Hutchinson Family Singers Web Site
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Abby and Ludlow reached Naples, Italy, on January 5, 1875. "Naples," wrote Abby, "is all alive, and the noisiest place, as far as whip cracking and fast driving goes." They joined the party of travel-agent Thomas Cook, who had met the Hutchinsons in England in the 1840s. They toured the north coast of Africa, and traveled up the river Nile. Late in life, Abby wrote that Egypt "is the most wonderful country we have visited, but all are wonderful."
The Pattons visited Norway and Sweden that summer, wishing to see the sun that never sets. In Russia, Abby particularly enjoyed St. Petersburg and Moscow. "We saw jewels enough in the homes of the different kings and emperors," she said, "to set up several jeweller's shops in New York, and we came away without stealing even the smallest diamond or precious gem." The glitter of jewels was not the only thing that caught her eye. "We saw very fine horses in St. Petersburg and even finer in Moscow. Some beautiful black steeds and others a very handsome iron gray, and nearly all very fast in speed. They have true Arab blood, and were the delight of our eyes, for we never tired of looking at them, as they seemed to fly through the streets." That fall, they visited Germany, Holland, France, and Austria.
Far off in Minnesota, in the February 25 issue of the weekly Hutchinson Enterprise, Asa announced that he had become the editor.
In Ohio, Viola and her husband broke up housekeeping and tried boarding. She was not feeling well. Though at first she was perplexed by her "lassitude and lack of energy," insight came with the passage of time. On Monday, April 5, 1875, Catherine Livingston Campbell was born to Viola and Lewis.
On June 1, John and Henry went to Chicago as Massachusetts delegates to the Sons of Temperance national convention at Farwell Hall. Asa and Dennett came, too. These four, having not practiced together, sang mostly duets. Asa and Dennett went to Lynn and spent part of the summer at High Rock. The Hutchinsons took in the campmeetings at Old Orchard Beach and Martha's Vineyard and made a tour through New England.
By December, John, Asa, and Henry were making plans for a tour to California. When they reached Chicago, though, Asa got news of the death of his granddaughter, Fredericka Anderson; and he left right away for Hutchinson. When he returned, he brought his daughter Abby. In January 1876, these four began singing together. "Mrs. Abby Hutchinson Anderson," said one paper, "sang 'Jeanette's Choice,' very sweetly and surprised her audience in the compass of voice which she displayed." But after a few shows, it was evident that she was seriously ill. At Faribault, Asa gave up plans for a California trip and took Abby home.
"Naples, wrote Abby, is all alive, and the noisiest place": Abby Hutchinson Patton to Henry J. Hutchinson, Naples, Italy, January 25, 1875, in John Wallace Hutchinson, Story of the Hutchinsons (Tribe of Jesse), 2 vols. (Boston: Lee and Shepard, 1896), 2:374-375).
"Late in life, Abby wrote that Egypt is the most wonderful country": Abby Hutchinson Patton to John W. Hutchinson, New York, November 8, 1891, in John W. Hutchinson (1896, 2:384). See also Frank Carpenter, New York Home Journal, December 7, 1892, in John W. Hutchinson (1896, 2:270-275); Henry Whittemore, The Founders and Builders of the Oranges (Newark, NJ:
"We saw jewels enough in the homes of the different kings and emperors": Abby Hutchinson Patton to Henry J. Hutchinson, Hanover, Germany, October 4, 1875, in John W. Hutchinson (1896, 2:376).
"Far off in Minnesota, in the February 25 issue of the weekly": Asa B. Hutchinson, "Salutatory," Hutchinson (MN) Enterprise, February 25, 1875, in Item 79r, Ludlow Patton's Hutchinson Family Scrapbook, Wadleigh Memorial Library, Milford, New Hampshire.
According to "S. G. Anderson Stricken Down," Hutchinson (MN) Leader, June 28, 1918, p. 1+, Samuel G. Anderson founded the Enterprise in 1874, with Dennett writing local items; in 1875 the paper was moved to Glencoe.
"Asa and Dennett came, too. These four, having not practiced": In a late-in-life letter to his daughter, Oliver Dennett Hutchinson was quite particular to say that he and his father left Hutchinson in 1875 and that he, Dennett, was gone for seven years. This must be the time of their departure. Source: Oliver Dennett Hutchinson to Elizabeth Hutchinson Fournie, Rugby, North Dakota, April 27, 1940. This letter is privately held by Dennett's descendants.
"When they reached Chicago, though, Asa got news of the death": Fredericka Anderson (1873-1875). A faint copy of a typescript of family history data compiled by Dennett Hutchinson appears to give Fredericka's year of death at 1876. If that reading is right, then the typescript says, "Frederika, born April 2, 1873; died in infancy, December 21, 1876." Source: Oliver Dennett Hutchinson, "The Hutchinson Family - 'Tribe of Asa,'" March 12, 1936, p. 2.
"Mrs. Abby Hutchinson Anderson, said one paper, sang": "The Hutchinsons," Glencoe, MN: s.n., January 13, 1876, in Item 111v, Ludlow Patton's Hutchinson Family Scrapbook, Wadleigh Memorial Library, Milford, New Hampshire.
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John and Henry stayed in Chicago; but in early March, Henry left his father - again - for he planned to sing bass in a company headed by Camilla Urso. "Madam Urso," said John, "took a great liking to Henry, at once made him her confidential adviser as to her professional
By early May, Asa's company included Mittie F. Osgood, a Boston-area contralto, and Jennie Mansfield, a Minneapolis soprano. At a concert on the 5th, Asa's group sang many new pieces. Mittie Osgood led them in the song, "But the Lord Is Mindful" from Elijah; and Jennie Mansfield sang a German-American comic number, "Ya Ka Bina." These two young women blended their voices on Asa's own "Hannah's at the Window Binding Shoes" and on "Fly Away, Birdling" by Abt. Asa loved the spirituals that were quite popular in the years after the Civil War. During this trip, his company sang several, including "Been List'nin' All the Night Long To Hear Some Sinner Pray."
Mittie Osgood, according to available information, was not quite thirty, and she must have been a full-time vocalist and music teacher. In the 1880 census, her father, himself a long-time music teacher, was recorded as a dealer in musical instruments. A younger brother was a voice teacher, while a younger sister was a violinist. It seems safe to say that Mittie F. Osgood was of a musical family.
Asa had a couple new originals for this tour. The first was "Prophecy of Better Days Coming." He had good success with it in his concerts; and it was performed often by John and other members of the family. Another was "The Creed of the Bells."
How sweet the chime of Sabbath Bells! |
In the economic depression before the war, George W. Bungay was very poor. He approached a number of New York publishers with a handful of manuscripts. He found no takers; so then he offered to sell "The Creed of the Bells" for the price of a meal. Finally, his poem was published in the small weekly temperance paper in New York State, the Ilion Independent. Asa's musical setting was one of a dozen or more. It was almost certainly his best-loved original composition from the post war years.
"Madam Urso, said John, took a great liking to Henry": John W. Hutchinson (1896, 2:55).
"By early May, Asa's company included Mittie F. Osgood": After decades of seeming like little more than a name in the voluminous Hutchinson Family records, Mittie Osgood's profile started to fill out at the late, late, oh so very late date of March 1, 2007, when a sprinkling of details materialized on a library computer screen. It seems that "Mittie T. Osgood" has turned out to be Mittie F. Osgood, and enough information is now in hand - if barely enough - to offer good hope for further research. It would be an educated guess, based on a passage in a published genealogy of Mittie's mother's family, that Mittie's musician father would have been a one-time Lynn acquaintance of the Hutchinsons, likely including Jesse Hutchinson, Jr. Either way, enough is already known of the father to hint that it may have been through him that the vocal gifts of Mittie Osgood came to the attention of Asa Hutchinson. It appears, judging from census data, that Mittie, her sister, and one of her brothers never married. Though it is extremely early in my research, based on findings to date, it appears that Mittie's other brother fell clear off the map, possibly suggesting that he died at a relatively young age. It is fairly easy to trace Mittie Osgood up to 1910 but, so far, not beyond. She may have died between 1910 and 1920.
A musician named Marion G. Osgood published works of music and music instruction in the 1920s and 1930s. Assuming this person was a woman, she appears to be a match with Mittie's sister, Marion G. Osgood, suggesting that Marion might have been quite the late bloomer. So far, research regarding other Marion Osgoods of roughly the same time period has failed to find any documented involvement with the field of music on the part of any of them. So Marion, Mittie Osgood's younger sister, appears to be a match, in which capacity at present she has no rivals.
The Tribe of Asa went from success to success in the late 1870s, and it was Asa's trio with Jennie Mansfield and Mittie Osgood that started the turnaround in the company's fortunes. So getting an initial genealogical "fix" on either of these women is of some importance not only to her biography but also to the biography of Asa B. Hutchinson.
"At a concert on the 5th, Asa's group sang many new pieces": "Thirty-Fourth Annual Tour!"
Evidently Abby and Dennett were unavailable to sing with their father.
"The first was Prophecy of Better Days Coming": Asa B. Hutchinson, "Prophecy of Better Days Coming," music: Asa B. Hutchinson, "Words by a Practical Christian," first line of text: "I may not be a prophet, but methinks I feel the time," first line of chorus: "I may not be a prophet, but methinks I feel the time" (Cincinnati: John Church,
For this song, "Creed of the Bells," "Our Army of the Dead," and "Stranger on the Sill," see "The Latest Musical Compositions of Asa B. Hutchinson, as Sung at the Concerts of the Hutchinson Family, 'Tribe of Asa'"
"Another was The Creed of the Bells": Asa B. Hutchinson, "The Creed of the Bells," music: Asa B. Hutchinson, lyrics:
"In the economic depression before the war, George W. Bungay was very poor": "Our Singers," Leadville (CO) Daily Chronicle, July 2, 1879.
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1876 was shaping up to be an eventful year for Brother Asa. He advertised this tour as his "Centennial Trip," referring to the year and probably also to his destination - the Centennial Exhibition grounds at Philadelphia.
Lewis Campbell's business was in trouble. John was asked for financial assistance; and around this time he went to Toledo. He found the Campbells with no money to pay their bill at the hotel where they were staying. John settled the debt and made arrangements for Viola and her children to go to Lynn.
On May 26, John went to Philadelphia. Meanwhile, Viola was having a hard trip.
A doctor treated Viola for malaria with large doses of quinine. "It was pathetic to see poor father, who had returned, watching for the time
On Thursday, June 8, 1876, Abby and Ludlow sailed from Liverpool for New York. On the 17th, John, Fanny, Henry, and Viola waited on the pier to greet them. When they spotted the Pattons on the steamer deck, they sang a song of welcome. Ludlow and Abby answered, "We come, we come, from a foreign land, To welcome again our singing band."
On June 19, John's party went to Philadelphia, taking quarters at the Atlas Hotel near the Centennial grounds. Along with John and Fanny came Viola and her oldest son Cleaveland. John said they would tire themselves out one day; then the next morning they would "be up and ready to make new discoveries." They entertained crowds in the rotunda of their hotel and gave occasional concerts.
The United States Centennial Exhibition was important in the biographies of Brother Joshua and his frequent partner, Walter Kittredge. They sang the ever popular "Tenting on the Old Camp Ground," along with newer songs, during the Exhibition.
"John was asked for financial assistance; and around this time": "Not Insane," Boston Daily Globe, July 26, 1900, p. 12 cols. 7-8.
Viola Campbell gave a brief and very different account of her husband's business situation. See Viola Hutchinson Campbell, Memories of a Busy Life (Plymouth, MA: privately printed
"When I reached Boston I was nearly in a state of collapse": Viola Hutchinson Campbell, Memories of a Busy Life (Plymouth, MA: privately printed
"It was pathetic to see poor father, who had returned, watching": Viola Hutchinson Campbell, Memories of a Busy Life (Plymouth, MA: privately printed
"Thus the days passed merrily, with little except the heat": John W. Hutchinson (1896, 2:58).
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Back in the spring, the leaders of the National Woman Suffrage Association prepared a declaration of rights of the women of the United States. Susan B. Anthony got a ticket to the Centennial as a representative of her brother's newspaper, the Leavenworth Times; and ultimately four other suffragists received invitations. Elizabeth Cady Stanton asked for the opportunity to present the women's rights statement at the close of the reading of the Declaration of Independence. "We do not ask to read our declaration, only to present it to the president of the United States, that it may become an historical part of the proceedings." An exchange of letters followed. "Undoubtedly," wrote Joseph R. Hawley, President of the Centennial Commission, "we have not lived up to our own original Declaration of Independence in many respects." "[T]o-morrow we propose to celebrate what we have done the last hundred years; not what we have failed to do." Speaking of their request to present their document, he added: "If granted, it would be the event of the day - the topic of discussion to the exclusion of all others."
It was a particularly hot day when Susan B. Anthony and company arrived at Independence Square, site of the official ceremony, carrying copies of the declaration of rights.
Richard Henry Lee read the Declaration of Independence. Then the suffragists rose and started down the aisle. There was a bustle among the musicians and a call from the platform for an ovation for the Emperor of Brazil. The women making their way forward went unnoticed, as audience members rose to their feet; but the guests in front of the speaker's stand courteously made room for them. Reports vary as to the look on Thomas White Ferry's face; they do agree, though, that he politely bowed to the suffragists and received their document. "Mr. President," said Susan Anthony, "I present to you a declaration of rights from the women citizens of the United States." On their way back down the aisles, the women aroused much curiosity as they handed out their document. They reported that members of the audience eagerly sought copies. All the while, Hawley shouted for order. The women made their way to Independence Hall, where Anthony read the declaration of rights from the steps to a large crowd. Then they proceeded to a meeting of the National Woman Suffrage Association, being held in the First Unitarian Church.
Elizabeth Cady Stanton read the declaration of rights. Soon it was Lucretia Mott's turn to address the crowd. "As she was so tiny," said Viola, "there were calls for her to take the pulpit so she could be seen." The Hutchinsons saw something comical in her ascent of the winding stairs on Henry's arm. They looked up and burst into the hymn, "Nearer, My God to Thee." Throughout the church, members of the audience, in good humor, rose and joined in the singing. During this meeting, the singers mixed their songs in among the speeches.
"We do not ask to read our declaration, only to present it": Elizabeth Cady Stanton, Susan B. Anthony, and Matilda Joslyn Gage, eds., History of Woman Suffrage, Vol. 3, 1876-1885 (New York: Arno and New York Times, 1969), 3:28. Original edition, Rochester, NY: Susan B. Anthony, 1886. Vol. 3 of the History of Woman Suffrage is an important source of information for this and the following few paragraphs.
"It was a particularly hot day when Susan B. Anthony and company": Others in this party were Lillie Devereux Blake, Phoebe Wilson Couzins, Matilda Joslyn Gage, and Sara Andrews Spencer.
"Mr. President, said Susan Anthony, "I present to you": "Woman's Rights," New York Times, July 5, 1876, p. 5 col. 1.
"Then they proceeded to a meeting of the National Woman Suffrage Association": This church, long associated with Rev. William Henry Furness, was at this time in the charge of Joseph May, son of Rev. Samuel J. May - an early supporter of the cause of woman's rights and a personal friend of the Hutchinsons.
"As she was so tiny, said Viola, there were calls": Viola Hutchinson Campbell, Memories of a Busy Life (Plymouth, MA: privately printed
For a notice of this meeting, announcing participation by the Hutchinsons, see "Women's Declaration of Rights," Philadelphia Public Ledger, July 3, 1876.
The Hutchinsons' participation in this meeting has proven to be a significant part of their collective biography, which adds to the wonder that John said not a word about this gathering in Story of the Hutchinsons.
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During the Centennial, many suffragists predicted equal rights for women and declared that Americans would have even more to celebrate in 1976. No doubt with this in mind, the Hutchinson Family sang "One Hundred Years Hence," with its line, "Then woman, man's partner, man's equal will stand."
Behold the day of promise comes, full of inspiration The blessed day by prophets sung for the healing of the nation Old midnight errors flee away, they soon will all be gone While heavenly angels seem to say the good time's coming on
The good time, the good time, the good time's coming on The good time, the good time, the good time's coming on |
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