Marty
Lunde + Ric Flair = AA
something
about Arn Anderson just doesn't
add
up ....
Two titles
too many? - without friends on the inside would AA
ever have
risen above squash boy....
Arn
Anderson assesses himself as an 'underachiever' in looks and physique but
an 'overachiever' in his 'will to achieve'. Yet Anderson owes his major
achievements in wrestling to close friends, particularly Ric Flair. Something
doesn't add up about Arn Anderson's story.....
According
to Arn Anderson, his fan base lies among truck drivers, construction workers,
etc - the sort of "people who like rough guys acting tough". These
people consider Anderson a good, even a great wrestler. Some say he's also
great at interviews. He's even the subject of an 'autobiography' .... written
by someone else.
Others
can't figure what all the hype is about. Isn't AA just Marty Lunde (aka
"pie-face"), a balding beer-bellied guy from the Charlotte clique, who
enjoys 'celebrity' as a way of getting money and girls and owes everything
he has to a long standing friendship with Ric Flair?
Part of the
Crockett-NWA clique - JJ DIllon, Ole Anderson, Flair, with arm around
Arn Anderson in 1988
- still clinging
on a decade later
Anderson
is painfully aware of his extreme ordinariness. If anything, he resembles
a meat cutter from Rome, Georgia (which, in fact, he is) rather than the
'celebrity' he would like to be. His lack of looks and lack of physique
are things he returns to, obsessively, describing himself to journalists
as someone who "never had the big biceps of the pretty boys, but the [sort
of ] guy you'd want to have a beer with."
This
'everyday kind of guy' persona resonates with his fan base, who celebrate
him as "the one you don't really notice on the street .... who gets your
attention by sheer talent instead of loud gimmicks. Sometimes it takes
longer to notice them...but once you do, you're not likely to forget them
anytime soon. In rock and roll, it's people like Bruce Springsteen. In
the movies, it's guys like Harvey Keitel. In professional wrestling, it's
Arn Anderson. If ever there was an "everyguy" who pushed himself to great
heights" they say, "it's definitely Arn Anderson." ("You Can't Keep
A Good Horseman Down" - Therra Cathryn Gwyn, in Figure Four Weekly).
Anderson
has worked this angle tirelessly - dismissing wrestlers gifted with looks
and ability - claiming such qualities are secondary to the 'will to achieve'
to which Anderson attributes his success.
In
particular Anderson has sought to contrast himself against fellow wrestler
Tom Zenk. In his "auto"biography, Anderson claims that while Zenk has the
good looks and physique which Anderson covets, he (Anderson) has the determination
and ambition to succeed which, he claims, Zenk lacks.
"As
for Tom Zenk, he is the guy with the most potential and least ambition
I ever met. Everything was too easy for him. He was extremely
good looking with a great physique that won him a number of bodybuilding
titles. That guy could go without working out for a year and, given
thirty days to get in shape, could look like Rick Martel. But, as
his one-month [tv title] reign shows, things coming too easy can be a hindrance
in this business." (Arn Anderson 4 Ever; A Look Behind the Curtain,
pp. 126-127)
Zenk KO's
Anderson with a savate to rescue the Yellow Dogs mask
And again,
in 1991, in an interview before his challenge to Zenk for the WCW TV title
-
"People
have been telling me what I couldn't do all my life. A lotta people
call me an [under]achiever, Zenk. They say you're not big enough.
You don't have a body like Tom Zenk's. You shouldn't have got what
you got in this life. Well, my friend, you look in these eyes and
I looked in yours and I've seen that same fire and I feel I've seen
that same hunger; that will to achieve when everybody thinks you
can't. So remember one thing, Greek God. This might be
a grandstand play for you or a way to get beautiful women. But, by
God, that's how I make my living and I'm better than everybody else.
A couple of broke knuckles, a few stitches makes no difference when you're
a world class athlete; when you're a world champion, you suck it up and
go. Now you wanna be somebody? You wanna elevate yourself?
Next week, my friend, make your grandstand play right on this show.
I don't think you're man enough to jump on me. Bottom Line."
This interview
has become a sort of manifesto for some of Anderson's fans, extolling the
mythical Andersonian "will to achieve."
But
there's a major problem with all of this. In the fantasy world of pro-wrestling,
Anderson might confidently predict his victory over Tom Zenk and other
top wrestlers - knowing the result had been booked weeks before by Anderson's
friend, WCW booker Ric Flair. That's the nature of wrestling, after all.
The problem
arises when Marty Lunde and his real life fans start to believe the Anderson
hype.
Reinventing
the Four Horsemen - Luger comes in and Ole is ejected. Arn and Flair arm
in arm.
As
Anderson's friend and fellow wrestler Joey
Maggs notes, "In his book .... Anderson infers that Tom Zenk didn’t
have the ambition it takes to make it to the top in pro-wrestling ... but
Tom didn’t have the connections that Arn did and that’s an important thing
in wrestling."
Put
simply, a lot of people, including wrestling insiders, believe that Anderson's
success has been less his own work than other people's (a lot like his
'auto'biography).
Marty
Lunde was an undistinguished squash boy in Florida until he met Ric Flair.
Under Flair's mentorship, he adopted the Anderson name (cashing in on the
reputation of Gene and Ole Anderson). Billing himself as a 'member of the
Anderson family' he replaced Gene Anderson in "The Wrecking Crew" in 1986.
In 1987, Ole and Arn Anderson joined Flair and Tully Blanchard to form
"The Four Horsemen". Ole was later dumped in favor of Lex Luger. Since
then Flair and Anderson have periodically reformed the Horsemen to revive
their own careers with infusions of younger blood.
More fresh blood to rejuvenate the Horsemen
- photo taken before Flair's cosmetic
surgery.
Whenever
Anderson ventured away from Flair's infuence - as when Anderson and Tully
Blanchard joined the WWF in 1989 as "The Brain Busters" - Anderson's "will
to achieve" achieved very little indeed. Anderson and Blanchard held
the WWF tag belts for less than 4 months before vanishing into complete
obscurity.
Anderson
subsequently returned to NWA-WCW and his safe spot alongside buddy Ric
Flair, claiming "WCW is my home and is where I would like to retire. WCW
has been very fair to me, and I'd like to return the favor with years of
loyal service to them". Back alongside Flair, Anderson's "will to
achieve" revived miraculously - only to nose-dive disasterously when
Flair headed off to the WWF in 1991. In
Flair's absence Anderson came close to dismissal on a number of occasions
until Flair himself was pink-slipped by WWF and returned south, McMahon
agreeing to suppress the story until Flair had hit the rival WCW for a
big-money contract.
But
even with Flair temporarily gone, Anderson could still rely on a network
of cronies in WCW to maintain his 'push.' These included -
-
former
tag partner Ole Anderson (WCW Chief Booker May - Dec 1990) who continued
to push Arn Anderson after Flair's resignation as booker in 1990;
-
the former
Crockett-NWA clique, centered on Dusty Rhodes. In the late Crockett years,
NWA had been dominated by the Four Horsemen (Flair, Anderson, Tully Blanchard,
Ole Anderson) JJ DIllon, Dusty Rhodes, Magnum TA, Stan Lane and Bobby Eaton
(The Midnight Express), Nikita Koloff, The Rock'nRoll Express and Barry
Wyndham. With cronies from the old Crockett-NWA clique in charge of booking
at WCW throughout much of the 1990s (Flair, Ole Anderson, Dusty Rhodes,
Magnum TA, etc.,) Arn Anderson's push in WCW was secure;
-
the Charlotte
clique, a variant of the NWA Crockett clique, comprising Ric Flair, Arn
Anderson, Ricky Steamboat, Stan Lane and Bobby Eaton (The Midnight Express),
Jim Cornette and Nikita Koloff. (At one stage Arn Anderson, The Barbarian,
Jim Cornette, Bobby Eaton and referee Tommy Young all lived in the same
Charlotte street).
Arn Anderson's
fans may rejoin that AA was "a good worker" who would have made it anyway.
But there are many "good workers" in wrestling, including Anderson's nemesis
Tom Zenk - men who, by Anderson's own admission, are more naturally talented
and more able wrestlers. Anderson's
reputation rests entirely on his claim that what differentiated him from
these other more gifted men was his legendary "will to achieve."
There
is, however, no independent evidence that Anderson's "will to achieve"
ever achieved anything without prior assistance from his wrestling buddies.
On his sole excursion away from these buddies, Arn's "will to achieve"
failed miserably. As Anderson himself admits - "It helps to have friends."
With
such a history of cronyism muddying the waters, the question remains -
would Arn Anderson's reputation really survive a closer "Look Behind The
Curtain."
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