HAPPINESS IS A WARM GUN
By John Lennon and
Paul McCartney
I NEED A FIX 'CAUSE I'M GOING DOWN,
BACK TO THE BITS THAT I LEFT UP TOWN.
I NEED A FIX 'CAUSE I'M GOING DOWN.
MOTHER SUPERIOR JUMP....
John: "Oh shit! Wrong chord."
Paul: "Go from the start."
John: "Okay."
I NEED A FIX 'CAUSE I'M GOING DOWN,
BACK TO THE BITS THAT I LEFT UP TOWN.
I NEED A FIX 'CAUSE I'M GOING DOWN.
MOTHER SUPERIOR, JUMP THE GUN,
MOTHER SUPERIOR, JUMP THE GUN.
YOKO ONO OH NO,
YOKO ONO OH YES.
I NEED A FIX 'CAUSE I'M GOING DOWN,
BACK TO THE BITS THAT I LEFT UP TOWN.
I NEED A FIX 'CAUSE I'M GOING DOWN.
MOTHER SUPERIOR, JUMP THE GUN,
MOTHER SUPERIOR, JUMP THE GUN,
MOTHER SUPERIOR, JUMP THE GUN.
MOTHER SUPERIOR, JUMP THE GUN,
MOTHER SUPERIOR, JUMP THE GUN,
MOTHER SUPERIOR, JUMP THE GUN,
MOTHER SUPERIOR, JUMP THE GUN,
MOTHER SUPERIOR, JUMP THE GUN.
ã Northern Songs Ltd.
HELTER SKELTER
By John Lennon and
Paul McCartney
TAKE TWO.
DO YOU, DON'T YOU WANT ME TO LOVE YOU?
I'M COMING DOWN FAST BUT I'M MILES ABOVE YOU.
TELL ME, TELL ME, TELL ME THE ANSWER.
YOU MAY BE A LOVER BUT YOU AIN'T NO DANCER.
DO YOU, DON'T YOU WANT ME TO MAKE YOU?
COMING DOWN FAST BUT DON'T LET ME BREAK YOU.
TELL ME, TELL ME, TELL ME THE ANSWER.
YOU MAY BE A LOVER BUT YOU AIN'T NO DANCER.
WHEN I GET TO THE BOTTOM
I GO BACK TO THE TOP OF THE RIDE,
AND I KNOW AS I GET THAT I NEVER GET HIGH,
BUT I GET TO THE BOTTOM AND I SEE YOU AGAIN.
YEAH, YEAH, YEAH-HEY.
DO YOU, DON'T YOU WANT ME TO LOVE YOU?
I'M COMING DOWN FAST BUT I'M MILES ABOVE YOU.
TELL ME, TELL ME, TELL ME THE ANSWER.
MAY BE A LOVER BUT YOU AIN'T NO DANCER, DANCER, DANCER, DANCER, DANCER.
OH YEAH.
LOOK OUT NOW!
HELTER SKELTER,
HELTER LADDER,
HELTER LADDER.
OW! HOO-OOH!
AH, LOOK OUT NOW!
HELTER SKELTER,
HELTER SKELTER,
HELTER SKELTER.
ã Northern Songs Ltd.
MEAN MISTER MUSTARD
By John Lennon and
Paul McCartney
MEAN MISTER MUSTARD SLEEPS IN THE PARK,
SHAVES IN THE DARK TRY'N TO SAVE PAPER.
SLEEPS IN A HOLE IN THE ROAD,
SAVING UP TO BUY SOME CLOTHES,
KEEPS A TEN BOB NOTE UP HIS NOSE,
HE'S SUCH A MEAN OLD MAN,
MEAN OLD MAN.
HIS SISTER SHIRLEY WORKS IN A SHOP,
SHE NEVER STOPS, SHE'S A GO GETTER.
TAKES HIM OUT TO LOOK AT THE QUEEN,
IT'S THE ONLY PLACE THAT HE'S EVER BEEN
ALWAYS SHOUTS OUT SOMETHING OBSCENE,
HE'S SUCH A DIRTY OLD MAN,
SUCH A DIRTY OLD MAN.
YEAH, MEAN MISTER MUSTARD,
SUCH A DIRTY, DIRTY, MEAN MISTER MUSTARD,
SUCH A DIRTY, DIRTY, MEAN MISTER MUSTARD,
HE'S SUCH A DIRTY, DIRTY MAN....
MEAN MISTER MUSTARD SLEEPS IN THE PARK,
SHAVES IN THE DARK TRY'N TO SAVE PAPER.
(SLEEPS) SLEEPS IN A HOLE IN THE ROAD,
HE'S SAVING UP TO BUY SOME CLOTHES,
KEEPS A TEN BOB NOTE UP HIS NOSE,
HE'S SUCH A MEAN OLD MAN,
SUCH A MEAN OLD MAN.
ã Northern Songs Ltd.
POLYTHENE PAM
By John Lennon and
Paul McCartney
WELL, YOU SHOULD SEE POLYTHENE PAM,
SHE'S SO GOOD LOOKING BUT SHE LOOKS LIKE A MAN.
WELL, YOU SHOULD SEE HER IN DRAG,
DRESSED IN HER POLYTHENE BAG,
YES, YOU SHOULD SEE POLYTHENE PAM,
SEE POLYTHENE PAM.
GET A DOSE OF HER IN JACKBOOTS AND KILT,
SHE'S KILLER DILLER WHEN SHE'S DRESSED TO THE HILT.
WELL, IT'S A LITTLE ABSURD,
BUT SHE'S A NICE SORT OF BIRD,
YES, YOU COULD SAY SHE WAS ATTRACTIVELY BUILT,
SAY SHE WAS ATTRACTIVELY BUILT.
SEE POLYTHENE PAM,
SO GOOD LOOKING BUT SHE LOOKS LIKE A MAN.
WELL, YOU SHOULD SEE HER IN DRAG,
DRESSED IN HER POLYTHENE BAG,
YES, YOU SHOULD SEE POLYTHENE PAM,
SEE POLYTHENE PAM.
GET A DOSE OF HER IN JACKBOOTS AND KILT,
SHE'S KILLER DILLER WHEN SHE'S DRESSED TO THE HILT.
WELL, SHE'S THE KIND OF A GIRL THAT MAKES
THE "NEWS OF THE WORLD."
YES, YOU COULD SAY SHE WAS ATTRACTIVELY BUILT,
GET A DOSE OF HER IN JACKBOOTS AND KILT,
SHE'S KILLER DILLER WHEN SHE'S DRESSED TO THE HILT.
WELL, IT'S LITTLE ABSURD
BUT SHE'S A NICE SORT OF BIRD.
YES, YOU COULD SAY SHE WAS ATTRACTIVELY BUILT,
AH -
John: "It's too long that."
ã Northern Songs Ltd.
GLASS ONION (Esher demo)
By John Lennon and
Paul McCartney
I TOLD YOU 'BOUT STRAWBERRY FIELDS,
WELL, HERE'S A PLACE YOU KNOW JUST AS REAL.
IT'S JUST ANOTHER PLACE YOU CAN GO,
EV´RYTHING GLOWS.
LOOKING THROUGH THE BENT-BACKED TULIPS,
TO SEE HOW THE OTHER HALF LIVE,
LOOKING THROUGH A GLASS ONION.
I TOLD YOU 'BOUT STRAWBERRY FIELDS,
WELL, HERE'S A PLACE YOU KNOW JUST AS REAL.
IT'S JUST ANOTHER PLACE YOU CAN GO,
EV´RYTHING GLOWS.
LOOKING THROUGH THE BENT-BACKED TULIPS,
TO SEE HOW THE OTHER HALF LIVE,
LOOKING THROUGH A GLASS ONION.
I TOLD YOU 'BOUT STRAWBERRY FIELDS,
WELL, HERE'S A PLACE YOU KNOW JUST AS REAL, HOO!
IT'S JUST ANOTHER PLACE YOU CAN GO,
WHERE EV´RYTHING GLOWS, HELP!
HELP ME THROUGH THE BENT-BACKED TULIPS,
TO MAKE OUT HOW THE OTHER HALF LIVE,
LOOKING THROUGH A GLASS ONION.
ã Northern Songs Ltd.
JUNK
By Paul McCartney
MOTOR CARS, HANDLE BARS,
BICYCLES FOR TWO.
BROKEN HEARTED JUBILEE.
PARACHUTES, ARMY BOOTS
SLEEPING BAGS FOR TWO.
DA-DA-DA-DA-DA, JAMBOREE.
AH-
AH -
MOTOR CARS, HANDLE BARS,
BICYCLES FOR TWO.
BROKEN HEARTED JUBILEE.
PARACHUTES, ARMY BOOTS
SLEEPING BAGS FOR YOU.
DA-DA-DA-DA-DA, JAMBOREE.
AH -
IN THE SHOP WINDOW.
WHY? WHY?
SAYS THE JUNK IN THE YARD.
BUY! BUY!
SAYS THE SIGN IN THE SHOP WINDOW.
WHY? WHY?
SAYS THE JUNK IN THE YARD.
OOH - DOO-DOO-DOO -
ã Northern Songs Ltd.
PIGGIES
By George Harrison
HAVE YOU SEEN THE LITTLE PIGGIES
CRAWLING IN THE DIRT?
AND FOR ALL THE LITTLE PIGGIES,
LIFE IS GETTING WORSE,
ALWAYS HAVING DIRT TO PLAY AROUND IN.
HAVE YOU SEEN THE BIGGER PIGGIES
IN THEIR STARCHED WHITE SHIRTS?
YOU WILL FIND THE BIGGER PIGGIES
STIRRING UP THE DIRT.
ALWAYS HAVE CLEAN SHIRTS TO PLAY AROUND IN.
IN THEIR STIES WITH ALL THEIR BACKING,
THEY DON'T CARE WHAT GOES ON AROUND.
IN THEIR EYES THERE'S SOMETHING LACKING,
WHAT THEY NEED'S A DAMN GOOD WHACKING!
(whistle)
EV'RYWHERE THERE'S LOTS OF PIGGIES
LIVING PIGGY LIVES,
YOU WILL SEE THEM OUT FOR DINNER
WITH THEIR PIGGY WIVES
CLUTCHING FORKS AND KNIVES TO CUT THEIR PORK CHOPS.
ã Harrisongs Ltd.
HONEY PIE
By John Lennon and
Paul McCartney
AH, HONEY PIE, MY POSITION IS TRAGIC,
COME AND SHOW ME THE MAGIC
OF YOUR HOLLYWOOD SONG.
NOW, HONEY PIE, YOU ARE DRIVING ME FRANTIC,
SAIL ACROSS THE ATLANTIC,
TO BE WHERE YOU BELONG.
YOU BECAME A LEGEND OF THE SILVER SCREEN,
NOW YOU'RE ALWAYS LA-DOO-DOO
LA-LA-DEE-DEE-DEE.
DA-DA-DA.
NOW, HONEY PIE, YOU ARE DRIVING ME FRANTIC,
SAIL ACROSS THE ATLANTIC,
TO BE WHERE YOU BELONG.
AH-AH-AH -
LA-LA-LA (oh yeah) LA-LA-LA-LA-LA-LA-LA, (oh yeah)
LA-LA-LA-LA-LA-LA-LA-LA, (oh yeah)
LA-LA-LA-LA-LA-LA-LA,
LA-LA-LA.
LA-LA-LA LA-LA-LA-LA-LA-LA-LA,
LA-LA-LA-LA-LA-LA-LA-LA,
TO BE WHERE YOU BELONG.
DA-DA-DA-DA-DA-DA.
ã Northern Songs Ltd.
DON'T PASS ME BY
By Richard Starkey
I LISTEN FOR YOUR FOOTSTEPS COMING UP THE DRIVE,
LISTEN FOR YOUR FOOTSTEPS, BUT THEY DON'T ARRIVE.
WAITING FOR YOUR KNOCK, DEAR, ON MY OLD FRONT DOOR;
I DON'T HEAR IT.
DOES IT MEAN YOU DON'T LOVE ME ANYMORE?
I HEAR THE CLOCK A-TICKING ON THE MANTEL SHELF,
SEE THE HANDS A-MOVING, BUT I'M BY MYSELF.
I WONDER WHERE YOU ARE TONIGHT AND WHY I'M BY MYSELF;
I DON'T SEE YOU.
DOES IT MEAN YOU DON'T LOVE ME ANYMORE.
DON'T PASS ME BY,
DON'T MAKE ME CRY,
DON'T MAKE ME BLUE.
'CAUSE YOU KNOW, DARLING, I LOVE ONLY YOU.
YOU'LL NEVER KNOW IT HURT ME SO,
HOW I HATE TO SEE YOU GO;
DON'T PASS ME BY,
DON'T MAKE ME CRY,
DON'T MAKE ME BLUE.
I'M SORRY THAT I DOUBTED YOU, I WAS SO UNFAIR.
YOU WERE IN A CAR CRASH AND YOU LOST YOUR HAIR.
YOU SAID THAT YOU WOULD BE LATE, ABOUT AN HOUR OR TWO,
I SAID, THAT'S ALRIGHT, I'M WAITING HERE,
JUST WAITING TO HEAR FROM YOU.
DON'T PASS ME BY,
DON'T MAKE ME CRY,
DON'T MAKE ME BLUE.
'CAUSE YOU KNOW, DARLING, I LOVE ONLY YOU.
YOU'LL NEVER KNOW IT HURT ME SO,
HOW I HATE TO SEE YOU GO;
DON'T PASS ME BY,
DON'T MAKE ME CRY.
I'M WAITING FOR YOU, HONEY.
HURRY UP TO ME.
I DON'T WANT YOU TO PASS ME BY,
YOU DON'T NEED TO MAKE ME CRY,
I WANT YOU TO MAKE ME HAPPY.
ã Eaton Music Ltd.
OB-LA-DI, OB-LA-DA
By John Lennon and
Paul McCartney
YES, SIR, TAKE ONE!
IT'S THE MIGHTY JUNGLE BAND!
DESMOND HAS A BARROW IN THE MARKET PLACE,
MOLLY IS THE SINGER IN A BAND.
DESMOND SAYS TO MOLLY, "GIRL, I LIKE YOUR FACE."
AND MOLLY SAYS THIS AS SHE TAKES HIM BY THE HAND.
OB-LA-DI, OB-LA-DA, LIFE GOES ON BRA,
LA-LA HOW THE LIFE GOES ON.
OB-LA-DI, OB-LA-DA, LIFE GOES ON BRA,
LA-LA HOW THE LIFE GOES ON.
DESMOND TAKES A TROLLEY TO THE JEWELLER'S STORE,
BUYS A TWENTY CARAT GOLDEN RING.
TAKES IT BACK TO MOLLY WAITING AT THE DOOR
AND WHEN HE GIVES IT TO HER SHE BEGINS TO SING:
OB-LA-DI, OB-LA-DA, LIFE GOES ON BRA,
LA-LA HOW THE LIFE GOES ON.
OB-LA-DI, OB-LA-DA, LIFE GOES ON BRA,
LA-LA HOW THE LIFE GOES ON.
IN A COUPLE OF YEARS THEY HAVE BUILT A HOME, SWEET HOME.
(Chicaboom, chicaboom, chicaboom, ah)
WITH A COUPLE OF KIDS RUNNING IN THE YARD
OF DESMOND AND MOLLY JONES.
HAPPY EVER AFTER IN THE MARKET PLACE;
DESMOND LETS THE CHILDREN LEND A HAND.
MOLLY STAYS AT HOME AND DOES HER PRETTY FACE
AND IN THE EVENING SHE'S A SINGER WITH THE BAND.
OB-LA-DI, OB-LA-DA, LIFE GOES ON BRA,
LA-LA HOW THE LIFE GOES ON.
OB-LA-DI, OB-LA-DA, LIFE GOES ON BRA,
LA-LA HOW THE LIFE GOES ON.
IN A COUPLE OF YEARS THEY HAVE BUILT A HOME, SWEET HOME.
(chicaboom, chicaboom, chicaboom, ah)
WITH A COUPLE OF KIDS RUNNING IN THE YARD
OF DESMOND AND MOLLY JONES.
HAPPY EVER AFTER IN THE MARKET PLACE;
DESMOND LETS THE CHILDREN LEND A HAND.
MOLLY STAYS AT HOME AND DOES HER PRETTY FACE
AND IN THE EVENING SHE STILL SINGS IT WITH THE BAND.
OB-LA-DI, OB-LA-DA, LIFE GOES ON BRA,
LA-LA HOW THE LIFE GOES ON.
OB-LA-DI, OB-LA-DA, LIFE GOES ON BRA,
LA-LA HOW THE LIFE GOES ON.
OB-LA-DI-BLA-DA.
OB-LA-DI-BLA-DA, BROTHER!
ã Northern Songs Ltd.
GOOD NIGHT
By John Lennon and
Paul McCartney
John: "That sounds quite nice."
Ringo: "What?"
John: "It sounds nice starting like that anyway."
Paul: "OK Yeah."
George: "Somebody should count in on there."
Paul: "1, 2, 3, 4, dream, sweet dreams"
George Martin: "Right! Off you go. You do the count in then?"
George: "That's it, the beginnings different now ok.?"
Ringo: "Yeah."
John: "Ready!"
Paul: (laughs) "How's it go? Dream, sweet dreams."
George: "1, 2, 3, 4"
DREAM SWEET DREAMS FOR ME.
DREAM SWEET DREAMS FOR YOU.
NOW IT'S TIME TO SAY GOOD NIGHT;
GOOD NIGHT, SLEEP TIGHT.
NOW THE SUN TURNS OUT HIS LIGHT;
GOOD NIGHT, SLEEP TIGHT.
DREAM SWEET DREAMS FOR ME.
DREAM SWEET DREAMS FOR YOU.
CLOSE YOUR EYES AND I´LL CLOSE MINE.
GOOD NIGHT, SLEEP TIGHT.
NOW THE MOON BEGINS TO SHINE;
GOOD NIGHT, SLEEP TIGHT.
DREAM SWEET DREAMS FOR ME.
DREAM SWEET DREAMS FOR YOU.
ã Northern Songs Ltd.
CRY BABY CRY
By John Lennon and
Paul McCartney
CRY, BABY, CRY,
MAKE YOUR MOTHER SIGH,
THE KING OF MARIGOLD WAS IN THE KITCHEN
COOKING BREAKFAST FOR THE QUEEN.
THE QUEEN WAS IN THE PARLOUR PLAYING PIANO
FOR THE CHILDREN OF THE KING.
CRY, BABY, CRY,
MAKE YOUR MOTHER SIGH,
SHE'S OLD ENOUGH TO KNOW BETTER.
SO CRY, BABY, CRY.
THE KING WAS IN THE GARDEN PICKING FLOWERS
FOR A FRIEND WHO CAME TO PLAY.
THE QUEEN WAS IN THE PLAYROOM PAINTING PICTURES
FOR THE CHILDREN'S HOLIDAY.
CRY, BABY, CRY,
MAKE YOUR MOTHER SIGH,
SHE'S OLD ENOUGH TO KNOW BETTER.
SO CRY, BABY, CRY.
THE DUCHESS OF KIRCALDY, ALWAYS SMILING
AND ARRIVING LATE FOR TEA.
THE DUKE WAS HAVING PROBLEMS WITH A MESSAGE
AT THE LOCAL BIRD AND BEE.
CRY, BABY, CRY,
MAKE YOUR MOTHER SIGH,
SHE'S OLD ENOUGH TO KNOW BETTER.
SO CRY, BABY, CRY.
AT TWELVE O'CLOCK A MEETING 'ROUND THE TABLE
FOR A SEANCE IN THE DARK.
WITH VOICES OUT OF NOWHERE PUT ON SPEC´LY
BY THE CHILDREN FOR A LARK.
CRY, BABY, CRY,
MAKE YOUR MOTHER SIGH,
SHE'S OLD ENOUGH TO KNOW BETTER.
SO CRY, BABY, CRY.
CRY, BABY, CRY,
MAKE YOUR MOTHER SIGH,
SHE'S OLD ENOUGH TO KNOW BETTER.
SO CRY, BABY, CRY.
CRY, CRY, CRY,
MAKE YOUR MOTHER SIGH,
SHE'S OLD ENOUGH TO KNOW BETTER.
SO CRY, BABY, CRY.
ã Northern Songs Ltd.
BLACKBIRD
By John Lennon and
Paul McCartney
BLACKBIRD SINGING IN THE DEAD OF NIGHT,
TAKE THESE BROKEN WINGS AND LEARN TO FLY;
ALL YOUR LIFE,
YOU WERE ONLY WAITING FOR THIS MOMENT TO ARISE.
BLACKBIRD SINGING IN THE DEAD OF NIGHT,
TAKE THESE SUNKEN EYES AND LEARN TO SEE;
ALL YOUR LIFE,
YOU WERE ONLY WAITING FOR THIS MOMENT TO BE FREE.
BLACKBIRD, FLY,
BLACKBIRD, FLY,
INTO THE LIGHT OF THE DARK, BLACK NIGHT.
MM-DOO.
BLACKBIRD SINGING IN THE DEAD OF NIGHT,
TAKE THESE BROKEN WINGS AND LEARN TO FLY;
ALL YOUR LIFE,
YOU WERE ONLY WAITING FOR THIS MOMENT TO ARISE.
BLACKBIRD, FLY,
BLACKBIRD, FLY,
INTO THE LIGHT OF THE DARK BLACK NIGHT.
ALL YOUR LIFE,
YOU WERE ONLY WAITING FOR THIS MOMENT TO ARISE,
YOU, YOU WERE ONLY WAITING FOR THIS MOMENT TO ARISE.
ã Northern Songs Ltd.
SEXY SADIE
By John Lennon and
Paul McCartney
SEXY SADIE, WHAT HAVE YOU DONE?
YOU MADE A FOOL OF EV´RYONE,
YOU MADE A FOOL OF EV´RYONE.
SEXY SADIE, OH, WHAT HAVE YOU DONE?
SEXY SADIE, YOU BROKE THE RULES.
YOU LAID IT DOWN FOR ALL TO SEE,
YOU LAID IT DOWN FOR ALL TO SEE.
SEXY SADIE, OH, YOU BROKE THE RULES.
ONE SUNNY DAY, THE WORLD WAS WAITING FOR A LOVER;
SHE CAME ALONG TO TURN ON EV´RYONE.
SEXY SADIE, SHE'S THE GREATEST OF THEM ALL.
SEXY SADIE, HOW DID YOU KNOW,
THE WORLD WAS WAITING JUST FOR YOU,
THE WORLD WAS WAITING JUST FOR YOU?
SEXY SADIE, OH, HOW DID YOU KNOW?
SEXY SADIE, YOU'LL GET YOURS YET,
HOWEVER BIG YOU THINK YOU ARE,
HOWEVER BIG YOU THINK YOU ARE.
SEXY SADIE, OH, YOU'LL GET YOURS YET.
GAVE HER EV´RYTHING WE OWNED JUST TO SIT AT HER TABLE;
JUST A SMILE WOULD LIGHTEN EV´RYTHING.
SEXY SADIE, THE GREATEST OF THEM ALL.
OH-OH-OH-OH-OH-OH-OH-OH.
ONE SUNNY DAY, THE WORLD WAS WAITING FOR A LOVER;
SHE CAME ALONG TO TURN ON EV´RYONE.
SEXY SADIE, SHE'S THE GREATEST OF THEM ALL.
SEXY SADIE, WHAT HAVE YOU DONE?
YOU MADE A FOOL OF EV´RYONE,
YOU MADE A FOOL OF EV´RYONE.
SEXY SADIE, OH, WHAT HAVE YOU DONE?
SEXY SADIE, YOU BROKE THE RULES.
YOU LAID IT DOWN FOR ALL TO SEE,
YOU LAID IT DOWN FOR ALL TO SEE.
SEXY SADIE, OH, YOU BROKE THE RULES.
ã Northern Songs Ltd.
WHILE MY GUITAR GENTLY
WEEPS
By George Harrison
I LOOK AT YOU ALL, SEE THE LOVE THERE THAT'S SLEEPING,
WHILE MY GUITAR GENTLY WEEPS.
I LOOK AT THE FLOOR AND I SEE IT NEEDS SWEEPING;
STILL MY GUITAR GENTLY WEEPS.
I DON'T KNOW WHY NOBODY TOLD YOU
HOW TO UNFOLD YOUR LOVE,
I DON'T KNOW HOW SOMEONE CONTROLLED YOU,
THEY BOUGHT AND SOLD YOU.
I LOOK AT THE WORLD AND I NOTICE IT'S TURNING,
WHILE MY GUITAR GENTLY WEEPS.
WITH EV´RY MISTAKE WE MUST SURELY BE LEARNING;
STILL MY GUITAR GENTLY WEEPS.
I DON'T KNOW HOW YOU WERE DIVERTED,
YOU WERE PERVERTED TOO.
I DON'T KNOW HOW YOU WERE INVERTED,
NO ONE ALERTED YOU.
I LOOK FROM THE WINGS OF THE PLAY YOU ARE STAGING,
WHILE MY GUITAR GENTLY WEEPS.
AS I'M SITTING HERE DOING NOTHING BUT AGEING;
STILL MY GUITAR GENTLY WEEPS.
ã Harrisongs Ltd..
HEY JUDE
By John Lennon and
Paul McCartney
John: - "From the heart of the black country!"."
Paul singing:
WHEN I WAS A ROBBER IN BOSTON PLACE,
YOU GATHERED ROUND ME WITH YOUR FOND EMBRACE.
HEY JUDE, DON'T MAKE IT BAD,
TAKE A SAD SONG AND MAKE IT BETTER.
REMEMBER TO LET HER INTO YOUR HEART,
THEN YOU CAN START TO MAKE IT BETTER.
HEY JUDE, DON'T BE AFRAID,
YOU WERE MADE TO GO OUT AND GET HER.
THE MINUTE YOU LET HER UNDER YOUR SKIN,
THEN YOU BEGIN TO MAKE IT BETTER.
AND ANY TIME YOU FEEL A PAIN, HEY JUDE, REFRAIN,
DON'T CARRY THE WORLD UPON YOUR SHOULDERS.
FOR WELL YOU KNOW THAT IT'S A FOOL WHO PLAYS IT COOL,
BY MAKING HIS WORLD A LITTLE COLDER.
AH -
HEY JUDE, DON'T LET ME DOWN,
SHE HAS FOUND YOU, GO OUT AND GET HER.
REMEMBER TO LET HER INTO YOUR HEART,
THEN YOU CAN START TO MAKE IT BETTER.
BETTER, BETTER, BETTER, BETTER.
SO LET IT OUT AND LET IT IN, HEY JUDE, BEGIN,
YOU'RE WAITING FOR SOMEONE TO PERFORM WITH.
AND DON'T YOU KNOW THAT IT'S JUST YOU, HEY JUDE, YOU'LL DO,
THE MOVEMENT YOU NEED IS ON YOUR SHOULDER.
HEY JUDE, DON'T MAKE IT BAD,
TAKE A SAD SONG AND MAKE IT BETTER.
REMEMBER TO LET HER INTO YOUR HEART,
THEN YOU CAN START TO MAKE IT
BETTER, BETTER, BETTER, BETTER, BETTER, BETTER, WOH-
YEAH, NA NA NA NA NA NA
NA NA NA NA YEAH, JUDE-OO-OO-YEAH.
NA NA NA NA NA NA NA, NOW MAKE IT, JUDE,
NA NA NA NA HEY JUDE, HEY JUDE, YEAH.
NA NA NA NA NA NA NA, NOW MAKE IT, JUDE,
NA NA NA NA HEY JUDE-OO-OO-OO-OO-YEAH.
NA NA NA NA NA NA NA
NA NA NA NA, AH YEAH, YEAH, YEAH.
NA NA NA NA NA NA NA, MAKE IT JUDE, YEAH!
ã Northern Songs Ltd.
NOT GUILTY
By George Harrison
NOT GUILTY,
OF GETTING IN YOUR WAY
WHILE YOU'RE TRYIN' TO STEAL THE DAY.
NOT GUILTY,
AND I'M NOT HERE FOR THE REST,
I'M NOT TRYIN' TO STEAL YOUR VEST.
I'M NOT TRYIN' TO BE SMART,
I ONLY WANT WHAT I CAN GET.
I'M REALLY SORRY FOR YOUR AGEING HEAD,
BUT LIKE YOU HEARD ME SAID, I'M NOT GUILTY.
NO USE HANDING ME A WRIT
WHILE I'M TRYIN' TO DO MY BIT.
I DON'T EXPECT TO TAKE YOUR HEART,
I ONLY WANT WHAT I CAN GET.
I'M REALLY SORRY THAT YOU'RE UNDERFED,
BUT LIKE YOU HEARD ME SAID, NOT GUILTY.
NOT GUILTY,
FOR LOOKING LIKE A FREAK,
MAKING FRIENDS WITH EV´RY SIKH.
NOT GUILTY,
FOR LEADING YOU ASTRAY
ON THE ROAD TO MANDALAY.
I WON'T UPSET THE APPLE CART,
I ONLY WANT WHAT I CAN GET.
I'M REALLY SORRY THAT YOU'VE BEEN MISLED,
BUT LIKE YOU HEARD ME SAID, I'M NOT GUILTY.
ã Ganga Publishing.
MOTHER NATURE'S SON
By John Lennon and
Paul McCartney
Paul: "Can you take this thing off my voice? I've got like this speaker I
can hear.
Oh, thank you.
OK leave it on then, good."
BORN A POOR YOUNG COUNTRY BOY,
MOTHER NATURE'S SON,
ALL DAY LONG I'M SITTING, SINGING SONGS FOR EV´RYONE.
SIT BESIDE A MOUNTAIN STREAM,
SEE HER WATERS RISE;
LISTEN TO THE PRETTY SOUND OF MUSIC AS SHE FLIES.
DOO-DOO-DOO-DOO-DOO-DOO-DOO-DOO-DOO-DOO-DOO,
DOO-DOO-DOO-DOO-DOO-DOO-DOO-DOO-DOO,
DOO-DOO-DOO.
FIND ME IN MY FIELD OF GRASS,
MOTHER NATURE'S SON.
SWAYING DAISIES SING A LAZY SONG BENEATH THE SUN.
MM-MM-MM-MM-MM-MM-MM-OO-OO-OO-OO,
OO-OO-OO-OO-OO-OO-OO-OO-OO,
DOO-DOO-DOO-DOO-DOO-DOO-DOO,
DOO-DOO-DOO-DOO-DOO-DOO,
DOO-DOO-N'DOO-DOO-DOO-DA-N'DA-DA-N'DOO-N'DOO.
DOO-DOO-DOO-DOO-DOO-DOO-DOO-DOO-N'DOO-DOO,
DOO-DOO-DOO-DOO-DOO-DOO-DOO-DOO-N'DOO,
OO-DOO-DOO.
Paul: "The next item on this evening is agenda.
I'd like to give you my version of 'Londonderry Air'"
ã Northern Songs Ltd.
GLASS ONION
By John Lennon and
Paul McCartney
I TOLD YOU 'BOUT STRAWBERRY FIELDS,
YOU KNOW, THE PLACE WHERE NOTHING IS REAL.
WELL, HERE'S ANOTHER PLACE YOU CAN GO-OO-WO,
WHERE EV´RYTHING FLO-OO-OWS.
LOOKING THROUGH THE BENT-BACKED TULIPS,
TO SEE HOW THE OTHER HALF LIVE,
LOOKING THROUGH A GLASS ONION.
I TOLD YOU 'BOUT THE WALRUS AND ME, MAN,
YOU KNOW THAT WE'RE AS CLOSE AS CAN BE, MAN,
WELL, HERE'S ANOTHER CLUE FOR YOU ALL,
THE WALRUS WAS PAUL.
STANDING ON A CAST-IRON SHORE, YEAH,
LADY MADONNA TRYIN' TO MAKE ENDS MEET, YEAH,
LOOKING THROUGH A GLASS ONION.
OH, YEAH,
OH, YEAH,
OH, YEAH - (yeah! yeah!)
LOOKING THROUGH A GLASS ONION.
I TOLD YOU 'BOUT THE FOOL ON THE HILL,
I TELL YOU, MAN, HE'S LIVING THERE STILL.
WELL, HERE'S ANOTHER PLACE YOU CAN BE,
LISTEN TO ME.
FIXING A HOLE IN THE OCEAN,
TRYIN' TO MAKE A DOVETAIL JOINT, YEAH,
LOOKING THROUGH A GLASS ONION.
It's a goal!
It's a goal!
It's a goal!
It's a goal!
It's a goal!
It's a goal!
It's a goal!
ã Northern Songs Ltd.
ROCKY RACCOON
By John Lennon and
Paul McCartney
John: "He was a fool unto himself"
"ROCKY RACCOON...
NOW ROCKY RACCOON HE WAS A FOOL UNTO HIMSELF,
AND HE WOULD NOT SWALLOW HIS FOOLISH PRIDE.
MIND YOU, COMING FROM A LITTLE TOWN IN MINNESOTA,
IT WAS NOT THE KIND OF THING THAT A YOUNG GUY DID WHEN
A FELLOW WENT AND STOLE HIS CHICK AWAY FROM HIM."
NOW ROCKY RACCOON CHECKED INTO HIS ROOM
ONLY TO FIND GIDEON´S BIBLE.
ROCKY HAD COME EQUIPPED WITH A GUN
TO SHOOT OFF THE LEGS OF HIS RIVAL.
HIS RIVAL IT SEEMS HAD BROKEN HIS DREAMS
BY STEALING THE GIRL OF HIS FANCY.
HER NAME WAS MAGILL, AND SHE CALLED HERSELF LIL,
BUT EV´RYONE KNEW HER AS NANCY.
NOW SHE AND HER MAN, WHO CALLED HIMSELF DAN,
WERE IN THE NEXT ROOM AT THE HOE-DOWN.
AND ROCKY BURST IN AND GRINNING A GRIN,
SAID, "DANNY BOY, THIS IS A SHOWDOWN."
BUT DANIEL WAS HOT, HE DREW FIRST AND SHOT
AND ROCKY COLLAPSED IN THE CORNER - AH.
D'DA D'DA D'DA DA DA DA,
D'DA D'DA D'DA DA DA DA,
D'DA D'DA D'DA DA D'DA D'DA D'DA D'DA,
DO DO DO DO DO DO.
D'DA D'DA D'DA DA DA DA,
D'DA D'DA D'DA DA DA DA,
D'DA D'DA D'DA DA D'DA D'DA D'DA D'DA,
DO DO DO DO DO DO.
THE DOCTOR WALKED IN, SMINKING OF GIN (sminking?!)
PROCEEDED TO LIE ON THE TABLE.
HE'S REALLY SMINKING OF GIN,
AND IT DID HIM IN THE END, POOR DOC.
MEANTIME, BACK ON THE TABLE, YEAH,
THE DOCTOR SAID, "ROCK, YOU'VE MET YOUR MATCH, SON."
ROCKY SAID, "IT'S ONLY A SCRATCH, SO I´LL BE BETTER SOON."
"YOU BETTER BE BETTER SOON", SAID THE DOC.
"COME ON, SON, GOTTA GET HIP, GOTTA GET UP, GOTTA GET BACK
TO YOUR GUN, GOTTA GO AND SHOOT THAT DANNY BOY."
HOWEVER, ROCKY RACCOON, HE FELL BACK IN HIS ROOM
ONLY TO FIND GIDEON´S BIBLE.
GIDEON CHECKED OUT AND LEFT IT NO DOUBT
TO HELP WITH GOOD ROCKY´S REVIVAL - AH.
D'DA D'DA D'DA DA DA DA,
D'DA D'DA D'DA DA DA DA,
D'DA D'DA D'DA DA D'DA D'DA D'DA D'DA,
DO DO DO DO DO DO.
D'DO D'DO D'DO DO DO DO,
D'DO D'DO D'DO DO DO DO,
D'DO D'DO D'DO DO DO D'DO
AND THAT'S THE STORY OF THE ROCKY RACCOON, YEAH.
HEY!
ã Northern Songs Ltd.
WHAT'S THE NEW MARY
JANE
By John Lennon and
Paul McCartney
SHE LOOKS AS AN AFRICAN QUEEN,
SHE EATING TWELVE CHAPATTIS AND CREAM,
SHE TASTE AS MONGOLIAN LAMB,
SHE COMING FROM ALDEBERAN.
WHAT A SHAME MARY JANE HAD A PAIN AT THE PART.
WHAT A SHAME MARY JANE,
WHAT A SHAME MARY JANE HAD A PAIN AT THE PARTY.
SHE LIKE TO BE MARRIED WITH YETTI.
HE GROOVING SUCH COOKY SPAGHETTI.
SHE JUMPING AS MEXICAN BEAN.
TO MAKE THAT HER BODY MORE THIN.
WHAT A SHAME MARY JANE HAD A PAIN AT THE PARTY.
WHAT A SHAME MARY JANE,
WHAT A SHAME MARY JANE HAD A PAIN AT THE PARTY.
SHE CATCH PATAGONIAN PANCAKES.
WITH THAT ONE AND GIN PARTY MAKES.
SHE HAVING ALWAYS GOOD CONTACT.
SHE MAKING WITH APPLE AND CONTRACT.
WHAT A SHAME MARY JANE HAD A PAIN AT THE PARTY.
WHAT A SHAME MARY JANE,
WHAT A SHAME MARY JANE HAD A PAIN AT THE PARTY
ALL TOGETHER NOW:
WHAT A SHAME MARY JANE HAD A PAIN AT THE PARTY.
WHAT A SHAME WHAT,
WHAT A SHAME MARY JANE HAD A PAIN AT THE PARTY.
WHAT A SHAME, WHAT A SHAME, WHAT A SHAME
MARY JANE HAD A PAIN AT THE PARTY.
WHAT A SHAME, WHAT A SHAME, WHAT A SHAME, WHAT A SHAME
MARY JANE HAD A PAIN AT THE PARTY.
WHAT A SHAME, WHAT A SHAME
MARY JANE HAD A PAIN AT THE PARTY.
WHAT A SHAME, WHAT A SHAME, WHAT A SHAME
MARY JANE HAD A PAIN AT THE PARTY.
WHAT A SHAME MARY JANE HAD A PAIN AT THE PARTY.
WHAT A SHAME MARY JANE, WHAT A SHAME MARY JANE
HAD A PAIN AT THE PARTY.
WHAT A SHAME MARY JANE.
OO -
WHAT A SHAME!
OO -
SHE LOOKS AS AN AFRICAN QUEEN.
SHE TASTE AS MONGOLIAN LAMB.
WHAT A SHAME MARY JANE, WHAT A SHAME MARY JANE
HAD A PAIN AT THE PARTY.
ALL TOGETHER NOW:
WHAT A SAME MARY JANE HAD A PAIN AT THE PARTY.
WHAT A SHAME WHAT, WHAT A SHAME
MARY JANE HAD A PAIN AT THE PARTY.
WHAT A SHAME, WHAT A SHAME MARY JANE.
OO -
John: "Let's hear it back before we get taken away!"
ã Northern Songs Ltd.
STEP INSIDE LOVE/LOS
PARANOIAS
John Lennon and
Paul McCartney/
John Lennon, Paul McCartney, George Harrison and Richard Starkey
MM, STEP INSIDE LOVE AND STAY.
STEP INSIDE, LOVE,
STEP INSIDE, LOVE,
I WANT YOU TO STAY.
YOU'D LOOK TIRED, LOVE,
LET ME TURN DOWN THE LIGHT.
COME IN OUT OF THE COLD,
REST YOUR HEAD ON MY SHOULDER
AND KISS ME GOOD NIGHT.
WE ARE TOGETHER NOW AND FOREVER,
COME MY WAY.
STEP INSIDE, LOVE, AND STAY.
STEP INSIDE, LOVE,
STEP INSIDE, LOVE,
STEP INSIDE, LOVE,
I WANT YOU TO STAY.
DOO-DOO-DOO-DOO,
DOO-DOO-DOO-DOO-DOO-N'DA,
DA DA DA DA N'DA DA
DA DA DA DA,
N'DA DA DA DA.
ã Northern Songs Ltd.
Paul: - "Joe Prairies and the Prairie Wallflowers!"
John: "Los Paranoias!"
Paul: "Ha, ha, ha,..."
LOS PARANOIAS
INVITES YOU TO (I can dig it)
TO JUST ENJOY US (I can dig it)
COME ON, YOU CAN DO IT, BABY,
COME ON AND JOIN THE LOS PARANOIAS,
JUST ENJOY US,
LOS PARANOIAS,
OH! LOS PARANOIAS,
COME ON, ENJOY US.
HARMONY -
LOS PARANOIAS,
COME ON, ENJOY US,
WE'RE LOS PARANOIAS,
WE'RE HERE TO SING FOR YOU,
AND WHAT IF YOU WANT US TO,
WE WILL SING A LITTLE SONG FOR YOU,
LOS PARANOIAS.
ã Northern Songs Ltd./Harrisongs
Ltd./Startling Music Ltd.
I'M SO TIRED
By John Lennon and
Paul McCartney
John: OK, This is it, ha!"
ONE, TWO, THREE.
I'M SO TIRED, I HAVEN'T SLEPT A WINK,
I'M SO TIRED, MY MIND IS ON THE BLINK.
I WONDER SHOULD I GET UP AND FIX MYSELF A DRINK,
NO, NO, NO.
I'M SO TIRED, I DON'T KNOW WHAT TO DO,
I'M SO TIRED, MY MIND IS SET ON YOU.
I WONDER SHOULD I CALL YOU,
BUT I KNOW WHAT YOU WOULD DO.
YOU'D SAY I'M PUTTING YOU ON,
BUT IT'S NO JOKE, IT'S DOING ME HARM.
YOU KNOW I CAN'T SLEEP, I CAN'T STOP MY BRAIN,
YOU KNOW IT'S THREE WEEKS, I'M GOING INSANE.
YOU KNOW I´D GIVE YOU EV´RYTHING I'VE GOT
FOR A LITTLE PEACE OF MIND.
I'M SO TIRED, I'M FEELING SO UPSET,
ALTHOUGH I'M SO TIRED, I´LL HAVE ANOTHER CIGARETTE.
AND CURSE SIR WALTHER RALEIGH,
HE WAS SUCH A STUPID GET!
YOU'D SAY I'M PUTTING YOU ON,
BUT IT'S NO JOKE, IT'S DOING ME HARM.
YOU KNOW I CAN'T SLEEP, I CAN'T STOP MY BRAIN,
YOU KNOW IT'S THREE WEEKS, I'M GOING INSANE.
I'D GIVE YOU EV´RYTHING I'VE GOT
FOR A LITTLE PEACE OF MIND.
GIVE YOU EV´RYTHING I'VE GOT
FOR A LITTLE PEACE OF MIND.
GIVE YOU EV´RYTHING I'VE GOT
FOR A LITTLE PEACE OF MIND.
ã Northern Songs Ltd.
I WILL
By John Lennon and
Paul McCartney
WHO KNOWS HOW LONG I'VE LOVED YOU, YEAH?
YOU KNOW I LOVE YOU STILL.
WILL I WAIT A LONELY LIFETIME?
IF YOU WANT ME TO, I WILL, MM-MM.
YOU KNOW IF I EVER SAW YOU,
I DIDN'T CATCH YOUR NAME,
BUT IT NEVER REALLY MATTERED,
I WILL ALWAYS FEEL THE SAME.
LOVE YOU FOREVER AND FOREVER,
LOVE YOU WITH ALL MY HEART.
LOVE YOU WHENEVER WE'RE TOGETHER,
LOVE YOU WITH ALL MY HEART.
AND WHEN AT LAST I FIND YOU,
YOUR SONG WILL FILL THE AIR;
WILL IT LOUD SO I CAN HEAR YOU,
MAKE IT EASY TO BE NEAR YOU.
FOR THE THINGS YOU DO ENDEAR ME TO YOU,
AH, YOU KNOW I WILL.
I WILL.
DA-DA-DA-DA-DA-DA-DA-DA-DA,
DA-DA-DA-DA-DA-DA-DA.
DOO-DOO-DOO-DOO.
ã Northern Songs Ltd.
WHY DON'T WE DO IT IN
THE ROAD
By John Lennon and
Paul McCartney
WHY DON'T WE DO IT IN THE ROAD?
WHY DON'T WE DO IT IN THE ROAD?
WHY DON'T WE DO IT IN THE ROAD?
WHY DON'T WE DO IT IN THE ROAD?
NO ONE WILL BE WATCHING US;
WHY DON'T WE DO IT IN THE ROAD?
WHY DON'T WE DO IT IN THE ROAD?
WHY DON'T WE DO IT IN THE ROAD?
WHY DON'T WE DO IT IN THE ROAD?
YEAH, WHY DON'T WE DO IT IN THE ROAD?
NO ONE WILL BE WATCHING US;
WHY DON'T WE DO IT IN THE ROAD?
WHY DON'T WE DO IT IN THE ROAD?
WHY DON'T WE DO IT IN THE ROAD?
WHY DON'T WE DO IT IN THE ROAD?
WHY DON'T WE DO IT IN THE ROAD?
NO ONE WILL BE WATCHING US;
WHY DON'T WE DO IT IN THE ROAD?
WHY DON'T WE DO IT IN THE ROAD?
WHY DON'T WE DO IT IN THE ROAD?
WHY DON'T WE DO IT IN THE ROAD?
WHY DON'T WE DO IT IN THE ROAD?
PEOPLE WON'T BE WATCHING US;
WHY DON'T WE DO IT IN THE ROAD?
WHY DON'T WE DO IT IN THE ROAD?
Paul: "Well, well, well."
"What do you think of all that. Do you think I can do it better?"
ã Northern Songs Ltd.
JULIA
By John Lennon and
Paul McCartney
HALF OF WHAT I SAY IS MEANINGLESS,
BUT I SAY IT JUST TO REACH YOU, JU....
JULIA...
John: (laughs)
Paul:
John: (laughs)
Paul: "That was a great take, that one was, yeah."
John: "It was till then."
Paul: " Probably try it again. There was one or two little
discrepancies."
John: "There was just the one, wasn't there?"
Paul: Yes, it was great, you were doing really great. Well, let me tell you
something..."
John: (laughs) "Couldn't I..."
Paul: "It was great."
John: "Couldn't I go from there, you know?"
Paul: "Yes, if you like, if you want though."
John: "No."
Paul: You're doing great! You're doing great!"
John: "Cause that one was perfect, wasn't it?"
Paul: "That one was great, just great. We can drop it in if you
like."
ã Northern Songs Ltd.
I'VE GOT A FEELING
By John Lennon and
Paul McCartney
Paul: "Yes, she does now."
I'VE GOT A FEELIN', A FEELIN' DEEP INSIDE, OH YEAH,
OH YEAH,
I'VE GOT A FEELIN', A FEELIN' I CAN'T HIDE, OH NO,
OH NO,
OH NO.
YEAH, YEAH, I'VE GOT A FEELIN', YEAH.
OH, PLEASE BELIEVE ME, I´D HATE TO MISS THE TRAIN, (yes, I do)
OH YEAH,
OH YEAH.
AND IF YOU LEAVE ME I WON'T BE LATE AGAIN, OH NO,
OH NO,
OH NO, NO, NO.
YEAH, I'VE GOT A FEELIN'.
WELL, ALL THESE YEARS I'VE BEEN WANDERIN' AROUND,
WONDERING HOW COME NOBODY TOLD ME,
ALL THAT I WAS LOOKING FOR WAS SOMEBODY WHO LOOKED LIKE YOU.
I'VE GOT A FEELIN', (yes, you have!)
THAT KEEPS ME ON MY TOES, (on your what?)
OH YEAH,
OH YEAH.
I'VE GOT A FEELIN', I THINK THAT EV´RYBODY KNOWS,
OH YEAH,
OH YEAH,
OH YEAH.
I'VE GOT A FEELIN', YEAH.
EV´RYBODY HAD A HARD YEAR, EV´RYBODY HAD A GOOD TIME,
EV´RYBODY GOT A WET DREAM, EV´RYBODY SAW THE SUNSHINE,
OH YEAH, OH YEAH, OH YEAH.
EV´RYBODY HAD A HARD YEAR, EV´RYBODY GOT THEIR FEET UP, (yeah!)
EV´RYBODY LET THEIR HAIR DOWN,
EV´RYBODY PUT THEIR SOCKS UP, OH YEAH.
OO -
John: "I cocked it up trying to get loud."
Paul: "Yeah."
John: "Not bad though."
ã Northern Songs Ltd.
SHE CAME IN THROUGH
THE BATHROOM WINDOW
By John Lennon and
Paul McCartney
SHE CAME IN THROUGH THE BATHROOM WINDOW,
PROTECTED BY A SILVER SPOON.
BUT NOW SHE SUCKS HER THUMB AND WONDERS
BY THE BANKS OF HER OWN LAGOON.
DIDN'T ANYBODY TELL HER?
DIDN'T ANYBODY SEE? (no, no, no, no!)
SUNDAY'S ON THE PHONE TO MONDAY,
TUESDAY'S ON THE PHONE TO ME.
SHE SAID SHE'D ALWAYS BEEN A DANCER,
SHE WORKED AT FIFTY CLUBS A DAY.
AND THOUGH SHE THOUGHT I KNEW THE ANSWER,
WELL, I KNEW WHAT I COULD NOT SAY.
DIDN'T ANYBODY TELL HER?
DIDN'T ANYBODY SEE-EE-EE, YEAH?
SUNDAY'S ON THE PHONE TO MONDAY,
TUESDAY'S ON THE PHONE TO ME.
AND SO I QUIT THE P'LICE DEPARTMENT,
AND GOT MYSELF A STEADY JOB.
AND THOUGH SHE TRIED HER BEST TO HELP ME,
SHE COULD STEAL BUT SHE COULD NOT ROB.
DIDN'T ANYBODY TELL HER?
DIDN'T ANYBODY SEE-EE, YEAH? (oh!)
SUNDAY'S ON THE PHONE TO MONDAY,
TUESDAY'S ON THE PHONE TO ME, OH YEAH.
DIDN'T ANYBODY, BODY TELL HER. OH YEAH?
DIDN'T ANYBODY SEE?
SUNDAY'S ON THE PHONE TO MONDAY,
TUESDAY'S ON THE PHONE TO ME, HOLD ME.
Paul: "See, that what you were doing then, it sounded like...that's the
kind of thing
That'd be nice, to have like one of the verses like that,
like...eh...classical..."
John: "What's that?"
Paul: "Er...what you were doing, 'didn't any...' it had a couple of them,
'didn't anybody tell them, da da...' but then just,
'dum-dee-dee-da-da-doo-doo..'
'Sunday's on...' you know that of variation, it needs a bit...because it's very
much..."
ã Northern Songs Ltd.
DIG A PONY
By John Lennon and
Paul McCartney
ALL I WANT IS.
I-HI-HI-HI-HI,
DIG A PONY.
WELL, YOU CAN CELEBRATE ANYTHING YOU WANT,
YES, YOU CAN CELEBRATE ANYTHING YOU WANT.
OH, NOW I-HI-HI-HI-HI,
BLOWED A ROAD HOG.
WELL, YOU CAN PENETRATE ANY PLACE YOU GO,
YES, YOU CAN PENETRATE ANY PLACE YOU GO.
I TOLD YOU SO.
ALL I WANT IS YOU.
EV´RYTHING HAS GOT TO BE JUST LIKE YOU WANT IT TO.
BECAUSE -
I-HI-HI-HI-HI,
PICK A MOONDOG.
WELL, YOU CAN RADIATE EV´RYTHING YOU ARE, YES YOU CAN!
YES, YOU CAN RADIATE EV´RYTHING YOU ARE.
OH, NOW I-HI-HI-HI-HI,
ROLL A STONEY.
YES, YOU CAN IMITATE EV´RYONE YOU KNOW, (oo-)
YES, YOU CAN IMITATE EV´RYONE YOU KNOW.
I TOLD YOU SO.
ALL I WANT IS YOU. (oo)
EV´RYTHING HAS GOT TO BE JUST LIKE YOU WANT IT TO.
BECAUSE -
HO!-
OH, NOW I-HI-HI-HI-HI,
FEEL THE WIND BLOW.
YES, YOU CAN INDICATE ANYTHING YOU SEE,
OH, YOU CAN INDICATE ANYTHING YOU SEE.
OH, NOW I-HI-HI-HI-HI,
WELL, YOU CAN SYNDICATE EV'RY BOAT YOU ROW,
YES, YOU CAN SYNDICATE EV'RY BOAT YOU ROW.
I TOLD YOU SO. (oo)
ALL I WANT IS YOU.
EV´RYTHING HAS GOT TO BE JUST LIKE YOU WANT IT TO.
BECAUSE -
ALL I WANT IS YOU.
John: "Sheelabop!"
George Martin: "Ah..very..."
Paul: "Shaloom"
George Martin:
Paul: "You see, you see."
George Martin: "It was good"
Paul: "We improve with time!"
John: "You're not talking to Ricky and the Red Streaks, y'know!"
Paul: "Like a fine wine really. I'd put us down as Beaujolais 62."
John: "I think we should invite them..."
ã Northern Songs Ltd.
TWO OF US
By John Lennon and
Paul McCartney
John: "Okay, what is there?"
Paul: "Don't know. You'll hear it..."
John: Yeah?"
Paul: "Just the first occasion that you get."
John: I did it with me thumb!"
Paul: "Yeah."
TWO OF US, RIDING NOWHERE,
SPENDING SOMEONE'S HARD EARNED PAY.
YOU AND ME, (wearing) SUNDAY DRIVING,
NOT ARRIVING ON OUR WAY BACK HOME.
WE'RE ON OUR WAY HOME,
WE'RE ON OUR WAY HOME,
WE'RE GOING HOME.
TWO OF US, SENDING POSTCARDS,
WRITING LETTERS, ON MY WALL.
YOU AND ME, BURNING MATCHES,
LIFTING LATCHES ON OUR WAY BACK HOME.
WE'RE ON OUR WAY HOME,
WE'RE ON OUR WAY HOME,
WE'RE GOING HOME.
YOU AND I HAVE MEMORIES
LONGER THAN THE ROAD THAT STRETCHES OUT AHEAD.
TAKE IT, PHIL!
TWO OF US, WEARING RAINCOATS,
STANDING SOLO, IN THE SUN.
YOU AND ME, CHASING PAPER,
GETTING NOWHERE ON OUR WAY BACK HOME.
WE'RE ON OUR WAY HOME,
WE'RE ON OUR WAY HOME,
WE'RE GOING HOME.
YOU AND I HAVE MEMORIES
LONGER THAN THE ROAD THAT STRETCHES OUT AHEAD.
TWO OF US, WEARING RAINCOATS,
STANDING SOLO, IN THE SUN.
YOU AND ME, CHASING PAPER,
GETTING NOWHERE ON OUR WAY BACK HOME.
WE'RE ON OUR WAY HOME,
WE'RE ON OUR WAY HOME,
WE'RE GOING HOME.
ã Northern Songs Ltd.
FOR YOU BLUE
By George Harrison
BECAUSE YOU'RE SWEET AND LOVELY, GIRL,
I LOVE YOU.
BECAUSE YOU'RE SWEET AND LOVELY, GIRL,
I DO.
I LOVE YOU MORE THAN EVER, GIRL, IT'S TRUE.
I WANT YOU IN THE MORNING, GIRL,
I LOVE YOU.
I WANT YOU AT THE MOMENT I FEEL BLUE.
I'M LIVING EV´RY MOMENT, GIRL, FOR YOU.
I LOVED YOU FROM THE MOMENT THAT I SAW YOU.
YOU LOOKED AT ME, THAT'S ALL YOU HAD TO DO.
I FEEL IT NOW, I HOPE YOU FEEL IT TOO.
BECAUSE YOU'RE SWEET AND LOVELY, GIRL,
I LOVE YOU.
BECAUSE YOU'RE SWEET AND LOVELY, GIRL,
IT'S TRUE.
I LOVE YOU MORE EACH MOMENT I'M WITH YOU.
HA! HA! HA!
ã Harrisongs Ltd.
TEDDY BOY
By Paul McCartney
THIS IS A STORY (ABOUT) OF A BOY NAMED TED,
IF HIS MOTHER SAID, (SAID) "TED BE GOOD." (be good Ted!)
HE WOULD. (alright!)
SHE TOLD HIM TALES ABOUT HIS SOLDIER DAD,
BUT IT MADE HER SAD, AND SHE CRIED,
OH MY.
TED USED TO TELL HER HE'D BE TWICE AS GOOD,
AND HE KNEW HE COULD, 'CAUSE IN HIS HEAD,
HE SAID:
"MOMMY, DON'T WORRY, NOW TEDDY BOY'S HERE,
TAKING GOOD CARE OF YOU.
MOMMY, DON'T WORRY, 'CAUSE TEDDY BOY'S HERE,
TEDDY'S GONNA SEE YOU THROUGH."
AND SHE SAID:
"TEDDY, DON'T WORRY, YOUR MOMMY IS HERE,
TAKING GOOD CARE OF YOU.
SHE SAID:
" TEDDY, DON'T WORRY, MOMMY IS HERE,
TEDDY'S GONNA SEE YOU THROUGH."
HE SAID:
"DOO-DOO-DOO-DOO-DOO-DOO-DOO,
DOO-DOO-DOO-DOO-DOO-DOO-DOO.
DOO-DOO-DOO-DOO-DOO-DOO-DOO,
DOO-DOO-DOO-DOO-DOO."
THEN CAME THE DAY SHE FOUND HERSELF A MAN,
TEDDY TURNED AND RAN, OH-HO, FAR AWAY,
OH YEAH.
HE COULDN'T STAND IT JUST TO BE AROUND
SO HE LEFT THE TOWN, FAR AWAY,
YEAH, YEAH
(whistle)
TED DOO DOO DOO...BE TWICE AS GOOD
AND HE KNEW HE COULD, 'CAUSE IN HIS HEAD,
HE SAID:
"MOMMY, DON'T WORRY, NOW TEDDY BOY'S HERE,
TAKING GOOD CARE OF YOU.
MOMMY, DON'T WORRY, YOUR TEDDY BOY'S HERE,
TEDDY'S GONNA SEE YOU THROUGH."
AND SHE SAID:
"TEDDY, DON'T WORRY, NOW MOMMY IS HERE,
TAKING GOOD CARE OF YOU.
TEDDY, DON'T WORRY, NOW YOUR MOMMY IS HERE,
MOMMY'S GONNA SEE YOU THROUGH."
AND HE SAID:
"MOMMA, MOMMY, DON'T WORRY, 'CAUSE TEDDY BOY'S HERE,
TAKING GOOD CARE OF YOU.
MOMMY, DON'T WORRY, NOW TEDDY BOY'S HERE,
TEDDY'S GONNA SEE US THROUGH."
TAKE YOUR PARTNER, DO-SEE-DO,
HOLD THEM TIGHT AND DON'T LET GO.
WHEN YOU'VE GOT IT, JUMP UP!
TAKE YOUR PARTNER, DO-SEE-DO,
WHEN YOU'VE GOT IT, THEN LET IT GO.
HOLD THEM TIGHT AND...
AH-AH-HAH-HAH,
NOW TED USED TO TELL HER HE'D BE TWICE AS GOOD,
AND HE KNEW HE COULD, CAUSE IN HIS HEAD,
HE SAID.
ã Northern Songs Ltd.
MEDLEY
RIP IT UP/SHAKE, RATTLE AND ROLL/
BLUE SUEDE SHOES
By Robert Blackwell
and John Marascalco/Charles Calhoun/Carl Perkins
I DON'T CARE IF I SPENT MY DOUGH
TONIGHT I'M GONNA BE ONE HAPPY SOUL.
GONNA ROCK IT UP,
(YEAH) GONNA SHAKE (BALL) IT UP,
WE'RE GONNA ROLL IT UP
OH, AT THE BALL TONIGHT.
AH HO!
RATTLE AND ROLL,
I SAID, SHAKE, RATTLE AND ROLL,
YOU NEVER DONE NOTHING
TO SAVE YOUR DOGGONE SOUL.
WELL, GET OUT OF THAT KITCHEN AND (RATTLE) SHAKE THOSE POTS AND PANS,
WELL, GET OUT OF THAT KITCHEN AND (RATTLE) SHAKE THOSE POTS AND PANS.
I SAID TO MY SOUL:
YOU'RE THE DEVIL IN A FRYING PAN.
WELL, I SAID SHAKE, RATTLE AND ROLL,
I SAID, SHAKE, RATTLE AND ROLL,
I SAID, SHAKE, RATTLE AND ROLL,
I SAID, SHAKE, RATTLE AND ROLL,
WELL, YOU NEVER DONE NOTHING
TO SAVE YOUR DOGGONE SOUL.
YOU CAN KNOCK ME DOWN, STEP ON MY FACE,
SLANDER MY NAME ALL OVER THE PLACE,
DO THE THINGS THAT YOU WANNA DO,
BUT AH-HAH, HONEY, LAY OFF OF THEM SHOES.
BUT DON'T YOU STEP ON MY BLUE SUEDE SHOES,
WELL, YOU CAN DO ANYTHING BUT LAY OFF THEM BLUE SUEDE SHOES
AH, GO!
YOU CAN BURN MY HOUSE, STEAL MY CAR,
DRINK MY LIQUOR FROM AN OLD FRUIT JAR.
DO ANYTHING THAT YOU WANT TO DO,
BUT AH-HAH, HONEY, LAY OFF OF THEM SHOES.
AND DON'T YOU STEP ON MY BLUE SUEDE SHOES, PLEASE!
WELL, YOU CAN DO ANYTHING BUT LAY OFF OF THEM BLUE SUEDE SHOES.
AH, GO BLUE CAT! (AH, HIT IT, GEORGE!)
YEAH!
AH, BLUE CAT, GO!
WELL, ITS, BLUE, BLUE, BLUE SUEDE SHOES, YEAH,
BLUE, BLUE, BLUE SUEDE SHOES, BABE,
BLUE, BLUE, BLUE SUEDE SHOES, YEAH,
BROWN, BROWN, BROWN SUEDE BOOTS, YEAH,
YOU CAN DO ANYTHING BUT LAY OFF OF THEM BLUE SUEDE SHOES.
ã Peter Maurice Mus. Co./EMI
ã Campbell Connelly Co. Ltd.
ã Carlin Music Corp.
THE LONG AND WINDING
ROAD
By John Lennon and
Paul McCartney
THE LONG AND WINDING ROAD,
THAT LEADS TO YOUR DOOR,
WILL NEVER DISAPPEAR,
I'VE SEEN THAT ROAD BEFORE, OH, OH.
IT ALWAYS LEADS ME HERE,
LEAD ME TO YOUR DOOR.
THE WILD AND WINDY NIGHT,
THAT THE RAIN WASHED AWAY,
HAS LEFT A POOL OF TEARS,
CRYING FOR THE DAY.
WHY LEAVE ME STANDING HERE,
LET ME KNOW THE WAY.
MANY TIMES I'VE BEEN ALONE,
AND MANY TIMES I'VE CRIED.
ANYWAY YOU'LL NEVER KNOW
THE MANY WAYS I'VE TRIED
AND STILL THEY LEAD ME BACK
TO THE LONG, WINDING ROAD,
YOU LEFT ME STANDING HERE,
A LONG, LONG TIME AGO, OH, OH.
DON'T LEAVE ME WAITING HERE.
LEAD ME TO YOUR DOOR.
MANY TIMES I'VE BEEN ALONE,
AND MANY TIMES I'VE CRIED.
ANYWAY YOU'LL NEVER KNOW
THE MANY WAYS I'VE TRIED
BUT STILL THEY LEAD ME BACK
TO THE LONG, WINDING ROAD,
YOU LEFT ME STANDING HERE,
A LONG, LONG TIME AGO, OH, OH, OH.
DON'T KEEP ME WAITING HERE. (don't keep me waiting)
LEAD ME TO YOUR DOOR.
YEAH, YEAH, YEAH, YEAH.
ã Northern Songs Ltd.
OH! DARLING
By John Lennon and Paul McCartney
...LIEVE ME,
I´LL NEVER DO YOU NO HARM; (no harm!)
BELIEVE ME WHEN I TELL YOU-OO-,
I´LL NEVER DO YOU NO HARM.
WHEN YOU TOLD ME (when you told me)
YOU DIDN'T NEED ME ANYMORE, (you'll never leave me!)
YOU KNOW I NEARLY BROKE DOWN AND DIED.
OH, WHEN YOU TOLD ME
YOU DIDN'T NEED ME ANYMORE,
YOU KNOW I NEARLY BROKE DOWN AND DI-IE-IED.
OH, DARLING, OH DARLING, PLEASE BELIEVE ME,
I´LL NEVER DO YOU NO HARM;
BELIEVE ME WHEN I TELL YOU-OO-,
I´LL NEVER DO YOU NO HARM.
WHEN YOU TOLD ME, (oh, darling) WHEN YOU TOLD ME,
YOU DIDN'T NEED ME ANYMORE,
WELL YOU KNOW (you know) I NEARLY BROKE DOWN AND CRIED.
OH, WHEN YOU TOLD ME
YOU DIDN'T NEED ME ANYMORE,
YOU KNOW I NEARLY BROKE DOWN AND DI-IE-IED.
OH, DARLING, PLEASE BELIEVE ME,
I´LL NEVER DO YOU NO HARM;
OH, BELIEVE ME WHEN I TELL YOU-OO-,
I´LL NEVER DO YOU NO HARM.
NO, DARLING,
WELL, WELL, DARLING, (darling)
PLEASE BELIEVE ME (please believe me)
I´LL NEVER, I´LL NEVER DO YOU, (do you no harm)
I´LL NEVER DO YOU NO HARM, DARLING.
BELIEVE ME WHEN I TELL YOU, (oh, I do)
I´LL NEVER DO YOU NO HARM.
NO, DARLING, NO HARM, YEAH.
OW!
John: "Just heard that Yoko's divorce has just gone through."
OO -
John: "Free at last!"
I'M FREE, THIS MORNING,
THE PAPERS TOLD THE LAWYERS IT'S OKAY. (yeah, yeah)
BELIEVE ME WHEN I TELL YOU-OO-
I´LL NEVER DO YOU NO HARM.
ã Northern Songs Ltd.
ALL THINGS MUST PASS
By George Harrison
SUNRISE DOESN'T LAST ALL MORNING,
A CLOUDBURST DOESN'T LAST ALL DAY.
SEEMS MY LOVE IS UP AND HAS LEFT YOU WITH NO WARNING,
IT'S NOT ALWAYS BEEN THIS GREY.
ALL THINGS MUST PASS,
ALL THINGS MUST PASS AWAY.
SUNSET DOESN'T LAST ALL EVENING,
A MIND CAN BLOW THOSE CLOUDS AWAY.
AFTER ALL THIS MY LOVE IS UP AND MUST BE LEAVING,
IT'S NOT ALWAYS BEEN THIS GREY.
ALL THINGS MUST PASS,
ALL THINGS MUST PASS AWAY.
ALL THINGS MUST PASS,
NONE OF LIFE'S STRINGS CAN LAST.
SO I MUST BE ON MY WAY, FACE ANOTHER DAY.
AH, DARKNESS ONLY STAYS AT NIGHT TIME,
IN THE MORNING IT WILL FADE AWAY.
DAYLIGHT IS GOOD AT ARRIVING AT THE RIGHT TIME,
IT'S NOT ALWAYS GONNA BE THIS GREY.
ALL THINGS MUST PASS,
ALL THINGS MUST PASS AWAY.
ALL THINGS MUST PASS,
ALL THINGS MUST PASS AWAY.
ã Harrisongs Ltd.
MAILMAN, BRING ME NO
MORE BLUES
By Ruth Roberts, Bill Katz and Stanley Clayton
SHE WROTE ME ONLY ONE SAD
LINE,
TOLD ME SHE'S NO LONGER MINE.
SHOO, SHOO, MAILMAN, THAT WILL DO FOR SOME TIME.
MAILMAN, BRING ME NO MORE BLUES,
MAILMAN, BRING ME NO MORE BLUES,
ONE MORE HEARTACHE IS ALL I CAN USE.
MAILMAN, BRING ME NO MORE BLUES,
MAILMAN, BRING ME NO MORE BLUES.
ã Peer-music (UK) Ltd.
GET BACK
By John Lennon and Paul McCartney
JO JO WAS A MAN WHO THOUGHT HE WAS A LONER,
BUT HE KNEW IT COULDN'T LAST.
JO JO LEFT HIS HOME IN TUCSON, ARIZONA,
FOR SOME CALIFORNIA GRASS.
GET BACK! GET BACK!
GET BACK TO WHERE YOU ONCE BELONGED.
GET BACK!
GET BACK TO WHERE YOU ONCE BELONGED.
GET BACK, JO JO! YEAH!
GET BACK! GET BACK!
GET BACK TO WHERE YOU ONCE BELONGED.
GET BACK! HO! GET BACK!
GET BACK TO WHERE YOU ONCE BELONGED.
GET BACK, JO
YEAH!
OH YEAH! GET BACK!
HO! YEAH!
SWEET LORETTA MARTIN THOUGHT SHE WAS A WOMAN,
BUT SHE WAS ANOTHER MAN.
ALL THE GIRLS AROUND ME SAY SHE'S GOT IT COMIN',
BUT SHE GETS IT WHILE SHE CAN.
AH, GET BACK! GET BACK!
GET BACK TO WHERE YOU ONCE BELONGED.
AH, GET BACK! GET BACK!
GET BACK TO WHERE YOU ONCE BELONGED.
GET BACK, LORETTA! GET BACK HOME!
COME ON! COME ON!
AH, COME ON, GO HOME!
YOU'RE MOMMY'S WAITIN'
IN HER HIGH HEEL SHOES AND HER LOW NECK SWEATER.
GET BACK, LORETTA
YEAH, OH!
AH, GET BACK! OH, GET BACK!
GET BACK TO WHERE YOU ONCE BELONGED.
AH, GET BACK! YEAH! GET BACK!
GET BACK TO WHERE YOU ONCE BELONGED.
OOH!
YEAH, GET BACK!
BEEN OUT TOO LONG, LORETTA
YOU'VE BEEN PLAYING ON THE ROOFS AGAIN!
AND THAT'S NO GOOD,
'CAUSE YOU KNOW YOUR MOMMY'S DOESN'T LIKE THAT,
OR SHE GETS ANGRY, SHE'S GONNA HAVE YOU ARRESTED.
GET BACK! OH, GET BACK!
OH, YEAH, YEAH, YEAH, YEAH, YEAH.
AH, GET BACK! GET BACK!
GET BACK TO WHERE YOU ONCE BELONGED.
GET BACK.
Paul: "Thanks Mo"
ã Northern Songs Ltd.
OLD BROWN SHOE
By George Harrison
I WANT A LOVE THAT'S RIGHT,
BUT RIGHT IS ONLY HALF OF WHAT'S WRONG.
I WANT A SHORT HAIRED GIRL
WHO SOMETIMES WEARS IT TWICE AS LONG.
NOW I'M STEPPIN' OUT THIS OLD BROWN SHOE,
BABY, I'M IN LOVE WITH YOU.
I'M SO GLAD YOU CAME HERE,
IT WON'T BE THE SAME NOW,
I'M TELLING YOU.
YOU KNOW YOU PICKED ME UP
FROM WHERE SOME TRY TO DRAG ME DOWN.
AND WHEN I SEE YOUR SMILE
REPLACING EV´RY THOUGHTLESS FROWN.
YOU'VE GOT ME ESCAPING FROM THIS ZOO,
BABY, I'M IN LOVE WITH YOU.
I'M SO GLAD YOU CAME HERE,
IT WON'T BE THE SAME NOW,
I'M TELLING YOU.
IF I GROW UP I´LL BE A SINGER,
WEARING RINGS ON EV´RY FINGER.
NOT WORRYING WHAT THEY OR YOU'LL SAY,
I´LL LIVE AND LOVE AND MAYBE SOME DAY,
WHO KNOWS, BABY, YOU MAY COMFORT ME.
DOO-DOO-DOO-DOO,
DOO-DOO-DOO-DOO-DOO-
DOO-DOO-DOO-DOO-
DOO-DOO-DOO-DOO-DOO-
DOO-DOO-DOO-DOO-DOO-DOO.
I MAY APPEAR TO BE IMPERFECT,
MY LOVE IS SOMETHING YOU CAN'T REJECT.
I'M CHANGING FASTER THAN THE WEATHER,
IF YOU AND ME SHOULD GET TOGETHER,
WHO KNOWS, BABY, YOU MAY COMFORT ME.
I WANT THAT LOVE OF YOURS
TO MISS THAT LOVE IS SOMETHING I´D HATE.
I´LL MAKE AN EARLY START,
MAKING SURE THAT I'M NOT LATE.
FOR YOUR SWEET TOP LIP I'M IN THE QUEUE,
BABY, I'M IN LOVE WITH YOU.
I'M SO GLAD YOU CAME HERE,
IT WON'T BE THE SAME NOW,
I'M TELLING YOU.
YES, I'M SO GLAD YOU CAME HERE,
IT WON'T BE THE SAME NOW,
WHEN I'M WITH YOU.
ã Harrisongs Ltd.
OCTOPUS´S GARDEN
By Richard Starkey
I´D LIKE TO BE UNDER THE SEA,
IN AN OCTOPUS´S GARDEN IN THE SHADE.
HE'D LET US IN, KNOWS WHERE WE'VE BEEN,
IN HIS OCTOPUS´S GARDEN IN THE SHADE.
I´D ASK MY FRIENDS TO COME AND SEE
AN OCTOPUS´S GARDEN WITH ME.
I´D LIKE TO BE UNDER THE SEA,
IN AN OCTOPUS´S GARDEN IN THE SHADE.
I´D LIKE TO BE UNDER THE SEA,
IN AN OCTOPUS´S GARDEN IN THE SHADE.
HE'D LET US IN, KNOWS WHERE WE'VE BEEN,
IN HIS OCTOPUS´S GARDEN IN THE SHADE.
I´D ASK MY FRIENDS TO COME AND SEE
AN OCTOPUS´S GARDEN WITH ME.
I´D LIKE TO BE UNDER THE SEA,
IN AN OCTOPUS´S GARDEN BY THE SEA.
I´D LIKE TO BE UNDER THE SEA,
IN AN OCTOPUS´S GARDEN IN THE SHADE.
HE'D LET US IN, KNOWS WHERE WE'VE BEEN,
IN HIS OCTOPUS´S GARDEN IN THE SHADE.
I´D ASK MY FRIENDS TO COME AND SEE
AN OCTOPUS´S GARDEN WITH ME.
I´D LIKE TO BE UNDER THE SEA,
IN AN OCTOPUS´S GARDEN IN THE SHADE.
IN AN OCTOPUS´S GARDEN,
IN AN OCTOPUS´S GARDEN.
Ringo: "Oh, that was superb!"
ã Eaton Music Ltd.
MAXWELL´S SILVER
HAMMER
By John Lennon and Paul McCartney
JOAN WAS QUIZZICAL, STUDIED PATAPHYSICAL
SCIENCE IN THE HOME.
LATE NIGHTS ALL ALONE WITH A TEST TUBE, OH, OH, OH, OH.
MAXWELL EDISON, MAJORING IN MEDICINE,
CALLS HER ON THE PHONE:
"CAN I TAKE YOU OUT TO THE PICTURES, JO-O-O-OAN?"
BUT AS SHE'S GETTING READY TO GO,
A KNOCK COMES ON THE DOOR.
BANG! BANG!
MAXWELL´S SILVER HAMMER CAME DOWN UPON HER HEAD.
CLANG! CLANG!
MAXWELL´S SILVER HAMMER MADE SURE THAT SHE WAS DEAD.
BACK IN SCHOOL AGAIN, MAXWELL PLAYS THE FOOL AGAIN,
TEACHER GETS ANNOYED.
WISHING TO AVOID AN UNPLEASANT SCE-E-E-ENE.
SHE TELLS MAX TO STAY WHEN THE CLASS HAS GONE AWAY,
SO HE WAITS BEHIND,
WRITING FIFTY LINES "I MUST NOT BE SO-O-O-O."
BUT WHEN SHE TURNS HER BACK ON THE BOY,
HE CREEPS UP FROM BEHIND.
BANG! BANG!
MAXWELL´S SILVER HAMMER CAME DOWN UPON HER HEAD.
DOO DOO DOO DOO DOO,
CLANG! CLANG!
MAXWELL´S SILVER HAMMER MADE SURE THAT SHE WAS DEAD.
(Scat sing)
(Paul misses the lyrics)
PAINTING TESTIMONIAL PICTURES, OH, OH, OH, OH.
ROSE AND VALERIE SCREAMING FROM THE GALLERY
SAY HE MUST GO FREE.
(Laughter) NOT AGREE AND HE TELLS THEM SO-O-O-O.
BUT AS THE WORDS ARE LEAVING HIS LIPS,
A NOISE COMES FROM BEHIND.
BANG! BANG!
MAXWELL´S SILVER HAMMER CAME DOWN UPON HIS HEAD.
CLANG! CLANG!
MAXWELL´S SILVER HAMMER MADE SURE THAT HE WAS DEAD.
(Scat sing)
Paul: "One more! It was good y'know, it had nice bits in with...
But it would be good to have the nice bits and the other bits."
ã Northern Songs Ltd.
SOMETHING
By George Harrison
SOMETHING IN THE WAY SHE MOVES,
ATTRACTS ME LIKE NO OTHER LOVER.
SOMETHING IN THE WAY SHE WOOS ME.
I DON'T WANNA LEAVE HER NOW,
YOU KNOW I BELIEVE, AND HOW.
SOMETHING IN HER SMILE SHE KNOWS,
THAT I DON'T NEED NO OTHER LOVER.
SOMETHING IN HER STYLE THAT SHOWS ME.
I DON'T WANNA LEAVE HER NOW,
YOU KNOW I BELIEVE, AND HOW.
YOU'RE ASKING ME WILL MY LOVE GROW,
I DON'T KNOW, I DON'T KNOW.
DOO-DOO-DOO-DOO.
STICK AROUND AND IT MAY SHOW,
BUT I DON'T KNOW, I DON'T KNOW.
DOO-DOO-DOO-DOO-DOO.
YOU KNOW I LOVE THAT WOMAN OF MINE,
AND I NEED HER ALL OF THE TIME.
NOW I'M TELLING YOU,
THAT WOMAN, THAT WOMAN DON'T MAKE ME BLUE.
SOMETHING IN THE WAY SHE KNOWS,
ALL I HAVE TO DO IS THINK OF HER.
SOMETHING IN THE THINGS SHE SHOWS ME.
I DON'T WANNA LEAVE HER NOW,
YOU KNOW I BELIEVE, AND HOW.
YOU KNOW I BELIEVE, AND HOW.
ã Harrisongs Ltd.
COME TOGETHER
By John Lennon and Paul McCartney
TWO, ONE, TWO, THREE, FOUR!
SHOOT ME,
SHOOT ME,
SHOOT ME.
HERE COME OLD FLAT TOP,
HE COME GROWING UP SLOWLY,
HE GOT JO JO EYEBALL,
HE'S ONE HOLY ROLLER,
HE'S GOT HAIR DON TO HIS KNEES.
HE'S GOT TO BE A JOKER, HE JUST DO WHAT HE PLEASE.
SHOOT ME,
SHOOT ME,
SHOOT ME,
SHOOT ME.
LOOK OUT!
HE WEAR NO SHOESHINE,
HE GOT TOE JAM FOOTBALLS,
HE GOT MONKEY FINGERS,
HE SHOOT COCA COLA,
HE SAY, "I KNOW YOU, AND YOU KNOW ME.
THERE'S ONE THING I CAN TELL YOU JUST GOTTA BE FREE."
COME TOGETHER,
RIGHT NOW,
OVER ME.
SHOOT ME,
SHOOT ME,
SHOOT ME.
LOOK OUT!
HE'S BAG PRODUCTIONS,
HE GOT WALRUS GUMBOOTS,
HE GOT ONO SIDEBURNS,
HE'S ONE SPINAL CRACKER,
HE'S GOT FEET DOWN BELOW HIS KNEES.
HE HOLD YOU IN HIS ARMCHAIR, YOU CAN FEEL HIS DISEASE.
COME TOGETHER,
RIGHT NOW,
OVER ME.
SHOOT ME,
SHOOT ME,
SHOOT ME.
LOOK OUT!
?
HE GOT JO JO EYEBALL,
HE'S ONE HOLY ROLLER,
HE GOT HAIR DOWN TO HIS KNEES.
GOT TO BE A JOKER, HE JUST DO WHAT HE PLEASE.
SHOOT ME,
SHOOT ME.
HE'S ROLLER COASTER,
HE GOT EARLY WARNING,
HE GOT MUDDY WATERS,
HE'S ONE MOJO FILTER,
HE SAY, "ONE AND ONE AND ONE IS THREE."
HE'S GOT TO GET SOME BOBO, HE'S JUST SO HARD TO PLEASE.
COME TOGETHER,
RIGHT NOW,
OVER ME.
SHOOT ME,
SHOOT ME.
YEAH!
OH YEAH!
HE'S GOT IT!
SHOOT ME.
TAKE IT EASY, BABY!
?
YEAH, YEAH, YEAH, YEAH.
SHOOT, SHOOT, SHOOT.
ã Northern Songs Ltd.
COME AND GET IT
By Paul McCartney
IF YOU WANT IT, HERE IT IS, COME AND GET IT,
MM-MM-MM-MM, MAKE YOUR MIND UP FAST.
IF YOU WANT IT ANY TIME, I CAN GIVE IT,
BUT YOU BETTER HURRY 'CAUSE IT MAY NOT LAST.
DID I HEAR YOU SAY THAT THERE MUST BE A CATCH?
WILL YOU WALK AWAY FROM A FOOL AND HIS MONEY?
IF YOU WANT IT, HERE IT IS, COME AND GET IT,
BUT YOU BETTER HURRY 'CAUSE IT'S GOING FAST.
IF YOU WANT IT, HERE IT IS, COME AND GET IT,
MM-MM-MM-MM, MAKE YOUR MIND UP FAST.
IF YOU WANT IT ANY TIME, I CAN GIVE IT,
BUT YOU BETTER HURRY 'CAUSE IT MAY NOT LAST.
DID I HEAR YOU SAY THAT THERE MUST BE A CATCH?
WILL YOU WALK AWAY FROM A FOOL AND HIS MONEY?
SONNY!
IF YOU WANT IT, HERE IT IS, COME AND GET IT,
BUT YOU BETTER HURRY 'CAUSE IT'S GOING FAST.
YOU'D BETTER HURRY 'CAUSE IT'S GOING FAST.
OO -
FOOL AND HIS MONEY.
SONNY!
IF YOU WANT IT, HERE IT IS, COME AND GET IT,
BUT YOU BETTER HURRY 'CAUSE IT'S GOING FAST.
YOU'D BETTER HURRY 'CAUSE IT'S GOING FAST.
YOU'D BETTER HURRY 'CAUSE IT'S GOING FAST.
ã Northern Songs Ltd.
AIN'T SHE SWEET
By Jack Yellen and Milton Ager
OH, AIN'T SHE SWEET?
WELL, SEE HER WALKING DOWN THAT STREET.
OH, WELL, I ASK YOU VERY...
AIN'T SHE SWEET?
AIN'T SHE NICE?
WELL, LOOK HER OVER ONCE OR TWICE.
WELL, I ASK YOU VERY ?
AIN'T SHE NICE.
JUST CAST AN EYE IN HER DIRECTION,
OH ME, OH MY, AIN'T THAT PERFECTION?
LODEE-OO-DOO.
AIN'T SHE NICE?
LOOK HER OVER ONCE OR TWICE.
WELL, I ASK YOU VERY CONFIDENTIALLY?
JUST CAST AN EYE IN HER DIRECT...,
ME, OH MY, AIN'T THAT PERFECTION?
HA! HA!
YEAH, AIN'T SHE SWEET?
AIN'T SHE SWEET?
John: "I hope you liked that trip, boys"
ã Lawrence Wright/EMI Music.
BECAUSE
By John Lennon and Paul McCartney
AH -
BECAUSE THE WORLD IS ROUND,
IT TURNS ME ON;
BECAUSE THE WORLD IS ROUND.
AH -
BECAUSE THE WIND IS HIGH,
IT BLOWS MY MIND;
BECAUSE THE WIND IS HIGH.
AH -
LOVE IS OLD, LOVE IS NEW.
LOVE IS ALL, LOVE IS YOU.
BECAUSE THE SKY IS BLUE,
IT MAKES ME CRY;
BECAUSE THE SKY IS BLUE.
AH -
AH -
AH -
AH -
ã Northern Songs Ltd.
LET IT BE
By John Lennon and Paul McCartney
John: "Are we supposed to giggle in the solo?"
Paul: "Yeah."
John: "Okay"
Paul: "This old...this is gonna knock you out, boy!"
WHEN I FIND MYSELF IN TIMES OF TROUBLE,
MOTHER MARY COMES TO ME,
SPEAKING WORDS OF WISDOM, LET IT BE.
AND IN MY HOUR OF DARKNESS,
SHE IS STANDING RIGHT IN FRONT OF ME,
SPEAKING WORDS OF WISDOM, LET IT BE.
LET IT BE, LET IT BE,
LET IT BE, LET IT BE.
WHISPER WORDS OF WISDOM, LET IT BE.
AND WHEN THE BROKEN-HEARTED PEOPLE
LIVING IN THE WORLD AGREE,
THERE WILL BE AN ANSWER, LET IT BE.
FOR THOUGH THEY MAY BE PARTED,
THERE IS STILL A CHANCE FOR THEM TO SEE,
THERE WILL BE AN ANSWER, LET IT BE.
OH, LET IT BE, LET IT BE,
LET IT BE, LET IT BE.
WHISPER WORDS OF WISDOM, LET IT BE.
YEAH, LET IT BE, LET IT BE,
LET IT BE, LET IT BE.
THERE WILL BE AN ANSWER, LET IT BE, YEAH.
YEAH.
LET IT BE, LET IT BE,
LET IT BE, LET IT BE.
WHISPER WORDS OF WISDOM, LET IT BE, YEAH.
WHEN I FIND MYSELF IN TIMES OF TROUBLE,
MOTHER MARY COMES TO ME,
SPEAKING WORDS OF WISDOM, LET IT BE.
AND IN MY HOUR OF DARKNESS,
SHE IS STANDING RIGHT IN FRONT OF ME,
SPEAKING WORDS OF WISDOM, LET IT BE.
YEAH, LET IT BE, LET IT BE,
LET IT BE, LET IT BE.
WHISPER WORDS OF WISDOM, LET IT BE.
OH, LET IT BE, LET IT BE,
LET IT BE, LET IT BE.
WHISPER WORDS OF WISDOM, LET IT BE, YEAH.
OH, LET IT BE, LET IT BE.
John: I think that was rather grand. I'll take that home with me.
Okay, let's track it, ooh, you bounder, you cheat!"
ã Northern Songs Ltd.
I ME MINE
By George Harrison
George: You all will have read that, eh...Dave Dee's no longer with us.
But Micky and Titch and I just like to carry on the good work
that's always gone down in Number 2."
ALL THROUGH THE DAY,
I ME MINE, I ME MINE, I ME MINE.
ALL THROUGH THE NIGHT,
I ME MINE, I ME MINE, I ME MINE.
NOW THEY'RE FRIGHTENED OF LEAVING IT,
EV´RYONE´S WEAVING IT,
COMING ON STRONG ALL THE TIME.
ALL THROUGH THE DAY,
I ME MINE.
I-I ME-ME-MINE,
I-I ME-ME-MINE,
I-I ME-ME-MINE,
I-I ME-ME-MINE.
ALL I CAN HEAR,
I ME MINE, I ME MINE, I ME MINE.
EVEN THOSE TEARS,
I ME MINE, I ME MINE, I ME MINE.
NO ONE'S FRIGHTENED OF PLAYING IT,
EV´RYONE´S SAYING IT,
FLOWING MORE FREELY THAN WINE.
ALL THROUGH YOUR LIFE,
I ME MINE.
ã Harrisongs Ltd.
THE END
By John Lennon and Paul McCartney
LOVE YOU, LOVE YOU, LOVE YOU, LOVE YOU,
LOVE YOU, LOVE YOU, LOVE YOU, LOVE YOU,
LOVE YOU, LOVE YOU, LOVE YOU, LOVE YOU,
LOVE YOU, LOVE YOU, LOVE YOU, LOVE YOU,
LOVE YOU, LOVE YOU.
AND IN THE END
THE LOVE YOU TAKE
IS EQUAL TO THE LOVE
YOU MAKE.
ã Northern Songs Ltd.