BEATLE GREETINGS/FROM US TO
YOU
By John Lennon and
Paul McCartney
("Beatle
greetings" rec. October 9, 1963 - "From Us To You" rec. February
1964)
-"I'M RINGO AND I PLAY THE DRUMS."t;
-"EH, OH, I'M PAUL AND I PLAY THE...EHH...EH...BASS."
-"I'M GEORGE AND I PLAY A GUITAR."t;
-"I'M JOHN AND I TOO PLAY A GUITAR, SOOMETIMES I PLAY THE FOOL."
DA DA DA DA DA DUM DUM DA,
DA DA DA DA DA DUM DUM DA.
IF THERE'S ANYTHING THAT YOU WANT,
IF THERE'S ANYTHING WE CAN DO,
JUST CALL ON US AND WE'LL SEND IT ALONG,
WITH LOVE FROM US TO YOU,
TO YOU,
TO YOU,
TO YOU.
ã Northern Songs Ltd
RIDING ON A BUS (speech)
Brian Matthew and The Beatles from "Top Gear" #2
Recorded November 17 1964 at the Playhouse Theatre, London
Transmitted: November 26, 1964
BRIAN: BEFORE WE HEAR ANOTHER SONG, FELLOWS, THERE IS A FEW THINGS I'D LIKE TO
ASK YOU.
FIRST OF ALL, DO YOU EVER GET TIRED OF BEING BEATLES?
ALL: (BIG YAWNS)
PAUL: WE DON'T THINK SO, REALLY.
BRIAN: YOU DON'T EVER THINK THAT?
PAUL: JUST OCCASIONALLY YOU GET CHEESED OFF WITH PEOPLE WRITING RUBBISH ABOUT
YOU,
WHICH YOU GET OFTEN.
JOHN: YEAH, I AGREE WITH THAT. I'VE HAD A DIVORCE AND HALF A DOZEN KIDS.
BRIAN: NOW WHAT DO YOU...EH, WELL, I MEAN, DOESN'T ...ISN'T THIS A BIG SORT OF
DRAG TO GO
AROUND EXPLAINING TO YOUR WIFE THAT YOU'RE NOT DIVORCED AND ALL THAT SORT OF
THINGS?
JOHN: NO, SHE KNOWS I'M NOT DIVORCED CAUSE I KEEP SEEING HER EVER DAY,
YOU SEE.
BRIAN: YES, A POINT. BUT WHAT ABOUT THE SIMPLER THINGS OF LIFE, LIKE...EH...
PAUL: LIKE RIDING A BUS?
BRIAN: YEH, OR GOING TO JUST ABOUT ANY RESTAURANT YOU...
PAUL: WELL, YEH, YOU MISS THOSE SORT OF THINGS.
JOHN: WE GO TO CERTAIN ONES.
GEORGE: AND WE GO TO ONES WHERE THE PEOPLE THERE ARE SO SNOBBY, THEY'RE THE
TYPE WHO
PRETEND THEY DON'T KNOW US, SO WE HAVE A GOOD TIME
CAUSE THEY PRETEND THEY DON'T KNOW US.
PAUL: JOE'S CAFE!
BRIAN: YEH, THAT FIGURES.
PAUL: JOE'S CAFE! SOCIAL STATEMENT THAT, YOU KNOW.
GEORGE: IT IS.
I GOT A WOMAN
By Ray Charles
From: "Pop Go
The Beatles" #9.
Recorded: July 16, 1963 at the BBC Paris Theatre, London
Transmitted: August 13, 1963
WELL, I GOT A WOMAN, WAY 'CROSS TOWN,
SHE'S GOOD TO ME, OH-OH YEAH;
SAID, I GOT A WOMAN, WAY 'CROSS TOWN,
SHE'S GOOD TO ME, OH YEAH.
SHE GIVES ME MONEY, EV'RY DIME I NEED,
YES, YOU KNOW, SHE'S THE KIND OF FRIEND INDEED.
SAID I GOT A WOMAN, WAY 'CROSS TOWN,
SHE'S GOOD FOR ME, OH-OH, YEAH.
SHE SAY SHE LOVE ME EARLY IN THE MORNIN',
JUST FOR ME, OH-OH, YEAH;
SHE SAY SHE LOVE ME EARLY IN THE MORNIN',
JUST FOR ME, OH YEAH.
SHE SAY SHE LOVE ME, JUST FOR ME,
YES, YOU KNOW, SHE LOVE ME SO TENDERLY.
SAID, I GOT A WOMAN, WAY 'CROSS TOWN,
SHE'S GOOD TO ME, OH YEAH.
OW!
SHE'S THERE TO LOVE ME, ALL DAY AND NIGHT,
NEVER GRUMBLES OR FUSSES, JUST TREATS ME RIGHT.
NEVER RUNNIN' IN THE STREETS, LEAVING ME ALONE,
SHE KNOWS A WOMAN'S PLACE IS RIGHT BACK THERE
WITH A HAND AROUND THE HOME.
GOT A WOMAN, WAY 'CROSS TOWN,
SHE'S GOOD TO ME, OH YEAH;
WELL, I GOT A WOMAN, WAY 'CROSS TOWN,
SHE'S GOOD TO ME, OH YEAH.
WELL, SHE'S MY BABY, DON'T YOU UNDERSTAND,
THAT I, I, I, I, I'M HER LOVIN' MAN?
SAID, I GOT A WOMAN, WAY 'CROSS TOWN,
SHE'S GOOD TO ME, OH-OH YEAH.
WELL, IT'S ALRIGHT,
WELL, IT'S ALRIGHT.
I GOT A WOMAN, WAY 'CROSS TOWN,
SHE'S GOOD TO ME, OH, OH, OH YEAH.
©
Campbell Connelly Co. Ltd.
TOO MUCH MONKEY
BUSINESS
By Chuck Bery
From: "Pop Go
The Beatles" #13
Recorded: September 3, 1963 at Aeolian Hall Studios, London
Transmitted: September 10, 1963
RUNNIN' TO AND FRO, HARD WORKIN' AT THE MILL,
NEVER FAILS IN THE MAIL, YEAH, COMES A ROTTEN BILL, OW!
TOO MUCH MONKEY BUSINESS,
TOO MUCH MONKEY BUSINESS,
TOO MUCH MONKEY BUSINESS FOR ME TO INVOLVE AGAIN.
SALESMAN TALKIN' TO ME, TRY'N TO RUN ME UP A CREEK,
SAY YOU CAN BUY, GO ON AND TRY, YOU CAN PAY ME NEXT WEEK, OW!
TOO MUCH MONKEY BUSINESS,
TOO MUCH MONKEY BUSINESS,
TOO MUCH MONKEY BUSINESS FOR ME TO INVOLVE AGAIN.
LONG HAIRED, GOOD LOOKIN', TRY'N TO GET ME HOOKED,
WANTS ME TO MARRY, SETTLE DON, GET A HOME, WRITE A BOOK, OW!
TOO MUCH MONKEY BUSINESS,
TOO MUCH MONKEY BUSINESS,
TOO MUCH MONKEY BUSINESS FOR ME TO INVOLVE AGAIN.
BEEN TO YOKOHAMA, BEEN A-FIGHTIN' IN THE WAR,
ARMY BUNK, ARMY GO, ARMY CHOW, ARMY CLOTHES, OW!
TOO MUCH MONKEY BUSINESS,
TOO MUCH MONKEY BUSINESS,
TOO MUCH MONKEY BUSINESS FOR ME TO INVOLVE AGAIN.
SAME THING EV'RYDAY, GETTIN' UP, GOIN' TO SCHOOL,
NO NEED OF ME COMPLAINING, MY OBJECTIONS OVER-RULED, OW!
TOO MUCH MONKEY BUSINESS,
TOO MUCH MONKEY BUSINESS,
TOO MUCH MONKEY BUSINESS FOR ME TO INVOLVE AGAIN.
WORKIN' IN THE FILLIN' STATION, TOO MANY TASKS,
WIPE THE WINDOWS, CHECK THE TIRES, CHECK THE OIL, THE DOLLAR GAS, OW!
TOO MUCH MONKEY BUSINESS,
TOO MUCH MONKEY BUSINESS,
DON'T WANT YOUR BOTHERATION, GET AWAY, LEAVE ME.
(HEY!)
©
Jewel Music Pub. Ltd
KEEP YOUR HANDS OFF MY
BABY
By Gerry Goffin and
Carole King
From:
"Saturday Club"
Recorded: January 22, 1963 at the Playhouse Theatre, London
Transmitted: January 26, 1963
WE'VE BEEN FRIENDS FOR, OH, SO LONG,
I LET YOU SHARE WHAT'S MINE.
WHEN YOU MESS WITH THE GIRL I LOVE,
IT'S TIME TO DRAW THE LINE.
KEEP YOUR HANDS (keep your hands) OFF MY BABY,
AIN'T A-GONNA TELL YOU BUT A ONE MORE TIME.
SO KEEP YOUR HANDS (keep your hands) OFF MY BABY,
BOY, YOU GET IT THROUGH YOUR HEAD,
THAT GIRL IS MINE.
I DON'T MIND IF YOU LEND MY CLOTHES,
BUT YOU WILL BE INDEBTED.
HERE IS SOMETHING THAT YOU GET STRAIGHT,
THERE'S ONE THING YOU DON'T TOUCH:
KEEP YOUR HANDS (keep your hands) OFF MY BABY,
AIN'T A-GONNA TELL YOU BUT A ONE MORE TIME.
SO KEEP YOUR HANDS (keep your hands) OFF MY BABY,
CAN'T YOU GET IT THROUGH YOUR HEAD,
THAT GIRL IS MINE.
OW! BABY!
KEEP YOUR HANDS (keep your hands) OFF MY BABY,
AIN'T A-GONNA TELL YOU BUT A ONE MORE TIME.
SO KEEP YOUR HANDS (keep your hands) OFF MY BABY,
CAN'T YOU GET IT THROUGH YOUR HEAD,
THAT GIRL IS MINE.
OH, KEEP YOUR HANDS OFF MY BABY NOW,
SHE'S MINE.
(Keep your hands off my baby)
YOU'D BETTER WATCH YOURSELF NOW!
BOY, YOU GET IT THROUGH YOUR HEAD,
THAT GIRL IS MINE.
©
Screen Gems/EMI
I'LL BE ON MY WAY
By John Lennon and
Paul McCartney
From: "Side
By Side" #3
Recorded: April 4, 1963 at the BBC Paris Theatre, London
Transmitted: June 24, 1963
THE SUN IS FADING AWAY,
THAT'S THE END OF THE DAY.
AS THE JUNE LIGHT TURNS TO MOONLIGHT,
I'LL BE ON MY WAY.
JUST ONE KISS AND I'LL GO,
DON'T HIDE THE TEARS THAT DON'T SHOW.
AS THE JUNE LIGHT TURNS TO MOONLIGHT,
I'LL BE ON MY WAY.
TO WHERE THE WINDS DON'T BLOW,
AND GOLDEN RIVERS FLOW,
THIS WAY WILL I GO.
THEY WERE RIGHT, I WAS WRONG,
TRUE LOVE DIDN'T LAST LONG.
AS THE JUNE LIGHT TURNS TO MOONLIGHT,
I'LL BE ON MY WAY, HEY!
TO WHERE THE WINDS DON'T BLOW,
AND GOLDEN RIVERS FLOW,
THIS WAY WILL I GO.
THEY WERE RIGHT, I WAS WRONG,
TRUE LOVE DIDN'T LAST LONG.
AS THE JUNE LIGHT TURNS TO MOONLIGHT,
I'LL BE ON MY WAY, HEY!
I'LL BE ON MY WAY, OH-OH,
I'LL BE ON MY WAY. OH-OH,
I'LL BE ON MY WAY.
©
Northern Songs Ltd
YOUNG BLOOD
By Jerry Leiber, Mike Stoller and Doc Pomus
From: "Pop Go The Beatles" #2
Recorded: June 1 at the BBC Paris Theatre, London
Transmitted: June 11, 1963
I SAW HER STANDING ON THE CORNER, (yip yip boom)
A YELLOW RIBBON IN HER HAIR. (yip yip boom)
I COULDN'T STOP MYSELF FROM CALLIN',
WELL, LOOK-A THERE, (look-a there)
WELL, LOOK-A THERE. (wow! Look-a there)
YOUNG BLOOD,
OH, YOUNG BLOOD,
YOUNG BLOOD,
I CAN'T GET YOU OUT OF MY MIND.
I TOOK ONE LOOK AND I WAS FRACTURED, (yip yip boom)
I TRIED TO WALK BUT I WAS LAME. (yip yip boom)
I TRIED TO TALK BUT I JUST STUTTERED,
WELL, WHAT'S YOUR NAME? (what's your name?)
WELL, WHAT'S YOUR NAME? (oh, what's your name?)
YOUNG BLOOD,
YOUNG BLOOD,
YOUNG BLOOD,
I CAN'T GET YOU OUT OF MY MIND.
WHAT CRAZY STUFF, SHE LOOKED SO TOUGH,
I TRIED TO FOLLOW HER ALL THE WAY HOME.
BUT THINGS WENT BAD, I MET HER DAD,
HE SAID-A, -("you better leave my daughter alone!") (ow!)
WELL, I TRIED TO SPEAK BUT I JUST STUTTERED, (yip yip boom)
I SAW THE RISIN' OF THE SUN. (yip yip boom)
AND ALL ALONG MY HEART WAS CALLIN',
WELL, YOU'RE THE ONE, (you're the one)
WELL, YOU'RE THE ONE. (well, you're the one)
YOUNG BLOOD,
OH, YOUNG BLOOD,
YEAH, YOUNG BLOOD,
I CAN'T GET YOU OUT OF MY MIND.
YEAH, YOUNG BLOOD,
OH, YOUNG BLOOD,
YEAH, YOUNG BLOOD,
I CAN'T GET YOU OUT OF MY MIND.
©
Copyright Control
A SHOT OF RHYTHM AND
BLUES
By Terry Thompson
From: "Pop Go The Beatles" #11
Recorded: August 1, 1963 at the Playhouse Theatre, Manchester
Transmitted: August 27, 1963
WELL, IF YOUR HANDS START A-CLAPPIN', AND YOUR FINGERS START A-POPPIN',
AND YOUR FEET START A-MOVIN' AROUND.
AND IF YOU START TO SWING AND SWAY WHEN THE BAND START TO PLAY
A REAL COOL AND WAY OUT SOUND.
AND IF YOU GET THE "CAN'T HELP IT", WHEN YOU CAN'T SIT DOWN,
YOU FEEL LIKE YOU GOTTA MOVE AROUND;
YOU GET A SHOT OF RHYTHM AND BLUES,
WITH JUST A LITTLE ROCK AND ROLL ON THE SIDE,
JUST FOR GOOD MEASURE.
YOU GET A PAIR OF DANCIN' SHOES,
WELL, WITH YOUR LOVER BUY YOUR SIDE,
DON'T YOU KNOW YOU'RE GONNA HAVE A LOT OF PLEASURE?
DON'T YOU WORRY 'BOUT A THING, WHEN YOU START TO DANCE AND SING,
UNTIL BUMPS COME UP ON YOU.
AND IF THE RHYTHM FINALLY GETS YOU AND THE BEAT GETS HER TOO,
WELL, HERE'S THE THING FOR YOU TO DO;
GET A SHOT OF RHYTHM AND BLUES,
WITH JUST A LITTLE ROCK AND ROLL ON THE SIDE,
JUST FOR GOOD MEASURE.
GET A PAIR OF DANCIN' SHOES,
WELL, WITH YOUR LOVER BUY YOUR SIDE,
DON'T YOU KNOW YOU'RE GONNA HAVE A LOT OF PLEASURE?
DON'T YOU WORRY 'BOUT A THING, WHEN YOU START TO DANCE AND SING,
UNTIL BUMPS COME UP ON YOU.
AND IF THE RHYTHM FINALLY GETS YOU AND THE BEAT GETS HER TOO,
WELL, HERE'S THE THING FOR YOU TO DO;
GET A SHOT OF RHYTHM AND BLUES,
GET A PAIR OF DANCIN' SHOES,
GET A SHOT OF RHYTHM AND BLUES,
WELL, WITH YOUR LOVER BUY YOUR SIDE,
DON'T YOU KNOW YOU'RE GONNA HAVE A LOT OF PLEASURE?
DON'T YOU WORRY 'BOUT A THING, WHEN YOU START TO DANCE AND SING,
UNTIL BUMPS COME UP ON YOU.
AND IF THE RHYTHM FINALLY GETS YOU AND THE BEAT GETS HER TOO,
WELL, HERE'S THE THING FOR YOU TO DO,
WELL, HERE'S THE THING FOR YOU TO DO,
WELL, HERE'S THE THING FOR YOU TO DO.
© Marquis Music Ltd.
SURE TO FALL
By Carl Lee Perkins, Quinton Claunch and William Cantrell
From: "Pop Go The Beatles" #3
Recorded: June 1, 1963 at the BBC Paris Theatre, London
Transmitted: June 18, 1963
I'M SURE TO FALL,
FALL IN LOVE,
I'M SURE TO FALL IN LOVE WITH YOU.
YOU ARE SO SWEET
AND SO NEAR,
I'M SURE TO FALL IN LOVE WITH YOU.
SO HOLD ME TIGHT,
LET TONIGHT BE THE NIGHT.
DARLING, DON'T EVER LET ME GO.
LOVING YOU,
IS THE NATURAL THING TO DO.
I WANT YOU FOR THE REST OF MY LIFE.
SO HOLD ME TIGHT,
LET TONIGHT BE THE NIGHT.
DARLING, DON'T EVER LET ME GO.
LOVING YOU,
IS THE NATURAL THING TO DO.
I WANT YOU FOR THE REST OF MY LIFE.
©
Knox Music/Carlin Music
Corp.
SOME OTHER GUY
By Jerry Leiber, Mike Stoller and Richard Barrett
From: "Easy Beat" #2
Recorded live: June 19, 1963 at the Playhouse Theatre, London
Transmitted: June 23, 1963
OW!
OH!
HO!
SOME OTHER GUY NOW,
IS TAKIN' MY LOVE AWAY FROM ME, OH NOW
SOME OTHER GUY NOW,
IS TAKIN' AWAY MY SWEET DESIRE, OH NOW
SOME OTHER GUY NOW,
JUST THREW WATER, HOLD MY HAND, OH NOW
I'M THE LONELY ONE, AS LONELY AS I CAN FEEL, ALL RIGHT
SOME OTHER GUY,
IS SIPPIN' UP THE HONEY LIKE A YELLOW DOG, OH NOW
SOME OTHER GUY NOW,
HAS TAKEN MY LOVE JUST LIKE I'M GONE, OH NOW
SOME OTHER GUY NOW,
HAS TAKEN MY LOVE AWAY FROM ME, OH NOW
I'M THE LONELY ONE, AS LONELY AS I CAN FEEL, ALL RIGHT
OH-OH-HOHO
OH YEAH! OW!
SOME OTHER GUY
IS MAKIN' ME VERY, VERY MAD, OH NOW,
SOME OTHER GUY NOW,
IS BREAKING MY PADLOCK OFF MY PAD, OH NOW,
SOME OTHER GUY NOW,
SHE WAS THE FIRST BEST GIRL I EVER HAD, OH NOW
I'M THE LONELY ONE, AS LONELY AS I CAN FEEL, ALL RIGHT
OH-OH-HOHO
I'M A'TALKIN' TO YOU, RIGHT NOW.
HEY!
OW!
YEAH!
©
Trio Music Co. Ltd.
THANK YOU GIRL
By John Lennon and Paul McCartney
From: "Easy Beat" #2
Recorded live: June 19, 1963 at the Playhouse Theatre, London
Transmitted: June 23, 1963
OH, OH,
YOU BEEN GOOD TO ME,
YOU MADE ME GLAD WHEN I WAS BLUE.
AND ETERNALLY
I'LL ALWAYS BE IN LOVE WITH YOU.
AND ALL I GOTTA DO IS THANK YOU, GIRL,
THANK YOU, GIRL.
I COULD TELL THE WORLD
A THING OR TWO ABOUT OUR LOVE.
I KNOW, LITTLE GIRL,
ONLY A FOOL WOULD DOUBT OUR LOVE.
AND ALL I GOTTA DO IS THANK YOU, GIRL,
THANK YOU, GIRL.
THANK YOU, GIRL, FOR LOVING ME THE WAY THAT YOU DO.
WAY THAT YOU DO.
THAT'S THE KIND OF LOVE THAT SEEMS TOO GOOD TO BE TRUE.
AND ALL I GOTTA DO IS THANK YOU, GIRL,
THANK YOU, GIRL.
OW! YEAH! OH YEAH!
OH, OH,
YOU BEEN GOOD TO ME,
YOU MADE ME GLAD WHEN I WAS BLUE.
AND ETERNALLY
I'LL ALWAYS BE IN LOVE WITH YOU.
AND ALL I GOTTA DO IS THANK YOU, GIRL,
THANK YOU, GIRL.
OW!
YEAH!
OH, OH, OH, HEY! HEY! HEY! OOH!
OH, OH, OH, OH YEAH! OW! HEY!
OH, OH, OH.
HEY!
©
Northern Songs Ltd
SHA LA LA LA LA! (speech)
Lee Peters and The Beatles
From: "Pop Go The Beatles" #1
Recorded: June 1, 1963 at the BBC Paris Theatre, London
Transmitted: June 11, 1963
LEE: NEXT NUMBER WAS CALLED "SHA LA LA LA LA LA."
JOHN: YOU'RE JOKING!
LEE: NO?
PAUL: LA?
LEE: AH, BUT IN FACT, "BABY IT'S YOU"
JOHN: WHY DON'T YOU DO IT IN YOUR FAMOUS JAMES MASON IMPERSONATION?
LEE: HA...HA...
ALL: ALRIGHT! GO ON, MAN! AH...DO IT IN YOUR...
LEE: I THOUGHT THIS NEXT NUMBER WAS CALLED "SHA LA LA LA LA LA" BUT
IN FACT "BABY IT'S
YOU".
PAUL: GET OFF! GET OFF!
JOHN: HA! HA! VERY GOOD!
LEE: OKAY.
JOHN: CAN YOU DO MICKEY MOUSE?
LEE: YES.
RINGO: THERE YOU GO.
LEE: ALL RIGHT, SING A SONG FELLOWS!
JOHN: OKAY, LET'S GO!
BABY IT'S YOU
By Burt Bacharach, Mack David and Barney Williams
From: "Pop Go The Beatles" #1
Recorded: June 1, 1963 at the BBC Paris Theatre, London
Transmitted: June 11, 1963
(Sha la la la la la la)
(Sha la la la la la la)
(Sha la la la la la la)
(Sha la la la la)
IT'S NOT THE WAY YOU SMILE THAT TOUCHED MY HEART, (sha la la la la)
IT'S NOT THE WAY YOU KISS THAT TEARS ME APART.
OH, OH, MANY, MANY, MANY NIGHTS GO BY,
I SIT ALONE AT HOME AND CRYING OVER YOU;
WHAT CAN I DO?
CAN'T HELP MYSELF,
'CAUSE BABY, IT'S YOU, (sha la la la la la la)
BABY, IT'S YOU. (sha la la la la la la)
(Sha la la la la)
YOU SHOULD HEAR WHAT THE SAY ABOUT YOU,
CHEAT, CHEAT, (sha la la la la)
THEY SAY, THEY SAY YOU'VE NEVER,
NEVER. NEVER, EVER BEEN TRUE. (cheat, cheat)
OH, OH, IT DOESN'T MATTER WHAT THEY SAY,
I KNOW I'M GONNA LOVE YOU ANY OLD WAY,
WHAT CAN I DO?
WHEN IT'S TRUE.
DON'T WANT NOBODY, NOBODY,
'CAUSE BABY, IT'S YOU, (sha la la la la la la)
BABY, IT'S YOU. (sha la la la la la la)
OH, OH, MANY, MANY, MANY NIGHTS GO BY,
I SIT ALONE AT HOME AND CRYING OVER YOU;
WHAT CAN I DO?
DON'T WANT NOBODY, NOBODY,
'CAUSE BABY, IT'S YOU, (sha la la la la la la)
BABY, IT'S YOU. (sha la la la la la la)
DON'T LEAVE ME ALL ALONE. (sha la la la la la la)
COME ON HOME. (sha la la la la la la)
BABY, IT'S YOU.
©
Ludix Music/Carlin Music
Corp.
THAT'S ALL RIGHT (MAMA)
By Arthur Crudup
From: "Pop Go The Beatles" #5
Recorded: July 2, 1963 at the Maida Vale Studios, London
Transmitted: July 16, 1963
WELL, THAT'S ALL RIGHT, MAMA,
THAT'S ALL RIGHT WITH YOU.
YEAH, THAT'S ALL RIGHT NOW, MAMA,
JUST ANY WAY YOU DO.
THAT'S ALL RIGHT, THAT'S ALL RIGHT,
THAT'S ALL RIGHT NOW, MAMA,
ANY WAY YOU DO.
WELL, MAMA, SHE DONE TOLD ME,
PAPA DONE TOLD ME TOO.
THEY SAID, "SON, THAT GIRL YOU'RE FOOLIN' WITH,
SHE AIN'T NO GIRL FOR YOU."
THAT'S ALL RIGHT, THAT'S ALL RIGHT,
THAT'S ALL RIGHT NOW, MAMA,
ANY WAY YOU DO.
OH!
I'M LEAVIN' TOWN, BABY,
I'M LEAVIN' TOWN FOR SURE.
THEN YOU WON'T BE BOTHERED WITH ME
HANGIN' 'ROUND THE DOOR.
THAT'S ALL RIGHT, THAT'S ALL RIGHT,
YEAH, THAT'S ALL RIGHT NOW, MAMA,
ANY WAY YOU DO.
WELL, THAT'S ALL RIGHT, MAMA,
YEAH, THAT'S ALL RIGHT WITH YOU.
THAT'S ALL RIGHT NOW, MAMA,
JUST ANY WAY YOU DO.
THAT'S ALL RIGHT, THAT'S ALL RIGHT,
YEAH, THAT'S ALL RIGHT NOW, MAMA,
ANY WAY YOU DO.
OOOH-AH-HO!
OH YEAH!
LA DA DEE-DEE-DEE-DEE-DEE,
LA DA DEE-DEE-DEE-DEE,
LA DA DEE-DEE-DEE-DEE, I NEED YOUR LOVIN',
THAT'S ALL RIGHT,
WELL, THAT'S ALL RIGHT NOW, MAMA,
ANY WAY YOU DO.
YEAH, THAT'S ALL RIGHT NOW, MAMA,
ANY WAY YOU DO.
©
Carlin Music Corp.
CAROL
By Chuck Bery
From: "Pop Go The Beatles" #5
Recorded: July 2, 1963 at the Maida Vale Studios, London
Transmitted: July 16, 1963
OH, CAROL, DON'T LET HIM STEAL YOUR HEART AWAY,
WELL, I'M A-GOTTA LEARN TO DANCE
IF IT TAKES ME ALL NIGHT AND DAY.
WELL, COME INTO MY MACHINE SO WE CAN MOVE ON OUT,
I KNOW A JUMPIN' LITTLE JOINT
WHERE WE CAN JUMP AND SHOUT,
IT'S NOT SO FAR BACK ON THE HIGHWAY,
NOT SO LONG A RIDE,
WELL, YOU CAN TAKE YOUR CAR ALONG,
THEN YOU PARK IT OUTSIDE;
A LITTLE CUTIE TAKES YOUR HAND
AND YOU CAN THANK HER MA'AM,
WELL, EV'RY TIME YOU GO TO JIVE
YOU FIND THE JOINT IS JAMMED.
OH, CAROL, DON'T LET HIM STEAL YOUR HEART AWAY,
WELL, I'M A-GOTTA LEARN TO DANCE
IF IT TAKES ME ALL NIGHT AND DAY.
OW!
OW!
WELL, IF YOU WANNA HEAR SOME MUSIC
LIKE THE BOYS ALL PLAY,
HOLD TIGHT, PASS YOUR FOOT,
DON'T LET HIM CARRY IT AWAY.
WELL, DON'T LET THE HEAT OVERWORK YOU
'CAUSE THEY PLAY SO LOUD,
AH, THE MUSIC WILL INTRIGUE YOU
WHEN THEY GET A CROWD;
WELL, YOU CAN DANCE, I KNOW YOU WISH YOU COULD,
I GOT MY EYES ON YOU, BABY, 'CAUSE YOU DANCE SO GOOD.
DON'T LET HIM STEAL YOUR HEART AWAY,
I'VE GOTTA LEARN TO DANCE IF IT TAKES ME ALL NIGHT AND DAY.
WELL, I'M A-GOTTA LEARN TO DANCE
IF IT TAKES YOU ALL NIGHT AND DAY.
©
Jewel Music Pub. Ltd.
SOLDIER OF LOVE
By Buzz Cason and Tony Moon
From: "Pop Go The Beatles" #5
Recorded: July 2, 1963 at the Maida Vale Studios, London
Transmitted: July 16, 1963
LAY DOWN YOUR ARMS (soldier of love)
AND SURRENDER TO ME. (sha la la)
LAY DOWN YOUR ARMS (soldier of love)
AND LOVE ME PEACEFULLY. (sha la la, sha la la)
YEAH, USE YOUR ARMS FOR LOVING ME,
BABY, THAT'S THE WAY IT'S GOTTA BE. (oo-oo oo-oo oo-oo-oo)
THERE AIN'T NO REASON FOR YOU TO DECLARE
WAR ON THE ONE THAT LOVE YOU SO.
SO FORGET THE OTHER BOY,
'CAUSE MY LOVE IS REAL,
COME OFF YOUR BATTLE FIELD.
LAY DOWN YOUR ARMS (soldier of love)
AND LOVE ME PEACEFULLY. (sha la la)
LAY DOWN YOUR ARMS (soldier of love)
AND LOVE ME TENDERLY. (sha la la, sha la la)
YEAH, USE YOUR ARMS TO HOLD ME TIGHT,
BABY, I DON'T FIGHT NO MORE. (oo-oo oo-oo oo-oo-oo)
THE WEAPONS YOU'RE USING ARE HURTING ME BAD
AND SOME DAY YOU'RE GONNA SEE.
'CAUSE MY LOVE FOR YOU, BABY,
IS THE TRUEST YOU'VE EVER HAD,
A SOLDIER OF LOVE AT HEART TO BE.
LAY DOWN YOUR ARMS (soldier of love)
AND LOVE ME PEACEFULLY. (sha la la)
LAY DOWN YOUR ARMS (soldier of love)
AND SURRENDER TO ME. (sha la la, sha la la)
YEAH, USE YOUR ARMS TO SQUEEZE AND PLEASE,
'CAUSE I'M THE ONE THAT LOVE YOU SO. (oo-oo oo-oo oo-oo-oo)
YEAH, SOLDIER OF LOVE,
BABY LAY DOWN YOUR ARMS.
YEAH, SOLDIER OF LOVE,
BABY LAY DOWN YOUR ARMS.
©
Copyright Control
A LITTLE RHYME (speech)
Rodney Burke and The Beatles from "Pop Go The Beatles" #5
Recorded: July 2, 1963 at the Maida Vale Studios, London
Transmitted: July 16, 1963
RODNEY: NOW, FOR THE FINAL NUMBER, JOHN'S GOT A CARD IN HIS HAND WITH A LITTLE
RHYME ON
IT. WHAT IS IT?
JOHN: IT'S FROM THE FORM UP A THIRD AT HEMEL HEMPSTEAD.
RODNEY: OH!
JOHN: IT SAY'S: "DEAR GEORGE, JOHN, RINGO, PAUL,
HERE'S HOPING THAT YOU'LL PLEASE US ALL.
A BEATY SONG AND SWINGING VOICE,
WE LEAVE IT UP TO YOU, THE CHOICE.
WE THINK YOU'RE FAB AND REALLY COOL,
SO BRIGHTEN UP OUR LADS AT SCHOOL."
DIG THIS, FOR HERE'S PAUL, WHISTLING "CLARABELLA"!
CLARABELLA
By Frank Pingatore
From: "Pop Go The Beatles" #5
Recorded: July 2, 1963 at the Maida Vale Studios, London
Transmitted: July 16, 1963
WELL, I'VE GOT A BABY, CRAZY FOR ME,
YEAH, I'VE GOT A BABY WHO WON'T LET ME BE.
OH, BABY, BABY,
CLARABELLA, BABY, BABY,
CLARABELLA, BABY, BABY,
WO WO, YEAH-AH!
WELL, SHE NEED NO COACHIN' ON A-MAKIN' LOVE,
ALL SHE NEED IS THE STARS UP ABOVE.
OH, BABY, BABY,
CLARABELLA, BABY, BABY,
CLARABELLA, BABY, BABY,
WO WO, WELL, WELL!
WHOA! OOH! OOH!
OOH-OOH!
OOH!
WELL, NOW, CLARABELLA,
YOU'RE MY HONEY, CLARABELLA,
OOH-OOH-OOH, YEAH, CLARABELLA,
YEAH, CLARABELLA, BABY,
WO WO, WELL, YEAH!
WELL, SHE'S GOT NO TIME FOR DUNGAREES,
ALREADY KNOWS HER ABC
OH, BABY, BABY,
CLARABELLA, BABY, BABY,
CLARABELLA, BABY, BABY,
WO WO, YEAH, YEAH!
WHOA! OW HO!
OOH-OH!
OOH-OH!
OOH-OH!
WELL, NOW, CLARABELLA,
YES, YOU'RE MY HONEY, CLARABELLA,
OOH-HO!
YOU'RE MY BABY, CLARABELLA,
SAID, YOU'RE MY HONEY, CLARABELLA, YEAH,
YEAH, CLARABELLA, BABY,
WO WO, OH WELL, OH YEAH!
OH YEAH!
©
Copyright Control
I'M GONNA SIT RIGHT
DOWN AND CRY (OVER YOU)
By Joe Thomas and Howard Biggs
From: "Pop Go The Beatles" #8
Recorded: July 16, 1963 at the BBC Paris Theatre, London
Transmitted: August 6, 1963
YEAH!
I'M GONNA SIT RIGHT DOWN AND CRY OVER YOU,
I'M GONNA SIT RIGHT DOWN AND CRY OVER YOU.
AND IF YOU EVER SAY GOODBYE,
AND IF YOU EVER EVEN TRY,
I'M GONNA SIT RIGHT DOWN AND CRY OVER YOU,
I'M GONNA LOVE YOU MORE AND MORE EV'RY DAY,
I'M GONNA LOVE YOU MORE AND MORE EV'RY WAY.
AND IF YOU EVER SAY GOODBYE,
AND IF YOU EVER EVEN TRY,
I'M GONNA SIT RIGHT DOWN AND CRY OVER YOU,
GONNA TELL YOUR MAMA,
TELL YOUR PAPA TOO,
SO THEY'LL KNOW EXACTLY
JUST WHAT I'M GONNA DO.
IF YOU EVER SAY GOODBYE,
IF YOU EVER EVEN TRY,
I'M GONNA SIT RIGHT DOWN AND CRY OVER YOU,
WHOA! HO!
OW! HO!
OH YEAH!
GONNA TELL YOUR MAMA,
TELL YOUR PAPA TOO,
SO THEY'LL KNOW EXACTLY
JUST WHAT I'M GONNA DO.
IF YOU EVER SAY GOODBYE,
AND IF YOU EVER EVEN TRY,
I'M GONNA SIT RIGHT DOWN AND CRY OVER YOU,
I'M GONNA SIT RIGHT DOWN AND CRY OVER YOU,
I'M GONNA SIT RIGHT DOWN AND CRY OVER YOU.
©
Copyright Control
CRYING, WAITING,
HOPING
By Buddy Holly
From: "Pop Go
The Beatles" #8
Recorded: July 16, 1963 at the BBC Paris Theatre, London
Transmitted: August 6, 1963
CRYING, (crying)
WAITING, (waiting)
HOPING, (hoping)
YOU'LL COME BACK,
I JUST CAN'T SEEM TO GET YOU OFF MY MIND.
CRYING, (crying)
WAITING, (waiting)
HOPING, (hoping)
YOU'RE THE ONE I LOVE,
I THINK ABOUT YOU ALL THE TIME.
CRYING, (crying, doo doo doo)
TEARS KEEP A-FALLING ALL NIGHT LONG.
WAITING, (waiting, doo doo doo)
IT SEEMS SO USELESS, I KNOW IT'S WRONG.
KEEP ON CRYING, (crying)
WAITING, (waiting)
HOPING, (hoping)
YOU'LL COME BACK,
BABY, SOME DAY SOON
THE THINGS WILL CHANGE AND THEN YOU'LL BE MINE.
CRYING, (crying, doo doo doo)
TEARS KEEP A-FALLING ALL NIGHT LONG.
WAITING, (waiting, doo doo doo)
IT SEEMS SO USELESS, I KNOW IT'S WRONG.
KEEP ON CRYING, (crying)
WAITING, (waiting)
HOPING, (hoping)
YOU'LL COME BACK,
MAYBE SOME DAY SOON
THE THINGS WILL CHANGE AND THEN YOU'LL BE MINE.
CRYING, (crying)
WAITING, (waiting)
HOPING. (hoping)
©
Peermusic (UK) Ltd.
DEAR WACK! (speech)
Brian Matthew and The Beatles
From: "Saturday Club" #5
Recorded: July 30, 1963 at the Playhouse Theatre, London
Transmitted: August 24, 1963
BRIAN: BUT DESPITE THE FACT THAT THE NEXT REQUEST COMES FROM ANTON, 32 PERRY
ROAD,
SHERWOOD IN NOTTINGHAM, IT'S HEADED "UP THE POOL" AND STARTS,
"DEAR WACK!" SO JOHN,
YOU TAKE IT FROM THERE.
JOHN: "DEAR WACK!" PLEASE ASK THOSE GORGEOUS LADS...HA HA, CALLED THE
BEATLES TO SING "YOU REALLY GOT A
HOLD ON ME" FOR DI, GUS, WIZZ AND ME, ALSO FOR THE BEATLES THEMSELVES,
ESPECIALLY PAUL...HA... AND EVERYBODY THAT WAS IN THE ROY ORBISON TOUR. I'M A
REGULAR LISTENER OF "POP GO THE BEATLES"...GOD LAD...."AND
PLEASE, TELL THE BOYS THAT ALL THE GIRLS IN OUR OFFICE THINK IT IS A FAB SHOW,
THANK YOU."
BRIAN: ALL RIGHT, STOP THE BAND. OH, THAT'S SPLENDID! AND NOW, WHAT ARE YOU
GONNA SING FOR US?
JOHN: "YOU REALLY GOT A HOLD ON ME...MOTHER"
YOU REALLY GOT A HOLD
ON ME
By William Robinson
From: "Saturday Club" #5
Recorded: July 30, 1963 at the Playhouse Theatre, London
Transmitted: August 24, 1963
I DON'T LIKE YOU, BUT I LOVE YOU;
SEEMS THAT I'M ALWAYS THINKING OF YOU.
OH, OH, OH, YOU TREAT ME BADLY,
I LOVE YOU MADLY,
YOU'VE REALLY GOT A HOLD ON ME.
(You really got a hold on me)
YOU REALLY GOT A HOLD ON ME.
(You really got a hold on me)
BABY,
I DON'T WANT YOU, BUT I NEED YOU;
DON'T WANNA KISS YOU, BUT I NEED TO.
OH, OH, OH, YOU DO ME WRONG NOW,
MY LOVE IS STRONG NOW,
YOU'VE REALLY GOT A HOLD ON ME.
(You really got a hold on me)
YOU REALLY GOT A HOLD ON ME.
(You really got a hold on me)
BABY,
I LOVE YOU AND ALL I WANT YOU TO DO
IS JUST HOLD ME, HOLD ME, HOLD ME, HOLD ME.
TIGHTER,
TIGHTER!
I WANNA LEAVE YOU, DON'T WANNA STAY HERE;
DON'T WANNA SPEND ANOTHER DAY HERE.
OH, OH, OH, I WANNA SPLIT NOW,
I JUST CAN'T QUIT NOW,
YOU'VE REALLY GOT A HOLD ON ME.
(You really got a hold on me)
YOU REALLY GOT A HOLD ON ME.
(You really got a hold on me)
BABY,
I LOVE YOU AND ALL I WANT YOU TO DO
IS JUST HOLD ME, PLEASE,
HOLD ME, SQUEEZE,
HOLD ME, HOLD ME.
YOU REALLY GOT A HOLD ON ME.
(You really got a hold on me)
YOU REALLY GOT A HOLD ON ME.
(You really got a hold on me)
©
Jobete Music (UK) Ltd.
TO KNOW HER IS TO LOVE
HER
By Phil Spector
From: "Pop Go The Beatles" #8
Recorded: July 16, 1963 at the BBC Paris Theatre, London
Transmitted: August 6, 1963
TO KNOW, KNOW, KNOW HER
IS TO LOVE, LOVE, LOVE HER.
JUST TO SEE HER SMILE
MAKES MY LIFE WORTH WHILE.
YES, JUST TO KNOW, KNOW, KNOW HER
IS TO LOVE, LOVE, LOVE HER
AND I DO, (and I do) AND I DO, (and I do)
AND I DO. (and I do, and I)
(Da da da da da da)
I'LL BE GOOD TO HER,
I'LL MAKE LOVE TO HER.
EV'RYONE SAYS THERE'LL COME A DAY
WHEN I WALK ALONG SIDE OF HER.
YES, JUST TO KNOW, KNOW, KNOW HER
IS TO LOVE, LOVE, LOVE HER
AND I DO (and I do) AND I, AND I DO,
AND I, AND I DO, AND I, AND I DO, AND I
WHY CAN'T SHE SEE?
HOW BLIND CAN SHE BE?
SOME DAY SHE'LL SEE
THAT SHE WAS MEANT JUST FOR ME, OH-OH.
TO KNOW, KNOW, KNOW HER
IS TO LOVE, LOVE, LOVE HER.
JUST TO SEE HER SMILE
MAKES MY LIFE WORTH WHILE.
YES, JUST TO KNOW, KNOW, KNOW HER
IS TO LOVE, LOVE, LOVE HER
AND I DO (and I do) AND I, AND I DO,
AND I, AND I DO, AND I, AND I DO, AND I
WHY CAN'T SHE SEE?
HOW BLIND CAN SHE BE?
SOME DAY SHE'LL SEE
THAT SHE WAS MEANT JUST FOR ME, OH-OH.
TO KNOW, KNOW, KNOW HER
IS TO LOVE, LOVE, LOVE HER.
JUST TO SEE HER SMILE
MAKES MY LIFE WORTH WHILE.
YES, JUST TO KNOW, KNOW, KNOW HER
IS TO LOVE, LOVE, LOVE HER
AND I DO (and I do) AND I, AND I DO,
AND I DO.
©
Bourne Music Ltd.
A TASTE OF HONEY
By Ric Marlow and Bobby Scott
From: "Pop Go The Beatles" #6
Recorded: July 10, 1963 at the Aeolian Hall Studios, London
Transmitted: July 23, 1963
A TASTE OF HONEY,
TASTING MUCH SWEETER THAN WINE.
Doo doo-n' doo
Doo doo-n' doo
I DREAM OF YOUR FIRST KISS AND THEN,
I FEEL UPON MY LIPS AGAIN
A TASTE OF HONEY, (a taste of honey)
TASTING MUCH SWEETER THAN WINE.
OH, I WILL RETURN,
YES, I WILL RETURN;
I'LL COME BACK FOR THE HONEY AND YOU.
Doo doo-n' doo
Doo doo-n' doo
YOURS WAS THE KISS THAT AWOKE MY HEART,
THERE LINGERS STILL, THOUGH WE'RE FAR APART,
THAT TASTE OF HONEY, (a taste of honey)
TASTING MUCH SWEETER THAN WINE.
OH, I WILL RETURN,
YES, I WILL RETURN;
I'LL COME BACK (he'll come back)
FOR THE HONEY (for the honey)
AND YOU.
©
Ambassadour Music Ltd.
LONG TALL SALLY
By Enotris Johnson, Richard Penniman and Robert Blackwell
From: "Pop Go The Beatles" #9
Recorded: July 16, 1963 at the Aeolian Hall Studios, London
Transmitted: August 13, 1963
GONNA TELL AUNT MARY 'BOUT UNCLE JOHN,
HE SAID HE HAD THE MIS'RY BUT HE GOT A LOT OF FUN.
OH, BABY,
YEAH, NOW BABY,
OOH, OOH, OOH, BABY,
SOME FUN TONIGHT.
WELL, I SAW UNCLE JOHN WITH BALD HEADED SALLY,
HE SAW AUNT MARY COMIN' AND HE DUCKED BACK IN THE ALLEY.
OH, BABY,
YEAH, NOW BABY,
OOH, OOH, OOH, BABY,
SOME FUN TONIGHT.
WHOA!
WELL, LONG TALL SALLY'S BUILT PRETTY SWEET,
SHE GOT EV'RYTHING THAT UNCLE JOHN NEED.
OH, BABY,
YEAH, NOW BABY,
OOH, OOH, OOH, BABY,
SOME FUN TONIGHT.
AAAAHH!
WELL, WE'RE GONNA SOME FUN TONIGHT,
WE'RE GONNA HAVE SOME FUN TONIGHT,
OOH, EV'RYTHING'S ALL RIGHT,
YEAH, WE'LL HAVE SOME FUN TONIGHT,
HAVE SOME FUN,
YEAH!
WELL, WE'RE GONNA SOME FUN TONIGHT,
I KNOW WE'RE GONNA HAVE SOME FUN TONIGHT,
OOH, EV'RYTHING'S ALL RIGHT,
YEAH, WE'LL HAVE SOME FUN TONIGHT,
YEAH WE'LL HAVE SOME FUN,
SOME FUN TONIGHT.
©
Peermusic (UK) Ltd.
I SAW HER STANDING
THERE
By John Lennon and Paul McCartney
From: "Easy Beat" #4
Recorded: October 16, 1963 at the Playhouse Theatre, London
Transmitted: October 20, 1963
ONE, TWO, THREE, FOUR!
WELL, SHE WAS JUST SEVENTEEN,
AND YOU KNOW WHAT I MEAN,
AND THE WAY SHE LOOKED WAS WAY BEYOND COMPARE.
SO HOW COULD I DANCE WITH ANOTHER, OOH,
WHEN I SAW HER STANDING THERE.
YEAH!
WELL, SHE LOOKED AT ME,
AND I, I COULD SEE
THAT BEFORE TOO LONG I'D FALL IN LOVE WITH HER.
SHE WOULDN'T DANCE WITH ANOTHER, OOH,
WHEN I SAW HER STANDING THERE.
WELL, MY HEART WENT BOOM,
WHEN I CROSSED THAT ROOM,
AND I HELD HER HAND IN MINE.
(Ow!) WELL, WE DANCED THROUGH THE NIGHT,
AND WE HELD EACH OTHER TIGHT,
AND BEFORE TOO LONG I FELL IN LOVE WITH HER.
NOW I'LL NEVER DANCE WITH ANOTHER, OOH,
SINCE I SAW HER STANDING THERE.
OW! YEAH!
YEAH! YEAH! YEAH!
WELL, WE DANCED THROUGH THE NIGHT,
YEAH, AND WE HELD EACH OTHER TIGHT,
AND BEFORE TOO LONG I FELL IN LOVE WITH HER.
NOW I'LL NEVER DANCE WITH ANOTHER, OOH,
SINCE I SAW HER STANDING THERE,
WELL, SINCE I SAW HER STANDING THERE,
OOH, SINCE I SAW HER STANDING THERE.
OH YEAH!
OH YEAH!
©
Northern Songs Ltd
THE HONEYMOON SONG
By Mikis Theodorakis and William Sansom
From: "Pop Go The Beatles" #8
Recorded: July 16, 1963 at the BBC Paris Theatre, London
Transmitted: August 6, 1963
I NEVER KNEW THAT A DAY LIKE TODAY LAID BEFORE US,
I'VE GOT THE SUN IN MY HEART AND MY HEART'S IN THE SUN.
SKIES ARE AS BRIGHT AS YOUR EYES,
THE HORIZON IS OPEN.
LOVE IS A CEILING, FEELINGS ARE REELING FREE AS THE AIR.
FOREVER ON AND FOREVER,
FOREVER ON SIDE BY SIDE.
WHO EVER KNEW THAT WE TWO COULD BE FREE AS WE'D FANCIED?
FANCY IS FREE, BUT ARE WE WHO ARE BOUND TO EACH OTHER BY LOVE?
TO EACH OTHER BY LOVE?
WHO EVER KNEW THAT WE TWO COULD BE FREE AS WE'D FANCIED?
FANCY IS FREE, BUT ARE WE WHO ARE BOUND TO EACH OTHER BY LOVE?
TO EACH OTHER BY LOVE?
TO EACH OTHER BY LOVE?
TO EACH OTHER BY LOVE?
©
Boosey & Hawkes Music
Pub. Ltd/SDRM/Copyright Control
JOHNNY B GOODE
By Chuck Bery
From: "Saturday Club" #8
Recorded: January 7, 1964 at the Playhouse Theatre, London
Transmitted: February 15, 1964
DEEP DOWN IN LOUISIANA, CLOSE TO NEW ORLEANS,
WAY BACK UP IN THE WOODS AMONG THE EVERGREENS;
THERE STAND A COUNTRY CABIN MADE OF TAR AND WOOD,
WHERE LIVES A COUNTRY BOY NAMED JOHNNY B. GOODE.
HE NEVER LEARNED TO READ OR WRITE A BOOK SO WELL,
HE COULD PLAY HIS GUITAR JUST LIKE A-RINGING' THE BELL.
GO! GO! GO! JOHNNY! GO! GO! GO!
GO! JOHNNY! GO! GO! GO!
GO! JOHNNY! GO! GO! GO!
GO! JOHNNY! GO! GO! GO!
AH, JOHNNY B- GOODE.
HE USED TO CARRY HIS GUITAR IN A GUNNY SACK,
SIT BENEATH THE TREES BY THE RAILROAD TRACK,
OH, SITTIN' AND A-PLAYIN' IN THE SHADE,
STRUMMIN' TO THE RHYTHM THAT THE DRIVERS MADE.
PEOPLE PASSING BY USED TO STOP AND SAY:
MY, BUT HOW THAT COUNTRY BOY COULD PLAY.
GO! GO! GO! JOHNNY! GO! GO! GO!
GO! JOHNNY! GO! GO! GO!
GO! JOHNNY! GO! GO! GO!
GO! JOHNNY! GO! GO! GO!
AH, JOHNNY B- GOODE.
OOH!
WELL, HIS MOMMA TOLD HIM SOME DAY YOU WILL BE A MAN,
AND YOU WILL BE THE LEADER OF A BIG OLD BAND.
MANY PEOPLE COMIN' FROM MILES AROUND,
TO HEAR YOU PLAY YOUR MUSIC TILL THE SUN GOES DON.
MAYBE SOON YOUR NAME WILL BE IN LIGHTS
SAYING JOHNNY B. GOODE TONIGHT.
GO! GO! GO! JOHNNY! GO! GO! GO!
GO! JOHNNY! GO! GO! GO!
GO! JOHNNY! GO! GO! GO!
GO! JOHNNY! GO! GO! GO!
AH, JOHNNY B- GOODE.
©
Jewel Music Pub. Ltd.
MEMPHIS, TENNESSEE
By Chuck Bery
From: "Pop Go The Beatles" #7
Recorded: July 10, 1963 at the Aeolian Hall Studios, London
Transmitted: July 30, 1963
LONG DISTANCE, INFORMATION,
GIVE ME MEMPHIS, TENNESSEE;
TRYIN' TO FIND THE PARTY
TRYIN' TO GET IN TOUCH WITH ME.
SHE WOULD NOT LEAVE HER NUMBER
BUT I KNOW WHO PLACED THE CALL,
'CAUSE MY UNCLE TOOK THE MESSAGE
AND HE WROTE IT ON THE WALL.
HELP ME, INFORMATION,
GET IN TOUCH WITH MY MARIE;
SHE'S THE ONLY ONE WHO'D PHONE ME HERE
FROM MEMPHIS, TENNESSEE.
HER HOME IS ON THE SOUTH SIDE,
JUST BEYOND THE RIDGE,
JUST A HALF A MILE FROM THE MISSISSIPPI BRIDGE.
HELP ME, INFORMATION,
MORE THAN THAT I CANNOT ADD;
ONLY THAT I MISS HER
AND ALL THE FUN WE HAD.
WE WERE PULLED APART BECAUSE
HER MOM WOULD NOT AGREE,
HELP ME GET IN TOUCH WITH HER
IN MEMPHIS, TENNESSEE.
THE LAST TIME THAT I SAW MARIE,
SHE WAS WAVING ME GOODBYE;
WITH HURRY HOME DROPS ON HER CHEEK,
THAT TRICKL'D FROM HER EYE.
MARIE IS ONLY SIX YEARS OLD,
INFORMATION, PLEASE,
HELP ME GET IN TOUCH WITH HER
IN MEMPHIS, TENNESSEE.
©
Jewel Music Pub. Ltd.BR
LUCILLE
By Albert Collins and Richard Penniman
Presenter: Brian Matthew
From: "Saturday Club" #6
Recorded: September 7, 1963 at the Playhouse Theatre, London
Transmitted: October 5, 1963
BRIAN: THE BEATLES, WITH PAUL McCARTNEY, PAYING TRIBUTE TO THE EVERLY'S WITH
"LUCILLE".
AH, LUCILLE, BABY, DO YOUR SISTERS WILL,
AH, LUCILLE, BABY, DO YOUR SISTERS WILL,
WELL, YOU RAN OFF AND MARRIED BUT I LOVE YOU STILL.
AH, LUCILLE, BABY, SATISFY MY SOUL,
LUCILLE, BABY, SATISFY MY SOUL,
WELL, YOU KNOW I LOVE YOU, BABY, I'LL NEVER LET YOU GO.
WELL, I WOKE UP THIS MORNIN'
LUCILLE WAS NOT IN SIGHT.
I ASKED MY FRIENDS ABOUT IT
BUT ALL THEIR LIPS WERE TIGHT.
LUCILLE, PLEASE COME BACK WHERE YOU BELONG,
WELL, I'M TALKIN TO YOU, BABY, I'LL NEVER LET YOU GO.
WHOA! OW!
OW!
WELL, LUCILLE, BABY, DO YOUR SISTERS WILL,
OOH, LUCILLE, BABY, DO YOUR SISTERS WILL,
WELL, YOU RAN OFF AND MARRIED BUT I LOVE YOU STILL.
©
MCA Music Ltd
CAN'T BUY ME LOVE
By John Lennon and
Paul McCartney
From: "From
Us To You" #2
Recorded: February 28, 1964 at the Piccadilly Theatre, London
Transmitted: March 20, 1964
CAN´T BUY ME LOVE, OH,
LOVE, OH,
CAN´T BUY ME LOVE, OH.
I´LL BUY YOU A DIAMOND RING, MY FRIEND,
IF IT MAKES YOU FEEL ALL RIGHT.
I´LL GET YOU ANYTHING, MY FRIEND,
IF IT MAKES YOU FEEL ALL RIGHT.
I DON´T CARE TOO MUCH FOR MONEY,
MONEY CAN´T BUY ME LOVE.
I´LL GIVE YOU ALL I´VE GOT TO GIVE
IF YOU SAY YOU LOVE ME TOO.
I MAY NOT HAVE A LOT TO GIVE
BUT WHAT I´VE GOT I´LL GIVE TO YOU.
I DON´T CARE TOO MUCH FOR MONEY,
MONEY CAN´T BUY ME LOVE.
CAN´T BUY ME LOVE, OH,
EV´RYBODY TELLS ME SO.
CAN´T BUY ME LOVE, OH,
NO, NO, NO, NO.
SAY YOU DON´T NEED NO DIAMOND RINGS
AND I´LL BE SATISFIED.
TELL ME THAT YOU WANT THE KIND OF THINGS
THAT MONEY JUST CAN´T BUY.
I DON´T CARE TOO MUCH FOR MONEY,
MONEY CAN´T BUY ME LOVE.
WHOA!
CAN´T BUY ME LOVE, OH,
EV´RYBODY TELLS ME SO.
CAN´T BUY ME LOVE, OH,
NO, NO, NO, NO.
SAY YOU DON´T NEED NO DIAMOND RINGS
AND I´LL BE SATISFIED.
TELL ME THAT YOU WANT THE KIND OF THINGS
THAT MONEY JUST CAN´T BUY.
I DON´T CARE TOO MUCH FOR MONEY,
MONEY CAN´T BUY ME LOVE.
CAN´T BUY ME LOVE, OH,
LOVE, OH,
CAN´T BUY ME LOVE, OH, OH.
©
Northern Songs Ltd
FROM FLUFF TO YOU (speech)
Alan "Fluff" Freeman and The Beatles
From: "From Us To You" #2
Recorded: February 28, 1964 at the Piccadilly Theatre, London
Transmitted: March 20, 1964
ALAN: PAUL.
PAUL: YES?
ALAN: NOW, LISTEN...
PAUL: YES?
ALAN: RE YOUR SINGING...
PAUL: MMM...
ALAN: DO YOU HAVE ANY PARTICULAR IDOL THAT YOU´VE EVER COPIED YOUR SINGING
STYLE FROM?
JOHN: WHAT ABOUT MY BOOK THEN?
PAUL: EH...
JOHN: WHAT ABOUT MY BOOK?
ALAN: JOHN, GO AWAY!
JOHN: WHAT ABOUT MY...
PAUL: USED TO BE SORT OF INFLUENCED BY ELVIS IN THE OLD DAYS, I THINK.
ALAN: REALLY?
PAUL: YEAH, USED TO LOVE HIM.
JOHN: (shouts in the distance) WHAT ABOUT MY BOOK THEN!!?
PAUL: CHUCK BERRY, CHUCK BERRY, CARL PERKINS, AND EH...MARVIN GAYE AND THINGS.
CAN´T REALLY SING LIKE 'EM, YOU KNOW. I LIKE 'EM THOUGH, LOVE 'EM.
JOHN: WHAT ABOUT IT?
ALAN: PAUL, WHAT ABOUT SINGING "TILL THERE WAS YOU"?
TILL THERE WAS YOU
By Meredith Willson
From: "From
Us To You" #2
Recorded: February 28, 1964 at the Piccadilly Theatre, London
Transmitted: March 20, 1964
THERE WERE BELLS ON A HILL,
BUT I NEVER HEARD THEM RINGING,
NO, I NEVER HEARD THEM AT ALL,
TILL THERE WAS YOU.
THERE WERE BIRDS IN THE SKY,
BUT I NEVER SAW THEM WINGING,
NO, I NEVER SAW THEM AT ALL,
TILL THERE WAS YOU.
THEN THERE WAS MUSIC,
AND WONDERFUL ROSES, THEY TELL ME,
IN SWEET, FRAGRANT MEADOWS
OF DAWN AND DEW.
THERE WAS LOVE ALL AROUND,
BUT I NEVER HEARD IT SINGING,
NO, I NEVER HEARD IT AT ALL,
TILL THERE WAS YOU.
THEN THERE WAS MUSIC,
AND WONDERFUL ROSES, THEY TELL ME,
IN SWEET, FRAGRANT MEADOWS
OF DAWN AND DEW.
THERE WAS LOVE ALL AROUND,
BUT I NEVER HEARD IT SINGING,
NO, I NEVER HEARD IT AT ALL,
TILL THERE WAS YOU.
TILL THERE WAS YOU.
© MPL Communications
CRINSK DEE NIGHT (speech)
Brian Matthew and The Beatles
From: "Top Gear" #1
Recorded: July 14, 1964 at the Broadcasting House, London
Transmitted: July 16, 1964
BRIAN: THE NEXT FEW MINUTES WE'RE IN THE LAP OF THE GODS AND THE HANDS OF THE
BEATLES. IN
MY YOUNG DAYS, WHEN I WAS A LAD, THEY USED TO HAVE ACTORS IN FILMS AND NOW THAT
THEY...
PAUL: YES?
JOHN: HEY! LISTEN!
PAUL: IT'S ALL CHANGED NOW, BRIAN. THEY'RE NOT DOING THAT, NO ACTORS.
JOHN: IT'S ALL CHANGED NOW.
BRIAN: BUT THIS IS WHAT I WONDER, IN THOSE DAYS THE ACTORS USED TO SAY THEIR
BEST BITS
WERE LEFT ON THE CUTTING ROOM FLOOR, DID YOU FIND THAT?
JOHN: NO, NO, NO, THOSE WERE THE GOOD BITS IN THE FILM, YOU SHOULD HAVE SEEN
THE REST!
BRIAN: YES?
JOHN: RUBBISH!
BRIAN: WAS IT REALLY?
JOHN: EVEN WORSE, YES.
BRIAN: WHO WAS WORST?
JOHN: OH, PAUL.
BRIAN: I SEE.
PAUL: I THINK JOHN WAS ABOUT THE WORST.
JOHN: NO, IT WAS YOU.
PAUL: OH, RINGO WAS VERY GOOD, HE WAS...HE'S A GOOD LAD.
BRIAN: HE WAS, THEY'RE SAYING HE'S A NEW CHARLIE CHAPLIN. DO YOU THINK THAT'S
RIGHT?
JOHN: HE WAS MIMING!
PAUL: YOU TOO, WITH JASON.
JOHN: OH YES, HE'S AN OLD ONE. - OKAY, RING?
BRIAN: BEGINNING TO LOOK LIKE IT. NOW THEN...
RINGO: ALL RIGHT, JOHN. CAN YOU HEAR ME?
PAUL: CAN YOU HEAR HIM? HELLO!
BRIAN: NOT REALLY, I HOPE NOT, I HOPE NOT!
JOHN: WE BROUGHT YOU THE FLOWERS, RING.
BRIAN: HE'S NOT ALLOWED TO TALK.
RINGO: EH?
JOHN: WE BROUGHT YOU THE FLOWERS.
RINGO: OH, GOOD.
JOHN: AND THE GRAPES.
RINGO: OH, I LIKE GRAPES.
PAUL: HE LIKES GRAPES.
GEORGE: WE'VE BEEN TO PORTUGAL.
BRIAN: GUESS WHO'S, GUESS WHO'S TOP OF THE POPS IN PORTUGAL THEN.
ALL: WHO??
BRIAN: LOS BEATLES!
JOHN: OS BEATLES? GREAT, GREAT LAUGH!
BRIAN: I DON'T SUPPOSE YOU KNOW THE TITLE OF YOUR FILM IN PORTUGUESE?
JOHN: NO...CRINSK DEE NIGHT?
BRIAN: COULD BE. LET'S HEAR THE NUMBER, SHALL WE?
JOHN: RIGHT!
A HARD DAY'S NIGHT
By John Lennon and Paul McCartney
From: "Top Gear" #1
Recorded: July 14, 1964 at the Broadcasting House, London
Transmitted: July 16, 1964
IT'S BEEN A HARD DAY'S NIGHT
AND I'VE BEEN WORKING LIKE A DOG.
IT'S BEEN A HARD DAY'S NIGHT
I SHOULD BE SLEEPING LIKE A LOG.
BUT WHEN I GET HOME TO YOU,
I FIND THE THINGS THAT YOU DO,
WILL MAKE ME FEEL ALRIGHT.
YOU KNOW I WORK ALL DAY,
TO GET YOU MONEY TO BUY YOU THINGS.
AND IT'S WORTH IT JUST TO HEAR YOU SAY
YOU'RE GONNA GIVE ME EV'RYTHING.
SO WHY ON EARTH SHOULD I MOAN?
'CAUSE WHEN I GET YOU ALONE,
YOU KNOW I FEEL OKAY.
WHEN I'M HOME EV'RYTHING SEEMS TO BE RIGHT,
WHEN I'M HOME FEELING YOU HOLDING ME TIGHT, TIGHT, YEAH.
IT'S BEEN A HARD DAY'S NIGHT
AND I'VE BEEN WORKING LIKE A DOG.
IT'S BEEN A HARD DAY'S NIGHT
I SHOULD BE SLEEPING LIKE A LOG.
BUT WHEN I GET HOME TO YOU,
I FIND THE THINGS THAT YOU DO,
WILL MAKE ME FEEL ALRIGHT.
OW!
SO WHY ON EARTH SHOULD I MOAN?
'CAUSE WHEN I GET YOU ALONE,
YOU KNOW I FEEL ALRIGHT.
WHEN I'M HOME EV'RYTHING SEEMS TO BE RIGHT-IGHT,
WHEN I'M HOME FEELING YOU HOLDING ME TIGHT, TIGHT, YEAH.
MM, IT'S BEEN A HARD DAY'S NIGHT
AND I'VE BEEN WORKING LIKE A DOG.
IT'S BEEN A HARD DAY'S NIGHT
I SHOULD BE SLEEPING LIKE A LOG.
BUT WHEN I GET HOME TO YOU,
I FIND THE THINGS THAT YOU DO,
WILL MAKE ME FEEL ALRIGHT,
YOU KNOW I FEEL ALRIGHT,
YOU KNOW I FEEL ALRIGHT.
ã Northern Songs Ltd
HAVE A BANANA! (speech)
Brian Matthew and The Beatles
From: "Top Gear" #1
Recorded: July 14, 1964 at the Broadcasting House, London
Transmitted: July 16, 1964
BRIAN: IS THAT IT? IS THAT THE END?
PAUL: YEAH, YEAH, THAT'S IT!
JOHN: FADE! FADE!
BRIAN: GOOD TRACK! OH WELL, WE'LL STOP THERE, STOP THERE, STOP THERE!
JOHN: WHAT AN END!
BRIAN: QUIET! ALL RIGHT, GEORGE.
JOHN: FADE!
BRIAN: HOLD IT!
GEORGE: OH, THANK YOU.
JOHN: FADE, YOU SILLY!
BRIAN: WELL, WE DID...WE DID THAT...OH NO! NO! WE'VE DONE THAT BIT!
JOHN: THE TRAIN COMES IN NOW.
BRIAN: WE DID THAT...
JOHN: YEAH.
BRIAN: ...TO PROVE WE WEREN'T PLAYING THE RECORD THEN, YOU SEE. 'CAUSE
OTHERWISE THERE'S
NO POINT IN YOU BEING HERE, IS THERE? HA! HA! HA!
JOHN: YEAH, WE DID THAT CAUSE IT SOUNDS JUST LIKE IT, DON'T IT?
BRIAN: PRETTY COOL LOT OF FELLOWS, AREN'T YOU?
HERE, RINGO, HAVE A BANANA, CATCH!
I WANNA BE YOUR MAN
By John Lennon and Paul McCartney
From: "From Us To You" #2
Recorded: February 28, 1964 at the Piccadilly Theatre, London
Transmitted: March 30, 1964
I WANNA BE YOUR LOVER, BABY, I WANNA BE YOUR MAN;
I WANNA BE YOUR LOVER, BABY, I WANNA BE YOUR MAN.
LOVE YOU LIKE NO OTHER, BABY, LIKE NO OTHER CAN;
LOVE YOU LIKE NO OTHER, BABY, LIKE NO OTHER CAN.
I WANNA BE YOUR MAN,
I WANNA BE YOUR MAN,
I WANNA BE YOUR MAN,
I WANNA BE YOUR MAN.
TELL ME THAT YOU LOVE ME, BABY, LET ME UNDERSTAND;
TELL ME THAT YOU LOVE ME, BABY, I WANNA BE YOUR MAN.
I WANNA BE YOUR LOVER, BABY, I WANNA BE YOUR MAN;
I WANNA BE YOUR LOVER, BABY, I WANNA BE YOUR MAN.
I WANNA BE YOUR MAN,
I WANNA BE YOUR MAN,
I WANNA BE YOUR MAN,
I WANNA BE YOUR MAN.
AAHH! HEY!
TELL ME THAT YOU LOVE ME, BABY, LET ME UNDERSTAND;
TELL ME THAT YOU LOVE ME, BABY, I WANNA BE YOUR MAN.
I WANNA BE YOUR LOVER, BABY, I WANNA BE YOUR MAN;
I WANNA BE YOUR LOVER, BABY, I WANNA BE YOUR MAN.
I WANNA BE YOUR MAN,
I WANNA BE YOUR MAN,
I WANNA BE YOUR MAN,
I WANNA BE YOUR MAN.
I WANNA BE YOUR MAN,
I WANNA BE YOUR MAN, OOH,
I WANNA BE YOUR MAN, THAT'S RIGHT!
I WANNA BE YOUR MAN, HOLD ME TIGHT!
I WANNA BE YOUR MAN,
I WANNA BE YOUR MAN.
ã Northern Songs Ltd
JUST A RUMOUR (speech)
Alan Freeman and The Beatles
From: "From Us To You" #2
Recorded: February 28, 1964 at the Piccadilly Theatre, London
Transmitted: March 30, 1964
ALAN: GEORGE, IS IT TRUE THAT YOU'RE A CONNOISSEUR OF THE CLASSICS?
GEORGE: NO, IT'S JUST A RUMOUR, A RUMOUR.
ALAN: JUST A RUMOUR?
GEORGE: HMM.
ALAN: DO YOU ENJOY SINGING BEETHOVEN?
GEORGE: NO! BEEN SINGING IT FOR TWENTY-EIGHT YEARS NOW, YOU KNOW.
ALAN: FOR HOW LONG?
GEORGE: TWENTY-EIGHT YEARS.
ALAN: THAT'S INCREDIBLE. COULD YOU MANAGE ONE MORE PERFORMANCE?
GEORGE: UM, POSSIBLY.
ALAN: OH, GO ON, SAY YES.
GEORGE: YES, THANK YOU.
ROLL OVER BEETHOVEN
By Chuck Berry
From: "From Us To You" #2
Recorded: February 28, 1964 at the Piccadilly Theatre, London
Transmitted: March 30, 1964
GONNA WRITE A LITTLE LETTER,
GONNA MAIL IT TO MY LOCAL DJ
IT'S A ROCKIN' LITTLE RECORD
I WANT MY JOCKEY TO PLAY.
ROLL OVER BEETHOVEN,
GOTTA HEAR IT AGAIN TODAY.
YOU KNOW MY TEMP'RATURE'S RISIN'
AND THE JUKEBOX BLOWS A FUSE.
MY HEART'S BEATIN' RHYTHM
AND MY SOUL KEEPS A-SINGIN' THE BLUES.
ROLL OVER BEETHOVEN
AND TELL TCHAIKOWSKY THE NEWS.
WELL, IF YOU FEEL IT 'N' LIKE IT,
GET YOUR LOVER AND REEL AND ROCK IT,
ROLL IT OVER AND MOVE ON UP JUST A TRIFLE FURTHER
AND A-REEL AND ROCK IT, ROLL IT OVER.
ROLL OVER BEETHOVEN,
DIG THESE RHYTHM AND BLUES.
EARLY IN THE MORNIN' I'M A-GIVIN' YOU THE WARNIN',
DON'T YOU STEP ON MY BLUE SUEDE SHOES!
HEY DIDDLE, DIDDLE, I'M A-PLAYIN' MY FIDDLE,
AIN'T GOT NOTHIN' TO LOSE.
ROLL OVER BEETHOVEN
A-ROCKIN' IN TWO BY TWO.
YOU KNOW SHE WIGGLES LIKE A GLOW-WORM,
AND DANCE LIKE A SPINNIN' TOP.
SHE'S GOT A CRAZY PARTNER,
OUGHT TO SEE 'EM REEL AND ROCK.
LONG AS SHE'S GOT A DIME,
THE MUSIC WILL NEVER STOP.
ROLL OVER BEETHOVEN,
ROLL OVER BEETHOVEN,
ROLL OVER BEETHOVEN,
ROLL OVER BEETHOVEN,
ROLL OVER BEETHOVEN,
DIG TO THESE RHYTHM AND BLUES!
ã Jewel Music Pub. Co.
ALL MY LOVING
By John Lennon and Paul McCartney
From: "From Us To You" #2
Recorded: February 28, 1964 at the Piccadilly Theatre, London
Transmitted: March 30, 1964
CLOSE YOUR EYES AND I'LL KISS YOU,
TOMORROW I'LL MISS YOU;
REMEMBER I'LL ALWAYS BE TRUE.
AND THEN WHILE I'M AWAY,
I'LL WRITE HOME EV'RY DAY
AND I'LL SEND ALL MY LOVING TO YOU.
I'LL PRETEND THAT I'M KISSING
THE LIPS I AM MISSING
AND HOPE THAT MY DREAMS WILL COME TRUE.
AND THEN WHILE I'M AWAY,
I'LL WRITE HOME EV'RY DAY
AND I'LL SEND ALL MY LOVING TO YOU.
ALL MY LOVING
I WILL SEND TO YOU.
ALL MY LOVING
DARLING, I'LL BE TRUE.
OH!
CLOSE YOUR EYES AND I'LL KISS YOU,
TOMORROW I'LL MISS YOU;
REMEMBER I'LL ALWAYS BE TRUE.
AND THEN WHILE I'M AWAY,
I'LL WRITE HOME EV'RY DAY
AND I'LL SEND ALL MY LOVING TO YOU.
ALL MY LOVING
I WILL SEND TO YOU.
ALL MY LOVING
DARLING, I'LL BE TRUE.
ALL MY LOVING,
ALL MY LOVING,
OO, OO, ALL MY LOVING
I WILL SEND TO YOU.
ã Northern Songs Ltd
THINGS WE SAID TODAY
By John Lennon and Paul McCartney
From: "Top Gear" #1
Recorded: July 14, 1964 at the Broadcasting House, London
Transmitted: July 16, 1964
Introduction by Brian Matthews
YOU SAY YOU WILL LOVE ME
IF I HAVE TO GO,
YOU'LL BE THINKING OF ME
SOMEHOW I WILL KNOW.
SOME DAY WHEN I'M LONELY
WISHING YOU WEREN'T SO FAR AWAY,
THEN I WILL REMEMBER
THINGS WE SAID TODAY.
YOU SAY YOU'LL BE MINE, GIRL,
TILL THE END OF TIME,
THESE DAYS SUCH A KIND, GIRL,
SEEMS SO HARD TO FIND.
SOME DAY WHEN WE'RE DREAMING,
DEEP IN LOVE, NOT A LOT TO SAY,
THEN WE WILL REMEMBER
THINGS WE SAID TODAY.
ME, I'M JUST THE LUCKY KIND,
LOVE TO HEAR YOU SAY THAT LOVE IS LOVE.
AND THOUGH WE MAY BE BLIND,
LOVE IS HERE TO STAY AND THAT'S ENOUGH.
TO MAKE YOU MINE, GIRL,
BE THE ONLY ONE.
LOVE ME ALL THE TIME, GIRL,
WE'LL GO ON AND ON.
SOME DAY WHEN WE'RE DREAMING,
DEEP IN LOVE, NOT A LOT TO SAY,
THEN WE WILL REMEMBER
THINGS WE SAID TODAY.
ME, I'M JUST THE LUCKY KIND,
LOVE TO HEAR YOU SAY THAT LOVE IS LOVE.
AND THOUGH WE MAY BE BLIND,
LOVE IS HERE TO STAY AND THAT'S ENOUGH.
TO MAKE YOU MINE, GIRL,
BE THE ONLY ONE.
LOVE ME ALL THE TIME, GIRL,
WE'LL GO ON AND ON.
ã Northern Songs Ltd
SHE'S A WOMAN
By John Lennon and Paul McCartney
From: "Top Gear" #2
Recorded: November 17, 1964 at the Playhouse Theatre, London
Transmitted: November 26, 1964
MY LOVE DON'T GIVE ME PRESENTS,
I KNOW THAT SHE'S NO PEASANT.
ONLY EVER HAS TO GIVE ME
LOVE FOREVER AND FOREVER;
MY LOVE DON'T GIVE ME PRESENTS.
TURN ME ON WHEN I GET LONELY,
PEOPLE TELL ME THAT SHE'S ONLY FOOLIN',
I KNOW SHE ISN'T.
SHE DON'T GIVE BOYS THE EYE,
SHE HATES TO SEE ME CRY.
SHE IS HAPPY JUST TO HEAR ME
SAY THAT I WILL NEVER LEAVE HER;
SHE DON'T GIVE BOYS THE EYE.
SHE WILL NEVER MAKE ME JEALOUS,
GIVES ME ALL HER TIME AS WELL AS LOVIN',
DON'T ASK ME WHY.
SHE'S A WOMAN WHO UNDERSTANDS;
SHE'S A WOMAN WHO LOVES HER MAN.
MY LOVE DON'T GIVE ME PRESENTS,
I KNOW THAT SHE'S NO PEASANT.
ONLY EVER HAS TO GIVE ME
LOVE FOREVER AND FOREVER;
MY LOVE DON'T GIVE ME PRESENTS.
TURN ME ON WHEN I GET LONELY,
PEOPLE TELL ME THAT SHE'S ONLY FOOLIN',
I KNOW SHE ISN'T.
OOH HO!
SHE'S A WOMAN WHO UNDERSTANDS;
SHE'S A WOMAN WHO LOVES HER MAN.
MY LOVE DON'T GIVE ME PRESENTS,
I KNOW THAT SHE'S NO PEASANT.
ONLY EVER HAS TO GIVE ME
LOVE FOREVER AND FOREVER;
MY LOVE DON'T GIVE ME PRESENTS.
TURN ME ON WHEN I GET LONELY,
PEOPLE TELL ME THAT SHE'S ONLY FOOLIN',
I KNOW SHE ISN'T.
SHE'S A WOMAN, YEAH,
SHE'S A WOMAN,
SHE'S A WOMAN,
SHE'S A WOMAN,
SHE'S A WOMAN,
SHE'S A WOMAN.
WHOA! SHE'S A WOMAN,
SHE'S A WOMAN,
OOH! SHE'S A WOMAN,
SHE'S A.
ã Northern Songs Ltd
SWEET LITTLE SIXTEEN
By Chuck Berry
From: "Pop Go The Beatles" #6
Recorded: July 10, 1963 at the Aeolian Hall Studios, London
Transmitted: July 23, 1963
THEY'RE REALLY ROCKIN' IN BOSTON,
PHILADELPHIA, P.A.,
DEEP IN THE HEART OF TEXAS,
WAY DOWN IN FRISCO BAY.
ALL OVER ST. LOUIS,
WAY DOWN IN NEW ORLEANS,
ALL THE CATS WANNA DANCE WITH;
SWEET LITTLE SIXTEEN.
SWEET LITTLE SIXTEEN,
SHE'S JUST GOT TO HAVE
ABOUT A HALF A MILLION
A-FRAMED AUTOGRAPHS:
HER WALLET'S FILLED WITH PICTURES,
SHE GETS THEM ONE BY ONE,
BECOMES SO EXCITED,
OH, WON'T YOU LOOK AT HER RUN, BOY!
OH, MOMMY, MOMMY, PLEASE MAY I GO?
IT'S SUCH A SIGHT TO SEE
SOMEBODY STEAL THE SHOW.
OH, DADDY, DADDY, I BEG OF YOU,
WHISPER TO MOMMY IT'S ALRIGHT WITH YOU.
OW!
SWEET LITTLE SIXTEEN,
SHE'S GOT THE GROWN UP BLUES,
TIGHT DRESSES AND LIPSTICK,
SHE'S SPORTIN' HIGH HEELED SHOES.
OH, BUT TOMORROW MORNING,
SHE'LL HAVE TO CHANGE HER TREND.
BECOME SWEET SIXTEEN
AND BACK IN CLASS AGAIN.
YEH, 'CAUSE THEY'LL BE ROCKIN' IN BOSTON,
PHILADELPHIA, P.A.,
DEEP IN THE HEART OF TEXAS,
AROUND FRISCO BAY.
ALL OVER ST. LOUIS,
AND DOWN IN NEW ORLEANS,
ALL THE CATS WANNA DANCE WITH;
SWEET LITTLE SIXTEEN.
ã Jewel Music Pub. Co.
1822! (speech)/LONESOME TEARS IN MY EYES
By Johnny & Dorsey Burnette, Paul Burlison and Al Mortimer
From: "Pop Go The Beatles" #6
Recorded: July 10, 1963 at the Aeolian Hall Studios, London
Transmitted: July 23, 1963
JOHN: THIS IS A DORSEY BURNETTE NUMBER, BROTHER OF JOHNNY BURNETTE, CALLED
"LONESOME
TEARS IN MY EYES", RECORDED ON THEIR VERY FIRST LP IN 1822!
ALL: (laughter)
JOHN: HA!
WELL, BABY, BABY, BABY, BLUES AND SORROW,
AND I LOVE YOU TOMORROW
JUST SUIT YOU JUST FINE.
WELL, BABY, BABY, BABY, BLUES AND SORROW,
I LOVE YOU TOMORROW
JUST SUIT YOU JUST FINE.
I CAN'T FORGET THAT YOU TOLD ME
SO MANY PROMISING LIES,
I'M A-TRY'N' TO FORGET THESE
LONESOME TEARS IN MY EYES.
YOU'VE BROKEN MY HEART, GONNA DO IT AGAIN,
I CAN'T FORGET THE SPELL THAT I'M IN.
CAN'T FORGET THAT YOU TOLD ME
SO MANY PROMISING LIES,
I'M A-TRY'N' TO FORGET THESE
LONESOME TEARS IN MY EYES.
YOU'VE BROKEN MY HEART, GONNA DO IT AGAIN,
I CAN'T FORGET THE SPELL THAT I'M IN.
CAN'T FORGET THAT YOU TOLD ME
SO MANY PROMISING LIES,
I'M A-TRY'N' TO FORGET THESE
LONESOME TEARS IN MY EYES.
WELL, BABY, BABY, BABY, BLUES AND SORROW,
AND I LOVE YOU TOMORROW
JUST SUIT YOU JUST FINE.
WELL, BABY, BABY, BABY, BLUES AND SORROW,
I LOVE YOU TOMORROW
JUST SUIT YOU JUST FINE.
I CAN'T FORGET THAT YOU TOLD ME
SO MANY PROMISING LIES,
I'M A-TRY'N' TO FORGET THESE
LONESOME TEARS IN MY EYES.
ã Copyright Control
NOTHIN' SHAKIN'
By Eddie Fontaine, Cirino Calacrai, Dianne Lampert and John Gluck
From: "Pop Go The Beatles" #6
Recorded: July 10, 1963 at the Aeolian Hall Studios, London
Transmitted: July 23, 1963
I FOUND IT OUT WHAT LOVE IS ALL ABOUT,
AND EV'RY DAY AT THREE WHEN SCHOOL LET'S OUT,
I SEE MY BABY, I GET WEAK IN THE KNEES,
THERE'S NOTHIN' SHAKIN' BUT THE LEAVES ON THE TREES.
MY PAPPY TOLD ME THERE'LL BE TIMES LIKE THESE,
THERE'S NOTHIN' SHAKIN' BUT THE LEAVES ON THE TREES.
WE MEET THE GANG AND GO TO ROCKIN' SHOWS,
THE CATS ARE STOMPIN' ON THEIR HEELS AND TOES.
I GOT MY BABY, TRY'N' TO GIVE HER A SQUEEZE,
THERE'S NOTHIN' SHAKIN' BUT THE LEAVES ON THE TREES.
WELL, WHY MUST SHE BE SUCH A DOGGONE TEASE?
THERE'S NOTHIN' SHAKIN' BUT THE LEAVES ON THE TREES.
SHE'S GOT A WAY THAT MAKES ME ACT LIKE A FOOL,
SPENDS MY MONEY THEN SHE PLAYS ME CRUEL.
I'M BEGGIN' FOR KISSES ON MY BENDED KNEES,
OH, WON'T YOU GIVE ME SOME MORE LOVIN',
BABY, PLEASE, PLEASE, PLEASE.
THOUGH I KEEP TRYIN' HARD TO MAKE HER MINE,
ONE DAY THE WIND WILL BLOW AND THE SUN WILL SHINE.
TILL THAT TIME SHE PUTS MY HEART AT EASE,
THERE'S NOTHIN' SHAKIN' BUT THE LEAVES ON THE TREES.
SHE LOCKED MY HEART AND THREW AWAY THE KEYS,
THERE'S NOTHIN' SHAKIN' BUT THE LEAVES ON THE TREES.
YEAH!
SHE'S GOT A WAY THAT MAKES ME ACT LIKE A FOOL,
SHE SPENDS MY MONEY THEN SHE PLAYS ME CRUEL.
I'M BEGGIN' FOR KISSES ON MY BENDED KNEES,
OH, WON'T YOU GIVE ME SOME MORE LOVIN',
BABY, PLEASE, PLEASE, PLEASE.
THOUGH I KEEP TRYIN' HARD TO MAKE HER MINE,
ONE DAY THE WIND WILL BLOW AND THE SUN WILL SHINE.
TILL THAT TIME SHE PUTS MY HEART AT EASE,
THERE'S NOTHIN' SHAKIN' BUT THE LEAVES ON THE TREES.
SHE LOCKED MY HEART AND THREW AWAY THE KEYS,
THERE'S NOTHIN' SHAKIN' BUT THE LEAVES ON THE TREES,
THERE'S NOTHIN' SHAKIN' BUT THE LEAVES ON THE TREES,
THERE'S NOTHIN' SHAKIN' BUT THE LEAVES ON THE TREES,
THERE'S NOTHIN' SHAKIN' BUT THE LEAVES ON THE TREES.
ã Jewel Music Pub. Co
THE HIPPY HIPPY SHAKE
By Chan Romero
From: "Pop Go The Beatles" #7
Recorded: July 10, 1963 at the Aeolian Hall Studios, London
Transmitted: July 30, 1963
FOR GOODNESS SAKE,
I GOT THE HIPPY HIPPY SHAKE.
I GOT THE SHAKE,
OOH! THE HIPPY HIPPY SHAKE
OOH! I CAN'T KEEP STILL,
WITH THE HIPPY HIPPY SHAKE.
I GET MY FILL
WITH THE HIPPY HIPPY SHAKE.
OOH, MY BABE,
OOH! THE HIPPY HIPPY SHAKE.
WELL, NOW YOU SHAKE IT TO THE LEFT,
SHAKE IT TO THE RIGHT,
DO THE HIPPY SHAKE SHAKE
WITH ALL OF YOUR MIGHT.
AND YOU SHAKE,
OOH! YES, YOU SHAKE.
OOH, MY BABE,
OW! THE HIPPY HIPPY SHAKE.
WHOA! OH! OH!
WHOA! HO!
WELL, NOW YOU SHAKE IT TO THE LEFT,
SHAKE IT TO THE RIGHT,
DO THE HIPPY SHAKE SHAKE
WITH ALL OF YOUR MIGHT.
AND YOU SHAKE,
OOH! YES, YOU SHAKE.
OOH, MY BABE,
OOH! THE HIPPY HIPPY SHAKE,
OW! THE HIPPY HIPPY SHAKE,
YEAH, THE HIPPY HIPPY SHAKE,
OH YEAH!
ã Ardmore & Beechwood/EMI
GLAD ALL OVER
By Aaron Schroeder, Sid Tepper and Roy Bennett
From: "Pop Go The Beatles" #10
Recorded: July 18, 1963 at the BBC Paris Theatre, London
Transmitted: August 20, 1963
AIN'T NO DOUBT ABOUT IT, THIS MUST BE LOVE,
A-ONE LITTLE KISS FROM YOU,
AND I FEEL GLAD ALL OVER,
OOH, BABY, HOT DANG GILLY, IT'S SILLY,
BUT I'M GLAD ALL OVER.
YEAH, THE GOOSE PIMPLES, BABY, 'CAUSE I FEEL SO GOOD
WHEN YOU CUDDLE ME LIKE YOU DO,
AND I FEEL GLAD ALL OVER,
OOH, BABY, I'M A ROCK GONE PUPPY AND I'M HAPPY
AND I'M GLAD ALL OVER.
YOUR TOUCH GOES THROUGH ME LIKE ELECTRIC WIRE,
NEVER THOUGHT OF MAKE LOVE.
IT DON'T TAKE MUCH LOOKIN' TO SEE WHAT I'VE GOT,
BUT IT SHOWS, YEAH, IT SHOWS.
COME ON, HONEY BONNIE, GIVE ME ONE MORE TIME,
EV'RY TIME YOU DO;
WELL, I FEEL GLAD ALL OVER,
OOH, BABY, HOT DANG GILLY, IT'S SILLY
BUT I'M GLAD ALL OVER.
YEAH!
TRY TO TEL YOU HOW I'M COOKIN' INSIDE
WHEN WE'RE CHEEK TO CHEEK.
MY TEMP'RATURE'S LOW, THE FEVER IS HIGH,
I CAN'T SPEAK, I'M TOO WEAK.
WELL, COME ON, HONEY BONNIE, GIVE ME ONE MORE TIME,
EV'RY TIME YOU DO;
WELL, I FEEL GLAD ALL OVER,
OOH, BABY, HOT DANG GILLY, IT'S SILLY
BUT I'M GLAD ALL OVER.
HOT DANG GILLY, IT'S SILLY
BUT I'M GLAD ALL OVER.
WELL, HOT DANG GILLY, IT'S SILLY
BUT I'M GLAD ALL OVER.
ã MCA Music Ltd./Carlin Music Corp.
I JUST DON'T
UNDERSTAND
By Marijohn Wilkin and Kent Westberry
From: "Pop Go The Beatles" #10
Recorded: July 18, 1963 at the BBC Paris Theatre, London
Transmitted: August 20, 1963
WELL, YOU CALL ME YOUR BABY
WHEN YOU'RE HOLDING MY HAND.
BUT THE WAY THAT YOU HURT ME,
I JUST DON'T UNDERSTAND.
WELL, YOU SAY THAT YOU NEED 'ME
LIKE AN OCEAN NEED SAND.
BUT THE WAY YOU DECEIVE ME,
I JUST DON'T UNDERSTAND.
WELL, YOU KNOW THAT I LOVE YOU,
MORE THAN ANYONE CAN.
BUT A ONE-SIDED LOVE,
I JUST DON'T UNDERSTAND.
WELL, YOU KNOW THAT I LOVE YOU,
MORE THAN ANYONE CAN.
BUT A ONE-SIDED LOVE,
I JUST DON'T UNDERSTAND.
WELL, YOU CALL ME YOUR BABY
WHEN YOU'RE HOLDING MY HAND.
OH, HOW YOU CAN HURT ME,
I JUST DON'T UNDERSTAND.
ã Peermusic (UK) Ltd.
SO HOW COME (NO ONE
LOVES ME)
By Felix Bryant and Boudaloux Bryant
From: "Pop Go The Beatles" #6
Recorded: July 10, 1963 at the Aeolian Hall Studios, London
Transmitted: July 23, 1963
THEY SAY THAT EV'RYONE WANTS SOMEONE,
SO HOW COME NO ONE WANTS ME?
THEN THEY SAY THAT EV'RYONE NEEDS SOMEONE,
SO HOW COME NO ONE NEEDS ME?
WELL, IF YOU WONDER WHO THE LONELIEST
CREATURES ON THE WORLD CAN BE,
WELL, THERE'S THE UGLY DUCKLING,
THE LITTLE BLACK SHEEP AND ME - AHA.
THEY SAY THAT EV'RYONE WANTS SOMEONE,
SO HOW COME NO ONE WANTS ME?
WELL, IF YOU WONDER WHO THE LONELIEST
CREATURES ON THE WORLD CAN BE,
WELL, THERE'S THE UGLY DUCKLING,
THE LITTLE BLACK SHEEP AND ME - AHA.
THEY SAY THAT EV'RYONE WANTS SOMEONE,
SO HOW COME NO ONE WANTS ME?
SO HOW COME NO ONE WANTS ME?
ã Copyright Control
I FEEL FINE
By John Lennon and Paul McCartney
From: "Top Gear" #2
Recorded: November 17, 1964 at the Playhouse Theatre, London
Transmitted: November 26, 1964
BABY'S GOOD TO ME, YOU KNOW,
SHE'S HAPPY AS CAN BE, YOU KNOW,
SHE SAID SO.
I'M IN LOVE WITH HER AND I FEEL FINE.
BABY SAYS SHE'S MINE, YOU KNOW,
SHE TELLS ME ALL THE TIME, YOU KNOW,
SHE SAID SO.
I'M IN LOVE WITH HER AND I FEEL FINE.
I'M SO GLAD
THAT SHE'S MY LITTLE GIRL.
SHE'S SO GLAD,
SHE'S TELLING ALL THE WORLD.
THAT HER BABY BUYS HER THINGS, YOU KNOW,
HE BUYS HER DIAMOND RINGS, YOU KNOW,
SHE SAID SO.
SHE'S IN LOVE WITH ME AND I FEEL FINE.
MM.
BABY SAYS SHE'S MINE, YOU KNOW,
SHE TELLS ME ALL THE TIME, YOU KNOW,
SHE SAID SO.
I'M IN LOVE WITH HER AND I FEEL FINE.
I'M SO GLAD
THAT SHE'S MY LITTLE GIRL.
SHE'S SO GLAD,
SHE'S TELLING ALL THE WORLD.
THAT HER BABY BUYS HER THINGS, YOU KNOW,
HE BUYS HER DIAMOND RINGS, YOU KNOW,
SHE SAID SO.
SHE'S IN LOVE WITH ME AND I FEEL FINE,
SHE'S IN LOVE WITH ME AND I FEEL FINE.
ã Northern Songs Ltd
I'M A LOSER
By John Lennon and Paul McCartney
From: "Top Gear" #2
Recorded: November 17, 1964 at the Playhouse Theatre, London
Transmitted: November 26, 1964
I'M A LOSER,
I'M A LOSER,
AND I'M NOT WHAT I APPEAR TO BE.
OF ALL THE LOVE I HAVE WON OR HAVE LOST
THERE IS ONE LOVE I SHOULD NEVER HAVE CROSSED.
SHE WAS A GIRL IN A MILLION, MY FRIEND,
I SHOULD HAVE KNOWN SHE WOULD WIN IN THE END.
I'M A LOSER,
AND I LOST SOMEONE WHO'S NEAR TO ME.
I'M A LOSER,
AND I'M NOT WHAT I APPEAR TO BE.
ALTHOUGH I LAUGH AND I ACT LIKE A CLOWN,
BENEATH THIS MASK I AM WEARING A FROWN.
MY TEARS ARE FALLING LIKE RAIN FROM THE SKY,
IS IT FOR HER OR MYSELF THAT I CRY?
I'M A LOSER,
AND I LOST SOMEONE WHO'S NEAR TO ME.
I'M A LOSER,
AND I'M NOT WHAT I APPEAR TO BE.
WHAT HAVE I DONE TO DESERVE SUCH A FATE?
I REALISE I HAVE LEFT IT TOO LATE.
AND SO IT'S TRUE, PRIDE COMES BEFORE A FALL,
I M TELLING YOU SO THAT YOU WON'T LOSE ALL.
I'M A LOSER,
AND I LOST SOMEONE WHO'S NEAR TO ME.
I'M A LOSER,
AND I'M NOT WHAT I APPEAR TO BE.
ã Northern Songs Ltd
EVERYBODY'S TRYING TO
BE MY BABY
By Carl Lee Perkins
From: "Saturday Club" #10
Recorded: November 25, 1964 at the Playhouse Theatre, London
Transmitted: December 26, 1964
WELL, THEY TOOK SOME HONEY FROM A TREE,
DRESSED IT UP AND THEY CALLED IT ME.
EV'RYBODY'S TRYIN' TO BE MY BABY,
EV'RYBODY'S TRYIN' TO BE MY BABY,
EV'RYBODY'S TRYIN' TO BE MY BABY NOW.
WENT OUT LAST NIGHT, HALF PAST FOUR,
FIFTY WOMEN KNOCKIN' ON MY DOOR.
EV'RYBODY'S TRYIN' TO BE MY BABY,
EV'RYBODY'S TRYIN' TO BE MY BABY,
EV'RYBODY'S TRYIN' TO BE MY BABY NOW.
WENT OUT LAST NIGHT, I DIDN'T STAY LATE,
'FORE I'M HOME I HAD A NINETEEN DATES-
EV'RYBODY'S TRYIN' TO BE MY BABY,
EV'RYBODY'S TRYIN' TO BE MY BABY,
EV'RYBODY'S TRYIN' TO BE MY BABY NOW.
WENT OUT LAST NIGHT, I DIDN'T STAY LATE,
'FORE I'M HOME I HAD A NINETEEN DATES-
EV'RYBODY'S TRYIN' TO BE MY BABY,
EV'RYBODY'S TRYIN' TO BE MY BABY,
EV'RYBODY'S TRYIN' TO BE MY BABY NOW.
WELL, THEY TOOK SOME HONEY FROM A TREE,
DRESSED IT UP AND THEY CALLED IT ME.
EV'RYBODY'S TRYIN' TO BE MY BABY,
EV'RYBODY'S TRYIN' TO BE MY BABY,
EV'RYBODY'S TRYIN' TO BE MY BABY NOW.
ã Knox Music/Carlin Music Corp.
ROCK AND ROLL MUSIC
By Chuck Berry
From: "Saturday Club" #10
Recorded: November 25, 1964 at the Playhouse Theatre, London
Transmitted: December 26, 1964
JUST LET ME HEAR SOME OF THAT ROCK AND ROLL MUSIC,
ANY OLD WAY YOU CHOOSE IT;
IT'S GOT A BACK BEAT, YOU CAN'T LOSE IT,
ANY OLD TIME YOU USE IT.
GOTTA BE ROCK AND ROLL MUSIC,
IF YOU WANNA DANCE WITH ME,
IF YOU WANNA DANCE WITH ME.
I GOT NO KICK AGAINST MODERN JAZZ
UNLESS THEY TRY TO PLAY IT TOO DARN FAST,
AND LOSE THE BEAUTY OF THE MELODY,
UNTIL THEY SOUND JUST LIKE A SYMPHONY.
THAT'S WHY I GO FOR THAT ROCK AND ROLL MUSIC,
ANY OLD WAY YOU CHOOSE IT;
IT'S GOT A BACK BEAT, YOU CAN'T LOSE IT,
ANY OLD TIME YOU USE IT.
GOTTA BE ROCK AND ROLL MUSIC,
IF YOU WANNA DANCE WITH ME,
IF YOU WANNA DANCE WITH ME.
I TOOK MY LOVED ONE OVER CROSS THE TRACKS,
SO SHE COULD HEAR THE MAN AWAILIN' SAX,
I MUST ADMIT THEY HAD A ROCKIN' BAND,
MAN, THEY WERE BLOWIN' LIKE A HURRICAN'.
AND STARTED PLAYIN' THAT ROCK AND ROLL MUSIC,
ANY OLD WAY YOU CHOOSE IT;
IT'S GOT A BACK BEAT, YOU CAN'T LOSE IT,
ANY OLD TIME YOU USE IT.
GOTTA BE ROCK AND ROLL MUSIC,
IF YOU WANNA DANCE WITH ME,
IF YOU WANNA DANCE WITH ME.
WAY DOWN SOUTH THEY HAD A JUBILEE,
THEM GEORGIA FOLKS, THEY HAD A JAMBOREE,
ARE DRINKIN' HOME BREW FROM A WOODEN CUP,
THE FOLKS WERE DANCIN' THERE, GOT ALL SHOOK UP.
AND STARTED PLAYING THAT ROCK AND ROLL MUSIC,
ANY OLD TIME YOU USE IT;
IT'S GOT A BACK BEAT, YOU CAN'T LOSE IT,
ANY OLD TIME YOU USE IT.
GOTTA BE ROCK AND ROLL MUSIC,
IF YOU WANNA DANCE WITH ME,
IF YOU WANNA DANCE WITH ME.
ã Jewel Music Pub. Co
TICKET TO RIDE
By John Lennon and Paul McCartney
From: "The Beatles Invites You To Take A Ticket To Ride"
Recorded: May 25, 1965 at the Piccadilly Theatre, London
Transmitted: June 6, 1965
I THINK I'M GONNA BE SAD, I THINK IT'S TODAY, YEAH!
THE GIRL THAT'S DRIVING ME MAD IS GOING AWAY.
SHE'S GOT A TICKET TO RIDE,
SHE'S GOT A TICKET TO RI-HI-HIDE,
SHE'S GOT A TICKET TO RIDE,
AND SHE DON'T CARE.
SHE SAID THAT LIVING WITH ME WAS BRINGING HER DOWN, YEAH!
SHE WOULD NEVER BE FREE WHEN I WAS AROUND.
SHE'S GOT A TICKET TO RIDE,
SHE'S GOT A TICKET TO RI-HI-HIDE,
SHE'S GOT A TICKET TO RIDE,
BUT SHE DON'T CARE.
I DON'T KNOW WHY SHE'S RIDIN' SO HIGH,
SHE OUGH-TA THINK TWICE,
SHE OUGHT-TA DO RIGHT BY ME.
BEFORE SHE GETS TO SAYIN' GOODBYE,
SHE OUGH-TA THINK TWICE,
SHE OUGHT-TA DO RIGHT BY ME.
I THINK I'M GONNA BE SAD, I THINK IT'S TODAY, YEAH!
THE GIRL THAT'S DRIVING ME MAD IS GOING AWAY, YEAH!
SHE'S GOT A TICKET TO RIDE,
SHE'S GOT A TICKET TO RI-HI-HIDE,
SHE'S GOT A TICKET TO RIDE,
AND SHE DON'T CARE.
I DON'T KNOW WHY SHE'S RIDIN' SO HIGH,
SHE OUGH-TA THINK TWICE,
SHE OUGHT-TA DO RIGHT BY ME.
BEFORE SHE GETS TO SAYIN' GOODBYE,
SHE OUGH-TA THINK TWICE,
SHE OUGHT-TA DO RIGHT BY ME.
I THINK THAT LIVING WITH ME WAS BRINGING HER DOWN, YEAH!
SHE WOULD NEVER BE FREE WHEN I WAS AROUND, YEAH!
AH, SHE'S GOT A TICKET TO RIDE,
SHE'S GOT A TICKET TO RI-HI-HIDE,
SHE'S GOT A TICKET TO RIDE,
AND SHE DON'T CARE.
MY BABY DON'T CARE,
MY BABY DON'T CARE,
MY BABY DON'T CARE.
ã Northern Songs Ltd
DIZZY MISS LIZZY
By Larry Williams
From: "The Beatles Invites You To Take A Ticket To Ride"
Recorded: May 25, 1965 at the Piccadilly Theatre, London
Transmitted: June 6, 1965
YOU MAKE ME DIZZY, MISS LIZZY,
THE WAY YOU ROCK AND ROLL.
YOU MAKE ME DIZZY, MISS LIZZY,
WHEN YOU DO THE STROLL.
COME ON, COME ON, COME ON, COME ON, LIZZY,
LOVE ME 'FORE I GROW TOO OLD.
COME ON, GIVE ME FEVER,
PUT YOUR LITTLE HAND IN MINE.
YOU MAKE ME DIZZY, MISS LIZZY,
OOH, GIRL, YOU LOOK SO FINE.
JUST A-ROCKIN' AND A-ROLLIN',
GIRL, I SAID I WISH YOU WERE MINE.
OW!
YOU MAKE ME DIZZY, MISS LIZZY,
WHEN YOU CALL MY NAME.
OOH, BABY,
SAY YOU'RE DRIVIN' ME INSANE.
COME ON, COME ON, COME ON, LIZZY,
I WANNA BE YOUR LOVIN' MAN.
OW!
UH!
OW!
COME ON, GIVE ME FEVER,
PUT YOUR LITTLE HAND IN MINE.
YOU MAKE ME DIZZY, DIZZY, LIZZY,
GIRL, YOU LOOK SO FINE.
YOU'RE JUST A-ROCKIN' AND A-ROLLIN',
OOH, I SAID I WISH YOU WERE MINE.
YOU MAKE ME DIZZY, MISS LIZZY,
WHEN YOU CALL MY NAME.
OOH, BABY,
SAY YOU'RE DRIVIN' ME INSANE.
COME ON, COME ON, COME ON, COME ON, LIZZY,
I WANNA BE YOUR LOVIN' MAN.
ã ATV Music
KANSAS CITY/HEY, HEY,
HEY, HEY
By Jerry Leiber and Mike Stoller/Richard Penniman
From: "Pop Go The Beatles" #8
Recorded: July 16, 1963 at the BBC Paris Theatre, London
Transmitted: August 6, 1963
AH, KANSAS CITY,
GONNA GET MY BABY BACK HOME, YEAH, YEAH;
I'M GOIN' TO KANSAS CITY,
GONNA GET MY BABY BACK HOME, YEAH, YEAH.
WELL, IT'S A LONG, LONG TIME SINCE
MY BABY'S BEEN GONE.
AH, KANSAS CITY,
GONNA GET MY BABY ONE TIME, A-YEAH, YEAH;
I'M GOIN' TO KANSAS CITY,
GET MY BABY ONE TIME, YEAH, YEAH.
IT'S JUST A ONE, TWO, THREE, FOUR,
FIVE, SIX, SEVEN, EIGHT, NINE-INE.
WHOA! OH HO!
OW! HO!
OOH!
HEY, HEY, HEY, HEY, (hey, hey, hey, hey)
HEY, BABY, (hey, baby)
OOH, NOW GAL, (well, gal)
I SAID, YEH, NOW PAL, (well, pal)
WOH, NOW TELL ME, BABY,
WHAT'S BEEN WRONG WITH YOU, YEAH?
HEY, HEY, HEY, HEY, (hey, hey, hey, hey)
HEY, NOW BABY, (hey, baby)
OOH, I SAID GAL, (well, gal)
WELL, NOW, NOW PAL, (well, pal)
WOH, TELL ME, BABY,
WHAT'S BEEN WRONG WITH YOU?
WELL, BYE-BYE, (bye-bye, bye-bye, bye-bye)
BYE-BYE, BABY, BYE-BYE, (bye-bye, bye-bye, bye-bye)
OOH, SO LONG, (so long, so long, so long)
BYE-BYE, BABY, I'M GONE. (bye-bye, bye-bye, bye-bye)
OH YEAH, NOW BYE-BYE, BABY,
BYE-BYE, BABY, BYE-BYE, OH YEAH!
I SAID BYE, (bye-bye, bye-bye, bye-bye)
BYE-BYE, BABY, BYE-BYE, (bye-bye, bye-bye, bye-bye)
AAH! SO LONG, (so long, so long, so long)
BYE-BYE, BABY, BYE-BYE, (bye-bye, bye-bye, bye-bye)
YEAH, NOW BYE-BYE, BABY, (-oo-)
BYE-BYE, BABY, BYE-BYE, BYE-BYE.
OW!
ã EMI Music/ATV Music
SET FIRE TO THAT LOT (speech)
Rodney Burke and The Beatles
From: "Pop Go The Beatles" #7
Recorded: July 10, 1963 at the Aeolian Hall Studios, London
Transmitted: July 30, 1963
RODNEY: I'VE GOT ONE CARD HERE AND IT'S ON THE SAME SUBJECT, EH...BUT THIS ONE
SAYS, "WE
THINK THE SHOW IS GREAT AND WE DIG THE BEATLES THE MOST BUT WE STILL HAVEN'T
HEARD A
WORD FROM RINGO YET..."
RINGO: ARF! ARF! ARF! ARF!
ALL. (laughter)
RODNEY: ..."AND HOW ABOUT HIM SINGING...". WELL, WHAT WILL YOU SING
FOR US, RINGO?
WILL YOU SAY A FEW WORDS?
RINGO: HELLO THERE, KIDDIES! I'D LIKE TO SING A SONG FOR YOU TODAY CALLED
"MATCHBOX".
THERE YOU GO!
RODNEY: SET FIRE TO THAT LOT! OKAY, RINGO, THANKS VERY MUCH,
RINGO: DON'T YOU GET SMART WITH ME, YOU KNOW!
RODNEY: DO YOU MIND? GET OVER TO YOUR MICROPHONE, "MATCHBOX"!
MATCHBOX
By Carl Lee Perkins
From: "Pop Go The Beatles" #7
Recorded: July 10, 1963 at the Aeolian Hall Studios, London
Transmitted: July 30, 1963
I'M SITTIN' HERE WATCHIN',
MATCHBOX HOLE IN MY CLOTHES;
AH HA, SITTIN' HERE WOND'RIN',
MATCHBOX HOLE IN MY CLOTHES.
AIN'T GOT NO MATCHES
SURE GOT A LONG WAY TO GO.
WELL, I'M AN OLD POOR BOY
AND I AIN'T GOT NO HOME;
I'M AN OLD POOR BOY
AND I'M A LONG WAY FROM HOME.
AND EV'RYTHING I DO
TURNS OUT MIGHTY WRONG.
ALL RIGHT, JOHN!
(Ah, yeah!)
WELL, IF YOU DON'T WANT MY PEACHES, HONEY,
PLEASE DON'T SHAKE MY TREE;
IF YOU DON'T WANT RINGO'S PEACHES, HONEY,
PLEASE DON'T MESS AROUND MY TREE.
I'VE GOT NEWS FOR YOU, BABY,
LEAVE ME HERE IN MISERY.
WELL, I SAID I'M SITTIN' HERE WATCHIN',
MATCHBOX HOLE IN MY CLOTHES;
AH HA, SITTIN' HERE WATCHIN',
MATCHBOX HOLE IN MY CLOTHES.
AIN'T GOT NO MATCHES
SURE GOT A LONG WAY TO GO.
ã Carlin Music Corp.
I FORGOT TO REMEMBER
TO FORGET
By Stanley A Kessler and Charles Feathers
From: "From Us To You" #3
Recorded: May 1, 1964 at the BBC Paris Theatre, London
Transmitted: May 18, 1964
I FORGOT TO REMEMBER TO FORGET HER,
I CAN'T SEEM TO GET HER OFF MY MIND.
I THOUGHT I'D NEVER MISS HER,
BUT I FOUND OUT SOMEHOW,
I THINK ABOUT HER ALMOST ALL THE TIME.
WELL, THE DAY SHE WENT AWAY
I MADE MYSELF A PROMISE;
THAT I'D SOON FORGET WE'D EVER MET.
BUT SOMETHING SURE IS WRONG,
'CAUSE I'M SO BLUE AND LONELY,
I FORGOT TO REMEMBER TO FORGET.
WELL, THE DAY SHE WENT AWAY
I MADE MYSELF A PROMISE;
THAT I'D SOON FORGET WE'D EVER MET.
BUT SOMETHING SURE IS WRONG,
'CAUSE I'M SO BLUE AND LONELY,
I FORGOT TO REMEMBER TO FORGET.
ã Carlin Music Corp.
LOVE THESE GOON SHOWS!
(speech)
Lee Peters and The Beatles
From: "Pop Go The Beatles" #2
Recorded: June 1, 1963 at the BBC Paris Theatre, London
Transmitted: June 11, 1963
LEE: BUT NOW JOHN HAS HIS WORK CUT OUT ON THE NEXT ONE AS HE TAKES HIS GUITAR
ON AND
OFF HIS NECK AND PULLS THE HARMONICA IN AND OUT OF HIS FACE.
JOHN: HARP! IT'S A HARP!
LEE: WHAT? HARP?
JOHN: THE HARP! 'CAUSE I'M PLAYING THE HARP ON THIS ONE.
LEE: PLAYING A HARP?
JOHN: HARMONICA I PLAY ON "LOVE ME DO", HARP ON THIS ONE, LITTLE,
GOES IN THE ORGAN.
LEE: BUT IT GOES IN AND OUT? DO YOU WANNA DO THIS ANNOUNCEMENT?
WELL, GO ON, YOU GO AHEAD, NO, IT'S ALRIGHT. TELL THEM...TELL THEM ABOUT THE
NEXT SONG.
JOHN: OH, ER...WE'D LIKE TO CARRY ON WITH CHUCK BERRY'S "I GOTTA FIND MY
BABY", DON'T
KNOW WHERE SHE'S BEEN, PARDON, HELLO? LOVE THESE GOON SHOWS!
I GOT TO FIND MY BABY
By Chuck Berry
From: "Pop Go The Beatles" #2
Recorded: June 1, 1963 at the BBC Paris Theatre, London
Transmitted: June 11, 1963
I'M GONNA SEARCH THIS TOWN FROM DOOR TO DOOR,
LOVE I CRAVE, I CAN'T FIND NO MORE.
I GOTTA FIND MY BABY, I DESERVE A LITTLE LIGHT.
AIN'T HAD NO REAL GOOD LOVIN'
SINCE THAT WOMAN SAID GOODBYE.
YOU KNOW I HATE TO SEE THE SUN SINKING TO THE WEST,
'CAUSE I KNOW MY WHOLE LIFE'S GONNA BE ONE SOLID MESS.
I GOTTA FIND MY BABY, I DESERVE A LITTLE LIGHT.
I AIN'T HAD NO REAL GOOD LOVIN'
SINCE THAT WOMAN SAID GOODBYE.
WELL, EVER SINCE THAT DAY WHEN WE SAID WE WERE THROUGH,
I'VE BEEN NERVOUS AND SHOOK UP TOO.
I GOTTA FIND MY BABY, I DESERVE A LITTLE LIGHT.
I AIN'T HAD NO REAL GOOD LOVIN'
SINCE THAT WOMAN SAID GOODBYE.
WELL, I DON'T CARE IF IT'S THE LAST THING I EVER DO IN MY LIFE,
I'M GONNA FIND THAT LITTLE WOMAN AND MAKE HER MY WIFE.
I GOTTA FIND MY BABY, I DESERVE A LITTLE LIGHT.
I AIN'T HAD NO REAL GOOD LOVIN'
SINCE THAT WOMAN SAID GOODBYE.
ã Copyright Control
OOH! MY SOUL
By Richard Penniman
From: "Pop Go The Beatles" #11
Recorded: August 1, 1963 at the Playhouse Theatre, Manchester
Transmitted: August 27, 1963
OOH! MY SOUL!
WELL, BABE, BABE, BABE, BABE, BABY,
DON'T YOU KNOW MY LOVE IS TRUE?
HONEY, HONEY, HONEY, HONEY, HONEY,
I SAID, GET OFF OF THAT MONEY.
I LOVE, LOVE, LOVE, LOVE, LOVE,
OOH! MY SOUL!
WELL, GIMME, GIMME, GIMME, GIMME, GIMME,
GIMME ALL THE LOVE YOU'VE GOT.
BABE, BABE, BABE, BABE, BABY,
DON'T YOU KNOW I LOVE A LOT?
YEAH, I LOVE, LOVE, LOVE, LOVE, LOVE,
OOH! MY SOUL!
WHOA!
WELL, NOW BABE, BABE, BABE, BABE, BABY,
DON'T YOU KNOW MY LOVE IS TRUE?
I SAID, HONEY, HONEY, HONEY, HONEY, HONEY,
GET OFF OF THAT MONEY.
I LOVE, LOVE, LOVE, LOVE, LOVE,
OOH! MY SOUL!
WELL, NOW BABE, BABE, BABE, BABE, BABY,
DON'T YOU KNOW MY LOVE IS TRUE?
HONEY, HONEY, HONEY, HONEY, HONEY,
I SAID, GET OFF, GET OFF OF THAT MONEY.
I LOVE, LOVE, LOVE, LOVE, LOVE,
OOH! MY SOUL!
ã Copyright Control
OOH! MY ARMS (speech)
Rodney Burke and The Beatles
From: "Pop Go The Beatles" #11
Recorded: August 1, 1963 at the Playhouse Theatre, Manchester
Transmitted: August 27, 1963
RODNEY: THAT WAS A, A LITTLE RICHARD NUMBER THAT THE BOYS RATHER LIKE AND HOPE
YOU
LIKED IT, "OOH! MY SOUL!" AND OOH! MY ARMS!, WE'VE, WE'VE JUST FLOWN
IN TO MANCHESTER
HERE FROM LONDON TO RECORD THIS SHOW...HA HA...WELL, IT'S...HA HA...IT'S GOOD
TO SEE YOU
AGAIN, FELLERS, IN THESE..ER..FOREIGN PARTS. HOW ARE YOU?
JOHN: OH, GREAT!
GEORGE: VERY WELL, THANK YOU.
RINGO: OH, GREAT, YEAH, IT'S JUST FINE.
PAUL: YEAH.
RODNEY: WELL, WHAT ARE YOU DOING AT THE MOMENT, BY THE WAY?
GEORGE: AH, WE'RE PLAYING IN LIVERPOOL AT THE MOMENT, AND WE'VE NEVER BEEN
THERE FOR
MONTHS, YOU SEE, SO IT'S...
RINGO: IT'S GOOD TO BE BACK.
PAUL: YEAH, IT'S GREAT!
RODNEY: ANYBODY OVER THERE LIKE A REQUEST THAT YOU CAN DO RIGHT NOW?
GEORGE: WELL, WE'LL DO A REQUEST FOR EVERYBODY.
PAUL: YEAH.
RODNEY: GOOD, WHAT DO YOU SUGGEST?
GEORGE: ...ER... "DON'T EVER CHANGE", ONE OF THE OLDIES.
DON'T EVER CHANGE
By Gerry Goffin and Carole King
From: "Pop Go The Beatles" #11
Recorded: August 1, 1963 at the Playhouse Theatre, Manchester
Transmitted: August 27, 1963
YOU NEVER WEAR A STITCH OF LACE,
YOUR POWDER'S NEVER ON YOUR FACE,
YOU'RE ALWAYS WEARING JEANS EXCEPT ON SUNDAYS.
SO, PLEASE DON'T EVER CHANGE,
NO, DON'T YOU EVER CHANGE,
I KIND OF LIKE YOU JUST THE WAY YOU ARE.
YOU DON'T KNOW THE LATEST DANCE,
BUT WHEN IT'S TIME TO MAKE ROMANCE,
YOUR KISSES LET ME KNOW YOU'RE NOT A TOMBOY.
SO, PLEASE DON'T EVER CHANGE,
NO, DON'T YOU EVER CHANGE,
JUST PROMISE ME YOU'RE ALWAYS GONNA BE,
AS SWEET AS YOU ARE.
I LOVE YOU WHEN YOU'RE HAPPY,
I LOVE YOU WHEN YOU'RE BLUE,
I LOVE YOU WHEN YOU'RE MAD AT ME,
SO HOW CAN I GET TIRED OF YOU?
A LOTS OF OTHER GIRLS I'VE SEEN,
THEY KNOW HOW TO TREAT GUYS MEAN,
BUT YOU WOULD RATHER DIE THAN EVER HURT ME.
SO, PLEASE DON'T EVER CHANGE,
NO, DON'T YOU EVER CHANGE,
JUST PROMISE ME YOU'RE ALWAYS GONNA BE,
AS SWEET AS YOU ARE.
PLEASE DON'T EVER CHANGE,
DON'T YOU EVER CHANGE,
PLEASE DON'T EVER CHANGE,
DON'T YOU.
ã Copyright Control
SLOW DOWN
By Larry Williams
From: "Pop Go The Beatles" #10
Recorded: July 16, 1963 at the BBC Paris Theatre, London
Transmitted: August 20, 1963
OW!
WELL, COME ON, PRETTY BABY, WON'T YOU WALK WITH ME?
COME ON, PRETTY BABY, WON'T YOU TALK WITH ME?
COME ON, PRETTY BABY, GIVE ME ONE MORE CHANCE.
TRY TO SAVE OUR ROMANCE!
SLOW DOWN!
BABY, NOW YOU'RE MOVIN' WAY TOO FAST.
YOU GOTTA GIMME LITTLE LOVIN',
GIMME LITTLE LOVIN',
OW! IF YOU WANT OUR LOVE TO LAST.
WELL, I USED TO WALK YOU HOME, BABY, AFTER SCHOOL,
CARRY YOUR BOOKS HOME TOO.
AND NOW YOU DON'T CARE A DIME FOR ME,
BABY, WHAT YOU TRYIN' TO DO?
YOU BETTER SLOW DOWN!
BABY, NOW YOU'RE MOVIN' WAY TOO FAST.
YOU GOTTA GIMME LITTLE LOVIN',
GIMME LITTLE LOVIN',
OW! IF YOU WANT OUR LOVE TO LAST.
WHOA!
WELL, COME ON, PRETTY BABY, WON'T YOU WALK WITH ME?
COME ON, PRETTY BABY, WON'T YOU TALK WITH ME?
COME ON, PRETTY BABY, GIVE ME ONE MORE CHANCE.
TRY TO SAVE OUR ROMANCE!
SLOW DOWN!
BABY, NOW YOU'RE MOVIN' WAY TOO FAST.
YOU GOTTA GIMME LITTLE LOVIN',
GIMME LITTLE LOVIN',
OW! IF YOU WANT OUR LOVE TO LAST.
ã Copyright Control
HONEY DON'T
By Carl Lee Perkins
From: "Pop Go The Beatles" #12
Recorded: August 1, 1963 at the Playhouse Theatre, Manchester
Transmitted: September 3, 1963
WELL, HOW COME YOU SAY YOU WILL WHEN YOU WON'T?
SAY YOU DO, BABY, WHEN YOU DON'T?
TELL ME, HONEY, HOW YOU FEEL;
TELL THE TRUTH NOW, IS LOVE REAL?
BUT AH-HAH, HONEY, DON'T,
WELL, HONEY, DON'T,
YEAH, HONEY, DON'T,
WELL, HONEY, DON'T,
YEAH, HONEY, DON'T,
SAY YOU WILL WHEN YOU WON'T,
AH-HAH, HONEY, DON'T.
WELL, I LOVE YOU, BABY, AND I WANT YOU TO KNOW,
I LIKE THE WAY THAT YOU WEAR YOUR CLOTHES.
EV´RYTHING ABOUT YOU IS SO DOGGONE SWEET,
YOU GOT THAT SAND ALL OVER YOUR FEET.
BUT AH-HAH, HONEY, DON'T,
WELL, HONEY, DON'T,
WELL, HONEY, DON'T,
OH, HONEY, DON'T,
WELL, HONEY, DON'T,
SAY YOU WILL WHEN YOU WON'T,
AH-HAH, HONEY, DON'T.
WELL, I LOVE YOU, BABY, ON A SATURDAY NIGHT,
SUNDAY MORNING YOU DON'T LOOK RIGHT.
YOU'VE BEEN OUT PAINTIN' THE TOWN,
AH-HAH, HONEY, BEEN STEPPIN' AROUND,
BUT AH-HAH, HONEY, DON'T,
WELL, HONEY, DON'T,
AH, HONEY, DON'T,
OH, HONEY, DON'T, BOP, BOP, BOP, BOP,
HONEY, DON'T,
YEAH, SAY YOU WILL WHEN YOU WON'T,
AH-HAH, HONEY, DON'T.
ã Copyright Control
LOVE ME DO
By John Lennon and Paul McCartney
From: "Pop Go The Beatles" #6
Recorded: July 10, 1963 at the Aeolian Hall Studios, London
Transmitted: July 23, 1963
LOVE, LOVE ME DO,
YOU KNOW I LOVE YOU,
I´LL ALWAYS BE TRUE,
SO PLEASE
LOVE ME DO,
WOH, LOVE ME DO.
LOVE, LOVE ME DO,
YOU KNOW I LOVE YOU,
I´LL ALWAYS BE TRUE,
SO PLEASE
LOVE ME DO,
WOH, LOVE ME DO.
SOMEONE TO LOVE, SOMEBODY NEW.
SOMEONE TO LOVE, SOMEONE LIKE YOU.
LOVE, LOVE ME DO,
YOU KNOW I LOVE YOU,
I´LL ALWAYS BE TRUE,
SO PLEASE
LOVE ME DO,
WOH, LOVE ME DO - AH YEAH.
LOVE, LOVE ME DO,
YOU KNOW I LOVE YOU,
I´LL ALWAYS BE TRUE,
SO PLEASE
LOVE ME DO,
WOH, LOVE ME DO,
YEH, LOVE ME DO,
WOH, LOVE ME DO,
YEH, LOVE ME DO.
WOH-OH, LOVE ME DO,
OH.
ã Copyright Control
I´LL FOLLOW THE SUN
By John Lennon and Paul McCartney
From: "Top Gear" #2
Recorded: November 17, 1964 at the Playhouse Theatre, London
Transmitted: November 26, 1964
ONE DAY YOU'LL LOOK TO SEE I'VE GONE,
BUT TOMORROW MAY RAIN, SO
I´LL FOLLOW THE SUN.
SOME DAY YOU'LL KNOW I WAS THE ONE,
BUT TOMORROW MAY RAIN, SO
I´LL FOLLOW THE SUN.
AND NOW THE TIME HAS COME
AND SO, MY LOVE, I MUST GO.
AND THOUGH I LOSE A FRIEND
IN THE END YOU WILL KNOW,
OH, OH, OH.
ONE DAY YOU'LL FIND THAT I HAVE GONE,
BUT TOMORROW MAY RAIN, SO
I´LL FOLLOW THE SUN.
YES, TOMORROW MAY RAIN, SO
I´LL FOLLOW THE SUN.
AND NOW THE TIME HAS COME
AND SO, MY LOVE, I MUST GO.
AND THOUGH I LOSE A FRIEND
IN THE END YOU WILL KNOW,
OH, OH, OH.
ONE DAY YOU'LL FIND THAT I HAVE GONE,
BUT TOMORROW MAY RAIN, SO
I´LL FOLLOW THE SUN.
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DEVIL IN HER HEART
By Richard B. Drapkin
From: "Pop Go The Beatles" #10
Recorded: July 16, 1963 at the BBC Paris Theatre, London
Transmitted: August 20, 1963
She's got the devil in her heart,
BUT HER EYES, THEY TANTALISE.
She's gonna tear your heart apart.
OH, HER LIPS, THEY REALLY THRILL ME.
I´LL TAKE MY CHANCES FOR ROMANCE IS SO IMPORTANT TO ME.
SHE'LL NEVER HURT ME, SHE WON'T DESERT ME,
SHE'S AN ANGEL SENT TO ME.
She's got the devil in her heart,
NO, NO, NO, THIS I CAN'T BELIEVE.
She's gonna tear your heart apart.
NO, NO, NAY WILL SHE DECEIVE.
I CAN'T BELIEVE THAT SHE'LL EVER, EVER GO,
NOT WHEN SHE HOLDS ME AND SAYS SHE LOVES ME SO.
TAKE MY CHANCES, FOR ROMANCE IS
LISTEN CAN'T YOU SEE?
She's got the devil in her heart,
NO, NO, THIS I CAN'T BELIEVE.
She's gonna tear your heart apart.
NO, NO, NAY WILL SHE DECEIVE.
Don't take chances if your romance is so important to you.
SHE'LL NEVER HURT ME, SHE WON'T DESERT ME,
SHE'S AN ANGEL SENT TO ME.
She's got the devil in her heart,
NO, NO, NO THIS I CAN'T BELIEVE.
She's gonna tear your heart apart.
NO, NO, NAY WILL SHE DECEIVE.
She's got the devil in her heart,
NO, SHE'S AN ANGEL SENT TO ME.
She's got the devil in her heart,
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BOYS
By Luther Dixon and Wes Farrell
From: "Pop Go The Beatles" #4
Recorded: June 17, 1963 at the BBC Maida Vale Studios, London
Transmitted: June 25, 1963
I BEEN TOLD WHEN A BOY KISS A GIRL
TAKE A TRIP AROUND THE WORLD. (whoa!)
HEY, HEY, (bop shoo wa 'n' bop bop shoo wa)
HEY, HEY, (bop shoo wa 'n' bop bop shoo wa)
HEY, HEY, (bop shoo wa 'n' bop bop shoo wa)
OOH, SHE SAY YOU DO. (bop shoo wa)
MY GIRL SAYS WHEN I KISS HER LIPS
GETS THE THRILL THROUGH HER FINGERTIPS. (whoa ho!)
HEY, HEY, (bop shoo wa 'n' bop bop shoo wa)
AH, HEY NOW, (bop shoo wa 'n' bop bop shoo wa)
HEY, HEY, (bop shoo wa 'n' bop bop shoo wa)
OOH, SHE SAY YOU DO. (bop shoo wa)
WELL, I TALK ABOUT BOYS, (yeah, yeah, boys)
DON'T YOU KNOW I MEAN BOYS? (yeah, yeah, boys)
I TALK ABOUT BOYS NOW, (yeah, yeah, boys)
AH, BOYS, (yeah, yeah, boys)
TALK ABOUT BOYS NOW, (yeah, yeah, boys)
WHAT A BUNDLE OF JOY.
ALL RIGHT, GEORGE! (Oh yeah! Oh yeah! Oh yeah!)
MY GIRL SAYS WHEN I KISS HER LIPS
GETS THE THRILL THROUGH HER FINGERTIPS. (ooh-hoo!)
HEY, HEY, (bop shoo wa 'n' bop bop shoo wa)
HEY, HEY, (bop shoo wa 'n' bop bop shoo wa)
HEY, HEY, (bop shoo wa 'n' bop bop shoo wa)
OOH, SHE SAY YOU DO. (bop shoo wa)
I TALK ABOUT BOYS, (yeah, yeah, boys)
DON'T YOU KNOW I MEAN BOYS? (yeah, yeah, boys)
I TALK ABOUT BOYS NOW, (yeah, yeah, boys)
AH HA! (yeah, yeah, boys)
TALK ABOUT BOYS NOW, (yeah, yeah, boys)
WHAT A BUNDLE OF JOY. (yeah, yeah, oh yeah!)
AH, AH, AH, YEAH, BOYS, (yeah, yeah, boys)
DON'T YOU KNOW I MEAN BOYS? (yeah, yeah, boys)
TALK ABOUT BOYS NOW, (yeah, yeah, boys)
AH HA! (yeah, yeah, boys)
TALK ABOUT BOYS NOW, (yeah, yeah, boys)
WHAT A BUNDLE OF JOY. (ooh-ah)
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