Don Cupitt’s Postmodern Ethical Self-Creativity

John C. McDowell

[This was part of a lecture given in theological ethics in late 1998, at a theological college in Lincolnshire]

Defining Type 2.[1]

This type covers an approach to ethics that uses the names ‘Christian’ and ‘theological’ in a very loose sense: the status of the ethics in question is undertaken with only a lip-service being paid to the ethics done by the Christian traditions.[2] Indeed, in the case of Cupitt one wonders how his self-styled "solar ethics" are in any sense even generally religious.

Don Cupitt’s Objective

Pinning Cupitt, former dean of Emmanuel College in Cambridge, down long enough to be able to describe his thinking is not an easy task. As he himself has admitted on numerous occasions, his thoughts are constantly in a state of development and transformation - some would argue, flux and confusion.[3] Nevertheless, from his earliest writings onwards, certain motifs have been clearly traceable, albeit varying in the nature of their development at different times.[4]

The admitted focus has been his dissatisfaction with his earlier experience of ‘traditional’ forms of Christianity.[5] This style of theology and ethics has become no longer tenable, according to Cupitt. Hence he attempts to provide a more feasible alternative that relates more adequately to a modern (or rather, postmodern) environment. What that alternative has been identified as, since 1990, is a form of thinking that takes note of the postmodern critique of modernity and the Christian theologies that have both provided the intellectual context from out of which modernity has sprung, and have subsequently reinvented themselves somewhat in order to stem its offspring’s drive towards secularity. Into this apparent vacuum of modernity’s ‘death of God’, and the death of traditional Christian values, Cupitt has inserted his own distinctive brand of non-realist theology.[6] "Today, Christians non-realism offers the churches their last chance of a rational future".[7]

A brief description of Cupitt’s ‘non-realism’ needs to be given in order to explain the nature of his ethical strategy, especially since in his The New Christian Ethics Cupitt announces his aversion to theological ‘realism’ without providing any definition of what that target is.

Defining Non-Realism

Philosophically speaking, ‘realism’ is the view that there exists, in some form or another, objective absolutes, an objective world that can be known and described by the human subject.

In religious terms, Cupitt describes ‘Realism’ as assuming that God is "an actually-existing independent individual being".[8] However, Cupitt assumes that this style of thinking is no longer possible:

metaphysical realism was permanently demolished by Kant, who went on to develop the first interesting modern non-realist account of God.[1997, 15]

Moreover, the belief in an ‘objective’ God - the God of the realists - is not only surplus to religious requirements, but serves, in practice, to undermine them. "An objective God cannot save."[1980, 126] Indeed, "the claims of theological realism and religious seriousness now pull in opposite directions".[9]

‘Non-realism’ critiques this notion of the ‘real’, and provides its own alternative, through various identifiable steps:

· All knowing is done by the knowing subject;

· this sensory input, as Kant recognised, is interpreted and categorised by the knowing subject;[10]

· therefore, all knowing, all sensory input and experience is interpreted knowing.[11] There is no knowledge, Kant maintained, of things in themselves [Ding an sich] only a knowledge of these things as they appear to us;[12]

· cognition (and by extension also ethical agency) is relative to the knowing subject,[13] and is therefore, to a great extent, the creation of that subject;

· human creating and fashioning of its knowledge and maxims for acting are valued, therefore, to the detriment of any notion of finding and discovering absolutes. Values are not objectively existing ‘Reals’ which only need to be discovered and recognised; rather, they are creations of the self.[14]

Against the realist belief in Truth Out There, Cupitt’s constructivism stresses that our knowledge of the world is more a matter of making than discovering. Language does not function as referring to a ‘reality’ beyond language, but instead refers to other words, and their meaning and interaction cannot be foreclosed since they are in continual slippage. Religious language does not refer to any beyond outside of the language that creates it. Both language and the world are radically outsideless, and any question of a Beyond is meaningless.[15]

What is ironic is the fact that Cupitt maintains the deferment of meaning, the finiteness of human thinking, and the fact that we cannot step outside our linguistic cultures, and yet he appears to be making statements and assertions reminiscent of a style of thinking that is precisely absolutist and metaphysical in form. Hence Trigg, for example, asks

where Cupitt is standing to be so sure of what does not and cannot exist. At best, on his own assumptions, his account is a story which we are at liberty to reject because we find it unpalatable. It cannot make claim to truth, since that would import realist presuppositions.[16]

As Norris notices, narrative philosophies can only claim to be "just one story among many", otherwise they self-destruct. But in practice they claim to be

the last word. ... Under cover of its liberal-pluralist credentials, this narrative very neatly closes all exits except the one marked ... [with its own name].[17]

Cupitt asserts

We have come to see that there can be for us nothing but the worlds that are constituted for us by our own languages and activities. All meaning and truth and value are man-made and could not be otherwise. The flux of experience is continuous and has no structure of its own. It is we who impose shape upon it to make it a world to live in.[Ibid., 20]

The only ‘real’ for Cupitt, if such a word may be used meaningfully at all, is our inhabitation of this world through the language that constitutes our being, experiencing, and interpreting of it. In a manner resembling Nietzsche, Cupitt argues that

We do best to picture the world at large as a beginningless, endless and outsideless stream of language-formed events that continually pours forth and passes away ....[1997, 20]

Nihilistically Cupitt maintains that

The crucifixion is an awesome nihilistic image of the absolute nothingness from which we sprang, over which we dance, into which we return.[1997, 23]

But instead of this nihilistic vision reducing him to Schopenhauerian-style pessimism, Cupitt argues that this void must be faced and celebrated. One must thoroughly accept the fact of one’s transience and death.[1995, 4] Whereas all interpretative frames of reference are human creations that attempt to "overcome nihilism by imposing some structure upon and injecting some value into our life-world", Cupitt intends to acknowledge the existence of this void, becoming aware that all frames are human constructions, and reinvent these frames in order to serve one’s living better.[18] Hence, in Solar Ethics Cupitt emphasises the joyful acknowledging of life’s contingency:

The world is seen as a continuously outpouring, self-renewing stream of dancing energies-read-as-signs, in which our life is wholly immersed.[1995, 13]

Consequently, "religion", and therefore the thought-forms that derive from it, "is completely human, bound up with the cultures and the histories that it creates".[19]

A non-realist, then, thinks it obvious that we ourselves gradually evolved our own world-picture, our morality, and our religions; whereas a realist cordially dislikes ‘humanism’ and ‘relativism’ and insists that we owe everything to an objective God, who has himself settled all questions of truth and value from all eternity, before ever we were created. God has all the answers, and is indeed himself the whole Answer.[1997, 19]

Consequently Cupitt can announce,

So we should give up the old metaphysical dogmas completely, remembering that we have no absolute knowledge. All our knowledge is only human knowledge, fallible and limited by language.[1997, 15]

The naturalistic alternative - described in that context as ‘expressivism’, or ‘subjectivism’, and more recently as ‘energetic Spinozism’, ‘poetical theology’ or ‘solar (i.e., expressivist) ethics’ [see 1997, 20] – is characteristic of what has subsequently become named Christian non-realism:

Belief in the God of Christian faith is an expression of allegiance to a particular set of values, and experience of the God of Christian faith is experience of the impact of those values in one’s life.[1980, 69]

A Non-Realistic Ethic

This non-realism provides the framework for Cupitt’s deliberate undermining of ‘traditional’ Christian ethics, with the latter’s belief in an eternal realm of unchanging values that are objectively real and thereby exist as absolutes that demand submission and obedience. Cupitt advances a number of reasons why the ethics of the Christianity’s realist past need to be replaced, although in so doing he rhetorically exaggerates a certain form of belief (then easily knocking down this straw man) without fairly discussing any other theological alternatives.[20]

(1) Questions of ‘ultimate’ importance: he proposes in The New Christian Ethics that people imbued their reasons for acting with more than what was appropriate.[21] Ethics was felt to be too important to be relative and subjective, hence certain values were objectivised, reified, absolutised and eternalised within a mythological theological framework.

Why do people feel they must objectify their moral and religious beliefs? Because they think these beliefs matter a very great deal. Cultural beliefs are projected on to the cosmos in the hope of entrenching them.[1988, 35]

(2) Psychological fear: another psychological motive lies behind this objectivisation, Cupitt asserts in confident fashion:

the realist’s belief in an objective metaphysical God is profoundly tied up with an optimistic and very homely cosmology. The old cosmologies were invented precisely in order to familiarize the terrible and cheer us up. That’s why we have clung to them for so long: what really counts is not the evidence for them (it’s nil) but our need of them.[1997, 18]

(3) Dualistic, and Greek influenced, devaluation and ressentiment of this world: echoing Nietzsche, Cupitt claims that

The job of dogma was always to give us authoritative assurances that this present unsatisfactory world is only appearance: elsewhere there is a Real world which is free from all the limitations and miseries of this world.[22]

This denial of life is expressed in Christianity’s denial of the body, the mortification of all our desires.[see 1988, 39]

(4) Paralleling the post-Enlightenment critique of religious faith, although equally applying this critique to the ethics of the post-Enlightenment thinkers, Cupitt advances that prior ethical strategies

consisted of traditional pathways that we should walk on, bounds that we should keep within, rules that we should follow, commands and prohibitions that we should obey and respect, goods that we should pursue, or natures to which we should pay due regard.[1988, 1]

Christianity, Cupitt claims, did not allow for human creative activity since God had a control of all creativity. Cupitt construes this in Nietzschean language as a master-slave relationship.

(5) Flowing from this is a further problem with prior forms of Christian ethics, as Cupitt imagines them, is the fact that such moral realism encouraged pure intellectual quietism. Since there was no possibility of scrutinising the objectively existing absolute rules, and the divine author of them, one merely had to accept and confess their reality and objectivity.[see 1988, 2]

(6) Moreover, Cupitt imagines that Christian morality centres upon the self’s attempt to appease God:

Christian morality was a matter of doing your best to avoid attracting God’s displeasure, by reducing your sins to the minimum. ... It was a matter of cultivating virtues which were attitudinal rather than world-changing.[1988, 5]

Christian ethics, therefore, is the cultivation of an internal disposition of one’s relation to God.

(7) Cupitt maintains that "the old objectivism" was "used only to justify arrogance, tyranny and cruelty."[1988, 37]

Denying this objectivity in morals, Cupitt declares that "the frame is merely cultural."[1988, 2] The ethical is not sacred and timeless, but is "a mere changing human improvisation".[1988, 3] When this is grasped, Cupitt adds, "we become morally responsible in a new way." What this responsibility entails is that

We are not just responsible for living up to our standards; we are also responsible for our standards themselves. ... We actually set out to redesign our own values....[23]

This is a godlike status that we are being accorded: "we’ve got to do what God used to do for us."[24] Here, according to Cupitt, is Christian ethics’ coming of age and its "saying a fully-achieved religious Yes to life".[see 1988, 15, citation from 26]

Only through the death of that God does Christian ethics at last acquire the duty and the authority to create value ex nihilo, which marks it as truly Christian and enables it to redeem our life.[1988, 15]

The reference here to a constructivism ex nihilo suggests an indeterminacy of agency. Cupitt, in 1988, does qualify this:

There is of course a sense in which Society is the Creator, because my individual performances stand in relation to the whole structure much as the individual used to stand before God.[1988, 7]

However, Cupitt wants to mitigate certain implications that may be drawn from this. For him, meaning and value have not wholly escaped from individual control, and the individual’s creativity is not to be understood as being undermined by this fact. Objective Idealism, structuralism, etc. "can so easily be turned in a quietistic, conservative or pessimistic direction."

However, this earlier work’s modern stress on autonomy does tend to use the concept of human freedom to construct and create value and meaning too easily and loosely.[25] Even in 1995’s postmodern emphasis on the de-centred self, Cupitt speaks of the ethical as being grounded in the self’s relation to its own objectivity rather than in the ‘I’s’ relation to any ‘Thou’. A suggestion of his later emphasis can be found in the earlier work:

History has already bequeathed to us, embodied in our current language and practices, an interpretation of life or a second-level evaluation of life. ... Value is there already, culture is there already, a code is there already, and the task is to criticize, to re-interpret and to re-assess what we already have.[1988, 44]

Nevertheless,

Society is logically prior to solitude, and not the reverse; and publicity is prior to privacy.[1995, 23]

The ethical, according to Cupitt, is life’s own spontaneous joyful affirmation of the self and the self’s creativity (albeit that creativity is not infinite). Cupitt does not spend any time in outlining any possible form of this ethic - that would defeat its purpose as being a construction of the self. However, he does provide some hints as to the direction that he feels his non-realistic, solar ethic takes. In 1995, however, he is content to allude to the Aristotelian concept of ethics as

a way of living or stance in life which will lead to the highest happiness there is to be had. An ethic is a doctrine of the good life: it teaches a way of life by following which we can attain the highest Good, beatitude.[1995, 2]

In this respect, then, religion for Cupitt comes close to being dissolved into ethics. Its function is not to provide answers to complex metaphysical problems, but to shape and regulate the way we live.

God’s world-building and our own coincide. In the narrative theology of the Bible and Christian doctrine, talk about God helps us to debate and do battle with the great questions of the coherence of our values, the unity of all value and the struggle between good and evil.[ 1997, 18]

Religious ‘truth’ is not speculative or descriptive (describing one’s discoveries about God), but practical, existential, and necessarily subjective (providing the creative self with signs and stories through which to engage with the processes of living): what matters is not theism, but spirituality and ethics.

What is this summum bonum? In his 1988 writing Cupitt refers to ‘love’ and world transforming action, although any detailed specification of this is not forthcoming. In 1992, Cupitt implies that redemption is self-created:

The Kingdom of God is a world in which free human beings continually make and remake the world they live in and the values they live by. It is a world of freedom, freedom to make the rules and not just freedom to obey them.[26]

In 1995, however, Cupitt is inspired by the early Nietzsche’s artistic imagination: that we are redeemed from despair at the void through art.[1995, 43f.] This relates to the comments in 1992 in that art is understood non-realistically as self-expression, and that we are free to express ourselves in this playful manner. Hence, he argues that

religion [i.e., non-realist religion] is no longer a theory of the world, but a practice of living, an art-like world-building activity.[27]

Religion is simply a lot of stories and symbols, values and practices, out of which you must now evolve your own religious life. Think of yourself not as a soldier, but as an artist who has chosen to work mainly within a particular tradition. That is faith, the production of one’s own life as a work of religious art. [1997, 15]

But what is the manner and form of our creations, of our playfulness, etc.? Certainly he intends here only to provide the framework for ethical agency, and that functions iconoclastically against many of the problematic assumptions of modernity and the forms of Christianity that fostered it. But Cupitt’s refusal to provide any hint at a possible, albeit fragile and revisable, concrete criterion leads one to assess his "solar ethics" as being both frivolous and overly general to be of any specific value.

Endnotes

[1] This is adapted from Hans Frei’s typology of Christian theologies.

[2] Cupitt is located here, rather than in type 1, because he is consciously attempting to produce The New Christian Ethics (London: SCM Press, 1988), and yet his thinking has more in common with postmodern philosophy than with Christian description and redescription. Another approaches to ethics that broadly falls into this category is that of Paul Tillich, for example.

[3] Instead of directly responding to the criticisms levelled at his Taking Leave of God by Brian Hebblethwaite [The Ocean of Truth] and Keith Ward [Holding Fast to God] Cupitt claims: "the truth is in the movement - and that (by the way) is doubtless why I am so bad at answering criticisms. By the time they have come in I have moved on" [in Scott Cowdell, Atheist Priest? Don Cupitt and Christianity (London: SCM Press, 1988), ix].

One wonders how far this strategy is supported by motive of avoiding having to face criticism. Cupitt can suggest that any criticism made of his works relates only to his previous, and therefore leave untouched his present, mode of thinking.

[4] Daniel W. Hardy identifies three themes in Cupitt’s early work that is subsequently outworked: a conviction of the importance of objectivity in theology; the conviction that it is in principle unattainable, not simply that it has not yet been achieved; and a certain restlessness bound up with the freedom of the human being [‘Theology Through Philosophy’, in The Modern Theologians Volume II, ed. David Ford, 30-71 (60)].

[5] Cupitt relates his early adult membership of what he describes as "a conservative and pietistic Protestant group" [Explorations in Theology 6 (London, 1979), viii].

[6] In much of Cupitt’s work there is the assumption that ‘traditional’ approaches are no longer tenable. In The New Christian Ethics he asserts in his second sentence, "Large parts of its historic vocabulary have in recent decades simply died on us, in a way that presents a peculiar challenge to Christian ethics, for what has died is precisely a whole series of residually-theological terms, distinctions, images and models" [1988, 1]. Again he simplistically admits that "We just don’t think like that any more" [4].

Taking its name and inspiration from Cupitt’s book of 1984, ‘The Sea of Faith Network’ has become popular in Britain over the past decade. Colin Crowder declares, after citing some of the published literature from the Network members, that "non-realism has become a significant challenge to more conventional understandings of the Christian faith not only in the academy but also in the church" [‘Introduction’, in God and Reality: Essays on Christian Non-Realism (London: Mowbray, 1997), 1-13 (3)].

[7] Don Cupitt, ‘Free Christianity’, in God and Reality: Essays in Christian Non-Realism, ed. Colin Crowder (London: Mowbray, 1997), 14-25 (16).

[8] Cupitt, Taking Leave of God (London: SCM Press, 1980), 15.

[9] Cupitt, The Sea of Faith (BBC, 1984), 54.

[10] Contrary to the postmodern theories, Kant retained a belief in the existence of epistemically organising absolutes: the transcendental categories of time and space.

[11] Cupitt, Solar Ethics (London: SCM Press, 1995), 52: "We are always already within language, and within some historically-evolved human construction of the world. Everything is already theorized and interpreted. ... Every human being is always already within a complete, fully-formed and value-laden human construction of the world."

[12] Cupitt maintains that "Because all thought and communication are transacted in cultural signs, our world is already a human world, coded into language, highly interpreted and therefore a world that we ourselves have built" [1997, 19].

[13] Cupitt, The Long Legged Fly: The Theology of Longing and Desire (London: SCM Press, 1987), 46: "so do not look for foundations [because] there is no anterior or external standpoint from which the whole language - and life complex - can be either praised or blamed."

[14] Cupitt’s coming to be influenced by various forms of postmodern has shifted the emphasis from religion as derivative from human creativity to it as derivative from human creativity - a more thoroughgoing ‘constructivism’. Roger Trigg argues, "It is hardly surprising that antirealists seem to be on the slippery slope which leads to relativism" [‘Theological Realism and Antirealism’, in A Companion to Philosophy, eds. Philip L. Quinn and Charles Taliaferro (Oxford: Blackwell Publishers, 1997), 213-220 (216)].

[15] Cupitt, Solar Ethics (London: SCM Press, 1995), 24: "If our thinking life is radically dependent upon language, then knowledge itself and all our awareness of the world is mediated by language. Indeed, for us the world must be always already packed in language. And our many different languages by no means present the world to us shrink-wrapped in transparent clingfilm. Rather, they encode it within syntactically-ordered chains of conventional signs."

[16] Trigg, 216.

[17] Christopher Norris, The Contest of Faculties: Philosophy and Theory After Deconstruction (New York: Methuen, 1985), 159.

[18] Cupitt, 1988, 3. 1995, 61: "Everything is only-human and fallible, everything is contingent, everything is historically-evolved."

[19] Cupitt, 1980, 19. The only thing that binds the membership of the Sea of Faith Network is the statement of intent: "to promote religious faith as a human institution" [cited in Anthony C. Thiselton, Interpreting God and the Postmodern Self: On Meaning, Manipulation and Promise (Edinburgh: T&T Clark, 1995), 81].

[20] Stephen Ross White complains: "First, then, he is guilty of one-sidedness in his methods of presenting arguments. ... Cupitt’s scornful dismissiveness is fair neither to the scriptural roots of Christianity nor to the more enlightened believers of every generation" [Don Cupitt and the Future of Doctrine (London: SCM Press, 1994), 122f.]. Similarly David Edwards attacks Cupitt’s bypassing of major works of theology, philosophy and social history that contradict his interpretation of ‘God’ [Tradition and Truth: The Challenge of the Church of England’s Radical Theologians, 1962-1989 (London: Hodder & Stoughton, 1989), ch. 3]. Cf. Thiselton, ch. 18.

[21] Cupitt, 1988, 1.

[22] Cupitt, 1997, 21. An attack is launched on Christian monasticism: "The monastery was a hospice for those who were terminally sick of life, and a standing denial of the Christian Gospel" [1988, 20].

[23] One important image used is that of life as an art-project, a process of self-realisation [Cupitt, 1988, 64].

[24] Cupitt, 1988, 4. Cupitt draws on the christological image of the kenosis in order to make this point: "Christian humanism does not wholly dispense with God but retains precisely the God who dispenses himself to us, dying into us and communicating to us his own attributes" [1988, 19].

[25] Cupitt, 1988, 13: "since there is no objective point of view upon us of any moral consequence to us, then it’s all up to us and we are entirely free to establish, if we can, the convention that each human life is unique and of infinite worth."

[26] Cupitt, The Time Being (London: SCM Press, 1992), 150.

[27] Cupitt, 1997, 20. He approvingly cites Nietzsche: "It is not a ‘belief’ which distinguishes the Christian: the Christian acts, he is distinguished by a different mode of acting ... evangelic practice alone leads to God, it is God!" [The AntiChrist, §33, cited in ibid., 21].