Hitchcock: The British Years The Thirties

Juno and the Paycock

Juno and the Paycock


          Pre-Hollywood Hitchcock scuttled by terminal European angst and outdated caricatures.

          For all its humor, its colorful characters, its antiquated conventions,
Juno and the Paycock closes with a downer ending which makes one wonder if the poor, suffering mass of Humanity might not all be better off dead. It's less of a tearjerker than a suicidal depression-jerker and really must be seen to be believed.

         
 To be fair, Juno and the Paycock is a faithful adaptation of a play by Sean O' Casey, so the ending was preordained. And again, to be fair, it must be said that the play in question is a fine play, true to its subject, full of "hilarious" Irish stereotypes (Ugh!), a play that includes many timely dramatic twists intended to keep the audience interested and entertained the whole way through. The actors in Hitchcock's version are certainly competent (except, perhaps, for John Laurie as the amputee son). And, of course, there's that ending, which could never be accused of bowing to feel-good sentimentality, not by a light-year.

Now, on to the plot.


          Juno (Sara Allgood) is the long-suffering wife of Captain Boyle (played with relish by Edward Chapman) who fancies himself a sea-captain but who is, in reality, a lazy, unemployed drunken-Irishman --you know the type. With Juno and the Captain live their still-available daughter Mary (Kathleen O' Regan) and their amputee/stool pigeon son Johnny (John Laurie).

          Drunken-Irishman that he is, the Captain struts around like a peacock (pronounced "paycock" by those humorous Irish-folk --maybe one day they'll get the English language right!) as he strives to (a) avoid gainful employment and (b) acquire another drink. Naturally he dreams that someday a great sum of money will fall into his lap --what sodden Irish simpleton wouldn't?

          Then one day, upon the death of a never-seen relative the Captain's dream comes true. The family borrows heavily in advance of The Big Check in order that they might move right up into a more comfortable middle-class lifestyle. (No patience, some people!) Some time later the family discovers that the Big Check won't be coming after all, after which things go from bad to worse to just plain God-awful.

          So much for the luck of the Irish.

Production: British International Pictures, 1930. Producer: John Maxwell. Director: Alfred Hitchcock. Scenario: Alfred Hitchcock and Alma Reville, from the play by Sean O'Casey. Director of Photography: Jack Cox. Sets: Norman Arnold. Editing: Emile de Ruelle. Studio: Elstree. Distributors: Wardour & F., 1939, 85 minutes; USA, British International by Capt. Harold Auten, 1930. Principal Actors: Sara Allgood (Juno), Edward Chapman (Captain Boyle), Sidney Morgan (Joxer), Marie O'Neill (Mrs. Madin), and John Laurie, Dennis Wyndham, John Longden, Kathleen O'Regan, Dave Morris, Fred Schwartz.

(US release title: The Shame of Mary Boyle.)


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