Heralds of Freedom
The Hutchinson Family Singers

- Chapter 21  Part 2  Come Let Us Part  1891-1893 -

Hutchinson Family Singers Web Site



[1846 Margaret Gillies sketch of the Hutchinson Family quartet]



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Come Let Us Part
1891-1893
Chapter 21  Part 2


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Abby was a capable writer, as shown by her letters and by short items in Ludlow's scrapbook.  But she lacked the confidence, patience, or both needed for longer, more formal pieces.   "I wish I could get some work done on the history,"  she told John.  "Have the notes, but want some one to put them together in right form."  So for a book of her own, she gathered together some of her favorite short writings.  She published it at her own expense, and nearly all copies would be distributed by Abby and Ludlow.  Up to this time, her project was a secret.  However, there was a small flaw in her plan.  Harry Campbell had learned bookbinding in Santa Fé, and he was engaged in that trade while studying law.  By coincidence, the job of binding A Handful of Pebbles was placed in his hands.  Harry read Abby's cover letter, which said that none of her family or friends were to find out about her book as it was to be a surprise.  She got a surprise of her own, when she received a letter from Harry, explaining what had happened.

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"I  wish  I  could  get  some  work  done  on  the  history":   Abby Hutchinson Patton to John W. Hutchinson, July 17, 1892, in John W. Hutchinson (1896, 2:387).

"By coincidence,  the job of binding A Handful of Pebbles":   The title is taken from a verse that begins,  "As we near the mystic river, And our hands hold nothing more, Save some small and well-worn pebbles, We have found along the shore."  Source: Abby Hutchinson Patton, A Handful of Pebbles (Cambridge, MA: Riverside Press, 1891), 5.

"Harry read Abby's cover letter,  which said that none":   Viola Hutchinson Campbell, Memories of a Busy Life (Plymouth, MA: privately printed [ The Rogers Print (Shop) ], 1926), 92; Carol Brink, Harps in the Wind: The Story of the Singing Hutchinsons (New York: Macmillan, 1947), 276-277.


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On May 27, Abby sent John her book.   "I tell Ludlow I expect this and  'Ring Out Wild Bells'  will be my last will and testament to my relatives."  Late that year, she told John,  "I have had numerous requests to sell my book or to place it where it could be bought; so far have preferred to give it away."

The other item Abby mentioned was a new song.   Like her book, it found its way beyond her family circle.  At a later date, Judson's daughter Kate said,  "For a number of years my boys and I have sung that piece, 'Ring out wild bells,' at midnight of the old year.  We would time our selves so that we would sing 'Ring in the new,' just as the new year came in."  "It was paid the high compliment,"  said the Portland Transcript's Caroline Dana Howe the next year,  "of being played upon the chime bells of Trinity church in New York city last Christmas to a hushed audience of admiring thousands crowding the streets in every direction."

On July 2, the Pattons left New York for New England with their frequent travel companions, Marion and Helen McKeever.  "Providence, and the Providence boat, permitting,"  wrote Abby,  "our little band will leave New York on Thursday for Boston.  We will go to the United States Hotel, where we will stay until we decide whether we go North, East, South or West."  They spent the Fourth of July in Lynn with John and his family, and stayed nearby much of the month, visiting resort towns and seeing points of interest.  Their travels led them to the homestead in Milford in late August.  Abby wrote that the piano was  "going from morn to dewy eve."  In a letter to John,  she said,  "This old house is worthy of being preserved for centuries after we are gone."

In her letters from this period, Abby liked to tell about the concerts and lectures she and Ludlow attended.  Back in April, they heard Annie Besant.  On November 4, they went to Carnegie Music Hall to hear English poet Sir Edwin Arnold give his first reading in the United States.

Abby's letters had long spoken of her illnesses and of battles with chronic fatigue.   By this time, they also mentioned pain.  Still she kept up her reading, social calls, and other activities.  "There is so much to live for yet,"  she wrote,  "when we are out of pain."  On a warm November day, she and Ludlow took a walk in Central Park, followed by a row around the lake.

Early in 1892, Abby was working on the family history, while locating illustrations.  She asked Mary Howitt if she knew what became of a watercolor made in England.  Later, a package came; and to Abby's surprise, the painting was inside.  "There we are, just as we stood in 1846, for our pictures.  Our names are all written in our own handwriting, directly beneath the figures. . . .   This will complete my list of pictures, which I am having prepared for printing.  Cheer up; we will have a book yet."

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"I tell Ludlow I expect this and 'Ring Out Wild Bells' will be":   Abby Hutchinson Patton to John W. Hutchinson, New York, May 29, 1891, in John W. Hutchinson (1896, 2:381).

"Late that year,  she told John,  I have had numerous requests":   Abby Hutchinson Patton to John W. Hutchinson, New York, November 5, 1891, in John W. Hutchinson (1896, 2:383-384).

"At  a  later  date,   Judson's  daughter  Kate  said":   Kate L. Birney, Milford, NH, May 4, 1904, in "Hutchinson Day," Milford (NH) Cabinet, May 12, 1904, p. 1 cols. 2-3, p. 7 cols. 2-3.

Abby Hutchinson Patton, "Ring Out, Wild Bells," lyrics: Alfred Tennyson, first line of text: "Ring out, wild bells, to the wild, wild sky" (Boston: Oliver Ditson, 1891).  At least three arrangements of "Ring Out, Wild Bells" have been printed as sheet music.  One version is for solo voice and piano, another is arranged for a vocal quartet, and a third involves one voice, piano, and what seems to be a fascinating small ensemble of various instruments.

"It was paid the high compliment,  said the Portland Transcript's":   Caroline Dana Howe, "Abby Hutchinson Patton," Portland (ME) Transcript, November 30, 1892.

The Portland Transcript had a reputation for literary quality.  So it seems chances are strong that the Caroline Dana Howe who wrote for this newspaper may be the same person as the noted Maine poet, Caroline Dana Howe.  Nonetheless, this is not known fact.  If you could help clarify this matter and you would be willing to share your information, please e-mail us by way of the contact link toward the bottom of the page.

"Providence,  and the Providence boat,  permitting,  wrote Abby":   Abby Hutchinson Patton to John W. Hutchinson, New York, July 1, 1891, in John W. Hutchinson (1896, 2:381-382).

Not only were Marion and Helen McKeever blood relatives of Abby, but they lived next door in Orange and were among the Pattons' closest friends through these years.

"Abby wrote that the piano was  going from morn to dewy eve":   Abby Hutchinson Patton to John W. Hutchinson, Milford, NH, August 31, 1891, in John W. Hutchinson (1896, 2:382).

"Abby's letters had long spoken of her illnesses and of battles":   Abby Hutchinson Patton to John W. Hutchinson, New York, November 5, 1891, in John W. Hutchinson (1896, 2:383-384).

"There is so much to live for yet,  she wrote":   Abby Hutchinson Patton to John W. Hutchinson, New York, November 8, 1891, in John W. Hutchinson (1896, 2:384).

It seems very few people knew of Abby's suffering,  though clearly John did.

"There we are,  just as we stood in 1846,  for our pictures":   Abby Hutchinson Patton to John W. Hutchinson, New York, February 16, 1892, in John W. Hutchinson (1896, 2:385).

A sketch by the same artist, Margaret Gillies, and probably from the same posing was used as an illustration for Mary Howitt's article about the Hutchinson Family in the People's Journal  and it illustrates many of these Web pages.

Like so much of Abby's work, what became of her list of pictures, which she had prepared for publication, is a mystery.


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John was planning a trip to Minnesota, and Abby asked him to stop by on his way.   Her letters from these years show instances of bossiness.  Though her writings were full of humor, she may have been quite serious when she said,  "Be sure to come, and do not disappoint me, for life is short, and time is fleeting.  We soon will be beyond the river.  So come.  Answer me at once."

On June 2, John went to Worcester, where he sang  "Ridden by the Rum Power"  at a Prohibition Party convention.  Then he left for Minnesota.  He had business in Hutchinson, and he wanted to attend the Republican National Convention in Minneapolis.  Spending much time with Dennett, John found the convention to be exciting.  Once he arrived in Hutchinson, he got down to work.  Then on his way home, he stopped at Chicago to look over the grounds of the upcoming World's Columbian Exposition.

Abby and Ludlow supported Benjamin Harrison for president; but that fall, John "fell into line," singing and campaigning for the Prohibition Party.

On August 3, by the New Hampshire State House, a statue of John P. Hale was unveiled.   An audience of around 10,000 people crowded the grounds.  John was scheduled to sing a song he wrote with Walter Kittredge.  Frederick Douglass was seated on the platform, and George W. Putnam wrote new verses for the occasion.  "Douglass,"  said John,  "caused great merriment by saying he supposed he was only present to lend color to the occasion, and though entirely unprepared, made one of the great speeches of the day."  Abby and Ludlow had been vague about their summer plans, so they surprised John when they turned up in Concord.

When the principal orator fainted, the presiding officer asked the Hutchinsons if they would sing a few antislavery songs.  The quartet that formed was certainly one of the most interesting Hutchinson Family groups ever  -  John Hutchinson, Abby and Ludlow Patton, and Frederick Douglass.  Of course, John, Abby, and Ludlow had sung together often as a trio; and fortunately their distinguished friend was quite familiar with their material, having shared the platform with the Hutchinsons on countless occasions.  People in the audience were described as spellbound, as this impromptu company entertained for half an hour.

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Meanwhile, Lillie's family was busy in the West.   An article in the Stockton Republican called John  "the famous evangelist and singer"  and said the original group  "traveled over America and Europe and through other parts of the world, singing, preaching and praying."

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"Though her writings were full of humor, she may have been":   Abby Hutchinson Patton to John W. Hutchinson, New York, May 27, 1892, in John W. Hutchinson (1896, 2:385-386).

It is my belief that, through her adult years, Abby never expected to live even as long as she did and by this point she probably thought she had little time left.

"On June 2,  John went to Worcester,  where he sang":   Apparently this was a temperance or prohibition parody of George W. Putnam's  "Ridden by the Slave Power."

"Abby and Ludlow supported Benjamin Harrison for president":   Abby called John a Republican Prohibitionist in these years.  But by 1892, John was starting to take an interest in several Democratic politicians.

"Douglass,  said John,  caused great merriment by saying":   John W. Hutchinson (1896, 2:191).

Frederick Douglass was probably seldom, if ever, entirely unprepared to make a speech.  It seems highly unlikely that he was at all ill-prepared on this occasion.

"When the principal orator fainted, the presiding officer asked":   George A. Ramsdell, The History of Milford, Family Registers by William P. Colburn (Concord, NH: Rumford Press, 1901), 486-487.   A very different account of this incident is given in the elegantly titled volume, New Hampshire General Court Committee on Hale Statue, "The Statue of John P. Hale Erected in Front of the Capitol of Concord. An Account of the Unveiling Ceremonies on August 3, 1892, with a Report of the Addresses Delivered by the Donor and His Excellency Governor Hiram A. Tuttle." (Concord, NH: Republican Press Association, 1892), 143-148.

This is the only instance coming to mind of Frederick Douglass singing in public as part of an ensemble with the Hutchinsons.  This, though, is not to say that he was necessarily unpracticed at joining in song with these, his friends and colleagues.  Nothing could be clearer to a seasoned student of these people that Douglass and members of the Hutchinson family were the best of friends.  And there is ample documentation of the Hutchinsons singing, in private, with kin folk and non-kindred alike when visiting and when entertaining visitors.  No doubt there had been countless opportunities for Douglass and the Hutchinsons to sing together.  This Douglass-Hutchinson-Patton quartet could have had more history than one might at first suppose.

"An  article  in  the  Stockton  Republican  called  John":   "Sweet Singers from Seattle," Stockton (CA) Daily Republican, August 8, 1892, p. 1 col. 3.

California papers, over the years, placed heavy emphasis on the Hutchinsons' role as religious singers; and this was true at least as far back as early 1879, after John's family first reached the West Coast.


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Jack and Richard  "appear to be developing the vocal abilities of their immediate ancestors. . . .   Mrs. Morgan is an exceptionally fine singer.  On Hunter square last night she sang 'Mozart's Twelfth Mass,' 'Gloria in Excelsis,' the 'Creed of the Bells,' 'Where is my Wandering Boy Tonight,' and other selections very beautifully.  They occupy a platform wagon and Mrs. Morgan accompanies their voices with a small organ."

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The Pattons visited the Milford homestead, sometime after their stay in Concord.   In past letters, Abby wrote about the wide variety of vegetables, fruits, cheeses, and other nutritious and tasty foods in her diet.  Now she was writing,  "I live mostly on oat-meal gruel.  It is good for everybody."

On September 7, John G. Whittier died.   His funeral took place on a fine autumn day, and the simple ceremony was held in his garden.  John and Abby sang  "Lay Him Low"  and  "We Are Almost Home,"  Ludlow joining in on the choruses.  "[T]he song they sang today,"  said the Boston Globe,  "was like an echo from the time long gone by. . . . "   Abby placed a bouquet of wild flowers on the poet's grave, along with a small pine tree from the homestead.

A week later, John and Walter Kittredge went to Washington for the national encampment of the Grand Army of the Republic.  They sang often, and Kittredge sold many copies of a gift-book edition of  "Tenting on the Old Camp Ground."  They lingered in Washington for a while, and it was well into October before they got home.  Soon after this, Kittredge suffered a disabling accident, which  -  along with his age  -  severely limited his ability to travel widely and sing at great public gatherings.

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In October, Abby and Ludlow left New York for Boston.   After they arrived, Abby asked John to come for a visit.  "I have a cold,"  she said,  "but hope soon to conquer it."  She was put on bed rest for a few days and then went to see John, reaching Lynn on the 30th.  Her appearance must have been startling, for John wrote in his diary,  "Abby will not stay long in this world."

The following night in a dream, Abby composed a song about the hours passing fast away, which was taken by some to be a prediction of her own death.  It was apparent by this time that she was in no condition to travel at her usual pace.  John went to Boston on November 2 to dine with Abby and Ludlow.  They sang  "Come Let Us Part."  The next day, the Pattons returned to New York.

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"Jack and Richard  appear to be developing the vocal abilities":   "Sweet Singers from Seattle," Stockton (CA) Daily Republican, August 8, 1892, p. 1 col. 3.

"Now she was writing,  I live mostly on oat-meal gruel":   Abby Hutchinson Patton to John W. Hutchinson, Milford, NH, August 30, 1892, in John W. Hutchinson (1896, 2:388).

"The song they sang today,  said the Boston Globe,  was like":   "Poet's Burial," Boston Daily Globe, September 11, 1892, p. 6 cols. 1-2.

"Soon after this, Kittredge suffered a disabling accident":   Gordon Hall Gerould, "'Tenting on the Old Camp Ground,' and Its Composer," New England Magazine 20 (August 1899): 729.

"I have a cold,  she said,  but hope soon to conquer it":   Abby Hutchinson Patton to John W. Hutchinson, Boston, October 11, 189[2], in John W. Hutchinson (1896, 2:389).

"Her appearance must have been startling, for John wrote":   John W. Hutchinson (1896, 2:194, 389).

"The following night in a dream,  Abby composed a song":   Abby Hutchinson Patton, "I Live To Day," MS, Boston, October 31, 1892, in Item 105r, Ludlow Patton's Hutchinson Family Scrapbook, Wadleigh Memorial Library, Milford, New Hampshire.

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John Greenleaf Whittier (1807-1892)


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Abby sought treatment, as she had before, at Dr. Taylor's Improved Movement Cure Institute, and she and Ludlow took rooms nearby.   In a letter to John on Sunday, November 13, 1892, she wrote,  "If I get better I promise to do some work, if very little."   "To the more observant of Mrs. Patton's many friends,"  said the Farmers' Cabinet,  "it was evident that she was far from being in perfect health but there were very few of the number who realized how little physical strength or power of endurance she really possessed, or how soon the silver cord might be loosened, and the announcement that she had been stricken down by appoplexy on Nov. 13th, shocked and deeply pained hundreds of friends. . . . "

Abby had lost all power of speech, and her friends and family feared the worst.   A couple days later, she showed improvement; but hope faded when she suffered a second stroke, even though it was followed by another partial recovery.  On Thursday evening, November 24, 1892, Abby Hutchinson Patton died.

Though her health was fragile through her adult years, Abby lived a storybook life in most other respects.  Her musical talent allowed her to do much to make the world a better place.  She and Ludlow enjoyed great happiness, and her marriage lasted as long as she lived.  Abby had the love of a large family and countless friends.  In the last couple years, she had the joy of giving her little book of verses and sayings to her dear ones; and it pleased her greatly that others took up her song,  "Ring Out, Wild Bells."  Abby had long known that her hold on life was but a slender thread.  It is doubtful she expected to live as long as she did.  With the dawn of each day, it must have been a thrill just to be alive.  And when it was time to go, she seemed to be ready.

Newspapers across the country paid tribute to Abby's life and character.   "Historians,"  said the New York Evening Sun,  "may not be able to estimate the exact value of the many influences that led to the final overwhelming opposition to slavery, but any that neglects to include the Hutchinson Family, and the fair-haired girl whose death is announced this morning, will omit one of the most graceful yet potent influences of the seed time of earlier days."  This, of course, speaks to Abby's public career going back half a century.  The Farmers' Cabinet added that

It is not possible in paying tribute to her memory, to record much of her life work in the cause of our common humanity, so far-reaching and complex were her methods of aiding and giving encouragement to those in need.  She did her work so quietly that even those nearest to her hardly had knowledge of the extent of her charities, or the number of those who were in some measure dependent upon her.  She rarely if ever spoke of what she was doing for others, and during an acquaintance of years, we do not recall an instance where she gave utterance to a harsh criticism, or spoke an unkind word of any human being.

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"Abby sought treatment,  as she had before,  at Dr. Taylor's":   Apparently even the trip across town had become too much for Abby.

"If I get better I promise to do some work,  if very little":   Abby Hutchinson Patton to John W. Hutchinson, New York, November 13, 189[2], in John W. Hutchinson (1896, 2:390).

"To the more observant of Mrs. Patton's many friends":   "Death of Mrs. Abby Hutchinson Patton," Milford, NH, Farmers' Cabinet, December 1, 1892, p. 1 cols. 2-3.

"Abby had lost all power of speech,  and her friends and family":   "It is with the deepest regret," Portland (ME) Transcript, November 30, 1892, in Item 105v, Ludlow Patton's Hutchinson Family Scrapbook, Wadleigh Memorial Library, Milford, New Hampshire.

"Historians,  said the New York Evening Sun,  may not be able":   New York Evening Sun, November 26, 1892.

The New York Sun's phrase,  "one of the most graceful yet potent influences,"  is really quite important.  The Hutchinson Family, as much as anyone  -  probably more than anyone else  -  put a friendly face on the antislavery cause, as they advocated for universal freedom with their sweet voices, delightful harmonies, optimistic outlooks, charismatic personalities, and cheerful dispositions.  There was quite simply not going to be the rush of support for emancipation, which finally did occur, without the efforts of antislavery workers such as the Hutchinsons.

"It is not possible in paying tribute to her memory,  to record":   "Death of Mrs. Abby Hutchinson Patton," Milford, NH, Farmers' Cabinet, December 1, 1892, p. 1 cols. 2-3.

It is true that Abby was extremely quiet about her charitable work.  Yet some of her general ideas on this subject have been handed down.  For instance, she wrote to John, "My religion is to educate people how to work  -  then give them work and pay them for it. . . . "   Source: Abby Hutchinson Patton to John W. Hutchinson, New York, April 16, 1891, in John W. Hutchinson (1896, 2:380).   " . . . Mrs. Patton aided needy students,  and teachers as well,  sought employment, self-sustaining, for the destitute. . . . "   Source: Caroline Dana Howe, "Abby Hutchinson Patton," Portland (ME) Transcript, November 30, 1892.  Her efforts often started close to home, paying for the education of, and if necessary finding employment situations for, members of the Hutchinson family.  In the 1880s, in company with Dr. Howe's wife and others, Abby was among the producers of a play designed to raise funds for the New York Children's Aid Society's Girls' Lodging House which was operated along lines similar to those outlined in Abby's letter to John. Source: "Notes of the Week," New York Times, Sunday, March 1, 1885, p. 7.  For basic information about the Girls Lodging House and its history, see "Lodging-House for Homeless Girls," New York Times, Sunday, May 25, 1862, p. 3 col. 6; and "The Girls' Lodging-House," New York Times, October 28, 1871, p. 4 cols. 4-5.  The Girls Lodging House was but one of Abby Hutchinson Patton's philanthropic interests.  It takes on some special importance simply because we know about it.  The Girls Lodging House looms quite large beside the many, many charities, dear to Abby's heart, that we do not  know about.  A scattering of specific examples of Abby's philanthropic efforts, a few of which only recently have been hinted at or have come to light, match her general thoughts quite nicely.  Funding the education and vocational training of those in need and then finding or providing work was not the only way Abby aided the needy; but it was her favorite approach.


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Elizabeth Cady Stanton said the first time she saw Abby "was on the platform with her four stalwart brothers in old Faneuil Hall.  It was in a crowded anti-slavery meeting presided over by a howling mob.  Neither the fiery eloquence of Garrison, nor the persuasive silvery tones of Phillips could command a moment's hearing, but the Hutchinson's sweet songs of freedom were listened to in breathless silence. . . .   Abby with her youth and beauty and her sweet, unaffected manners won all hearts."

Joshua called his youngest sister "the innocent, affable, genial, loving, charming Abby, the household pet.  A peculiar charm hung about her existence."   "She was truly the charm of the young Quartette, as from city to city, and from state to state, did they fly to minister to the growing desire of a young nation to patronize home talent, home culture and natural music."

Two funerals were arranged for Abby, to accommodate her many friends around New York and in New England.  John and Abby each expected to be outlived by the other; and they each promised, if wrong, to sing at the other's funeral.  In New York, John sang  "The Lord Is My Shepherd,"  "No Tear in Heaven,"  and  "We Are Almost Home."  Services were held, too, at Milford's Unitarian Church on November 29.

Abby was buried,  as she requested,  at the family cemetery on North River Road in Milford.

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Over the next few months, John sang often  -  at funerals, at memorial services for Whittier, at a meeting of the Grand Army of the Republic at Faneuil Hall in Boston, and at Lynn High School.  In February, he gave a concert in Spencer, Massachusetts; in March, he gave another in Lancaster, New Hampshire.

On April 26, 1893, John, Viola, and her daughter Kate sang in a program of the Danvers Historical Society called  "Old Anti-Slavery Days."  "Of all the reunions of the Abolitionists in late years,"  said John,  "this was the most interesting."  That, in fact, was the plan all along.  The invitation said,  "We intend to make the occasion one of remarkable interest, and possibly no other like it will ever be held hereafter, so many of the old veterans have gone, and the survivors are now so old and feeble."

Within a week of the meeting in Danvers, John left for the World's Columbian Exposition at Chicago, in company with his housekeeper.  On May 1, he attended the opening ceremony and listened to the president's speech.  During the fair, John renewed his acquaintance with old friends, including many he had not seen since well before the war.  Dennett and Nellie came down from Hutchinson, and John saw much of them during their stay.

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"Elizabeth Cady Stanton said the first time she saw Abby":   Elizabeth Cady Stanton, "Abby Hutchinson Patton," April 29, 1893, in Item 114r, Ludlow Patton's Hutchinson Family Scrapbook, Wadleigh Memorial Library, Milford, New Hampshire.

"Joshua called his youngest sister  the innocent,  affable":   Joshua Hutchinson, A Brief Narrative of the Hutchinson Family (Boston: Lee and Shepard, 1874), 53, 54-55.

"Abby was buried,  as she requested,  at the family cemetery":   Abby suggested a general plan for her grave marker and specified that the stone be quarried from the family farm.  Source: "'Granite King' Raises a Granite Shaft at Abby Hutchinson Patton's Grave," Milford, NH, Farmers' Cabinet, October 19, 1893, in Item 115v, Ludlow Patton's Hutchinson Family Scrapbook, Wadleigh Memorial Library, Milford, New Hampshire.  See also "Daisies and Clover" in Abby Hutchinson Patton, A Handful of Pebbles (Cambridge, MA: Riverside Press, 1891), 18-19  -  verses Abby wrote about her grave.

"Of all the reunions of the Abolitionists in late years":   John W. Hutchinson (1896, 2:199).

"The invitation said,  We intend to make the occasion one of":   "Old Anti-Slavery Days," [ Lynn, MA? ] Item, n.d. [ probably sometime in March 1893 ], in Item 111v, Ludlow Patton's Hutchinson Family Scrapbook, Wadleigh Memorial Library, Milford, New Hampshire.

"During the fair, John renewed his acquaintance with old friends":   It would be interesting and it might even prove to be of some importance to learn the names of more co-workers, family, and friends who attended the 1893 World's Columbian Exposition and who may have connected with John there.  A current question of interest, for instance, is this: Did cousin Andrew Jackson Leavitt travel to Chicago and visit the World's Columbian Exposition.


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John sang on special days honoring Massachusetts, Minnesota, New Hampshire, and several other states.  He sang with Dennett on California Day, and took part in a reunion of Forty-Niners.  On Independence Day, he was one of those on the platform, facing a crowd a half a million strong.

John sang for the Single Tax Club.   Early in August, he attended the Peace Congress; and on the 15th he sang  "The People's Advent"  at the Liberal Congress.

On August 19, Lillie arrived.   John said that Rev. Morgan  "secured a large gospel wagon, with sufficient sleeping accommodations for the whole family, when occasion required, and so arranged that the organ could be set up at the rear end to serve both as a musical instrument and pulpit.  His method in Chicago was to locate the wagon at some point of vantage, after which Jack would blow a fan-fare on his cornet, which would soon attract a congregation.  Lillie and the boys would then sing, after which Mr. Morgan would preach.  This method of work they have carried out in various sections of the country. . . . "

About this same time,  Cleaveland and Kate Campbell arrived.

John held a number of receptions in the California building,  singing with Lillie and her boys,  along with her younger brother Fred Phillips,  a bass singer.

John sang at the fair seemingly on countless occasions, often with Lillie.   On the 29th, he sang at a meeting in Memorial Hall, with Henry George and Father Edward McGlynn as featured speakers.  On September 11, the first World's Parliament of Religions opened at the Art Institute.  He sang  "The Fatherhood of God and the Brotherhood of Man"  several times.

On September 21, John spent the day at Jackson Park with Jack and Richard.   "A shower came up towards night,"  he said,  "and it was a sight to see 200,000 people scurrying for shelter."  On the 29th, he got the thrill of going to the top of the twenty-story Masonic Temple  -  in an elevator!

Chicago Day was held on October 9, and the crowd was easily the biggest yet.  John was on the grounds a little after 6 AM, and he didn't get back to his quarters until two in the morning.  On Manhattan Day, another of the fair's great events, John sang two songs.  Over the next few days attendance was up, for the fair was nearing its close.  On the final day, John was very busy, speaking and singing.

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"On Independence Day,  he was one of those on the platform":   The official estimate of the Independence Day crowd was somewhat more conservative than John's.

"John  sang  for  the  Single  Tax  Club":   Chicago Opinion, n.d. [ ca. July 10, 1893, ] in John W. Hutchinson (1896, 2:209-210).  John was in great sympathy with the views of economist Henry George, who originated the single-tax theory and seems to have been rather single-minded in its promotion.

"John said that Rev. Morgan  secured a large gospel wagon":   John W. Hutchinson (1896, 2:210-211).

"John held a number of receptions in the California building":   Evidently Lillie was in California when her father, Isaac Shoemaker Phillips, died on June 22.  Probably she traveled to Chicago as soon as she could to be with her family.

Lillie's mother was Louisa Cornelia [ birth name Woodhouse ] Phillips.   The brother mentioned here was Frederick Woodhouse Phillips.  Chapin Frank Phillips sang in the World's Columbian Exposition chorus, according to his great-granddaughter, Barbara Hazzard.

"A shower came up towards night,  he said,  and it was a sight":   John W. Hutchinson (1896, 2:213).


Page 15

John would attend other big fairs, but none would be quite like Chicago.  The list of old friends and family connections he saw is very long.  The Exposition provided new opportunities to entertain audiences, and he loved it.  He lingered in Chicago for another four weeks.  Friends suggested that he return to giving concert tours.  He liked what he heard.  John formed a company, including Lillie's brother Fred, and began rehearsing; but then he became quite sick, and thoughts of pneumonia and consumption came to mind.  So he went home, arriving the day before Thanksgiving.  The Campbells were back in Lynn, and Viola had a feast waiting for her father.  "The rest and regularity of home life,"  said John,  "soon restored me to my wonted good health."

While John was getting well,  he became acquainted with Mary E. McDonald,  an attractive young widow who boarded with one of his tenants.  McDonald said he mentioned to her his wish to get married.

|   ÷   |

"The rest and regularity of home life,  said John":   John W. Hutchinson (1896, 2:217-218).


Heralds of Freedom

Behold the day of promise comes,  full of inspiration

The blessed day by prophets sung for the healing of the nation

Old midnight errors flee away, they soon will all be gone

While heavenly angels seem to say the good time's coming on

The good time, the good time, the good time's coming on

The good time, the good time, the good time's coming on

More "Heralds of Freedom"

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Alan Lewis. Heralds of Freedom: The Hutchinson Family Singers.
Brattleboro, Vermont: Published by the author. 2006, 2007.

Copyright © 2006 by & 2007 Alan Lewis.
All rights reserved. Used with permission.

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Table of Contents
Massachusetts, MA, Mass.; Minnesota, Minn., MN; New Hampshire, N. H., NH; New Jersey, N.J., NJ. Essex County, Hillsboro County, Hillsborough County, McLeod County. Lynn Massachusetts, Hutchinson Minnesota, Amherst New Hampshire, Milford New Hampshire, Mont Vernon New Hampshire, Orange New Jersey, City of New York City. Cellist, cello, fiddle, fiddler, melodeon player, violin, violinist, violoncello. Baptist, Christian Science, Christian Scientist, Congregational, Congregationalist, Methodist, Unitarian Universalist. The Book of Brothers, Carol Brink Harps in the Wind: The Story of the Singing Hutchinsons, Carol Ryrie Brink, Carol R Brink, Dale Cockrell Excelsior: Journals of the Hutchinson Family Singers 1842-1846, John Wallace Hutchinson "Story of the Hutchinsons (Tribe of Jesse)", "Story of the Hutchinsons", Joshua Hutchinson A Brief Narrative of the Hutchinson Family, Philip Jordan, Philip Dillon Jordan, Philip D Jordan Singin Yankees, Phil Jordan, Ludlow Patton The Hutchinson Family Scrapbook. Index: Singing Yankees. 1860, 1870, 1880, 1900, 1910, 1920, 1930. Birth, born, death, died, divorce, divorced, maiden, marriage, married, single, unmarried. Ancestry, www.ancestry.com, the Boston Globe, family history, genealogy. Abolition, abolitionism, abolitionist, anniversary, anti-slavery, antislavery, audience, band, biography, chorus, church, the Civil War, company, compose, composer, composition, concert, convention, entertain, entertainment, folk music, folk songs, folksongs, group, harmony, High Rock in Lynn, Hutchison, instrument, instrumental, lyricist, lyrics, meeting, musician, N E, NE, NEMS, New England Music Scrapbook, Northeast, Northeastern, the Old Granite State, practice, profile, program, quartet, rehearsal, rehearse, religious left, repertoire, research, the Revels' Circle of Song, show, singer, social reform, social reformer, song writer, songwriter, stage, equal suffrage, suffragette, equal suffragist, impartial suffrage, impartial suffragist, temperance, tour, the Tribe of Jesse, trio, troupe, verse, vocal, vocalist, woman's rights, women's rights, words. Gertrude, Donomore. Abby Anderson, Abby Hutchinson Anderson, Abby H Anderson, Samuel Anderson, Samuel Gilmore Anderson, Samuel G Anderson, Catherine Campbell, Catherine Livingston Campbell, Catherine L Campbell, Kate Campbell, Kate L Campbell, Cleaveland Campbell, Cleaveland John Campbell, Cleaveland J Campbell, C J Campbell, Cleave Campbell, Henry Campbell, Henry Douglas Campbell, Henry D Campbell, H Douglas Campbell, H D Campbell, Harry Campbell, Lewis Campbell, Lewis Averill Campbell, Lewis A Campbell, Viola Campbell, Viola Gertrude Hutchinson Campbell, Viola Campbell, Viola G Campbell, Viola Campbell, Viola Hutchinson Campbell, Viola H Campbell, Elizabeth Chace, Elizabeth B Chace, Lizzie Chace, Lizzie B Chace, Abby Hutchinson, Abby J Hutchinson, Asa Hutchinson, Asa Burnham Hutchinson, Asa B Hutchinson, David Hutchinson, Elizabeth Hutchinson, Elizabeth Chace Hutchinson, Elizabeth C Hutchinson, Lizzie Hutchinson, Lizzie Chace Hutchinson, Lizzie C Hutchinson, Fanny Hutchinson, Fanny B Hutchinson, Henry Hutchinson, Henry John Hutchinson, Henry J Hutchinson, Jerusha Hutchinson, Jerusha Peabody Hutchinson, Jerusha P Hutchinson, Jesse Hutchinson Jr, Jesse Hutchinson Junior, Jesse Hutchinson Jun, John Hutchinson, John Wallace Hutchinson, John W Hutchinson, Joshua Hutchinson, Judson Hutchinson, Adoniram Judson Joseph Hutchinson, Judson J Hutchinson, J J Hutchinson, Kate Hutchinson, Kate Louise Hutchinson, Kate L Hutchinson, Mary Hutchinson, Mary Leavitt Hutchinson, Mary L Hutchinson, Noah Hutchinson, Noah Bartlett Hutchinson, Noah B Hutchinson, Rhoda Hutchinson, Sarah Rhoda Jane Hutchinson, Rhoda J Hutchinson, Viola Hutchinson, Viola G Hutchinson, Abby Patton, Abby Hutchinson Patton, Abby H Patton. Kate Dearborn, Kate Louise Hutchinson Dearborn, Kate L H Dearborn, Kate Hutchinson Dearborn, Kate H Dearborn, Kate Louise Dearborn, Kate L Dearborn, Sen John Hale, Sen John Parker Hale, Sen John P Hale, Senator John P Hale, Sen J P Hale, Caroline Howe, Caroline Dana Howe, Caroline D Howe, Henry Hutchinson, Henry John Hutchinson, Henry J Hutchinson, H John Hutchinson, H J Hutchinson, Jack Hutchinson, Richard Hutchinson, Richard D Hutchinson, R D Hutchinson, I M C Institute, IMC Institute, Mary McDonald, Mary E McDonald, Helen McKeever, Marion McKeever, Marion Loveridge McKeever, Marion L McKeever, Mary Mobray, Mary E Mobray, Albert Morgan, Albert W Morgan, A W Morgan, Lillie Morgan, Lillie Caroline Phillips Hutchinson Morgan, Lillie Phillips Hutchinson Morgan, Lillie P H Morgan, Lillie Phillips Morgan, Lillie P Morgan, Rev Robert Morgan, Rev Robert Henry Morgan, Reverend Robert Henry Morgan, Rev Robert H Morgan, Rev R Henry Morgan, Rev Henry Morgan, Rev Morgan, Capt Robert Henry Morgan, Captain Robert Henry Morgan, Capt Henry Morgan, Capt Morgan, Robert Morgan, Robert J Morgan, R J Morgan, Mary Mowbray, Mary E Mowbray, Chapin Phillips, Chapin Frank Phillips, Chapin F Phillips, C F Phillips, Frederick Phillips, Frederick Woodhouse Phillips, Frederick W Phillips, Fred Phillips, Fred Woodhouse Phillips, Fred W Phillips, F W Phillips, Isaac Phillips, Isaac Shoemaker Phillips, Isaac S Phillips, I S Phillips, Louisa Phillips, Louisa Cornelia Woodhouse Phillips, Louisa C W Phillips, Louisa Cornelia Phillips, Louisa C Phillips, Louisa Woodhouse Phillips, Louisa W Phillips, Santa Fé New Mexico, Santa Fe New Mexico, John Whittier, John Greenleaf Whittier, John G Whittier, J G Whittier. Heralds of Freedom: The Hutchinson Family Singers: Chapter 21: Part 2: Come Let Us Part 1891-1893