Heralds of Freedom
The Hutchinson Family Singers

- Chapter 15  Part 2  Kingdom Coming  1863-1865 -

Hutchinson Family Singers Web Site



[1846 Margaret Gillies sketch of the Hutchinson Family quartet]



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Kingdom Coming
1863-1865
Chapter 15  Part 2


Sometime prior to this,  Walter Kittredge  came to Lynn for a visit, evidently finding Asa's family there.  "[O]n my way back to my home,"  he said,  "I met a friend who told me that I had been drafted to go to the war, in a drawing that had occurred in our town while I was away."  That evening at home, Kittredge's thoughts and feelings found expression, as words and music came together.

We're tenting tonight on the old camp ground,

Give us a song to cheer

Our weary hearts, a song of home,

And friends we love so dear.

Many are the hearts that are weary tonight,

Wishing for the war to cease,

Many are the hearts looking for the right,

To see the dawn of peace.

Tenting tonight, tenting tonight,

Tenting on the old camp ground.

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"[O]n my way back to my home,  he said,  I met a friend who told me":   "Favorite War Song," Boston Herald, April 4, 1897, p. 28 cols. 2-4.

A military draft took place in July 1863.   See James M. McPherson, Battle Cry of Freedom: The Civil War Era (New York: Oxford University Press, 1988), 601.

"That evening at home,  Kittredge's thoughts and feelings found expression":   Walter Kittredge, "Tenting on the Old Camp Ground" (Boston: Oliver Ditson, 1864).


Page 8

"The first time I sung 'Tenting',"  said Kittredge,  "was at Lowell, in the fall of 1863.   I was there for a week or more, giving concerts, and the first decisive encore it received was from a policeman.   I remember him well.  He was standing by, and listened attentively to the song.  He went away and came back with a brother officer, and asked me to sing 'Tenting' again.  During the week I think he must have sent every officer on the force to hear me sing that song."

Returning to High Rock, Kittredge found Asa at home once again.   He sang his new song, and Asa wanted to learn it.   "I sat out on the piazza all one afternoon,"  he said,  "teaching it to Asa.  They all sang it subsequently at an open air concert at High Rock, and its success was confirmed."

Now, just before John got home, Asa, Lizzie, and Freddy came back from a tour of Cape Cod.  Asa proposed that their companies give concerts together on the summit of High Rock, and John agreed.  Fanny, Henry, and Viola came down from Mont Vernon.  Then the Hutchinson Family, with Jack Whitcomb, prepared for a series of inexpensive entertainments before very large audiences.

We had a half-dozen or more ticket sellers and takers,  stationed at the various approaches to the rock.   During the day we would wind balls of old cloths,  and soak them in oil.  These would be placed in pans on the top of posts,  at intervals,  and lighted after dark.  They burned quite steadily for an hour or more,  and boys stood ready to replace them when they burned out.  There was a café for refreshments in the observatory.

Walter Kittredge may not have been as confident about his new song as he sounded, for subsequently he offered to sell it to Oliver Ditson for only fifteen dollars.  Ditson turned him down  -  even at this low price  -  saying there were enough war songs.

On April 5, 1864, Kittredge wrote a letter to Asa asking him to propose to Ditson that he publish "Tenting on the Old Camp Ground."  Asa, who was in New York at this time, did so two days later; and on the 9th, Ditson replied, agreeing to publish the song.  The score sold 10,000 copies in the first two months after it was released.

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In the fall, the combined Hutchinson families made a series of appearances in Boston.   Then the two companies separated, and Jack Whitcomb left to join the Peak Family.  John's group traveled west while Asa's family took a more southerly route.

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"The first time I sung Tenting,  said Kittredge,  was at Lowell":   "Favorite War Song," Boston Herald, April 4, 1897, p. 28 cols. 2-4.

"I  sat  out  on  the  piazza  all  one  afternoon,  he  said":   "Favorite War Song," Boston Herald, April 4, 1897, p. 28 cols. 2-4.

It is a little hard to imagine it taking Asa a whole afternoon to learn  "Tenting on the Old Camp Ground."

"We had a half-dozen or more ticket sellers and takers":   John W. Hutchinson (1896, 1:416).

Musician and writer Charlotte Roe is conducting a massive research project regarding the harp,  with emphasis on small early harps without pedals.  Looking at the illustration,  "On High Rock in War Time,"  in Story of the Hutchinsons opposite the page cited in this note,  her sharp eyes caught that it depicts Jack Whitcomb in the group,  with his harp,  a little to the right of center.  Though it would be hard  -  probably impossible  -  to determine who each individual musician is in the sketch,  Whitcomb is not a problem  -  now it has been called to our attention that he is there.

"On April 5, 1864, Kittredge wrote a letter to Asa asking him to propose":   Philip D. Jordan, Singin' Yankees (Minneapolis: University of Minnesota Press, 1946), 239; "Favorite War Song," Boston Herald, April 4, 1897, p. 28 cols. 2-4.


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Asa's company was having great success with material by outside songwriters  -  "The Battle Cry of Freedom,"   "Kingdom Coming,"  and "Tenting on the Old Camp Ground."  Their programs included some of the best popular songs of the era.  An original piece that he published in 1863,  "Close His Eyes, His Work Is Done,"  had a particularly long life.  Members of the Hutchinson Family performed Asa's song for decades.

John's group started 1864 with a long string of concerts through Massachusetts, Connecticut, New York State, New Jersey, Pennsylvania, and Maryland.  At Washington, they once again visited the White House.

Frank Carpenter was then making his famous painting of Lincoln's first reading of the Emancipation Proclamation to his cabinet.  "Mr. Carpenter was as a brother to my father,"  said Viola,  "and I called him Uncle.  The state dining room at the White House was his studio, and I was privileged to run in at any suitable time to watch the work and chat with the artist.  The colored door keepers all knew me, and allowed me to pass without a question."

Later, John's company gave concerts in Philadelphia and nearby places.  Over the next couple months, they sang their way home through New Jersey, New York, Connecticut, and Rhode Island.

Little information comes to us about Asa's activities in 1864.  John's company was quite busy all year, and we may surmise that Asa's group was in heavy demand as well.  The Tribe of Asa gave concerts in Williamsburgh, New York, in April, and they may have been on their way home to Lynn from a tour at the time.  It is known that late in the year they were traveling in the West.  Ira C. Stockbridge was a member of this lineup as was Caleb's daughter, Susan M. Hutchinson, who sang and played guitar.

A tour by either of the main groups could be quite long.   On September 23, John's family started a trip from Massachusetts to Minneapolis and beyond, down the Mississippi to St. Louis, and then back along a different route to Lynn, where they would arrive nine-and-a-half months later.

Soprano Morgiana Porter, Fanny's niece, joined the company.   John called her  "Cousin Maud."   Viola sang contralto, giving her voice a particularly important role in the family quartets.  By this time, Henry was singing bass.  The first leg of this tour took them from Massachusetts through Rhode Island, and Connecticut.  They crossed New York State quickly, making only one stop, and were soon giving concerts in various parts of Ohio.

As active as the Hutchinsons were in the 1860 movement that swept Republicans into power and Abraham Lincoln into the White House, their records are curiously silent about campaigning on behalf of candidates in 1864.  We know, though, that their name was invoked often in speeches.  General McClellan, a neighbor of the Pattons in Orange, was a presidential candidate; and politicians speaking for Lincoln would get a laugh by observing that, while McClellan was never able to push back the Confederate army, he did manage to drive away the Hutchinsons.

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"An original piece that he published in 1863, Close His Eyes, His Work Is Done":   Asa B. Hutchinson, "Close His Eyes! His Work Is Done: Song and Chorus," lyrics: George H. Boker, first line of text: "Close his eyes; his work is done! What to him is friend or foeman," first line of chorus: "Lay him low, lay him low, Under the clover or under the snow" (Boston: Oliver Ditson, 1863).  Boker's words were originally known as "Dirge for a Soldier."  The lyrics and an illustration of the cover appear in Vera Brodsky Lawrence, Music for Patriots, Politicians, and Presidents: Harmonies and Discords of the First Hundred Years (New York: Macmillan, 1975), 399.

John and Abby added new verses,  apparently right after Wendell Phillips' death.  They called this new version "Lay Him Low."  For a curious account,  see John W. Hutchinson (1896, 2:126-127).

From beginning to end of his career, Asa rarely contributed song lyrics; but when he found verses he liked, he would set them to music: to melodies of his own composition or to pre-existing tunes.  During the war years, a significant number of new songs appeared in his programs, identifying "Hutchinson" as the composer.  If Asa contributed the music for most of these numbers, as seems likely, then the Civil War years were his most productive period as a songwriter.

"Mr.  Carpenter  was  as  a  brother  to  my  father,  said  Viola":   Viola Hutchinson Campbell, Memories of a Busy Life (Plymouth, Mass.: privately printed [ The Rogers Print (Shop) ], 1926), 37.

"General McClellan,  a neighbor of the Pattons in Orange,  was":   It is known that Ludlow and Abby Patton supported Lincoln from a note that Abby wrote at the time of the campaign.


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John's group sang their way through Illinois, Michigan, and Wisconsin, reaching Minnesota late in November.  On December 3, they made a perilous journey across the prairie in a blizzard.  Evidently Viola and Morgiana were unaware of the risk; for they were riding in the back, loudly giggling and generally making noise.  They arrived in Hutchinson the next day.  The group continued on its tour until it reached Red Wing, when Henry grew tired of giving concerts and returned to Hutchinson alone.  He bought an ax and soon went about chopping cord wood.

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On December 28, Brother Asa had a memorable experience in St. Louis.  Now, back in 1851, the Hutchinson Family had been denied a hall on account of the radical character of their shows.  Since then, attitudes and leadership in Missouri had changed, evidently a lot; and the people of St. Louis made a noble effort to make up to Asa for that unfortunate incident.  John wrote:

The Legislature of Missouri,  at the close of the war,  sent a most cordial invitation to my brother Asa with his family to come to the State and give concerts and when he went to St. Louis in response to the call,  the city officials and the public vied with one another in their efforts to do him honor,  in partial atonement for the expulsion of the brothers from the city in antebellum times.

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Early 1865 found John in the Midwest.   As was often the case for the Hutchinson Family, their itinerary amounts to a long list of towns and cities.  After this leg of the tour, with its frequent stops for concerts, the trio made its way into Missouri.  Their concerts in St. Louis were well attended; and, like Asa a few months earlier, John and the members of his company were shown great courtesy.

The pleasure of this reception was offset by an unfortunate incident.  Somehow John managed to lose $800 in one lump-sum from his pocket while in St. Louis.  Sadder but wiser, he led his company through Illinois, Indiana, and Ohio, giving concerts all along the way.

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One afternoon at the close of the war, Oliver Dennett Hutchinson stepped out to buy firecrackers.  The Tribe of Asa was on tour in Ohio, and normally Dennett would be catching some sleep at this point in the day so he could be wide awake to the end of the evening's concert.  But this day was different, as news had arrived of the fall of Richmond.

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"On December 3, they made a perilous journey across the prairie":   In her memoir, Viola observed that her father was not a disciplinarian.

"The group continued on its tour until it reached Red Wing":   The most amused readers may be those who keep an eye out for Henry J. Hutchinson's abrupt, dramatic career shifts.

"On December 28, Brother Asa had a memorable experience in St. Louis":   "1864,"  s.l.: s.n., n.d., in Item 110r, Ludlow Patton's Hutchinson Family Scrapbook, Wadleigh Memorial Library, Milford, New Hampshire.

"The Legislature of Missouri,  at the close of the war,  sent":   John W. Hutchinson (1896, 2:42).

Actually though,  when the Hutchinsons were denied Wyman's Hall at St. Louis in 1851,  the trio was made up of  Jesse, Judson, and John.

Brother Joshua said that,  once the war was underway,  "the people were more abolitionized than they were aware of."  See Joshua Hutchinson, A Brief Narrative of the Hutchinson Family (Boston: Lee and Shepard, 1874), 38.  The welcome extended to Asa may have been an example of what Joshua had in mind.

"One afternoon at the close of the war, Oliver Dennett Hutchinson":   Oliver Dennett Hutchinson to Elizabeth Hutchinson Fournie, Rugby, North Dakota, April 27, 1940.  This letter is in the possession of descendants of O. D. Hutchinson, as he was often called.


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A large crowd had gathered in the public square.   Dennett was on his way back to the hotel, when he heard a loud noise from the crowd.  Someone shouted, "Everything is lovely and the goose hangs high!"  Dennett looked back while negotiating a corner, and he fell into a gutter, giving his right arm a nasty compound fracture.  He was helped to his feet and delivered to the hotel.  Next, his arm was set.  Badly.

Dennett's arm was crooked and stiff, so he was sent to a specialist in orthopedic medicine at New Bedford where he stayed with his aunt, Susan Chace Kelley.  Dennett spoke of this visit to the Kelley home as "delightfully pleasant."  But his experience with the bone doctors fell far short of that mark.

It was after a few weeks' treatment that the bone specialists suddenly and without warning broke Dennett's arm again and re-set it.  Dennett called this operation unsuccessful.  A good number of photos from early in the war still exist, showing Dennett and his brother Fred playing military-style drums.  It was not until Dennett returned to drumming that his still-crooked arm finally limbered up.  Until the end of his days, he had trouble with his handwriting, with sports, and much more.  Yet, it was this fractured arm that gave Dennett his best, light-hearted claim to being a Civil War casualty.

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The Hutchinsons must have been thrilled on April 9 when Lee surrendered to Grant.  The year of the great jubilee  -  emancipation  -  had come and gone, and the hard-fought American Civil War was coming to an end.  Then joy turned to grief five days later, when John Wilkes Booth shot Abraham Lincoln in the head at Ford's Theatre in Washington.  The president died the following morning.

John was in Hudson, Ohio, when he learned of Lincoln's death.   His party took the train for Cleveland.  "Here groups of men were everywhere gathered,"  said John,  "discussing the nation's sorrow.  Meetings were held and speeches made, full of patriotism and vengeance.  We gave no concert that night.  We could not sing, for we had no heart to do it."

W. Milton Clark, a bass, took Henry's place.   John reported that it was more than a month before the group left Ohio.   They proceeded into Pennsylvania, where they experienced particular success; and they kept on into New York State.  On the Fourth of July, John and Milton Clark sang at a celebration in Fulton and then started for Lynn, where they arrived on July 7.

John's account of this trip suggests that,  at the end of the Civil War,  the Hutchinsons were in great demand.  After settling with his singers,  he had a profit of $5,000.

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"A large crowd had gathered in the public square. Dennett was on his way":   Oliver Dennett Hutchinson to Elizabeth Hutchinson Fournie, Rugby, North Dakota, April 27, 1940.  This letter is in the possession of Dennett's descendants.

"Here  groups  of  men  were  everywhere  gathered,  said  John":   John W. Hutchinson (1896, 1:427).

"John's account of this trip suggests that,  at the end of the Civil War":   Compare this to the slow period for Patrick S. Gilmore's popular band, represented in Frank J. Cipolla, "Patrick S. Gilmore: The Boston Years," American Music 6 (Fall 1988): 287.  Both John and Asa's companies had a long, lean period coming; but their rise during the latter part of the Civil War seems most responsible for delaying its start.  The Hutchinsons were closely associated with the Union's cause, and the group benefited greatly from Union successes.  Later, audience interest may have declined because Americans grew weary of Reconstruction.


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When John got home,  he saw that the observatory on the summit of High Rock was gone.   It was set on fire the night that news came of Lee's surrender.

While on my way to the depot,  when starting on my Western tour,  [ recalled John ]  I met Charles Luscomb,  a painter and neighbor,  near his home on Pearl Street.  There were others with him.  He said: "John,  we men think it would be a capital thing,  when the news of the surrender of the Rebel army comes,  to touch fire to the old observatory.  Will you consent?"   "That would be a fine thing,"  said I, sarcastically, and passed on.  My remark was evidently taken to mean an assent to the project.

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"While on my way to the depot,  when starting on my Western tour":   John W. Hutchinson 1896, (1:427-428).


Heralds of Freedom

Behold the day of promise comes,  full of inspiration

The blessed day by prophets sung for the healing of the nation

Old midnight errors flee away, they soon will all be gone

While heavenly angels seem to say the good time's coming on

The good time, the good time, the good time's coming on

The good time, the good time, the good time's coming on

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Alan Lewis. Heralds of Freedom: The Hutchinson Family Singers.
Brattleboro, Vermont: Published by the author. 2006, 2007.

Copyright © 2006 & 2007 by Alan Lewis.
All rights reserved. Used with permission.

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Table of Contents
Massachusetts, MA, Mass.; Minnesota, Minn., MN; New Hampshire, N. H., NH; New Jersey, N.J., NJ. Essex County, Hillsboro County, Hillsborough County, McLeod County. Lynn Massachusetts, Hutchinson Minnesota, Amherst New Hampshire, Milford New Hampshire, Mont Vernon New Hampshire, Orange New Jersey, City of New York City. Cellist, cello, fiddle, fiddler, melodeon player, violin, violinist, violoncello. Baptist, Christian Science, Christian Scientist, Congregational, Congregationalist, Methodist, Unitarian Universalist. The Book of Brothers, Carol Brink Harps in the Wind: The Story of the Singing Hutchinsons, Carol Ryrie Brink, Carol R Brink, Dale Cockrell Excelsior: Journals of the Hutchinson Family Singers 1842-1846, John Wallace Hutchinson "Story of the Hutchinsons (Tribe of Jesse)", "Story of the Hutchinsons", Joshua Hutchinson A Brief Narrative of the Hutchinson Family, Philip Jordan, Philip Dillon Jordan, Philip D Jordan Singin Yankees, Phil Jordan, Ludlow Patton The Hutchinson Family Scrapbook. Index: Singing Yankees. 1860, 1870, 1880, 1900, 1910, 1920, 1930. Birth, born, death, died, divorce, divorced, maiden, marriage, married, single, unmarried. Ancestry, www.ancestry.com, the Boston Globe, family history, genealogy. Abolition, abolitionism, abolitionist, anniversary, anti-slavery, antislavery, audience, band, biography, chorus, church, the Civil War, company, compose, composer, composition, concert, convention, entertain, entertainment, folk music, folk songs, folksongs, group, harmony, High Rock in Lynn, Hutchison, instrument, instrumental, lyricist, lyrics, meeting, musician, N E, NE, NEMS, New England Music Scrapbook, Northeast, Northeastern, the Old Granite State, practice, profile, program, quartet, rehearsal, rehearse, religious left, repertoire, research, the Revels' Circle of Song, show, singer, social reform, social reformer, song writer, songwriter, stage, equal suffrage, suffragette, equal suffragist, impartial suffrage, impartial suffragist, temperance, tour, the Tribe of Jesse, trio, troupe, verse, vocal, vocalist, woman's rights, women's rights, words. Elizabeth Chace, Elizabeth B Chace, Lizzie Chace, Lizzie B Chace, Abby Hutchinson, Abby J Hutchinson, Asa Hutchinson, Asa Burnham Hutchinson, Asa B Hutchinson, David Hutchinson, Elizabeth Hutchinson, Elizabeth Chace Hutchinson, Elizabeth C Hutchinson, Lizzie Hutchinson, Lizzie Chace Hutchinson, Lizzie C Hutchinson, Fanny Hutchinson, Fanny B Hutchinson, Frederick Hutchinson, Frederick Chace Hutchinson, Frederick C Hutchinson, Fred Chace Hutchinson, Fred C Hutchinson, F C Hutchinson, Henry Hutchinson, Henry John Hutchinson, Henry J Hutchinson, Jerusha Hutchinson, Jerusha Peabody Hutchinson, Jerusha P Hutchinson, Jesse Hutchinson Jr, Jesse Hutchinson Junior, Jesse Hutchinson Jun, John Hutchinson, John Wallace Hutchinson, John W Hutchinson, Joshua Hutchinson, Judson Hutchinson, Adoniram Judson Joseph Hutchinson, Judson J Hutchinson, J J Hutchinson, Kate Hutchinson, Kate Louise Hutchinson, Kate L Hutchinson, Mary Hutchinson, Mary Leavitt Hutchinson, Mary L Hutchinson, Noah Hutchinson, Noah Bartlett Hutchinson, Noah B Hutchinson, Rhoda Hutchinson, Sarah Rhoda Jane Hutchinson, Rhoda J Hutchinson, Viola Hutchinson, Viola G Hutchinson, Abby Patton, Abby Hutchinson Patton, Abby H Patton. Susan Hutchinson Babbitt, Francis Carpenter, Francis Bicknell Carpenter, Francis B Carpenter, Frank Carpenter, Frank B Carpenter, F B Carpenter, Susan Hutchinson, Susan Maria Hutchinson, Susan M Hutchinson, Susan Kelley, Susan A Chace Kelley, Susan A Kelley, Susan Chace Kelley, Susan C Kelley, Gen George McClellan, General George Brinton McClellan, Gen George B McClellan, Gen G Brinton McClellan, Gen G B McClellan, Morgiana Porter, Morgiana M Porter, Ira Stockbridge, Ira Cushing Stockbridge, Ira C Stockbridge, I C Stockbridge, Andrew Whitcomb, Andrew Jackson Whitcomb, A Jack Whitcomb, Andrew J Whitcomb, A Jackson Whitcomb, A J Whitcomb. Heralds of Freedom: The Hutchinson Family Singers: Chapter 15: Part 2: Kingdom Coming 1863-1865