHEMES,
LOST LIKE SOME FORGOTTEN DREAMS.
SEEMS THAT ALL I REALLY WAS DOING
WAS WAITING FOR YOU.
JUST LIKE LITTLE GIRLS AND BOYS,
PLAYING WITH THEIR LITTLE TOYS.
SEEMS LIKE ALL THEY REALLY WERE DOING
WAS WAITING FOR LOVE.
DON'T NEED TO BE ALONE,
NO NEED TO BE ALONE.
IT'S REAL LOVE, IT'S REAL,
YES, IT'S REAL LOVE, IT'S REAL.
FROM THIS MOMENT ON I KNOW
EXACTLY WHERE MY LIFE WILL GO,
SEEMS THAT ALL I REALLY WAS DOING
WAS WAITING FOR LOVE.
DON'T NEED TO BE AFRAID,
NO NEED TO BE AFRAID,
IT'S REAL LOVE, IT'S REAL,
YES, IT'S REAL LOVE, IT'S REAL
AH -
AH -
THOUGHT I'D BEEN IN LOVE BEFORE,
BUT IN MY HEART, I WANTED MORE.
SEEMS LIKE ALL I REALLY WAS DOING
WAS WAITING FOR YOU.
DON'T NEED TO BE ALONE,
DON'T NEED TO BE ALONE,
IT'S REAL LOVE, YES, IT'S REAL,
YES, IT'S REAL LOVE, IT'S REAL,
YES, IT'S REAL LOVE, IT'S REAL,
IT'S REAL LOVE, IT'S REAL,
YES, IT'S REAL LOVE, IT'S REAL,
IT'S REAL LOVE, IT'S REAL
YES, IT'S REAL LOVE, IT'S REAL,
IT'S REAL LOVE, IT'S REAL,
YES, IT'S REAL LOVE, IT'S REAL.
ã Lenono Music Inc
YES IT IS (Take 2 into take 14)
By John Lennon and Paul McCartney
IF YOU WEAR RED TONIGHT,
REMEMBER WHAT I SAID TONIGHT,
FOR RED IS THE COLOUR THAT MY BABY WORE,
AND WHAT'S MORE, IT'S TRUE,
YES, IT IS.
SCARLET WERE THE CLOTHES SHE WORE,
EV´RYBODY KNOWS, I'M SURE.
I WOULD REMEMBER ALL THE THINGS WE PLANNED,
UNDERSTAND, IT'S TRUE,
YES, IT IS, IT'S TRUE,
YES, IT IS.
DAY-DEE-DEE-DEE-DAY-DEE-DOY-DEE-DEE-DOY....
IF I COULD FORGET HER,
BUT IT'S MY PRIDE, YES, IT IS,
YES, IT IS,
OH, YES, IT IS, YEAH.
PLEASE DON'T WEAR RED TONIGHT,
THIS IS WHAT I SAID TONIGHT.
FOR RED IS THE COLOUR THAT WILL MAKE ME BLUE,
IN SPITE OF YOU, IT'S TRUE,
YES, IT IS, IT'S TRUE,
YES, IT IS, IT'S TRUE.
ã Northern Songs Ltd
I'M DOWN (Take 2)
By John Lennon and Paul McCartney
"LET'S HOPE THIS ONE TURNS OUT PRETTY DARN GOOD, HAH?
YOU TELL LIES THINKIN' I CAN'T SEE,
YOU CAN'T CRY 'CAUSE YOU'RE LAUGHIN' AT ME.
I'M DOWN,
I'M DOWN,
I'M DOWN,
AH-HOW CAN YOU LAUGH
WHEN YOU KNOW I'M DOWN?
WHEN YOU KNOW I'M DOWN?
MAN BUYS RING, WOMAN THROWS IT AWAY,
SAME OLD THING HAPPEN EVERY DAY.
I'M DOWN,
I'M DOWN,
I'M DOWN,
AH-HOW CAN YOU LAUGH
WHEN YOU KNOW I'M DOWN?
WHEN YOU KNOW I'M DOWN?
OW!
OH HO!
OOH!
A-WE'RE ALL ALONE AND THERE'S NOBODY ELSE,
YOU STILL MOAN, "KEEP YOUR HANDS TO YOURSELF!"
I'M DOWN,
I'M DOWN,
I'M DOWN,
AH-HOW CAN YOU LAUGH
WHEN YOU KNOW I'M DOWN, HOW CAN YOU LAUGH?
WHEN YOU KNOW I'M DOWN?
AH HO!
OH YEAH!
OOH-HO!
ARF! ARF ARF!
KEEP GOING!
AH, BABY, I'M DOWN,
YES, I'M DOWN,
AH, DON'T YOU KNOW I'M DOWN,
I'M DOWN,
YEAH, I'M DOWN, DOWN, DOWN, DOWN, DOWN, DOWN, DOWN,
WHOA, I'M DOWN, YEAH,
AH, BABY, I'M DOWN,
I'M DOWN ON THE GROUND,
I'M DOWN, OOOH, OH YEAH!
I'M DOWN NOW,
NOW, NOW I'M DOWN, YEAH,
AH, BABY I'M DOWN NOW,
NOW, NOW I'M DOWN, YEAH,
WELL, YES, I'M DOWN,
OW!
OOH HO! HO!
- "HEY, IT'S REALLY A GOOD....
PLASTIC SOUL, MAN, PLASTIC SOUL,
PLASTIC SOUL, MAN, DIG THAT."
©Northern Songs Ltd.
YOU'VE GOT TO HIDE
YOUR LOVE AWAY (Take
5)
By John Lennon and Paul McCartney
ONE, TWO, THREE, ONE, TWO, THREE...
JOHN: HOLD ON! HOLD ON!
I JUST GONNA RAISE THIS SO IT'S NEARER THE BASS STRINGS THAN THE TOP STRING.
(sound of breaking glass)
JOHN: PAUL'S BROKEN AT LAST BROKEN, AT LAST PAUL'S BROKEN AT LAST A
GLASS, A GLASS HE'S BROKE TODAY
OKAY? ONE...
OH, YOU READY, MACCA?
ONE, TWO, THREE, ONE, TWO, THREE.
HERE I STAND WITH HEAD IN HAND,
TURN MY FACE TO THE WALL.
IF SHE'S GONE I CAN'T GO ON
FEELING TWO FOOT SMALL.
EV´RYWHERE PEOPLE STARE,
EACH AND EV´RY DAY.
I CAN SEE THEM LAUGH AT ME
AND I HEAR THEM SAY:
"HEY! YOU'VE GOT TO HIDE YOUR LOVE AWAY!"
"HEY! YOU'VE GOT TO HIDE YOUR LOVE AWAY!"
HOW CAN I EVEN TRY?
I CAN NEVER WIN.
HEARING THEM, SEEING THEM,
IN THE STATE I'M IN.
HOW COULD SHE SAY TO ME
"LOVE WILL FIND A WAY."
GATHER 'ROUND ALL YOU CLOWNS,
LET ME HEAR YOU SAY:
"HEY! YOU'VE GOT TO HIDE YOUR LOVE AWAY!"
"HEY! YOU'VE GOT TO HIDE YOUR LOVE AWAY!"
© Northern Songs Ltd.
IF YOU'VE GOT TROUBLE
By John Lennon and Paul McCartney
IF YOU'VE GOT TROUBLES
THEN YOU'VE GOT LESS TROUBLES THAN ME.
YOU SAY YOU'RE WORRIED,
YOU CAN'T BE AS WORRIED AS ME. (oh oh)
YOU'RE QUITE CONTENT TO BE BAD,
WITH ALL THE ADVANTAGE YOU HAD OVER ME.
JUST 'CAUSE YOU'RE TROUBLED,
THEN DON'T BRING YOUR TROUBLES TO ME.
I DON'T THINK IT'S FUNNY
WHEN YOU ASK FOR MONEY AND THINGS.
ESPECIALLY WHEN YOU'RE STANDING THERE
WEARING DIAMONDS AND RINGS. (oh oh)
YOU THINK I'M SOFT IN THE HEAD,
WELL, TRY SOMEONE SOFTER INSTEAD, PRETTY THING
IT'S NOT SO FUNNY WHEN YOU KNOW WHAT MONEY CAN BRING.
YOU'D BETTER LEAVE ME ALONE,
I DON'T NEED A THING FROM YOU.
YOU'D BETTER TAKE YOURSELF HOME,
GO AND COUNT A RING OR TWO.
IF YOU'VE GOT TROUBLES,
THEN YOU'VE GOT LESS TROUBLES THAN ME
YOU SAY YOU'RE WORRIED,
YOU CAN'T BE AS WORRIED AS ME.
YOU'RE QUITE CONTENT TO BE BAD,
WITH ALL THE ADVANTAGE YOU HAD OVER ME.
JUST 'CAUSE YOU'RE TROUBLED,
THEN DON'T BRING YOUR TROUBLES TO ME.
AHH... ROCK ON, ANYBODY!
YOU'D BETTER LEAVE ME ALONE,
I DON'T NEED A THING FROM YOU.
YOU'D BETTER TAKE YOURSELF HOME,
GO AND COUNT A RING OR TWO.
IF YOU'VE GOT TROUBLES,
THEN YOU'VE GOT LESS TROUBLES THAN ME.
YOU SAY YOU'RE WORRIED,
YOU CAN'T BE AS WORRIED AS ME (oh oh)
YOU'RE QUITE CONTENT TO BE BAD,
WITH ALL THE ADVANTAGE YOU HAD OVER ME.
JUST 'CAUSE YOU'RE TROUBLED,
THEN DON'T BRING YOUR TROUBLES TO ME,
JUST 'CAUSE YOU'RE TROUBLED,
THEN DON'T BRING YOUR TROUBLES TO ME.
© Northern Songs Ltd.
THAT MEANS A LOT (Take 1)
By John Lennon and Paul McCartney
A FRIEND SAYS THAT YOUR LOVE WON'T MEAN A LOT.
AND YOU KNOW THAT YOUR LOVE IS ALL YOU'VE GOT.
AT TIMES THINGS ARE SO FINE,
AND AT TIMES THEY'RE NOT.
BUT WHEN SHE SAYS, SHE LOVES YOU,
THAT MEANS A LOT.
A FRIEND SAYS THAT A LOVE IS NEVER TRUE.
BUT YOU KNOW THAT THIS CAN'T APPLY TO YOU.
A TOUCH CAN MEAN SO MUCH
WHEN IT'S ALL YOU'VE GOT.
WHEN SHE SAYS, SHE LOVES YOU,
THAT MEANS A LOT.
LOVE CAN BE DEEP INSIDE,
LOVE CAN BE SUICIDE.
CAN'T YOU SEE, YOU CAN'T HIDE
WHAT YOU FEEL, WHEN IT'S REAL.
A FRIEND SAYS THAT YOUR LOVE WON'T MEAN A LOT.
BUT YOU KNOW THAT YOUR LOVE IS ALL YOU'VE GOT.
A TOUCH CAN MEAN SO MUCH
WHEN IT'S ALL YOU'VE GOT.
BUT WHEN SHE SAYS SHE LOVES YOU,
THAT MEANS A LOT.
CAN'T YOU SEE? - YEAH,
CAN'T YOU SEE? - YEAH,
CAN'T YOU SEE? - YEAH,
CAN'T YOU SEE? - YEAH,
CAN'T YOU SEE? - OH YEAH,
CAN'T YOU SEE? - WHOA,
CAN'T YOU SEE? - YEAH,
CAN'T YOU SEE? - YEAH,
CAN'T YOU SEE?
©Northern Songs Ltd.
YESTERDAY (Take 1)
By John Lennon and Paul McCartney
- "IT'LL BE AN 'F' FOR YOU."
YESTERDAY...
- "I'M IN 'G' BUT IT'LL BE AN 'F', IT GOES...'E MINOR' TO 'A SEVEN'
TO 'D MINOR'. READY?"
- "HERE WE GO."
- "OKAY, MAN."
YESTERDAY,
ALL MY TROUBLES SEEMED SO FAR AWAY,
NOW IT LOOKS AS THOUGH THEY'RE HERE TO STAY,
OH, I BELIEVE IN YESTERDAY.
SUDDENLY,
THERE'S A SHADOW HANGING OVER ME,
I'M NOT HALF THE MAN I USED TO BE,
OH, YESTERDAY CAME SUDDENLY.
WHY SHE
HAD TO GO I DON'T KNOW, SHE WOULDN'T SAY.
I SAID,
SOMETHING WRONG, NOW I LONG FOR YESTERDAY.
YESTERDAY,
LOVE WAS SUCH AN EASY GAME TO PLAY,
NOW I NEED A PLACE TO HIDE AWAY,
OH, I BELIEVE IN YESTERDAY.
WHY SHE
HAD TO GO I DON'T KNOW, SHE WOULDN'T SAY.
I SAID,
SOMETHING WRONG, NOW I LONG FOR YESTERDAY.
YESTERDAY,
LOVE WAS SUCH AN EASY GAME TO PLAY,
NOW I NEED A PLACE TO HIDE AWAY,
OH, I BELIEVE IN YESTERDAY.
MM-MM-MM-MM-MM-MM-MM.
© Northern Songs Ltd.
IT'S ONLY LOVE (Take 2 preceded by the false start of
take 3)
By John Lennon and Paul McCartney
- "OH, HA! HA!"
I GET HIGH WHEN I SEE YOU GO BY,
MY OH MY.
WHEN YOU SIGH, MY, MY INSIDE JUST FLIES,
BUTTERFLIES.
WHY AM I SO SHY WHEN I'M BESIDE YOU?
IT'S ONLY LOVE AND THAT IS ALL,
WHY SHOULD I FEEL THE WAY I DO?
IT'S ONLY LOVE AND THAT IS ALL,
BUT IT'S SO HARD LOVING YOU.
IS IT RIGHT THAT YOU AND I SHOULD FIGHT
EV´RY NIGHT?
JUST THE SIGHT OF YOU MAKES NIGHT TIME BRIGHT,
VERY BRIGHT.
HAVEN'T I THE RIGHT TO MAKE IT UP, GIRL?
IT'S ONLY LOVE AND THAT IS ALL,
WHY SHOULD I FEEL THE WAY I DO?
IT'S ONLY LOVE AND THAT IS ALL,
BUT IT'S SO HARD LOVING YOU,
IT'S SO HARD LOVING YOU,
LOVING YOU-OO-OO.
© Northern Songs Ltd.
I FEEL FINE
By John Lennon and Paul McCartney
(Recorded live at the "Blackpool Night Out" TV show, 1 August 1965)
BABY'S GOOD TO ME, YOU KNOW,
SHE'S HAPPY AS CAN BE, YOU KNOW,
SHE SAID SO.
I'M IN LOVE WITH HER AND I FEEL FINE.
BABY SAYS SHE'S MINE, YOU KNOW,
SHE TELLS ME ALL THE TIME, YOU KNOW,
SHE SAID SO.
I'M IN LOVE WITH HER AND I FEEL FINE.
I'M SO GLAD
THAT SHE'S MY LITTLE GIRL.
SHE'S SO GLAD,
SHE'S TELLING ALL THE WORLD.
THAT HER BABY BUYS HER THINGS, YOU KNOW,
HE BUYS HER DIAMOND RINGS, YOU KNOW,
SHE SAID SO.
SHE'S IN LOVE WITH ME AND I FEEL FINE.
HEY!
MM.
BABY SAYS SHE'S MINE, YOU KNOW,
SHE TELLS ME ALL THE TIME, YOU KNOW,
SHE SAID SO.
I'M IN LOVE WITH HER AND I FEEL FINE.
I'M SO GLAD
THAT SHE'S MY LITTLE GIRL.
SHE'S SO GLAD,
SHE'S TELLING ALL THE WORLD.
THAT HER BABY BUYS HER THINGS, YOU KNOW,
HE BUYS HER DIAMOND RINGS, YOU KNOW,
SHE SAID SO.
SHE'S IN LOVE WITH ME AND I FEEL FINE,
SHE'S IN LOVE WITH ME AND I FEEL FINE.
OOH.
- "THANK YOU!
?
THANK YOU."
© Northern Songs Ltd.
TICKET TO RIDE
By John Lennon and Paul McCartney
(Recorded live at the "Blackpool Night Out" TV show, 1 August 1965)
- "WELL, EH, THANK YOU VERY MUCH EV'RYYBODY!"
- "BLACKPOOL."
- "BLACKPOOL, NO LESS, LOVELY TO BE HEERE. WE'D LIKE TO CARRY ON
NOW IN A SEC WITH A SONG WHICH IS OUR RECORD BEFORE....
- "RECORD BEFORE!"
- "...YOU KNOW, THIS ONE IS CALLED &quuot;TICKET TO RIDE."
I THINK I'M GONNA BE SAD, I THINK IT'S TODAY, YEAH!
THE GIRL THAT'S DRIVING ME MAD IS GOING AWAY.
SHE'S GOT A TICKET TO RIDE,
SHE'S GOT A TICKET TO RI-HI-HIDE,
SHE'S GOT A TICKET TO RIDE,
AND SHE DON'T CARE.
SHE SAID THAT LIVING WITH ME WAS BRINGING HER DOWN, YEAH!
SHE WOULD NEVER BE FREE WHEN I WAS AROUND, YEAH!
SHE'S GOT A TICKET TO RIDE,
SHE'S GOT A TICKET TO RI-HI-HIDE,
SHE'S GOT A TICKET TO RIDE,
BUT SHE DON'T CARE.
I DON'T KNOW WHY SHE'S RIDIN' SO HIGH,
SHE OUGH-TA THINK TWICE,
SHE OUGHT-TA DO RIGHT BY ME.
BEFORE SHE GETS TO SAYIN' GOODBYE,
SHE OUGH-TA THINK TWICE,
SHE OUGHT-TA DO RIGHT BY ME.
SHE SAID THAT LIVING WITH ME WAS BRINGING HER DOWN, YEAH!
SHE WOULD NEVER BE FREE WHEN I WAS AROUND.
AH, SHE'S GOT A TICKET TO RIDE,
SHE'S GOT A TICKET TO RI-HI-HIDE,
SHE'S GOT A TICKET TO RIDE,
AND SHE DON'T CARE.
MY BABY DON'T CARE,
MY BABY DON'T CARE,
MY BABY DON'T CARE,
MY BABY DON'T CARE.
- "THANK YOU VERY MUCH, THANK YOU.&quoot;
©Northern Songs Ltd.
YESTERDAY
By John Lennon and Paul McCartney
(Recorded live at the "Blackpool Night Out" TV show, 1 August 1965)
- "WE LIKE TO DO SOMETHING NOW WHICH WWE'VE NEVER, EVER DONE BEFORE
AND IT'S A TRACK OFF OUR NEW LP AND THIS SONG IS CALLED 'YESTERDAY',
AND SO FOR PAUL McCARTNEY OF LIVERPOOL OPPORTUNITY KNOCKS!"
- "THANK YOU, GEORGE."
YESTERDAY,
ALL MY TROUBLES SEEMED SO FAR AWAY,
NOW IT LOOKS AS THOUGH THEY'RE HERE TO STAY,
OH, I BELIEVE IN YESTERDAY.
SUDDENLY,
I'M NOT HALF THE MAN I USED TO BE,
THERE'S A SHADOW HANGING OVER ME,
OH, YESTERDAY CAME SUDDENLY.
WHY SHE
HAD TO GO I DON'T KNOW, SHE WOULDN'T SAY.
I SAID,
SOMETHING WRONG, NOW I LONG FOR YESTERDAY.
YESTERDAY,
LOVE WAS SUCH AN EASY GAME TO PLAY,
NOW I NEED A PLACE TO HIDE AWAY,
OH, I BELIEVE IN YESTERDAY.
WHY SHE
HAD TO GO I DON'T KNOW, SHE WOULDN'T SAY.
I SAID,
SOMETHING WRONG, NOW I LONG FOR YESTERDAY.
YESTERDAY,
LOVE WAS SUCH AN EASY GAME TO PLAY,
NOW I NEED A PLACE TO HIDE AWAY,
OH, I BELIEVE IN YESTERDAY.
MM-MM-MM-MM-MM-MM-MM.
- " THANK YOU, RINGO. THAT WAS WONDERFFUL."
© Northern Songs Ltd.
HELP!
By John Lennon and
Paul McCartney
(Recorded live at the "Blackpool Night Out" TV show, 1 August 1965)
- "THE NEXT SONG WE LIKE TO SING...&quuot;(Girl in the audience shouts
John)
- "SHURRUP!, I'LL KILL YOU....IS OUR LLATEST RECORD (mock Japanese)
OR OUR LATEST ELECTRONIC NOISE DEPENDING WHO'S SIDE YOUR ON.
ANY ROAD, WE LIKE TO CARRY ON WITH IT, IT'S THE LAST NUMBER, WE'D
LIKE TO THANK YOU ALL FOR BEING SO WONDERFUL, HA! HA!...,
AND IT'S CALLED 'HELP!'
ONE, TWO, THREE, FOUR!
HELP! I NEED SOMEBODY,
HELP! NOT JUST ANYBODY,
HELP! YOU KNOW I NEED SOMEONE,
HELP!
(Hey!)
WHEN I WAS YOUNGER, SO MUCH YOUNGER THAN TODAY,
I NEVER NEEDED ANYBODY'S HELP IN ANY WAY.
BUT NOW THESE DAYS ARE GONE, I'M NOT SO SELF ASSURED,
NOW I FIND I'VE CHANGED MY MIND,
I'VE OPENED UP THE DOORS.
(Yeh!)
HELP ME IF YOU CAN I'M FEELING DOWN,
AND I DO APPRECIATE YOU BEING 'ROUND,
HELP ME GET MY FEET BACK ON THE GROUND,
WON'T YOU PLEASE, PLEASE HELP ME?
AND NOW MY LIFE HAS CHANGED IN, OH, SO MANY WAYS,
MY INDEPENDENCE SEEMS TO VANISH IN THE HAZE.
BUT ...(John forgets the lyrics)...I'M NOT SO SELF ASSURED,
I KNOW THAT I JUST NEED YOU LIKE
I NEVER DONE BEFORE.
(Hey!)
HELP ME IF YOU CAN I'M FEELING DOWN,
AND I DO APPRECIATE YOU BEING 'ROUND,
HELP ME GET MY FEET BACK ON THE GROUND,
WON'T YOU PLEASE, PLEASE HELP ME?
WHEN I WAS YOUNGER, SO MUCH YOUNGER THAN TODAY,
NEVER NEEDED ANYBODY'S HELP IN ANY WAY.
BUT NOW THESE DAYS ARE GONE, I'M NOT SO SELF ASSURED,
NOW I FIND I'VE CHANGED MY MIND,
I OPENED UP THE DOORS.
HELP ME IF YOU CAN I'M FEELING DOWN,
AND I DO APPRECIATE YOU BEING 'ROUND,
HELP ME GET MY FEET BACK ON THE GROUND,
WON'T YOU PLEASE, PLEASE HELP ME?
HELP ME?
HELP ME-OO?
© Northern Songs Ltd.
EVERYBODY'S TRYING TO
BE MY BABY
By Carl Lee Perkins
(Recorded live at Shea Stadium, New York, 15 August 1965)
- "THANK YOU...LIKE TO CARRY ON WITH AA SONG THAT WAS ON...
ON AN AL..., THE ALBUM BEFORE LAST AND, EH... IT' S CALLED
'EV'RYBODY'S TRYING TO BE MY BABY'"
WELL, THEY TOOK SOME HONEY FROM A TREE,
DRESSED IT UP AND THEY CALLED IT ME.
EV'RYBODY'S TRYIN' TO BE MY BABY,
EV'RYBODY'S TRYIN' TO BE MY BABY,
EV'RYBODY'S TRYIN' TO BE MY BABY NOW.
WOKE UP LAST NIGHT, HALF PAST FOUR,
FIFTY WOMEN KNOCKIN' ON MY DOOR.
EV'RYBODY'S TRYIN' TO BE MY BABY,
EV'RYBODY'S TRYIN' TO BE MY BABY,
EV'RYBODY'S TRYIN' TO BE MY BABY NOW, YEAH!
WENT OUT LAST NIGHT, I DIDN'T STAY LATE,
'FORE I'M HOME I HAD A NINETEEN DATES-
EV'RYBODY'S TRYIN' TO BE MY BABY,
EV'RYBODY'S TRYIN' TO BE MY BABY,
EV'RYBODY'S TRYIN' TO BE MY BABY NOW, YEAH!
WENT OUT LAST NIGHT, I DIDN'T STAY LATE,
'FORE I'M HOME I HAD A NINETEEN DATES.
EV'RYBODY'S TRYIN' TO BE MY BABY,
EV'RYBODY'S TRYIN' TO BE MY BABY,
EV'RYBODY'S TRYIN' TO BE MY BABY NOW, YEAH!
WELL, THEY TOOK SOME HONEY FROM A TREE,
DRESSED IT UP AND THEY CALLED IT ME.
EV'RYBODY'S TRYIN' TO BE MY BABY,
EV'RYBODY'S TRYIN' TO BE MY BABY,
EV'RYBODY'S TRYIN' TO BE MY BABY NOW, YEA-EAH-EAH-EAH.
© Knox Music Ltd/Carlin.
NORWEGIAN WOOD (THIS
BIRD HAS FLOWN) (Take
1)
By John Lennon and Paul McCartney
I ONCE HAD A GIRL
OR SHOULD I SAY SHE ONCE HAD ME;
SHE SHOWED ME HER ROOM,
ISN'T IT GOOD, NORWEGIAN WOOD.
SHE ASKED ME TO STAY
AND SHE TOLD ME TO SIT ANYWHERE.
SO I LOOKED AROUND
AND I NOTICED THERE WASN'T A CHAIR.
I SAT ON A RUG,
DRINKING HER WINE, BIDING MY TIME.
WE TALKED UNTIL TWO
AND THEN SHE SAID, "IT'S TIME FOR BED."
SHE TOLD ME SHE WORKED IN THE MORNING
AND STARTED TO LAUGH.
I TOLD HER I DIDN'T AND CRAWLED OFF
TO SLEEP IN THE BATH.
AND WHEN I AWOKE,
I WAS ALONE, THIS BIRD HAS FLOWN.
SO I LIT A FIRE,
ISN'T IT GOOD, NORWEGIAN WOOD.
© Northern Songs Ltd.
I'M LOOKING THROUGH
YOU
By John Lennon and Paul McCartney
I'M LOOKING THROUGH YOU,
WHERE DID YOU GO?
I THOUGHT I KNEW YOU,
WHAT DID I KNOW?
YOU DON'T LOOK DIFF´RENT,
BUT YOU HAVE CHANGED;
I'M LOOKING THROUGH YOU,
YOU'RE NOT THE SAME, YEAH!
YOUR LIPS ARE MOVING,
I CANNOT HEAR.
YOUR VOICE IS SOOTHING
BUT THE WORDS AREN'T CLEAR.
YOU DON'T SOUND DIFF´RENT,
I'VE LEARNT THE GAME;
I'M LOOKING THROUGH YOU,
YOU'RE NOT THE SAME, YEAH!
YOU'RE THINKING OF ME
THE SAME OLD WAY.
YOU WERE ABOVE ME
BUT NOT TODAY.
THE ONLY DIFF´RENCE IS YOU'RE DOWN THERE;
I'M LOOKING THROUGH YOU
AND YOU'RE NOWHERE, YEAH!
THE ONLY DIFF´RENCE IS YOU'RE DOWN THERE;
I'M LOOKING THROUGH YOU
AND YOU'RE NOWHERE, YEAH!
YEAH, NOWHERE,
YEAH, NOWHERE,
YEAH, I'M LOOKING THROUGH YOU,
YEAH, I'M LOOKING THROUGH YOU,
YEAH, I'M LOOKING THROUGH YOU,
YEAH, I'M LOOKING THROUGH YOU,
AHA!
NOWHERE!
©Northern Songs Ltd.
TOMORROW NEVER KNOWS (Take 1)
By John Lennon and Paul McCartney
- "OOH."
- "STAND BY!"
TURN OFF YOUR MIND, RELAX AND FLOAT DOWN STREAM;
IT IS NOT DYING,
IT IS NOT DYING.
LAY DOWN ALL THOUGHTS, SURRENDER TO THE VOID;
IT IS SHINING,
IT IS SHINING.
THAT YOU MAY SEE THE MEANING OF WITHIN,
IT IS BEING,
IT IS BEING.
THAT LOVE IS ALL, THAT LOVE IS EV´RYONE;
IT IS KNOWING,
IT IS KNOWING.
WHEN IGNORANCE AND HASTE MAY MOURN THE DEAD,
IT IS BELIEVING,
IT IS BELIEVING.
BUT LISTEN TO THE COLOUR OF YOUR DREAM,
IT IS NOT LIVING,
IT IS NOT LIVING.
OR PLAY THE GAME "EXISTENCE" TO THE END
OF THE BEGINNING,
OF THE BEGINNING,
OF THE BEGINNING,
OF THE BEGINNING,
OF THE BEGINNING,
OF THE BEGINNING.
© Northern Songs Ltd.
GOT TO GET YOU INTO MY
LIFE (Take 5)
By John Lennon and Paul McCartney
I WAS ALONE, I TOOK A RIDE,
I DIDN'T KNOW WHAT I WOULD FIND THERE.
ANOTHER ROAD, WHERE MAYBE I
COULD SEE ANOTHER KIND OF MIND THERE.
OOH, THEN I SUDDENLY SEE YOU.
OOH, DID I TELL YOU I NEED YOU
EV´RY SINGLE DAY OF MY LIFE?
YOU DIDN'T RUN, YOU DIDN'T LIE,
YOU KNEW I WANTED JUST TO HOLD YOU.
AND HAD YOU GONE YOU KNEW IN TIME
WE'D MEET AGAIN FOR I HAVE TOLD YOU.
OOH, YOU WERE MEANT TO BE NEAR ME.
OOH, AND I WANT YOU TO HEAR ME
SAY WE'LL BE TOGETHER EV´RY DAY.
GOT TO GET YOU INTO MY LIFE, SOMEHOW, SOME WAY.
WHAT CAN I DO, WHAT CAN I BE,
WHEN I'M WITH YOU I WANT TO STAY THERE.
IF I'M TRUE I´LL NEVER LEAVE
AND IF I DO I KNOW THE WAY THERE.
OOH, THEN I SUDDENLY SEE YOU.
OOH, DID I TELL YOU I NEED YOU
EV´RY SINGLE DAY OF MY LIFE?
GOT TO GET YOU INTO MY LIFE, SOMEHOW, SOME WAY.
I NEED YOUR LOVE,
I NEED YOUR LOVE,
I NEED YOUR LOVE,
I NEED YOUR LOVE.
GOT TO GET YOU INTO MY LIFE, OH, SOMEHOW, SOME WAY.
GOT TO GET YOU INTO MY LIFE, OH, OH, HO,
D'YOU HEAR ME, OO-OO?
DEE, DEE.....(ad lib and fade)
© Northern Songs Ltd.
AND YOUR BIRD CAN SING (Take 2)
By John Lennon and Paul McCartney
ONE, TWO, THREE, FOUR!
YOU TELL ME THAT YOU'VE GOT EV´RYTHING YOU WANT,
AND YOUR BIRD CAN SING,
BUT YOU DON'T GET ME,
YOU DON'T GET ME.
YOU SAY YOU'VE SEEN SEVEN WONDERS,
AND YOUR BIRD IS GREEN,
BUT YOU CAN'T SEE ME,
YOU (DON'T) CAN'T SEE ME.
WHEN YOUR PRIZED POSSESSIONS
START TO WEAR YOU DOWN,
LOOK IN MY DIRECTION,
I´LL BE 'ROUND,
I´LL BE 'ROUND.
YOU TELL ME THAT YOU'VE HEARD EV´RY SOUND THERE IS,
AND YOUR BIRD CAN SWING,
BUT YOU CAN'T HEAR ME,
YOU CAN'T HEAR ME.
HA! HA!
WHEN YOUR BIRD IS BROKEN,
WILL IT BRING YOU DOWN?
YOU MAY BE AWOKEN, (BE AWOKEN)
I´LL BE 'ROUND,
I´LL BE 'ROUND. (HA! HA! HA! HA! HA!)
YOU TELL ME THAT YOU'VE (HEARD) GOT EV´RYTHING YOU WANT,
AND YOUR BIRD CAN SING,
BUT YOU DON'T GET ME,
YOU DON'T GET ME.
(whistle)
- "OKAY, OKAY, OKAY, OKAY, OKAY, OKAY,, OKAY"
- "OKAY, QUIT!
- "THAT'S IT, YEAH."
- "THAT WAS IT, WASN'T IT?"
© Northern Songs Ltd.
TAXMAN (Take 11)
By George Harrison
ONE, TWO, THREE, FOUR...
HRMM!
ONE, TWO, (one, two, three, four!)
LET ME TELL YOU HOW IT WILL BE;
THERE'S ONE FOR YOU, NINETEEN FOR ME.
'CAUSE I'M THE TAXMAN,
YEAH, I'M THE TAXMAN.
SHOULD FIVE PER CENT APPEAR TOO SMALL,
BE THANKFUL I DON'T TAKE IT ALL.
'CAUSE I'M THE TAXMAN,
YEAH, I'M THE TAXMAN.
(If you drive a car, car;) - I´LL TAX THE STREET;
(If you try to sit, sit;) - I´LL TAX YOUR SEAT;
(If you get too cold, cold;) - I´LL TAX THE HEAT;
(If you take a walk, walk;) - I´LL TAX YOUR FEET.
TAXMAN!
' CAUSE I'M THE TAXMAN,
YEAH, I'M THE TAXMAN.
DON'T ASK ME WHAT I WANT IT FOR,
(Anybody got a bit of money? Anybody got a bit of money? Anybody got a bit
of money?)
IF YOU DON'T WANT TO PAY SOME MORE.
(Anybody got a bit of money? Anybody got a bit of money? Anybody got a bit
of money?)
' CAUSE I'M THE TAXMAN,
YEAH, I'M THE TAXMAN.
NOW MY ADVICE FOR THOSE WHO DIE, (Taxman)
DECLARE THE PENNIES ON YOUR EYES. (Taxman)
' CAUSE I'M THE TAXMAN,
YEAH, I'M THE TAXMAN.
AND YOU'RE WORKING FOR NO ONE BUT ME.
TAXMAN!
© Northern Songs Ltd.
I'M ONLY SLEEPING (Take 1)
By John Lennon and Paul McCartney
- "I'M ONLY SLEEPING, TAKE 1!"
WHEN I WAKE UP EARLY IN THE MORNING,
LIFT MY HEAD, I'M STILL YAWNING.
WHEN I'M IN THE MIDDLE OF A DREAM,
STAY IN BED, FLOAT UP STREAM. (float up stream)
PLEASE DON'T WAKE ME,
NO, DON'T SHAKE ME,
LEAVE ME WHERE I AM;
I'M ONLY SLEEPING.
EV´RYBODY SEEMS TO THINK I'M LAZY,
I DON'T MIND, I THINK THEY'RE CRAZY.
RUNNING EV´RYWHERE AT SUCH A SPEED,
TILL THEY FIND THERE'S NO NEED. (there's no need)
PLEASE DON'T SPOIL MY DAY,
I'M MILES AWAY,
AND AFTER ALL;
I'M ONLY SLEEPING.
KEEPING AN EYE ON THE WORLD GOING BY MY WINDOW,
TAKING MY TIME.
LYING HERE AND STARING AT THE CEILING,
WAITING FOR A SLEEPY FEELING.
PLEASE DON'T WAKE ME,
NO, DON'T SHAKE ME,
LEAVE ME WHERE I AM;
I'M ONLY SLEEPING.
KEEPING AN EYE ON THE WORLD GOING BY MY WINDOW,
TAKING MY TIME.
LYING HERE AND STARING AT THE CEILING,
WAITING FOR A SLEEPY FEELING.
PLEASE DON'T SPOIL MY DAY,
I'M MILES AWAY,
AND AFTER ALL;
I'M ONLY SLEEPING.
©Northern Songs Ltd.
By Chuck Berry
Recorded live at Nippon Budokan Hall, Tokyo, 30 June 1966
JUST LET ME HEAR SOME OF THAT ROCK AND ROLL MUSIC,
ANY OLD WAY YOU CHOOSE IT;
IT'S GOT A BACK BEAT, YOU CAN'T LOSE IT,
ANY OLD TIME YOU USE IT.
GOTTA BE ROCK AND ROLL MUSIC,
IF YOU WANNA DANCE WITH ME,
IF YOU WANNA DANCE WITH ME.
I GOT NO KICK AGAINST MODERN JAZZ
UNLESS THEY TRY TO PLAY IT TOO DARN FAST,
AND LOSE THE BEAUTY OF THE MELODY,
UNTIL THEY SOUND JUST LIKE A SYMPHONY.
THAT'S WHY I GO FOR THAT ROCK AND ROLL MUSIC,
ANY OLD WAY YOU CHOOSE IT;
IT'S GOT A BACK BEAT, YOU CAN'T LOSE IT,
ANY OLD TIME YOU USE IT.
GOTTA BE ROCK AND ROLL MUSIC,
IF YOU WANNA DANCE WITH ME,
IF YOU WANNA DANCE WITH ME.
I TOOK MY LOVED ONE OVER CROSS THE TRACKS,
I MUST ADMIT THEY HAD AWAILIN' SAX,
I MUST ADMIT THEY HAD A ROCKIN' BAND,
MAN, THEY WERE BLOWIN' LIKE A HURRICAN'.
AND STARTED PLAYIN' THAT ROCK AND ROLL MUSIC,
ANY OLD WAY YOU CHOOSE IT;
IT'S GOT A BACK BEAT, YOU CAN'T LOSE IT,
ANY OLD TIME YOU USE IT.
GOTTA BE ROCK AND ROLL MUSIC,
IF YOU WANNA DANCE WITH ME,
IF YOU WANNA DANCE WITH ME.
© Jewel Music Co. Ltd.
SHE'S A WOMAN
By John Lennon and Paul McCartney
Recorded live at Nippon Budokan Hall, Tokyo, 30 June 1966
MY LOVE DON'T GIVE ME PRESENTS, (yeh!)
I KNOW THAT SHE'S NO PEASANT.
ONLY EVER HAS TO GIVE ME
LOVE FOREVER AND FOREVER;
MY LOVE DON'T GIVE ME PRESENTS. (ho!)
TURN ME ON WHEN I GET LONELY,
PEOPLE TELL ME THAT SHE'S ONLY FOOLIN',
I KNOW SHE ISN'T.
SHE DON'T GIVE BOYS THE EYE, (yeh!)
SHE HATES TO SEE ME CRY.
SHE IS HAPPY JUST TO HEAR ME
SAY THAT I WILL NEVER LEAVE HER;
SHE DON'T GIVE BOYS THE EYE.
SHE WILL NEVER MAKE ME JEALOUS,
GIVE ME ALL HER TIME AS WELL AS LOVIN',
DON'T ASK ME WHY.
SHE'S A WOMAN WHO UNDERSTANDS;
SHE'S A WOMAN WHO LOVES HER MAN.
MY LOVE DON'T GIVE ME PRESENTS,
I KNOW THAT SHE'S NO PEASANT.
ONLY EVER HAS TO GIVE ME
LOVE FOREVER AND FOREVER;
MY LOVE DON'T GIVE ME NO PRESENTS.
TURN ME ON WHEN I GET LONELY,
PEOPLE TELL ME THAT SHE'S ONLY FOOLIN',
I KNOW SHE ISN'T.
OOH- AH HO!
AH, SHE'S A WOMAN, YEAH!
SHE'S A WOMAN, YEAH!
SHE'S A WOMAN,
SHE'S MY WOMAN, YEAH!
SHE'S THAT WOMAN,
YEAH! YEAH! YEAH! YEAH! YEAH!
SHE' S A WOMAN, YEAH!
SHE'S THAT WOMAN,
OH, SHE'S MY WOMAN,
YES, SHE'S THAT WOMAN,
AH, SHE' S MY WOMAN, YEAH,
SHE'S A WOMAN, RIGHT NOW.
- "THANK YOU VERY MUCH!"
© Northern Songs Ltd.
STRAWBERRY FIELDS
FOREVER (Demo
sequence)
By John Lennon and Paul McCartney
NO ONE I THINK IS IN MY TREE,
I MEAN IT MUST BE HIGH OR LOW.
THAT IS, YOU CAN'T YOU KNOW TUNE IN...
- "I CANNOT DO IT, I CANNOT DO IT.&quoot;
NO ONE I THINK IS IN MY TREE,
I MEAN IT MUST BE HIGH OR LOW.
THAT IS, YOU CAN'T YOU KNOW TUNE IN...
BUT IT'S ALRIGHT,
THAT IS, I THINK IT'S NOT TOO BAD.
ALWAYS, NO SOMETIMES, THINK IT'S ME,
BUT YOU KNOW I KNOW WHEN IT'S A DREAM.
I MEAN I THINK I KNOW, ER...YES,
BUT IT'S ALL WRONG,
THAT IS, I THINK I DISAGREE.
LET ME TAKE YOU BACK
'CAUSE I'M GOING TO STRAWBERRY FIELDS,
NOTHING IS REAL,
AND NOTHING TO GET HUNG ABOUT.
STRAWBERRY FIELDS FOREVER,
STRAWBERRY FIELDS FOREVER,
STRAWBERRY FIELDS FOREVER.
© Northern Songs Ltd.
STRAWBERRY FIELDS
FOREVER (Take 1)
By John Lennon and Paul McCartney
LIVING IS EASY WITH EYES CLOSED,
MISUNDERSTANDING ALL YOU SEE.
IT'S GETTING HARD TO BE SOMEONE
BUT IT ALL WORKS OUT.
IT DOESN'T MATTER MUCH TO ME.
NO ONE I THINK IS IN MY TREE,
I MEAN IT MUST BE HIGH OR LOW.
THAT IS, YOU CAN'T YOU KNOW TUNE IN
¨BUT IT'S ALL RIGHT,
THAT IS, I THINK IT'S NOT TOO BAD.
LET ME TAKE YOU DOWN
'CAUSE I'M GOING TO STRAWBERRY FIELDS,
NOTHING IS REAL,
AND NOTHING TO GET HUNG ABOUT.
STRAWBERRY FIELDS FOREVER.
ALWAYS, NO SOMETIMES, THINK IT'S ME,
BUT YOU KNOW I KNOW WHEN IT'S A DREAM.
I THINK I KNOW, I MEAN, ER...YES,
BUT IT'S ALL WRONG,
THAT IS, I THINK I DISAGREE.
LET ME TAKE YOU DOWN
'CAUSE I'M GOING TO STRAWBERRY FIELDS,
NOTHING IS REAL,
AND NOTHING TO GET HUNG ABOUT.
STRAWBERRY FIELDS FOREVER,
STRAWBERRY FIELDS FOREVER,
STRAWBERRY FIELDS FOREVER.
© Northern Songs Ltd.
STRAWBERRY FIELDS
FOREVER (Take 7 and
edit piece)
By John Lennon and Paul McCartney
LET ME TAKE YOU DOWN
'CAUSE I'M GOING TO STRAWBERRY FIELDS,
NOTHING IS REAL,
AND NOTHING TO GET HUNG ABOUT.
STRAWBERRY FIELDS FOREVER.
LIVING IS EASY WITH EYES CLOSED,
MISUNDERSTANDING ALL YOU SEE.
IT'S GETTING HARD TO BE SOMEONE
BUT IT ALL WORKS OUT.
IT DOESN'T MATTER MUCH TO ME.
NO ONE I THINK IS IN MY TREE,
I MEAN IT MUST BE HIGH OR LOW.
THAT IS, YOU CAN'T YOU KNOW TUNE IN
¨BUT IT'S ALL RIGHT,
THAT IS, I THINK IT'S NOT TOO BAD.
LET ME TAKE YOU DOWN
'CAUSE I'M GOING TO STRAWBERRY FIELDS,
NOTHING IS REAL,
AND NOTHING TO GET HUNG ABOUT.
STRAWBERRY FIELDS FOREVER.
ALWAYS, NO SOMETIMES, THINK IT'S ME,
BUT YOU KNOW I KNOW WHEN IT'S A DREAM.
I THINK I KNOW, I MEAN, ER...YES,
BUT IT'S ALL WRONG,
THAT IS, I THINK I DISAGREE.
LET ME TAKE YOU DOWN
'CAUSE I'M GOING TO STRAWBERRY FIELDS,
NOTHING IS REAL,
AND NOTHING TO GET HUNG ABOUT.
STRAWBERRY FIELDS FOREVER,
STRAWBERRY FIELDS FOREVER,
STRAWBERRY FIELDS FOREVER.
CRANBERRY SAUCE,
CRANBERRY SAUCE.
- "ALRIGHT, CALM DOWN, THERE YOU GO, SSLOW DOWN THEN."
© Northern Songs Ltd.
PENNY LANE (Composite version of various takes)
By John Lennon and Paul McCartney
PENNY LANE; THERE IS A BARBER SHOWING PHOTOGRAPHS
OF EV´RY HEAD HE'S HAD THE PLEASURE TO KNOW,
AND ALL THE PEOPLE THAT COME AND GO
STOP AND SAY "HELLO."
ON THE CORNER IS A BANKER WITH A MOTOR CAR,
THE LITTLE CHILDREN LAUGH AT HIM BEHIND HIS BACK.
AND THE BANKER NEVER WEARS A MAC
IN THE POURING RAIN, VERY STRANGE!
PENNY LANE IS IN MY EARS AND IN MY EYES,
THERE BENEATH THE BLUE SUBURBAN SKIES
I SIT AND MEANWHILE BACK.
IN PENNY LANE THERE IS A FIREMAN WITH AN HOURGLASS,
AND IN HIS POCKET IS A PORTRAIT OF THE QUEEN.
HE LIKES TO KEEP HIS FIRE ENGINE CLEAN,
IT'S A CLEAN MACHINE!
PENNY LANE IS IN MY EARS AND IN MY EYES,
A FOUR OF FISH AND FINGER PIES
IN SUMMER MEANWHILE BACK.
BEHIND THE SHELTER IN THE MIDDLE OF THE ROUNDABOUT,
THE PRETTY NURSE IS SELLING POPPIES FROM A TRAY.
AND THO' SHE FEELS AS IF SHE'S IN A PLAY
SHE IS ANYWAY.
PENNY LANE: THE BARBER SHAVES ANOTHER CUSTOMER,
WE SEE THE BANKER SITTING WAITING FOR A TRIM.
AND THEN THE FIREMAN RUSHES IN
FROM THE POURING RAIN, VERY STRANGE!
PENNY LANE IS IN MY EARS AND IN MY EYES,
THERE BENEATH THE BLUE SUBURBAN SKIES
I SIT AND MEANWHILE BACK.
PENNY LANE IS IN MY EARS AND IN MY EYES,
THERE BENEATH THE BLUE SUBURBAN SKIES
PENNY LANE.
AH,
AH,
AH.
- "WHAT A SUITABLE ENDING, I THINK!&quuot;
- "WHAT HAPPENED?
© Northern Songs Ltd.
A DAY IN THE LIFE (Composite version of takes 1, 2 and 6)
By John Lennon and Paul McCartney
I READ THE NEWS TODAY, OH BOY,
ABOUT A LUCKY MAN WHO MADE THE GRADE.
AND THOUGH THE NEWS WAS RATHER SAD,
WELL, I JUST HAD TO LAUGH,
I SAW THE PHOTOGRAPH.
HE BLEW HIS MIND OUT IN A CAR,
HE DIDN'T NOTICE THAT THE LIGHTS HAD CHANGED.
A CROWD OF PEOPLE STOOD AND STARED,
THEY'D SEEN HIS FACE BEFORE.
NOBODY WAS REALLY SURE IF HE WAS FROM THE HOUSE OF LORDS.
I SAW A FILM TODAY, OH BOY,
THE ENGLISH ARMY HAD JUST WON THE WAR.
A CROWD OF PEOPLE TURNED AWAY,
BUT I JUST HAD TO LOOK.
HAVING READ THE BOOK.
I´D LOVE TO TURN YOU ON.
(Four, five, six, seven, eight, nine, ten, eleven, twelve, thirteen
fourteen, fifteen, sixteen, seventeen, eighteen, nineteen, twenty,
twenty-one, twenty-two, twenty-three)
WOKE UP, FELL OUT OF BED,
DRAGGED A COMB ACROSS MY HEAD.
FOUND MY WAY DOWNSTAIRS AND DRANK A CUP,
AND LOOKING UP I NOTICED I WAS LATE.
FOUND MY COAT AND GRABBED MY HAT,
MADE THE BUS IN SECONDS FLAT.
MADE MY WAY UPSTAIRS AND HAD A SMOKE,
AND EV'RYBODY SPOKE AND I WENT INTO A DREAM, OH SHIT!
I READ THE NEWS TODAY, OH BOY,
FOUR THOUSAND HOLES IN BLACKBURN, LANCASHIRE.
AND THOUGH THE HOLES WERE RATHER SMALL,
THEY HAD TO COUNT THEM ALL.
NOW THEY KNOW HOW MANY HOLES IT TAKES TO FILL THE ALBERT HALL.
I´D LOVE TO TURN YOU ON.
- "REALLY, I..."
- "SEE, THE WORST THING ABOUT DOING THHIS THAT WE'RE DOING TONIGHT,
LIKE THIS IS, I THINK, THAT AT FIRST PEOPLE, SORT OF, A BIT SUSPICIOUS,
YOU KNOW, COME ON, WHAT ARE YOU UP TO?"
© Northern Songs Ltd.
GOOD MORNING, GOOD
MORNING (Take 8)
By John Lennon and Paul McCartney
NOTHING TO DO TO SAVE HIS LIFE, CALL HIS WIFE IN.
NOTHING TO SAY BUT, "WHAT A DAY! HOW'S YOUR BOY BEEN?"
NOTHING TO DO, IT'S UP TO YOU,
I'VE GOT NOTHING TO SAY BUT IT'S OKAY.
GOING TO WORK, DON'T WANNA GO, FEELING LOW DOWN.
HEADING FOR HOME, YOU START TO ROAM, THEN YOU'RE IN TOWN.
EV´RYBODY KNOWS THERE'S NOTHING DOING,
EV´RYTHING IS CLOSED, IT'S LIKE A RUIN,
EV´RYONE YOU SEE IS HALF ASLEEP,
AND YOU'RE ON YOUR OWN, YOU'RE IN THE STREET.
AFTER A WHILE YOU START TO SMILE, NOW YOU FEEL COOL.
THEN YOU DECIDE TO TAKE A WALK BY THE OLD SCHOOL.
NOTHING HAS CHANGED, IT'S STILL THE SAME,
I'VE GOT NOTHING TO SAY, BUT IT'S OKAY
PEOPLE RUNNING 'ROUND, IT'S FIVE O'CLOCK,
EV´RYWHERE IN TOWN IT'S GETTING DARK,
EV´RYONE YOU SEE IS FULL OF LIFE,
IT'S TIME FOR TEA AND MEET THE WIFE.
SOMEBODY NEEDS TO KNOW THE TIME, GLAD THAT I'M HERE.
WATCHING THE SKIRTS, YOU START TO FLIRT, NOW YOU'RE IN GEAR.
GO TO A SHOW, YOU HOPE SHE GOES,
I'VE GOT NOTHING TO SAY BUT IT'S OKAY.
GOOD MORNING, GOOD MORNING, GOOD.
- "GOOD MORNING, MORNING, OH HOO!"t;
© Northern Songs Ltd.
ONLY A NORTHERN SONG (Take 3)
By George Harrison
IF YOU'RE LIST´NING TO THIS SONG,
YOU MAY THINK THE CHORDS ARE GOIN' WRONG;
BUT THEY'RE NOT,
I JUST WROTE IT LIKE THAT.
WHEN YOU'RE LISTEN LATE AT NIGHT,
YOU MAY FEEL THE WORDS ARE NOT QUITE RIGHT;
BUT THEY ARE,
I JUST WROTE THEM MYSELF.
AND IT DOESN'T REALLY MATTER WHAT CHORDS I PLAY,
WHAT WORDS I SAY OR TIME OF DAY IT IS,
AS IT'S ONLY A NORTHERN SONG.
IT DOESN'T REALLY MATTER WHAT CLOTHES I WEAR,
OR HOW I FARE, OR IF MY HAIR IS BROWN
WHEN IT'S ONLY A NORTHERN SONG.
IF YOU THINK THE HARMONY
IS A LITTLE OFF AND OUT OF KEY;
THEN YOU'RE RIGHT,
'CAUSE I SING IT MYSELF.
© Northern Songs Ltd.
BEING FOR THE BENEFIT
OF MISTER KITE (Takes
1, 2)
By John Lennon and Paul McCartney
- "FOR THE BENEFIT OF MISTER KITE...&qquot;
- "THERE WILL BE..."
- "FOR THE BENEFIT OF MISTER KITE, THIIS IS TAKE 1."
- "BEING FOR THE BENEFIT."
ONE, TWO, THREE, FOUR.
- "Take 2"
ONE, TWO, THREE, FOUR.
FOR THE BENEFIT OF MISTER KITE,
THERE WILL BE A SHOW TONIGHT ON TRAMPOLINE.
- "TRY AND SING AS THOUGH YOU KNOW THAAT SHOW,
ESPECIALLY IN THE LAST VERSES WHEN YOU DON'T KNOW THAT SHOW."
- "WELL HA, HA, MISTER HENDERSON, TEN SUMMERSETS...2
- "JUST TRY TO PROCEED AS A BIG GET ITT IN, YOU'VE GOTTA GO AND ALL THE
THE LITTLE BREAKS THAT + YOUR SINGING."
THE BENEFIT OF DA-DA-DA...."
- "OKAY, LET'S GO, THE LIGHT'S ON.&quoot;
BEING FOR THE BENEFIT
OF MISTER KITE (Take
7)
By John Lennon and Paul McCartney
ONE, TWO, ONE, TWO, THREE, FOUR.
FOR THE BENEFIT OF MISTER KITE,
THERE WILL BE A SHOW TONIGHT ON TRAMPOLINE.
THE HENDERSONS WILL ALL BE THERE,
LATE OF PABLO FANQUES FAIR;
WHAT A SCENE!
OVER MEN AND HORSES, HOOPS AND GARTERS,
LASTLY THROUGH A HOGSHEAD OF REAL FIRE!
IN THIS WAY MISTER K. WILL CHALLENGE THE WORLD!
THE CELEBRATED MISTER K.,
PERFORMS HIS FEAT ON SATURDAY AT BISHOPSGATE.
THE HENDERSONS WILL DANCE AND SING
AS MISTER KITE FLIES THROUGH THE RING:
DON'T BE LATE!
MESS´RS K. AND H. ASSURE THE PUBLIC
THEIR PRODUCTION WILL BE SECOND TO NONE.
AND OF COURSE, HENRY, THE HORSE, DANCES THE WALTZ!
DA, DA, DA, DA, DA, DA, DA.
DA, DA, DA, DA, DA, DA, DA.
AND OF COURSE, HENRY, THE HORSE, DANCES THE WALTZ!
THE BAND BEGINS AT TEN TO SIX
WHEN MISTER K. PERFORMS HIS TRICKS WITHOUT A SOUND.
AND MISTER H. WILL DEMONSTRATE
TEN SUMMERSETS HE'LL UNDERTAKE ON SOLID GROUND.
HAVING BEEN SOME DAYS IN PREPARATION,
A SPLENDID TIME IS GUARANTEED FOR ALL.
AND TONIGHT MISTER KITE IS TOPPING THE BILL.
© Northern Songs Ltd.
LUCY IN THE SKY WITH
DIAMONDS (Combination
of takes 6, 7 and 8)
By John Lennon and Paul McCartney
PICTURE YOURSELF IN A BOAT ON A RIVER
WITH TANGERINE TREES AND MARMALADE SKIES.
SOMEBODY CALLS YOU, YOU ANSWER QUITE SLOWLY,
A GIRL WITH KALEIDOSCOPE EYES.
CELLOPHANE FLOWERS OF YELLOW AND GREEN
TOWERING OVER YOUR HEAD.
LOOK FOR THE GIRL WITH THE SUN IN HER EYES
AND SHE'S GONE.
LUCY IN THE SKY WITH DIAMONDS,
LUCY IN THE SKY WITH DIAMONDS,
LUCY IN THE SKY WITH DIAMONDS,
AH ---
FOLLOW HER DOWN TO A BRIDGE BY A FOUNTAIN,
WHERE ROCKING HORSE PEOPLE EAT MARSHMALLOW PIES.
EV´RYONE SMILES AS YOU DRIFT PAST THE FLOWERS
THAT GROW SO INCREDIBLY HIGH.
NEWSPAPER TAXIS APPEAR ON THE SHORE
WAITING TO TAKE YOU AWAY.
CLIMB IN THE BACK WITH YOUR HEAD IN THE CLOUDS
AND YOU'RE GONE.
LUCY IN THE SKY WITH DIAMONDS,
LUCY IN THE SKY WITH DIAMONDS,
LUCY IN THE SKY WITH DIAMONDS,
AH ---
PICTURE YOURSELF ON A TRAIN IN A STATION
WITH PLASTICINE PORTERS WITH LOOKING GLASS TIES.
SUDDENLY SOMEONE IS THERE AT THE TURNSTILE,
THE GIRL WITH KALEIDOSCOPE EYES.
LUCY IN THE SKY WITH DIAMONDS,
LUCY IN THE SKY WITH DIAMONDS,
LUCY IN THE SKY WITH DIAMONDS,
AH ---
LUCY IN THE SKY WITH DIAMONDS,
LUCY IN THE SKY WITH DIAMONDS,
LUCY IN.
© Northern Songs Ltd.
SGT. PEPPER'S LONELY
HEARTS CLUB BAND (REPRISE) (Take 5)
By John Lennon and Paul McCartney
ONE, TWO, THREE, FOUR!
OW! HOO!
SERGEANT PEPPER'S LONELY HEARTS CLUB BAND,
WE HOPE YOU ALL ENJOYED THE SHOW.
SERGEANT PEPPER'S LONELY HEARTS CLUB BAND,
SIT BACK AND LET THE EVENING GO.
SERGEANT PEPPER'S LONELY,
SERGEANT PEPPER'S LONELY,
SERGEANT PEPPER'S LONELY HEARTS CLUB BAND.
SERGEANT PEPPER'S LONELY HEARTS CLUB BAND,
SIT BACK AND LET THE EVENING GO.
HEY! HEY! HEY!
SERGEANT PEPPER'S LONELY HEARTS CLUB BAND,
WE HOPE YOU ALL ENJOYED THE SHOW.
SERGEANT PEPPER'S LONELY,
SERGEANT PEPPER'S LONELY,
SERGEANT PEPPER'S LONELY HEARTS CLUB BAND.
YEAH!
© Northern Songs Ltd.
YOU KNOW MY NAME (LOOK UP
THE NUMBER)
By John Lennon and Paul McCartney
YOU KNOW MY NAME, LOOK UP THE NUMBER.
YOU KNOW MY NAME, LOOK UP THE NUMBER.
YOU, YOU KNOW, YOU KNOW MY NAME,
YOU, YOU KNOW, YOU KNOW MY NAME.
YOU KNOW MY NAME, LOOK UP THE NUMBER.
YOU KNOW MY NAME, LOOK UP THE NUMBER.
OKAY,
YOU KNOW MY NAME, LOOK UP THE NUMBER.
YOU KNOW MY NAME, LOOK UP THE NUMBER.
YOU, YOU KNOW, YOU KNOW MY NAME,
YOU, YOU KNOW, YOU KNOW MY NAME,
YOU KNOW MY NAME, LOOK UP THE NUMBER.
YOU KNOW MY NAME, LOOK UP THE NUMBER.
YOU, YOU KNOW, YOU KNOW MY NAME,
YOU, YOU KNOW, YOU KNOW MY NAME,
YOU KNOW MY NAME, LOOK UP THE NUMBER.
YOU KNOW MY NAME, LOOK UP THE NUMBER.
YOU, YOU KNOW, YOU KNOW MY NAME,
YOU, YOU KNOW, YOU KNOW MY NAME,
YOU, YOU KNOW, YOU KNOW MY NAME.
"GOOD EVENING AND WELCOME TO SLAGGERS FEATURING DENIS O'BELL.
AH, RINGO, HEY RINGO, LET'S HEAR IT FOR DENIS, HA HEY!"
"GOOD EVENING."
YOU KNOW MY NAME, BETTER LOOK UP MY NUMBER,
YOU KNOW MY NAME, THAT'S RIGHT, LOOK UP MY NUMBER.
(Hey!) YOU, YOU KNOW, YOU KNOW MY NAME,
YOU, YOU KNOW, YOU KNOW MY NAME, (brrr ha-ha)
YOU KNOW MY NAME, BA-BA-BA-BA-BA-BA-BA-BA-BA,
LOOK UP THE NUMBER. (my number)
YOU KNOW MY NAME, HA! (ha-ha)
THAT'S RIGHT, LOOK UP MY NUMBER.
OH, YOU KNOW, YOU KNOW, YOU KNOW MY NAME,
YOU KNOW, YOU KNOW, YOU KNOW MY NAME, HUH, HUH, HUH, HUH,
YOU KNOW MY NAME, BA-BA-BA-PUM,
LOOK UP MY NUMBER.
YOU KNOW MY NAME, LOOK UP THE NUMBER.
YOU-A, YOU KNOW, YOU KNOW MY NAME, BABY,
YOU-A, YOU KNOW, YOU KNOW MY NAME,
YOU KNOW, YOU KNOW MY NAME,
YOU KNOW, YOU KNOW MY NAME.
"OH, LET'S HEAR IT! GO ON, DENIS!
LET'S HEAR IT FOR DENIS O'BELL!"
YOU KNOW MY NAME, YOU KNOW MY NAME, YOU KNOW MY NAME.
(You know) YOU KNOW MY NAME, (you know my name) YOU KNOW MY NAME,
(You know my name) YOU KNOW MY NAME, LOOK UP THE NUMBER (you know
my name)
YOU KNOW MY NAME, (you know my name) LOOK UP MY NUMBER, (look up
the number)
YOU KNOW MY NAME, (you know my name) YOU KNOW MY NUMBER. (you know
my number)
LOOK UP MY NAME, (you know my name) YOU KNOW MY NUMBER.
YOU KNOW, YOU KNOW, YOU KNOW MY NAME,
YOU KNOW, YOU KNOW, YOU KNOW MY NAME.
YOU KNOW MY NAME, YOU KNOW MY NUMBER,
WHAT'S UP WITH YOU?
HA! YOU KNOW MY NAME, HA HA. THAT'S RIGHT!
YEAH!
©Northern Songs Ltd.
I AM THE WALRUS (Take 16)
By John Lennon and Paul McCartney
I AM HE AS YOU ARE HE AS YOU ARE ME AND WE ARE ALL TOGETHER.
SEE HOW THEY RUN, LIKE PIGS FROM A GUN, SEE HOW THEY FLY.
I'M CRYING.
SITTING ON A CORNFLAKE WAITING FOR THE VAN TO COME,
CORPORATION T-SHIRT, STUPID BLOOD TUESDAY MAN,
YOU BEEN A NAUGHTY BOY, YOU LET YOUR FACE GROW LONG.
I AM THE EGGMAN,
THEY ARE THE EGGMEN,
I AM THE WALRUS, GOO GOO G'JOOB.
MISTER CITY P´LICEMAN, SITTING PRETTY LITTLE P´LICEMEN IN A ROW.
SEE HOW THEY FLY LIKE LUCY IN THE SKY, SEE HOW THEY RUN.
I'M CRYING.
I'M CRYING,
I'M CRYING,
I'M CRYING.
YELLOW MAT...
YELLOW MATTER CUSTARD DRIPPING FROM A DEAD DOG'S EYE.
CRABALOCKER FISHWIFE, PORNOGRAPHIC PRIESTESS,
BOY, YOU BEEN A NAUGHTY GIRL, YOU LET YOUR KNICKERS DOWN.
I AM THE EGGMAN,
THEY ARE THE EGGMEN,
I AM THE WALRUS, GOO GOO G'JOOB.
SITTING IN AN ENGLISH GARDEN WAITING FOR THE SUN,
IF THE SUN DON'T COME YOU GET A TAN FROM STANDING IN THE ENGLISH RAIN.
I AM THE EGGMAN,
THEY ARE THE EGGMEN,
I AM THE WALRUS, GOO GOO G'JOOB, GOO GOO G'JOOB.
EXPERT, TEXPERT, CHOKING SMOKERS,
DON'T YOU THINK THE JOKER LAUGHS AT YOU.
SEE HOW THEY SMILE, LIKE PIGS IN A STY, SEE HOW THEY SNIED.
I'M CRYING.
SEMOLINA PILCHARD CLIMBING UP THE EIFFEL TOWER,
ELEMENT´RY PENGUIN SINGING HARE KRISHNA.
MAN, YOU SHOULD HAVE SEEN THEM KICKING EDGAR ALLEN POE.
I AM THE EGGMAN,
THEY ARE THE EGGMEN,
I AM THE WALRUS, GOO GOO G'JOOB, GOO GOO G'JOOB,
GOO GOO G'JOOB, GOO GOO G´JOOB, GOO,
JOOB-JOOB-JOOB, JOOB, JOOB, JOOB, JOOB-JOOB,
JOOB-JOOB, JOOB-JOOB.
© Northern Songs Ltd.
THE FOOL ON THE HILL (Demo version)
By John Lennon and Paul McCartney
DAY AFTER DAY,
ALONE ON A HILL,
THE MAN WITH THE FOOLISH GRIN
IS SITTING PERFECTLY STILL;
NOBODY WANTS TO KNOW HIM,
THEY CAN SEE THAT HE'S JUST A FOOL,
FOR HE NEVER GIVES AN ANSWER.
BUT THE FOOL ON THE HILL SEES THE SUN GOING DOWN,
AND THE EYES IN HIS HEAD SEE THE WORLD SPINNING 'ROUND.
DOO-DOO-DOO-DOO,
HIS HEAD IN A CLOUD,
THE MAN WITH THE FOOLISH GRIN
IS TALKING PERFECTLY LOUD;
BUT NOBODY WANTS TO HEAR HIM
THEY CAN SEE THAT HE'S JUST A FOOL,
BUT HE NEVER GIVES AN ANSWER.
BUT THE FOOL ON THE HILL SEES THE SUN GOING DOWN,
AND THE EYES IN HIS HEAD SEE THE WORLD SPINNING 'ROUND.
DOO-DOO-DOO-DOO,
DOO-DOO-DOO-DOO-DOO,
DOO-DOO-DOO-DOO-DOO-
DOO-DOO-DOO-DOO-DOO-DOO-DOO.
AND NOBODY WANTS TO KNOW HIM,
THEY CAN SEE THAT HE'S JUST A FOOL,
AND HE NEVER GIVES AN ANSWER.
BUT THE FOOL ON THE HILL SEES THE SUN GOING DOWN,
AND THE EYES IN HIS HEAD SEE THE WORLD SPINNING 'ROUND.
DOO-DOO-DOO-DOO,
DOO-DOO-DOO-DOO-DOO,
NA-NA-NA-NA-NA-
NA-NA-NA-NA-NA-NA-NA.
NA-NA-NA-NA-NA-NA-NA-NA,
DOO-DOO-DOO-DEE-DA-DA-DA,
DOO-DOO-DOO-DOO-DOO-DOO-DOO.
BUT THE FOOL ON THE HILL SEES THE SUN GOING DOWN,
AND THE EYES IN HIS HEAD SEE THE WORLD SPINNING 'ROUND.
©Northern Songs Ltd.
YOUR MOTHER SHOULD
KNOW (Take 27)
By John Lennon and Paul McCartney
- "DO YOU WANT US TO DO IT AGAIN, GEORRGE?
OKAY, WITH CIG IN YOUR MOUTH"
LET'S ALL GET UP AND...
LET'S ALL GET UP AND DANCE TO A SONG
THAT WAS A HIT BEFORE YOUR MOTHER WAS BORN.
THOUGH SHE WAS BORN A LONG, LONG TIME AGO,
YOUR MOTHER SHOULD KNOW,
YOUR MOTHER SHOULD KNOW.
SING IT AGAIN:
LET'S ALL GET UP AND DANCE TO A SONG
THAT WAS A HIT BEFORE YOUR MOTHER WAS BORN.
THOUGH SHE WAS BORN A LONG, LONG TIME AGO,
YOUR MOTHER SHOULD KNOW,
YOUR MOTHER SHOULD KNOW.
LIFT UP YOUR HEARTS AND SING ME A SONG
THAT WAS A HIT BEFORE YOUR MOTHER WAS BORN.
THOUGH SHE WAS BORN A LONG, LONG TIME AGO,
YOUR MOTHER SHOULD KNOW,
YOUR MOTHER SHOULD KNOW,
YOUR MOTHER SHOULD KNOW,
YOUR MOTHER SHOULD KNOW.
DA DA DA DA DA DA DA DA DA,
DA DA DA DA DA DA DA DA DA DA DA,
DA DA DA DA DA DA D'DA DA D'DA DA.
YOUR MOTHER SHOULD KNOW,
YOUR MOTHER SHOULD KNOW,
YOUR MOTHER SHOULD KNOW,
YOUR MOTHER SHOULD KNOW,
YOUR MOTHER SHOULD KNOW,
YOUR MOTHER SHOULD KNOW,
YOUR MOTHER SHOULD KNOW, KNOW,
YOUR MOTHER SHOULD KNOW, KNOW,
YOUR MOTHER SHOULD KNOW.
- "IT SHOULD FADE OUT AT THE END ANYWAAY SO THERE WAS ENOUGH TO FADE
THERE. WAS THAT ALRIGHT?"
© Northern Songs Ltd.
THE FOOL ON THE HILL (Take 4)
By John Lennon and Paul McCartney
DAY AFTER DAY,
ALONE ON A HILL,
THE MAN WITH THE FOOLISH GRIN
IS SITTING PERFECTLY STILL;
AND NOBODY WANTS TO KNOW HIM,
THEY CAN SEE THAT HE'S JUST A FOOL,
BUT HE NEVER GIVES AN ANSWER.
BUT THE FOOL ON THE HILL SEES THE SUN GOING DOWN,
AND THE EYES IN HIS HEAD SEE THE WORLD SPINNING 'ROUND.
WELL ON HIS WAY,
HEAD IN A CLOUD,
THE MAN WITH THE EMPTY MIND
IS TALKING PERFECTLY LOUD;
BUT NOBODY SEEMS TO HEAR HIM
FOR THEY THINK THAT HE'S JUST A FOOL,
AND NO ONE WILL GO QUITE NEAR HIM.
BUT THE FOOL ON THE HILL SEES THE SUN GOING DOWN,
AND THE EYES IN HIS HEAD SEE THE WORLD SPINNING 'ROUND.
OH.
AND NOBODY WANTS TO KNOW HIM,
FOR THEY THINK THAT HE'S JUST A FOOL,
FOR HE NEVER GIVES AN ANSWER.
BUT THE FOOL ON THE HILL SEES THE SUN GOING DOWN,
AND THE EYES IN HIS HEAD SEE THE WORLD SPINNING 'ROUND.
BUT NOBODY WANTS TO HEAR HIM,
'CAUSE THEY SEE THAT HE'S JUST A FOOL,
FOR HE NEVER GIVES THE ANSWER.
BUT THE FOOL ON THE HILL SEES THE SUN GOING DOWN,
AND THE EYES IN HIS HEAD SEE THE WORLD SPINNING 'ROUND.
AND ROUND AND ROUND AND ROUND AND ROUND, ROUND,
ALL AROUND AND ROUND AND ROUND AND
HE NEVER LISTENS TO THEM.
HE'S NO FOOL.
THE FOOL ON THE HILL SEES THE SUN GOING DOWN,
AND THE EYES IN HIS HEAD SEE THE WORLD SPINNING 'ROUND
OH-
OH - OH-HO-HO, AROUND AND ROUND AND ROUND.
© Northern Songs Ltd.
HELLO, GOODBYE (Take 16)
By John Lennon and Paul McCartney
YOU SAY YES, I SAY NO,
YOU SAY STOP AND I SAY GO, GO, GO.
OH, OH NO!
YOU SAY GOODBYE AND I SAY HELLO,
HELLO, HELLO.
I DON'T KNOW WHY YOU SAY GOODBYE, I SAY HELLO,
HELLO, HELLO.
I DON'T KNOW WHY YOU SAY GOODBYE, I SAY HELLO.
I SAY HIGH, YOU SAY LOW,
YOU SAY WHY AND I SAID I DON'T KNOW.
OH, OH NO!
YOU SAY GOODBYE AND I SAY HELLO,
(Hello, goodbye, hello, goodbye)
HELLO, HELLO. (hello, goodbye)
I DON'T KNOW WHY YOU SAY GOODBYE, I SAY HELLO,
(Hello, goodbye, hello, goodbye)
HELLO, HELLO. (hello, goodbye)
I DON'T KNOW WHY YOU SAY GOODBYE, I SAY HELLO.
(hello, goodbye)
OH NO!
YOU SAY GOODBYE AND I SAY HELLO,
HELLO, HELLO.
I DON'T KNOW WHY YOU SAY GOODBYE, I SAY HELLO,
HELLO, HELLO.
I DON'T KNOW WHY YOU SAY GOODBYE, I SAY HELLO.
YOU SAY YES, (I say yes) I SAY NO, (but I may mean no)
YOU SAY STOP (I can stay) AND I SAY GO, GO, GO. (till it's time to
go)
OH, OH NO!
YOU SAY GOODBYE AND I SAY HELLO,
HELLO, HELLO.
I DON'T KNOW WHY YOU SAY GOODBYE, I SAY HELLO,
HELLO, HELLO.
I DON'T KNOW WHY YOU SAY GOODBYE, I SAY HELLO.
HELLO, HELLO.
I DON'T KNOW WHY YOU SAY GOODBYE,
I SAY HELLO-OO-OO-OO, HELLO-OO-OO-OO.
HELA, HEBA, HELLOA,
HELA, HEBA, HELLOA, CHA 'N' CHA 'N' CHA,
HELA, HEBA, HELLOA, OOH,
HELA, HEBA, HELLOA, HELA,
HELA, HEBA, HELLOA, CHA 'N' CHA 'N' CHA,
HELA, HEBA, HELLOA, OOH,
HELA, HEBA, HELLOA.
© Northern Songs Ltd.
LADY MADONNA (Takes 3 and 4)
By John Lennon and Paul McCartney
LADY MADONNA, CHILDREN AT YOUR FEET,
WONDER HOW YOU MANAGE TO MAKE ENDS MEET.
WHO FINDS THE MONEY WHEN YOU PAY THE RENT,
DID YOU THINK THAT MONEY WAS HEAVEN SENT?
FRIDAY NIGHT ARRIVES WITHOUT A SUITCASE,
SUNDAY MORNING CREEPING LIKE A NUN.
MONDAY'S CHILD HAS LEARNED TO TIE HIS BOOTLACE,
SEE HOW THEY'LL RUN!
LADY MADONNA, BABY AT YOUR BREAST,
WONDER HOW YOU MANAGE TO FEED THE REST.
SEE HOW THEY'LL RUN!
LADY MADONNA, LYING ON THE BED,
LISTEN TO THE MUSIC PLAYING IN YOUR HEAD.
BA-BA-BA-BA-BA-BA-BA-BA-BA,
BA-BA-BA-BA-BA-BA-BA-BA-BA-BA-BA,
BA-BA-BA-BA-BA-BA-BA-BA-BA,
SEE HOW THEY'LL RUN!
LADY MADONNA, CHILDREN AT YOUR FEET,
WONDER HOW YOU MANAGE TO MAKE ENDS MEET.
- "LADY MADONNA."
©Northern Songs Ltd.
ACROSS THE UNIVERSE (Take 2)
By John Lennon and Paul McCartney
WORDS ARE FLOWING OUT LIKE ENDLESS RAIN
INTO A PAPERCUP,
THEY SLITHER WHILE THEY PASS,
THEY SLIP AWAY ACROSS THE UNIVERSE.
POOLS OF SORROW, WAVES OF JOY
ARE DRIFTING THROUGH MY OPENED MIND,
POSSESSING AND CARESSING ME.
JAI GURU DEVA - OM.
NOTHING'S GONNA CHANGE MY WORLD,
NOTHING'S GONNA CHANGE MY WORLD,
NOTHING'S GONNA CHANGE MY WORLD,
NOTHING'S GONNA CHANGE MY WORLD.
IMAGES OF BROKEN LIGHT WHICH DANCE BEFORE ME
LIKE A MILLION EYES,
THEY CALL ME ON AND ON ACROSS THE UNIVERSE.
THOUGHTS MEANDER LIKE A RESTLESS WIND
INSIDE A LETTERBOX,
THEY TUMBLE BLINDLY
AS THEY MAKE THEIR WAY ACROSS THE UNIVERSE.
JAI GURU DEVA - OM.
NOTHING'S GONNA CHANGE MY WORLD,
NOTHING'S GONNA CHANGE MY WORLD,
NOTHING'S GONNA CHANGE MY WORLD,
NOTHING'S GONNA CHANGE MY WORLD.
SOUNDS OF LAUGHTER, SHADES OF LIFE
ARE RINGING THROUGH MY OPENED EARS,
INCITING AND INVITING ME.
LIMITLESS, UNDYING LOVE
WHICH SHINES AROUND ME LIKE A MILLION SUNS,
AND CALLS ME ON AND ON ACROSS THE UNIVERSE.
JAI GURU DEVA - OM.
NOTHING'S GONNA CHANGE MY WORLD,
NOTHING'S GONNA CHANGE MY WORLD,
NOTHING'S GONNA CHANGE MY WORLD,
NOTHING'S GONNA CHANGE MY WORLD.
JAI GURU DEVA,
JAI GURU DEVA,
JAI GURU DEVA.
© Northern Songs Ltd.
BABY'S IN BLACK
By John Lennon and Paul McCartney
Recorded live at Hollywood Bowl, Los Angeles, 29, 30 August 1965
"We'd like to do another number 'cause that's what we're here for...while
Paul fiddles with his amplifier.
I hope you can hear me. I'd be awfully disappointed if you couldn't.
We'd like to do another number from one of our LP's, albums, long players,
records....
It's a slow number and it's a waltz for all of you over 10. Some people play
fast waltzes and
some people play slow waltzes but we're gonna play a slow and it's called
Baby's In Black!"
OH, DEAR, WHAT CAN I DO?
BABY'S IN BLACK AND I'M FEELING BLUE.
TELL ME OH, WHAT CAN I DO?
SHE THINKS OF HIM AND SO SHE DRESSES IN BLACK,
AND THOUGH HE'LL NEVER COME BACK,
SHE'S DRESSED IN BLACK.
OH, DEAR, WHAT CAN I DO?
BABY'S IN BLACK AND I'M FEELING BLUE.
TELL ME OH, WHAT CAN I DO?
I THINK OF HER BUT SHE THINKS ONLY OF HIM,
AND THOUGH IT'S ONLY A WHIM,
SHE THINKS OF HIM.
OH, HOW LONG WILL IT TAKE
TILL SHE SEES THE MISTAKE SHE HAS MADE?
DEAR, WHAT CAN I DO?
BABY'S IN BLACK AND I'M FEELING BLUE.
TELL ME OH, WHAT CAN I DO?
OH, HOW LONG WILL IT TAKE
TILL SHE SEES THE MISTAKE SHE HAS MADE?
DEAR, WHAT CAN I DO?
BABY'S IN BLACK AND I'M FEELING BLUE.
TELL ME OH, WHAT CAN I DO?
SHE THINKS OF HIM AND SO SHE DRESSES IN BLACK,
AND THOUGH HE'LL NEVER COME BACK,
SHE'S DRESSED IN BLACK.
OH, DEAR, WHAT CAN I DO?
BABY'S IN BLACK AND I'M FEELING BLUE.
TELL ME OH, WHAT CAN I DO?
© Northern Songs Ltd.
YELLOW SUBMARINE
By John Lennon and Paul McCartney
[Spoken introduction:]
"YELLOW SUBMARINE...
AND WE WOULD MARCH TO FREE THE DAY
TO SEE THEM GATHERED THERE,
FROM LAND O'GROATS TO JOHN O'GREEN
FROM STEPNEY TO UTRECHT,
TO SEE A YELLOW SUBMARINE
WE LOVED IT."
IN THE TOWN WHERE I WAS BORN,
LIVED A MAN WHO SAILED TO SEA.
AND HE TOLD US OF HIS LIFE
IN THE LAND OF SUBMARINES.
SO WE SAILED ON TO THE SUN,
TILL WE FOUND THE SEA OF GREEN,
AND WE LIVED BENEATH THE WAVES,
IN OUR YELLOW SUBMARINE.
WE ALL LIVE IN A YELLOW SUBMARINE,
YELLOW SUBMARINE, YELLOW SUBMARINE.
WE ALL LIVE IN A YELLOW SUBMARINE,
YELLOW SUBMARINE, YELLOW SUBMARINE.
AND OUR FRIENDS ARE ALL ABOARD,
MANY MORE OF THEM LIVE NEXT DOOR.
AND THE BAND BEGINS TO PLAY.
WE ALL LIVE IN A YELLOW SUBMARINE,
YELLOW SUBMARINE, YELLOW SUBMARINE.
WE ALL LIVE IN A YELLOW SUBMARINE,
YELLOW SUBMARINE, YELLOW SUBMARINE.
FULL SPEED AHEAD, MISTER PARKER, FULL SPEED AHEAD!
FULL SPEED OVER HERE, SIR!
ACTION STATION! ACTION STATION!
AYE, AYE, SIR, FIRE!
HEAVEN! HEAVEN!
AS WE LIVE A LIFE OF EASE, (a life of ease)
EV'RYONE OF US (ev'ryone of us)
HAS ALL WE NEED. (has all we need)
SKY OF BLUE (sky of blue)
AND SEA OF GREEN, (sea of green)
IN OUR YELLOW (in our yellow)
SUBMARINE. (submarine, ha! ha!)
WE ALL LIVE IN A YELLOW SUBMARINE,
A YELLOW SUBMARINE, YELLOW SUBMARINE.
WE ALL LIVE IN A YELLOW SUBMARINE,
A YELLOW SUBMARINE, YELLOW SUBMARINE.
WE ALL LIVE IN A YELLOW SUBMARINE,
YELLOW SUBMARINE, YELLOW SUBMARINE.
WE ALL LIVE IN A.
© Northern Songs Ltd.
HERE, THERE AND EVERYWHERE
By John Lennon and Paul McCartney
TO LEAD A BETTER LIFE
I NEED MY LOVE TO BE HERE.
HERE, MAKING EACH DAY OF THE YEAR,
CHANGING MY LIFE WITH A WAVE OF HER HAND;
NOBODY CAN
DENY THAT THERE'S SOMETHING THERE.
THERE, RUNNING MY HANDS THROUGH HER HAIR,
BOTH OF US THINKING HOW GOOD IT CAN BE;
SOMEONE IS SPEAKING;
BUT SHE DOESN'T KNOW HE'S THERE.
I WANT HER EV'RYWHERE
AND IF SHE'S BESIDE ME I KNOW I NEED NEVER CARE.
BUT TO LOVE HER IS TO NEED HER
EV'RYWHERE, KNOWING THAT LOVE IS TO SHARE,
EACH ONE BELIEVING THAT LOVE NEVER DIES,
WATCHING HER EYES
AND HOPING I'M ALWAYS THERE.
I NEED HER EV'RYWHERE
AND IF SHE'S BESIDE ME I KNOW I NEED NEVER CARE.
BUT TO LOVE HER IS TO NEED HER
EV'RYWHERE, KNOWING THAT LOVE IS TO SHARE,
EACH ONE BELIEVING THAT LOVE NEVER DIES,
WATCHING HER EYES
AND HOPING I'M ALWAYS THERE.
AND I'LL BE THERE AND EV'RYWHERE,
HERE, THERE AND EV'RYWHERE.
© Northern Songs Ltd.