The Duel
by Geoff Sebesta
dreadpirategeoff@hotmail.com
1. At a wild house party.
Elán and Melanie go to the
kitchen to get some privacy. The
kitchen doesn’t have a kitchen table, but it has a wood picnic table somebody
stole from the park, all covered with graffiti. There’s a cheap stereo and a ziploc bag with one corner torn out
on the bench. Elán sweeps the bag on
the floor and sits down under an ugly painting of a fox hunt. He puts a CD in the stereo. Melanie leans against the door to stop
anyone else from coming in.
The CD plays a tape of a
phone conversation:
TAPED PHONE CONVERSATIONS
VOICE 1
Hey
Marcello, how much is a shirt?
VOICE 2
[a
cultured Brazillian accent]
One
hundred and seventy-five dollars.
VOICE 1
Yeah, my
brother wants four an’ a haf shirts.
*kk*shrrrk-
VOICE 3
Don’t
forget to bring da–
VOICE 2
Ah,
don’t say it. Just call it the thing.
VOICE 3
Well,
don’t forget da bullets for da thing.
ELÁN
[doodling on the table with a penknife]
He ain’t left, man.
Ain’t gone anywhere. I know
there’s a ton of cash, of cash.
Oh, this thing is old. But he been holed up for four days. He ain’t left for at least four days. I went in for lunch and his eyes were like dots.
I
don’t think he recognized me.
And
that money just piling up in there.
MELANIE
[leaning
on the door]
[people
keep trying to come in the door so she’s distracted]
Are
these off one phone or two?
ELÁN
The restaurant opens at eleven forty-five. The waiters get there at eleven. We have from ten to eleven with nobody in
the place except Marcello and a couple bartenders.
[beat]
If
we’re going to get it all we have to do this now. How’s tomorrow for you?
MELANIE
[bitter]
Well,
I guess it has to be. Thanks.
ELÁN
[distracted]
Yeah.
2. Outside,
in the party.
It’s all confusion.
You can’t concentrate on any one thing.
JAKE
[waving
a little bottle]
I bet
you five dollars you can’t eat a tablespoon of this.
SARA
Bet
you five you’re right.
GEOFF
[wandering
by]
I’ll
do it.
JAKE
You
sure, man?
GEOFF
Yeah.
[he
sticks his tongue out and closes his eyes]
JAKE
You sure.
GEOFF
[tongue
out]]
Sorta.
Jake pours a drop the size of a quarter on his tongue
and Geoff swallows it.
BILL
W.
Son,
you a plum fool.
JAKE
Sonofabitch.
I
never seen anybody eat that much tabasco sauce before.
GEOFF
[with
tears pouring down his face]
ith
da whad id ith?
JAKE
You
ok man?
GEOFF
[weeping
silently]
Yeah.
JAKE
You
should sit down.
GINA
Are
you alright?
GEOFF
Fine. Need to sit down a second.
GINA
Here’s
a beer.
GEOFF
[not
sniffling or sneezing, just tears gushing down]
Yeah.
Time has become one endless moment. It does not hurt. His throat is numb, but it was numb before, because he’s
drunk. His tummy feels a little
funny. The beer makes no difference to
the tears that pour, independent, from his eyes.
JAKE
How
do you feel?
GEOFF
Fine.
OK.
Fine.
OK.
(beat)
OK. Let’s wrestle.
3. The
Street, 10:00 AM.
Geoff and Melanie walk down the street. They wear white shirts and black pants, like
waiters going to work. They just so
happen to meet Gina, dressed like a college student, coming from the
school. And without a word they walk all
the same way, to a restaurant just down the street. As they near it a white panel van parks in front, and Elán gets
out. They don’t say anything to each
other, they just look over their shoulders and go inside.
4. Inside
the restaurant
Shana and Amy, the two bartenders, are already at
work.
Amy takes food color and makes a Sprite blue. Then she makes it purple, then, brown. They laugh themselves silly. Shana spears a cocktail onion with a tiki
umbrella and proclaims;
SHANA
I
claim zis izland for France!
Marcello, the maitre d’, surveys them with benign
neglect. He pulls a cork from a bottle
of Shiraz without popping it, pours himself two fingers of wine, and goes to
his office with a notebook to work on the menu for the day.
Geoff and Gina come in, with guns out and badges slung
around their necks.
GEOFF
and GINA
POLICE! Everybody down! Hands in the air!
Police! Everybody down!
Melanie comes in behind Elán, who puts on a baseball
cap that says Police. Melanie
goes in the kitchen and says:
MELANIE
Police! Everybody down!
Poliza! Alle downa! [or however you say it in
Spanish]
Elán goes to the office door. He whacks it with the butt of his gun.
ELÁN
Marcello! Marcello Masuelle Patane!
MARCELLO
One
moment!
When he speaks you recognize him as Voice 2 from the
CD.
ELÁN
Marcello Patane, this is the police! You will immediately come out here with your
hands in the air right now!
MARCELLO
[opens
the door and says:]
Good
morning, youth of America!
[beat]
GEOFF
GET
DOWN!
GINA
HANDS
IN THE AIR! DO IT!
Geoff and Gina pat him down.
ELÁN
Marcello Masuelli Patane, by the authority of the
State of New York I am placing you under arrest. You have the–
Marcello makes strange gesture with his left hand.
MARCELLO
Who
will help the widow’s son?
Elán stutters.
[beat]
MELANIE
What
did you say?
MARCELLO
I
said, who will help the widow’s son?
Anyone?
The cops are dumbfounded.
MARCELLO
Ah. So we recognize each other. Then you will recognize this.
He shows them his pocket watch, which has an
interesting mathematical design on it.
Elán takes one look at it and turns white.
MARCELLO
So. Brother Freemasons; sisters Mason.
I
don’t hear sirens, brother; where could your backup be?
Marthek
ek Thrauss.
Crux
buo Yllan-i-giro.
ELÁN
[very
reluctantly]
Spret
enizagam...
MARCELLO
Spret
enizagam, trero.
ELÁN
[trapped]
Spret
enizagam;
‘Trero.
MARCELLO
Trero. So.
I am
Brother Marcello Masuelli Patane, Knight of the East.
[he
makes another gesture]
Orbis
Signi Omphalos.
Brothers,
sisters. Brother, what might your name
be?
ELÁN
Officer
Elán Connor, sir.
MARCELLO
Yes? Who told you to bother me, Elán?
ELÁN
No
one did; uh, we did.
This
is a sting, sir.
GEOFF,
GINA, MELANIE
Uh-huh,
yes, yes sir.
ELÁN
We’ve
been watching for months.
GINA
You
haven’t been careful.
MARCELLO
How interesting.
How interesting, what the younger generation does with their days. Now, tell me, young man. Do you know who I am?
ELÁN
No
sir.
MARCELLO
Ah. But we’re all Masons here, all on the same
page. Sisters and brothers we.
So. And you’ve
no idea what you’ve just destroyed.
None? So. A pretty pickle. A sting, eh? On the
morning of the Orchard transfer, no less.
With all that money just sitting downstairs. Cash money, no less. Very unusual.
Ah, but I suppose you know that.
So,
thus, this is no sting.
This
is a robbery, yes?
The cops are shamefaced, crestfallen.
SIMULTANEOUS
MARCELLO AMY
So. All that work, to end like this. [starts humming]
Mmm mmm
ah hm um...
ELÁN
Uh,
we could leave. GINA
Stop that.
MARCELLO
Oh, it’s too late, Elán. The thing is done. AMY
And
now I must leave here, with you filthy, ...wmm mm n mmm...
stupid
children. And I must sit in a little
cell
while
fifteen months of work...fly away. GINA
Stop that!
ELÁN
It
was a mistake. I can say...uh, we can
say we got the wrong address.
MARCELLO
We
can? We? Or, you?
So. You, yes?
It was you?
MELANIE
[points
at Elán]
Yes. It was him.
GEOFF
It
was his idea.
GINA
I
came in late.
MARCELLO
Elán
Connor, by a most sacred tradition of our Order, I may demand satisfaction.
ELÁN
[blanches]
What?
MARCELLO
Because. You
cannot undo the harm you have done, and I cannot reverse time, or remove this
filthy incident from our lives. You
have insulted me, Elán Connor, and so I demand satisfaction.
ELÁN
What?
When?
MARCELLO
[to
Melanie]
Give
me your gun, please.
MELANIE
What?
MARCELLO
Come, come, give me your gun. You two, clear those tables away. We need a lane from the wait station to the
bar.
[Gina
and Geoff reluctantly hop to it]
Why delay? You
die in the line of duty, I die...resisting arrest. Of course, questions may be asked. But the survivors can make sure the right people have
answers. Come, come. Take off that flak vest please.
ELÁN
But
now?
MARCELLO
[lights
Carlton]
[beat]
Yes,
now. I’m angry now.
ELÁN
Can I
have a minute to write my wife a letter?
Marcello looks at him, inscrutable, jaw hung half open
and mouth all dry, dry cigarette half-forgot hung from the side of the lip,
palest green eyes you ever saw. Eyes
flat, not dancing, just flat and watching.
His suit is flat and sharp, his hair wispy and perfect. Marcello was a club kid a long time ago; he
remembers Studio 54. He remembers the
80s, when when this restaurant right here had lines around the block to snort
lines in the bathroom. Twenty years
gone by and here he is, still here.
This restaurant is his home. He
has the gun in one hand and the clip in the other.
MARCELLO
[long
beat]
No.
[snaps
his lighter shut]
You
should have thought of that before you came.
[very
short beat]
Ready?
Excellent.
Here we go. Now, Brother
Connor. Stand here, please. We begin here, back to back. Good, very
good.
Ten
paces, turn and shoot.
One
shot only.
This
is agreeable to both parties, so...
You
there, please count to ten.
GINA
Me?
MARCELLO
Anyone. You.
GEOFF
Uh.
ELÁN
I
would like to make a complete apology, Brother Patane, and beg your
forgiveness.
MARCELLO
Goodbye,
Brother Connor. Now.
GEOFF
I...
Marcello looks at him like he’s a complete idiot.
GINA
One –
Marcello and Elán take one step.
Beat.
MARCELLO
Well?
GINA
Two...
Three...
Four...
Five...
Marcello advances to the bar, Elán to the back of the
restaurant. There are mirrors hung over
the bar and Marcello watches Elán in them.
GINA
Six...
Seven...
Eight...
Nine...
Ten.
I propose that we give the actors who play Marcello
and Elán paintball guns and let them actually take ten paces and shoot each
other.
Who lives, lives, and who dies dies.
Melanie, Geoff, and Gina can clean up the mess. No one says a word.
THE END