A GUIDE TO AMERICAN CUT AND ENGRAVED GLASSWARE
Part One - Systematic Topics; the Brilliant Period (c1875-c1920)
By James M. Havens
TABLE OF CONTENTS
- Introduction - Introduction to Cut and Engraved Glass
- Composition - The Composition of Lead Glass Used in Cutting
- Blanks - Blanks Provided by Manufacturers for the Cutting of Glass
- Cutting - Types of Cutting Employed by Nineteenth Century Glass Cutters
- Motifs - Cut-Glass Motifs Available to Designers of Cut-Glass Patterns
- Rims - Rim Treatments Used on Nineteenth/Twentieth Century Products
- Engraving - Types of Engraving Found on Collectible Glass of the Period
- Pattern Names - Pattern Names Chosen by Manufacturers and Cutting Shops
- Russian - The Russian and Persian Patterns; the Burgess Patterns
- Patented - Glass Patents Granted by the U. S. Patent and Trademark Office
- Colored - Colored Cut and Engraved Glass, Domestic and Imported
- Foreign - Foreign Cut Glass on American Tables
- Fakes - Fakes, Forgeries, and Reproductions That Bemuse Us
- Catalogs - Four Cut-Glass Catalogs Produced by Three Companies Operating during the Early Brilliant Period
- Repairs - To Repair or Not to Repair Damaged Glass? A Timely Question with No Single (or Simple) Answer
- Bibliography/Further Reading (Available only offline as Appendix D)
The Ellsmere pattern by the Libbey Glass Company
(Image: Internet)
Copyrighted 2003-08. All rights reserved.