Patrick Hughes/Herbert Creecy
Angela Flowers Gallery (Los Angeles)/City
Gallery East (Atlanta)
Together for no reason but that one's
works are unreproducible, and the other's
unreproduced.1 |
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Hughes: a zigzag of tangible elements forefronting a manic exercise in sedate vision; you look
upon a canvas-sized wall construction with a sort of representation on it,
and as you look it opens into a series of doors on a tropical beach, a Borgesian library, an art gallery, and as you move along
it the picture moves to the last line of vision to give you all the details. |
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Creecy: impossible generator of matrices within perfect
paintings, from the tragedy of isolated spatters to paintings as electric as
if plugged into a wall socket, the force of the brush, adherences of form, meremost declinations of decorative ambiguity in an
elemental state of conditioning, what you can do with a brush. |