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QUOTES

HEY, THESE ARE QUOTES FROM THE MOVIE, AS GOOD AS IT GETS.  REMEMBER TO SIGN MY GUESTBOOK.

Melvin: What I know is, is that as long as you keep your work zipped up around me, I don't give a rat crap who or where you shove your show. Are we done being neighbors now? Simon Bishop: You're why cavemen chiseled on walls. Simon Bishop: The life that I was trying for is gone, and I'm feeling so damn sorry for myself that it's difficult to breathe. Carol: Come on in, and try not to ruin everything by being you.

Frank: I grew up in hell! My grandmother has more attitude than you!

Melvin Udall: Never, never, interrupt me, okay? Not if there's a fire, not even if you hear the sound of a thud from my home and one week later there's a smell coming from there that can only be a decaying human body and you have to hold a hanky to your face because the stench is so thick that you think you're going to faint. Even then, don't come knocking. Or, if it's election night, and you're excited and you wanna celebrate because some fudgepacker that you date has been elected the first queer president of the United States and he's going to have you down to Camp David, and you want someone to share the moment with. Even then, don't knock. Not on this door. Not for ANY reason. Do you get me, sweetheart?

Melvin: Some have great stories, pretty stories that take place at lakes with boats and friends and noodle salad. Just, no one in this car. But, a lot of people, that's their story. Good times, noodle salad. What makes it so hard is not that you had it bad, but that you're that pissed that so many others had it good. Frank: If there's a mental health organization that raises money for people like you, be sure to let me know. Melvin: Last word freak. Melvin: Carol the waitress, Simon the fag.

Carol Connelly: How are you? Simon Bishop: Don't ask. I'm tired of my own complaints. I need to get some new thoughts. Carol Connelly: Why? What are you thinking about now? Simon Bishop: How to die, mostly. Carol Connelly: To think that in our little mix you're the good roommate. Carol Connelly: Why can't I have a normal boyfriend? Just a regular boyfriend, one that doesn't go nuts on me! Beverly Connelly: Everybody wants that, dear. It doesn't exist.

Simon Bishop: I love you, Melvin. Melvin: I tell you, buddy, I'd be the luckiest man alive if that's what did it for me. Melvin Udall: I'm drowning here, and you're describing the water! Melvin Udall: Judging from your eyes, I'd say you were fifty. Carol: Judging from your eyes, I'd say you were kind. Receptionist: How do you write women so well? Melvin Udall: Easy. I think of a man, and I take away reason and accountability.

Melvin Udall: What if this is as good as it gets? Melvin Udall: How can you diagnose someone with an obsessive compulsive disorder, then act like I have some choice about barging in here? Carol: Do you want to dance? Melvin: I've been thinking about that for a while. Carol: Well? Melvin: No. Carol: When you first entered the restaurant, I thought you were handsome . . . and then of course, you spoke.

Carol Connelly: Melvin, I'd rather not. Melvin Udall: What does that got to do with it? Carol Connelly: Funny, I thought it was a strong point. Melvin Udall: I can't do this without you. I'm afraid he might pull the stiff one-eye on me. Melvin Udall: You're a disgrace to depression. Melvin: Where did they teach you to talk like this? At some Panama City sailor-wanna-hump-hump bar, or is this getaway day and your last shot at his whiskey? Sell crazy someplace else . . . we're all stocked up here.

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