| A te,
for voice and pianoforte (c 1875). KAYE, pp. 5-11. |
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| Plaudite
populi, four-voice motet (1877). Performed in Lucca, on April 29 1877. Orchestral Score (for hire): Milan, Ricordi, © 1992 (pl. no. 136113). |
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| «Credo»
for soloists (tenor and baritone), coro and orchestra (1878). Performed at Lucca, July 12 1878; inserited into the Messa; manuscript in Biblioteca dell'Istituto musicale pareggiato «L. Boccherini» di Lucca (copy). |
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| Vexilla
Regis, anthem for male choir and Organ (1878). Text by Venanzio Fortunato; KAYE, pp. 16-26. |
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| Messa a
quattro voci con orchestra for soloists (tenor and baritone) choir and
orchestra (1878-80). Performed at Lucca, July 12 1880; autograph: Lucca, Museo casa natale; the music of the Kyrie was used in Edgar, the Agnus Dei in Manon Lescaut; VS © 1951 (Ricordi & Mills), 132187, R. 1984. Orchestral Score (for hire): Milan, Ricordi, © 1975 (pl. no. 132341). Instrumentation: Piccolo, 2 Flute, 2 Oboe, 2 Clarinet in B flat, 2 Bassoon, 2 Horn in E flat, 2 Trumpet in E flat, 3 Trombone, Oficleide, Timpani in A flat, Strings. |
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| Salve del
ciel Regina, for soprano and harmonium (c 1882). Used in Le villi; KAYE pp. 30-2. |
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| Mentìa
l’avviso, recitative and aria for tenor and pianoforte (1882). Verses by Felice Romani; used in Manon Lescaut; KAYE pp. 37-44. |
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| Ad una morta,
lyric for baritone and pianoforte. Verses by Antonio Ghislanzoni; used in Le villi; fragment; KAYE pp. 218-22. |
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| Storiella
d’amore, melody for soprano or tenor and pianoforte (1883). Verses by Antonio Ghislanzoni; used in Edgar, La musica popolare ii, no. 40, 1883; KAYE pp. 50-4. |
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| Sole ed
amore, mattinata for soprano or tenor and pianoforte (1888). Anonymous text, perhaps by Puccini himself; used in La bohème; Il Paganini ii, no. 23, 1888; KAYE pp. 58-9. |
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| Avanti
Urania!, lyric for voice and pianoforte (1896). Verses by Renato Fucini; one melodic idea used in Madama Butterfly; Genesio Venturini, Firenze-Rome, 1899; KAYE pp. 66-8. |
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| Inno a Diana,
for canto and pianoforte (1897). Verses by Carlo Abeniacar; Sant’Uberto (illustrated New Year’s edition), 1898; KAYE pp. 75-8. |
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| E l’uccellino,
lullaby for voice and pianoforte (1899). Verses by Renato Fucini; Ricordi, Milan, 1899; KAYE pp. 82-4. |
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| Terra e mare,
lyric for voice and pianoforte (1902). Verses by Enrico Panzacchi; Novissima 1902, annual album of arts and letters, 1902; KAYE, pp. 88-9 (from the autograph). |
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| Canto
d’anime, a page of an album for voice and pianoforte (1904). Verses by Luigi Illica; written for the phonograph, recorded on a 78 by Gramophone & Typewriter Ltd. 53497; KAYE, pp. 107-9. |
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| Requiem
for three-part choir, viola, harmonium or organ (1905). Performed at Milan, 27 January 1905; Elkan & Vogel, 1976. |
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| Casa mia,
casa mia, lyric for voice and pianoforte (1908). On a traditional text; KAYE, p. 117. |
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| Sogno
d’or, lullaby for voice and pianoforte. Verses by Carlo Marsili; used in La rondine; Noi e il mondo (Christmas and New Year’s edition), 1913. |
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| Morire?,
lyric for voice and pianoforte (c 1917). Verses by Giuseppe Adami; used in the second version of la rondine; Album collettivo per la C.R.I., Milan, Ricordi, n.d.[1917-1918]; KAYE, pp. 123-6. |
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| Inno a Roma,
for voice and pianoforte (1919). Text by Fausto Salvatori; performed at Rome, 1 June 1919, orchestrated for band by Vessella, and for orchestra by Fiorda; Inno di Roma, Milan, Sonzogno, 1923; KAYE, pp. 136-41. |
