Trick
Or Treat feat Paradise -
2 Step Flavas (FTL)
This
got to me a little late, so it should already be in the shops, but it’s
an interesting one. Featuring Paradise from Brixton hip-hop act 57th
Dynasty this mixes a credible, vibe-heavy rap vocal with tough, fast and
kinky 2 step programming. and it’s one of those tracks that could find
itself in a variety of DJs’ boxes. Dub-wise. it might remind a little of
MJ Cole at first in its cut-up
scattiness
before it drops into a simple stabbing b-line. Proving Trick Or Treat
are not ones to repeat a production style, this certainly has afresh fiava.
Original and heavy. |
Magik
Room -
Little Bit Of Sunshine (White
Label)
All
the way from Blackpool where “unfortunately people think that garage is
a place where you keep your lawnmower” (so say the producers of this!),
What we have here is a breakbeat-edged tune with a sweet-tooth - something
along the same lines as Trick Or Treat's take on Let Me Be Your
Fantasy’. The first mix in particular nods back to Baby D /vocal
breakbeat house (complete with hardcore b-line breakdown) and its upbeat
vibe comes from some crazily catchy vocals. There's an even more
radio-friendly 2 step mix, so record labels get on to this one - it could
blow! |
Zoom
& DBX -
Comin’
Again (Planet Phat)
A
debut single from this Luton duo, who are obviously teeing the breakbeat
sound. A-side we nave a simple, hook-filled mix based around a catchy key
rift and a few choice vocal phrases. Mixing the bright and musical with a
tough bassline and some funky percussion, it’s a very immediate groove.
But what's really going to rip up the floors is the electro-influenced Dub
Mix, lead by a nasty, nasty b-line. One for all you breakbeat bassline
freaks out there - and watch for the Dee line Remix to follow. |
Rizar
feat. Melody
- It’s A Shame (Virtuosos)
From
a recently formed London label. Essex-based producer Riser gives Motown the
2 step
twist with this version of the old Detroit Spinners song. The original mix
- although it's quite radio-friendly and has some good vocal harmonies -
feels a little under-produced and lacks a bit of punch However, it all
suddenly gels together on Richii & KC's almost K Warren-sounding mix,
which features a sweet harp hook and a more subtle style of programming
that suits the delicate vocals. Once the bass is cranked up in a club,
this mix could do some business.
|
System
3
- Independent Women (White
Label)
This
maybe a bootie version of Destiny’s Child's mega-hit but this would make
a pretty fine official remix - wonder I the girls themselves have heard
it? The arrangement really works in this melodic, soulfully hinged mix, and
with its potent hooks and of course those distinctive vocals, this makes
all the right moves to get the party going. Another top bit of RnB bootie
action awaits you on the flipside too. Also look out for System 3's take
on Ruff Ends and Jamelia. Almost angelic. |
Konstruction
- Upside
Down (Under Control)
I’ve
never heard Diana Ross’ old classic sound quite like this! This is one
funky mutha of a track - and a pretty experimental one - from a label
headed up by some unsung heroes of the scene: Hermit, Danny Ward and
Laurence Bagnall. Mixing hip hop, old skool breakbeat and rave flavours
this runs on its breaks and strident key riff hook, but it’s so moody
and bouncy that it's just a rocking track as an instrumental. Add to that
the male vocalist taking on Ms Ross’ part on the other mix, and the
vibe gets even more twisted. Weirdly wicked. |
The
Sniper -
After Party (White
Label)
Could
4/4 be making its way back into the scene with a little more force than it
has over the last coupe of years? The signs seem to be there. as more
producers appear to be tuning out four to the floor mixes once again - and
why not get back to variety?! Koffee Brown gets the infamous Sniper
treatment, and while there’s a workable 2 step mix (phat bassline,
plenty of vocals, tough beats) try flipping over to the wicked 4/4
mix, which is busting with that irreplacable 4/4 energy - twitchy
drums, bouncing bassline and funky cut up vex. Real shake that ass’
music. |
Unknown
- Looking
At You
(Panic
Record
)
Not
sure who's responsible for the original here, but it does include a remix
from DEA's Para. The original mix has some big, chunky step programming
lightened by a sweet (un-credited) female vocal and quite a musical,
melodic arrangement. One for the ’ladies massive’! Para comes up with
a rough, RnB-influenced mix (Jordan Knight's ‘Give It To Me’ and
‘Godfather' riffs anyone’?) packed with a lot more club-power. Working
in loads of hooks ~including his own name!) and a
distinctive Wookie-ish ‘talking’ bassine, its raw vibes and sure
to make floors bounce.
|
Kru
Kutz
featuring
Gerideau
-
Dance With Me -
Trick
Or Treat Remixes (Clean Cut)
The
wonderful Gerideau s back on the UK scene with a vengeance, and he adds an
FX-ed, strangely distant-sounding vocal to a chunky slab of 2 step. The
A-side mix stands out the most, combining influences it
seems
from the likes of Club Asylum to Bump & Flex and even a touch of
Sunship Amway, it's a simple key rift that leads the production (maybe a
little too repetitive) - but it’s infectious and Gerideau’s typically
dramatic vocals (with shades of Michael Jackson here) make the tune. |
All
Saints
- All
Hooked Up -
Architechs Remix (London)
This
time it's the turn of body groovers Arthitechs to give the ubiquitous
garage treatment to Al Saints who’ve some top garage remixes to their
name now. The Architechs come up with a mix that will shake you out of any
pre-conception that they’ll
come with a ‘Body Groove’ style mix. This is strange, dark stuff!
Throwing down a conga-style rhythm and their crunchy pneumatic-sounding
percussion, they compliment All Santa’ moody lyrics with a deep,
grizzly b-line chord stab and switch weirdly from harmony to a kind of
dischord. Once you’ve got used to it, it’s one to get down and dirty
to. |
Todd
Edwards -
Shut The Door (Locked On)
It’s
the one many have been waiting for, and DJs are already hailing this one
of Todd’s best ever productions. Featuring a full vocal, this not only
offers the best of Todd’s unique ear for melodic structures and funky
programming, but what really stands out is
the
sincere and quite affecting lyric. And with the ‘Healed From
Within'
mix making the vocoder sound mysterious rather than coldly robotic, this
tune will remind you of when garage raving was a
mesmerising
and, at times, spiritual experience. What better way to kick off the New
Year than with this’? |
Colour
Girl feat PSG
-
Mas
Oue Nada (4
Liberty)
In
a brave move,
Colour
Girl takes on the quite difficult Latin folk vocal originally made famous
by Sergio Mendes in the 70s, but in doing so gives the conventional 2 step
song formula an almost leftfield edge. Mixes a -plenty here, but it looks
as if all the spotlight son this year’s rising star,
Soveneign,
who knows how to work a b-line drop or two and he provides the dub angle
with his darkly powerful version. Elsewhere In
2
Deep
step up the Latin
flavour,
whilst Marvel and Eli give it some competent RnB moves with their
radio-friendly rub. Still, Sovereign leads the way. |