Z---A---T---O---I---C---H---I
Starring Kitano 'Beat' Takeshi, Asano Tadanobu
Directed by Kitano 'Beat' Takeshi
Made in Japan, 2004
Zatoichi, the optically-challenged masseur/gambler/swordsman, played by Kitano 'Beat' Takeshi -- his Zatoichi is quiet, smart, introspective, calm; very much different from the stereotypical Zatoichi that was always garrulous, grumpy, shallow and kind of pervertedly mischievous. To the Japanese movielovers, the issue of who's the actor to play the role of Zatoichi in 2004 is equal with the chirps around who's gonna play James Bond next. For the entire course of 35 years, only one actor played Zatoichi, and he is now R.I.P. That Kitano decided to take up the challenge itself needed a lot more guts than you might have thought. And guess what -- he makes it. |
Oume, the kind farmer, gives Zatoichi temporary residence. Listening to everyone in this movie calling Zatoichi not by his name, many people have asked me "Why do they use English?" That's a job for an ear doctor. Although the following words mean the same, people are calling Zatoichi 'anma-san', not 'masseur'. And the latter isn't even English, etymologically-speaking. |
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Naruto Osei, the crossdressing entertainer | Osei's sister | |
Shinkichi, Oume's good-for-nothin' nephew | Fate brings them all together | |
Twisting the cliche: Not only that Kitano hires tapdancers to do this movie's ending; but he doesn't just let them rest all the way to it. For the first time ever in Japanese moviewatching you'll see farmers rehearsing the dance they will perform later in the harvest feast. In other movies, all of a sudden they'll just dance like pro's while we never know how and when and where they (even whether they ever) practiced before. |
Shinkichi is the comic relief without slipping into unreasonable slapstix. He's not the butt of everybody's joke, and he's not the one who predictably stumbles into trouble for the hero to rescue. That, too, is one brilliant thing Kitano does here. | |
The set is the Tokugawa era (click here for history and pictures). That means somewhere in 18th or 19th century. If you wonder why everybody wears bleak colors and the same stripes, ask the Tokugawa shoguns; they even officially regulated what to wear and how to wear it, for every social class of the Japanese people during their reign until 1868. (Click here for what happened afterwards). Merchants, no matter how rich, were not allowed to wear silk. Colorful clothing was forbidden from being accessed by everybody except the shogunal family members, warlords, and imperial family. The irony is that Tokugawas and even imperial noblepersons wore the same sombre-colored stripes after they saw the 'commoners' wearing them all the time. The fashion-savvy among the nobles thought it was the latest trend. |
You can tell it is the Tokugawa era by looking at the women's hairdo: that 'ginko leaf' chignon is characteristic of the era. The thick and stiff wide cloth belt around every woman's waist is also a testimony of the Tokugawa shogunate's years. Tight trousers are worn by men of the working class; but even among the people of this class those who aspire to easy life wear tight kimonos like Shinkichi, imitating the exceedingly effeminate warrior-class or samurai under the Tokugawa regime. |
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And the bartenders know everyone..... |
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The bar is the center of the town |
TOKUGAWA FASHION Whenever you see a movie in which the women dress and do their hair like these, then the time is the Tokugawa clan's reign -- between 1600 and 1868. (Those are clickable pix.) |