Heavy Love
Info
Label
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Silvertone BMG/Jive/Novus
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Released
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June 2, 1998
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Original year of release
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1998
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Recorded
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1997
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Total playing time
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57:02
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Producer
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David Z.
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Musicians
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Buddy Guy
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Guitar, Vocals
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Jessica Boucher
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Background vocals (song 7)
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Bekka Bramlett
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Background vocals (song 7)
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Steve Cropper
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Guitar
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Richie Hayward
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Drums
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Jack Holder
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Guitar
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Jonny Lang
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Guitar, Vocals (song 2)
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David M. Smith
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Bass guitar
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Reese Wynans
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Keyboards
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David Z.
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Percussion
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Tracks
Reviews
CMJ New Music Report (James Lien) - When it comes
to galvanizing a crowd, there are few bluesmen on earth who can rock
a house like Buddy Guy; not even earthquake-resistant amphitheaters
are immune to his powerful showmanship, and in the open air of outdoor
blues festivals, he's been known to play guitar as if he's trying to
scare the sky itself. His emergence in the '80s and '90s as one of the
blues' true superstars has been one of the great success stories in
the history of the genre. Now, after a collaboration with G.E. Smith
that seemed to be merely marking time, he's back with another phenomenal
album in the spirit of his classics Feels Like Rain and Damn Right I've
Got The Blues. Commercial blues formats will surely embrace "Midnight
Train" featuring Jonny Lang, but there's loads of other killer
tracks for real blues fans, such as "Heavy Love," "I
Just Want To Make Love To You" and the sultry New Orleans groove
of "Saturday Night Fish Fry." It almost need not be said:
Buddy Guy is at the top of his game.
All-Music Guide (Stepen Thomas Erlewine) - Apparently,
Buddy Guy subscribes to the theory "If you can't beat 'em, join
'em." Losing commercial ground to the blonde young guns of Johnny
Lang and Kenny Wane Shepherd, Guy hired their producer David Z and set
out to record an album of loud, frenzied blues-rock. Purists will cringe
at the unabashed commercial concessions Guy makes on Heavy Love -- sure,
he covers "Midnight Train," but it's a duet with Johnny Lang,
which compliments the funkified "I Just Wanna Make Love to You,"
psychedelicized licks and a ZZ Top cover ("I Need You Tonight").
Nevertheless, Heavy Love works well when compared to the modern electric
blues of the post-Stevie Ray Vaughan era, especially since Guy once
again contributes some scorching solos. Granted, his playing may veer
too close to rock for some tastes, but anyone wanting an uninhibited,
hard-rocking Buddy Guy record won't be disappointed with Heavy Love.
Amazon (Lars Gandil) - Don't let anybody tell
you different, Guy is the king, godfather, and high priest of blues
rock guitar. Clapton, Hendrix, and Vaughn all stand in his shadow, not
the other way around. His latest effort is everything it should be:
hard-edged, bone-breaking blues. Guy plays some brutally good guitar,
tearing off 11 super-heated cuts. He takes time to remember some past
classics such as Muddy Waters's "I Just Want to Make Love to You"
and Louis Jordan's "Saturday Night Fish Fry." There is also
a nice cover of ZZ Top's "I Need You Tonight" and a killer
duet with blues wunderkind Jonny Lang on "Midnight Train."
For lovers of modern blues, this is heaven ... guaranteed! --Lars Gandil
Dirty Linen (Nick Crews) - This bluesy, soulful,
funky disc from one of the last living blues greats continues the string
of great Buddy Guy Grammy-winning releases on the Silvertone label.
Strong material, straight-ahead, tasteful mixes and incomparable performances
-- bolstered by the second guitar of Steve Cropper -- makes this disc
a keeper. The title track features young-guard bluesman Jonny Lang.
Emap Consumer Magazines (Phil Sutcliffe) - Inheritor
of the Muddy Waters/Willie Dixon tradition sustains career successfully.Willie
Dixon's I Just Want To Make Love To You sounds unambiguous, but where
little Mick Jagger sneered it, Buddy Guy sings and plays it as sophisticated
seduction, dense with musky multi-orgasmic promise. Described by Eric
Clapton as "living history", Guy, now 61, has sailed through
the '90s in a long late prime. On Heavy Love, a glorious band, featuring
Stax rhythm legend Steve Cropper and Little Feat drummer Richie Hayward,
provides clean-cut elegance or boiling funky turmoil as required. With
no showboating and no guest celebrities, Guy's honest economy commands
every second. For a taster, try Did Somebody Make A Fool Out Of You:
deep, dark and guaranteed to shiver timbers.
Pittsburgh Newsweekly (Eric Seiverling) - Want
to know where Jimi Hendrix, Stevie Ray Vaughan and Eric Clapton copped
their now-legendary guitar licks? Buddy Guy's latest release, Heavy
Love, should give you some idea. Along with fellow bluesmen like B.B.
King and Albert Collins, Guy was one of the originators of the blues/rock
mix. Now with young hotshots Kenny Wayne Shepherd and Jonny Lang leading
the resurgence of blues guitar, Guy is finally getting the recognition
he deserves. Heavy Love is a nicely packaged collection of safe, pop-oriented
blues that show Guy staying true to his roots. No, he doesn't set your
speakers on fire like Stevie Ray Vaughan or Gary Moore, but that's not
Guy's intention. He plays with a laid-back swagger that's more sweet
than sweaty. Check out his version of ZZ Top's "I Need You Tonight"
for proof. The original was slow; Guy makes it slower. His guitar sound
is ice cold and sharp, thanks to a clean Stratocaster without any distortion.
No warm overdrive here. Buddy Guy may not appeal to the younger generation
of blues fans, but with admirers like Jimmy Page, Jeff Beck and Kirk
Hammet, he doesn't need to.
The New York Post (Dan Aquilante) - Chicago guitar
flash Buddy Guy still has the fire in his fingers to sizzle any Telecaster
with six strings, yet on his top recording "Heavy Love," the
man whom Eric Clapton called the greatest living blues guitarist is
stretching his vocal cords. Where Guy is most impressive is on "Did
Somebody Make a Fool Out of You," an extended-blues barn-burner
sung slowly, softly and with the feeling of a man who knows the emotions
behind the words. Throughout the rest of the disc, there's a conscious
effort to blend some electric funk and soul into the blues numbers.
The material isn't typical; instead of suffering blues, Guy chooses
tunes that sound individually twisted. This decidedly eccentric program
makes "Heavy Love" especially enjoyable to those who know
Guy as a traditionalist from the Muddy Waters-B.B. King school. This
is a no-risk disc for blues lovers. Listen for Buddy playing with 17-year-old
guitar whiz Johnny Lang on "Midnight Train," one of the disc's
best tracks.
Delta Snake Daily Blues (Robert Varak) - Just
picked up "Heavy Love", the new Buddy album on Silvertone.
This is not the album that I've been waiting for BG to make. It's not
an album that I expected him to make. Even better, it's not a rehash
of his last three studio albums. It's a well-produced and beautifully
executed album in the sweaty, funky tradition of classic soul. Buddy's
road band is supplanted with all new players, with the exception of
gifted keyboardist David Z., who also produced and engineered the album.
He creates a sinuous, funky groove using wonderful rhythm guitar work
and his own magnificent keys. Buddy really takes a different approach
to this record. His playing is incendiary as ever, but there seems to
be a conscious focus to his playing. He plays many more long and fluid
lines reminiscent of Albert King rather than the mile-a-minute fretwor
that has characterized much of his recent work. This results in solos
that are fresh, moving and genuinely compliment the song. Buddy is finally
starting to push himself vocally the way I've often wished he would.
The soul tunes which comprise much of the album are a great showcase
for his emotive and expressive singing. The cover of "Saturday
Night Fish Fry" is a revelation, with Buddy throwing down Louis
Jordan-style rap while a funky New Orleans piano drives the melody.
The amazingly slow "Did Somebody Make A Fool of You", featuring
Buddy's acoustic playing, lets BG's amazing voice take center stage
with a minimal arrangement. Not straight blues, but you will be moved.
The clunker "Midnight Train", with a near hysterical Jonnny
Lang, doesn't detract from the soulfullness of the album. Some may be
taken aback with the funky take of "I Just Wanna Make Love To You"
(are those programmed drums?), but it really fits the vibe. It's also
a great demonstration of how to do contemporary sounding blues with
classic material while retaining the emotional resonance. As I said,
I had no intention or expectation of being blown away by this album.
I am thrilled, however, that Buddy's willing to allow a producer and
band to push him in a new direction on record. We'll see how much, if
any, of this new attitude manifests itself in his live show. Until then,
I'll be grooving to the album.
San Diego Tribune (Michael Kinsman) - OK, now that
Buddy Guy has our attention as one of the most vibrant connections between
Delta blues and rock 'n' roll, why won't he show us why?
He has few peers on guitar and a voice that can wail in passion, but
as this album shows he is reluctant to use them, instead shielding himself
with placid performances.
There are some startling guitar runs here, as Guy coaxes bullets of
fire out of his polka-dot Fender Stratocaster. There's just not enough
of them. Covers of ZZ Top and Willie Dixon songs/ are inoffensive, but
uninspiring. He gives a reverential reading of jump-blues pioneer Louis
Jordan's "Saturday Night Fish Fry," and one of his two self-penned
songs/ ("Let Me Show You") turns out to be a hollow imitation
of Jimmy Reed's "Honest I Do." He even teams up with pop heartthrob
Jonny Lang for "Midnight Train," a song that is a painful
reminder that the 61-year-old Guy is simply looking for a commercial
boost by inviting the teen-age wannabe bluesman to play with him. Guy
is at his best here when he digs into Tony Joe White's "Did Somebody
Make a Fool Out of You." No gimmicks here, just a bluesman singing
from his soul. The song is the best evidence in this collection of why
Guy is a star today. We just need more moments like it.
Blues Access (Steve Knopper) - Chicago's biggest
living blues star has been doing this for almost five decades, but he's
still determined to please everybody. So, as with his 1991 breakthrough
Damn Right, I've Got the Blues, he hands out fun versions of two ultra-familiar
songs/ -- Louis Jordan's '40s jump standard "Saturday Night Fish Fry"
and Willie Dixon's '50s classic, "I Just Want to Make Love to You."
The former is surprisingly loyal to the original, with Guy simply replacing
Jordan's mugging with weary soul; he's much more comfortable on the
latter, a Muddy Waters signature, and his experiment with funky rhythm
guitar pays off. To further win over the tourists, Guy collaborates
with hunky teen phenom Jonny Lang, who frequently shrieks like Michael
Bolton but subdues himself enough to make "Midnight Train" a strong
duet. Guy's subtle, understated singing is a nice foil for Lang's high-pitched
lack of restraint. Guy has always soaked his blues with soul, and the
emphasis is more pronounced than ever on Heavy Love -- the front cover
has Guy dressed in a Technicolor suit and lounging in a '70s-style space-pod
chair, and the dominant grooves come from wah-wah rhythm guitar and
electric piano. Guy's guitar improvisations are as explosive as always,
especially on "I Got a Problem" and "Need You Tonight," but his emerging
soul identity has become much more interesting than the jamming. This
approach peaks beautifully on the last song, the methodical blues "Let
Me Show You," which begins in a sad whisper and grows into a howl. Guy
has always earned plenty of attention for his fingers; it's time to
apply the same superlatives to his soft, tearful, underrated voice,
which has been maturing for years up to the Bobby "Blue" Bland level.
Vibe
Rather than recycle the usual played out repertoire, Heavy Love keeps
things fresh by embracing ZZ Top, acoustic balladry, jump blues, even
dance music textures without sounding (are you listening, John Lee Hocker?)
gratuitously eclectic.... But don't think that Heavy Love is some slick
attempt at a career makeover. [Buddy] Guy still knows on which side
his bread is buttered, and the album's 11 tracks are all constructed
around his elegantly gruff vocals and shifty guitar lines, which sting
like sulfuric acid throughout....