Endorphin
Bath & Todd E. Jones presents...
Interview: LEM
“Is Lem In Your Pocket?”
(NOV 2005)
An
Interview With LEM
Interview
by Todd E. Jones
toddejones@yahoo.com
Lem creates light, elegant, poignant, ethereal, and
soulful electronic music. His music is softly cool like the thin water
rolling over the wet sand as the wave moves back into the ocean.
Hailing from Fukuoka (Japan), he was born under the name Goro Tanaka.
Although he is not well known outside of his home country, people may
discover Lem if they are lucky enough to stumble on someone playing his
music. Other fans may have to seek out his work. Lem describes his art
as electronic folk music (or “Folktronica”). Like a theme for an
enlightening dream, Lem’s music is beautifully subtle and elegantly
romantic.
Finderpop / Cassette Vision Label released Lem’s
debut EP, “Loosing Summer Set”. The Japanese-based label is home to
other unique artists like Apartment, Mountainbook, and Ajisaikippu-de.
Independent in both business and spirit, Finderpop / Cassette Vision
Label started out releasing CD-Rs. These days, they have a handful of
artists, a budding following, and a catalogue of official CDs &
DVDs. The label’s growth was fueled by the unique quality of the music.
In 2005, Lem released his first full-length CD
titled “Put A Lem In Your Pocket”. The beautifully romantic songs
possess hushed vocals and subtle melodies. The album is perfect theme
music for Sunday mornings, summer afternoons, or tender encounters deep
within the night. Instead of attacking the listener, Lem’s music slowly
rolls around the listener like a pleasant aroma. The opening track,
“From Small Lem’s Space” includes the album’s thickest drum track
(which still may be considered soft to the typical listener). The cool
ease of the hip-hop groove makes the song instantly appealing. The
inviting intro track also perfectly sets a mood for the LP. “Story Of
Surf For Young People” enchants the listeners by using melodies created
by graceful vibes and dreamy acoustic guitars. “AM 5 Kate (Sweet Mix)”
includes guest female vocals from Babo (from Seisyun Mid Night
Runners). One of the several songs that include vocals, the romantic
singing is gently dominated by the musical melodies. The light
electronic rhythm creates a futuristic new-age atmosphere. The album’s
superlative final track, “Put A Jonathan In Your Pocket” is a poignant
song which could be played during the ending credits on a romantic
film. Through charming melodies and soft rhythms, “Put A Jonathan In
Your Pocket” paints an audio scene of a beautiful Summer day. Although
the album may take some time to be fully appreciated, the LP possesses
a magnificent exquisiteness reminiscent of Cocteau Twins, Enya, Kahmi
Karie, Mazzy Star, Opal, Dead Can Dance, and Massive Attack. In the
songs that include vocals, many of the words are difficult to discern.
Like the music of My Bloody Valentine, Lem’s vocals are woven deep
inside, not on top of the instrumentation. “Put A Lem In Your Pocket”
by Lem is a beautifully subtle and relaxing album. If you find Lem’s
music in your pocket, consider yourself charmed.
T.JONES:
"What
goes on?"
LEM:
“I love The Velvet Underground.”
T.JONES: “Tell us about this new album,
‘Put A Lem In Your Pocket’.”
LEM: “March 3rd 2005 was Lem’s first album release. This album is my
image scenery.”
T.JONES: “What is the meaning behind the
title, ‘Put A Lem In Your Pocket?”
LEM: “It’s from a title of a pocket nude book from the 60’s.”
T.JONES: “What are your favorite songs on
‘Put A Lem In Your Pocket?”
LEM: “‘Loosing Summer Set’, ‘AM 5 Kate’, and ‘Put A Jonathan In My
Pocket.’”
T.JONES: “How is this album different from
your previous ‘Loosing Summer Set’ EP?"
LEM: “I made this album as a single-theme record. There is a connection
in all music there.”
T.JONES: “What song took you the longest
to do? Why?”
LEM: “‘Am 5 Kate’ because I did product with a friend from Tokyo.
I live in Fukuoka.”
T.JONES: “The shortest? Why?”
LEM: “‘From Small Lem’s Space (Intro)’ because it’s short music.”
T.JONES: “Out of all of your songs, which
one do you love the most? Why?”
LEM: “‘Put A Jonathan In My Pocket’ because it’s a very personal song.”
T.JONES: “Does the name Lem have a
special meaning?”
LEM: “I like word’s sound and brevity of Lem.”
T.JONES: “Most songs are created by
you alone. Do you enjoy working with other musicians?”
LEM: “If there is an opportunity, I want to try to do it by all means.”
T.JONES:
“When making songs, do you go into the studio with pre-written lyrics
and themes, or do you write to the music? What is the creative process
like?”
LEM: “I begin to make it with a guitar. There is a time when I make it
from a rhythm tracks. I write lyrics to the atmosphere of music last.”
T.JONES:
“Tell us about Finderpop / Cassette Vision Label. How did you get
involved with them? How are they different from other labels?”
LEM: “I sent it to see the demo recruitment. Label production is
handmade meets myself. I give priority to intention of an artist
enough.”
T.JONES: “Musically, who are you
major influences?”
LEM: “Fishmans, Nick Drake, Boards Of Canada, Madlib, Galaxie 500,
Cornelius, Tortoise, Jim O’Rourke, Brian Wilson, The Pale Fountains,
Four Tet, Prefuse 73, The Books, Elliott Smith, The Pastels, Jonathan
Richman, Yo La Tengo, and Morrissey.”
T.JONES: “What was it like growing up
in Japan? What kind of kid were you?”
LEM: “Four beautiful Japanese seasons created my feelings. It was a
romantic childhood.”
T.JONES: “What is your favorite part
of your live show?”
LEM: “Playing a guitar by loud sound.”
T.JONES: “How has your live show
evolved?”
LEM: “Expression of feelings.”
T.JONES: “Who would you like to
collaborate with in the future?”
LEM: “The Books.”
T.JONES: “What has been in your CD
player or on your turntable recently?”
LEM: “’Evolution fight’ by Cyne and ‘Rideau’ by Tape.”
T.JONES: “Explain the song ‘Put A Jonathan In Your Pocket’? That is one
of my favorites”
LEM: “I love Jonathan Richman’s ‘That Summer Feeling’.”
T.JONES: “Abortion – pro-choice or
pro-life?”
LEM: “I’m against an abortion for oneself.”
T.JONES: “Death Penalty – For or
against?”
LEM: “Against.”
T.JONES:
"Where were you on Sept. 11th (The World Trade Center Terrorist
Attack)? How did you deal with it? How do you think this event has
affected music? What was Japan’s reaction?"
LEM: “I knew it in news of TV. I felt terrorism close for the first
time. I felt importance of a daily living some other time.”
T.JONES:
“Word association time. When I say a name, you say the first word that
pops in your head. So, if I say ‘The Beatles’, you may say ‘Revolution’
or ‘Let It Be’. Okay?”
T.JONES: “The Stone Roses.”
LEM: “I Wanna Be Adored!”
T.JONES: “Happy Mondays.”
LEM: “Madchester.”
T.JONES: “My Bloody Valentine.”
LEM: “A wave of a moment.”
T.JONES: “Momus.”
LEM: “A writer of the shy middle ages.”
T.JONES: “Ride.”
LEM: “An early singles jacket is so cool!”
T.JONES: “The Roots.”
LEM: “Native.”
T.JONES: “Felt.”
LEM: “Denim.”
T.JONES: “Blur.”
LEM: “Neo mods!”
T.JONES: “George Bush.”
LEM: “A poor mouse.”
T.JONES: “Your vocals are very low and drowned-out. It adds to the
atmosphere of the song. Was this intentional?”
LEM: “Intentional. It is not accident.”
T.JONES: “What do you think music industry (in
general) needs these days?”
LEM: “An anti-commercial.”
T.JONES: “Do you think that success and credibility
are mutually exclusive?”
LEM: “Yes.”
T.JONES: “How are audiences from other countries different from
Japanese audiences?”
LEM: “Overseas, people accept me.”
T.JONES: “What are some major misconceptions that people have of you?”
LEM: “There is not the popularity that much.”
T.JONES: “If you could re-make any song, what would it be?”
LEM: “‘Say Yes’ by Elliott Smith.”
T.JONES: “How do you pick the tracks that end up on
the final album?”
LEM: “I demand a flow of the music that a feeling is good for myself.”
T.JONES:
“Your bio describes your music as ‘folktronica’. Would you agree? Did
you ever hear the Momus album called ‘Folktronica’?”
LEM: “You may invite me to each personapilia. I have not listened to
it.”
T.JONES: “Do you want to be cremated or buried?”
LEM: “Cremated.”
T.JONES: “What do you want on your epitaph?”
LEM: “Going zero.”
T.JONES: “What is in the future for Lem?”
LEM: “I want to make the sound that is a more personal sound.”
T.JONES: “Any final words?”
LEM: “See the distant cloud. Then, you feel so proud. Blessing
approaching, it will come with sting.”
Thank
you LEM! ! !
-interview
done by Todd E. Jones
aka The
New Jeru Poet
(toddejones@yahoo.com)
other versions:
INTERVIEW
with LEM - (Musicremedy version)
PART
1 - (MVRemix version)
- Interview
with LEM
PART
2 - (MVRemix version)
- Interview
with LEM
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is property of Todd E. Jones and cannot be duplicated or posted without
written permission.
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