Michael & Lynn Landon - January 12th 1963
The following are extracts from articles on Michael and Lynn.
By James Gregory (1963) “I’ve got five kids now,” he said happily, “and Lynn and I hope to have more. Although I was afraid at the time of the separation that I’d lose the boys, it hasn’t worked out that way. Lynn and I have been living in an apartment in Hollywood, but it’s too small when all the kids are there. So we’re now buying a big house that will have plenty of room not only for the two girls but also for the boys, as often as we can have them. It’s on an acre and a half of ground in Encino and has a huge pool. Cheryl’s a wonderful girl, and as for Leslie, the baby – she’s fabulous,” Mike grinned. “She’s a beautiful baby with big eyes. She’s got a huge amount of energy, and the greatest personality in the world, even though she’s less than a year old.”
|
|
|
(April 1963)
|
|
By Amy Lewis (April 1963)
|
|
By Flora Rand (1963) On Saturday, January 12th, 1963, in the tourist-frenzied border town of Juarez, Mexico, the tragic cloud of scandal that had hovered over Mike Landon and Marjorie Lynn Noe Baier was abruptly lifted – or so everyone hoped. On that day, three remarkable events – not usually tied so closely in time – took place. Mike, who stars on NBC-TV as “Bonanza’s” Little Joe, got a Mexican divorce from his wife of seven years, Dodie. Lynn, as she is usually called, likewise divorced her husband, Mannie Baier. And Mike and Lynn were quickly and quietly married to each other. But… there is still a tangle of charges and counter-charges to be answered. There is still a question as to the legality of the divorces and marriage in the States.
|
By James
Gregory (September 1964) It’s true! Mike Landon got married for the third time! The wedding was in Reno, Nev., on May 16 and the bride was his wife – beautiful, blonde Lynn. “Our first marriage was a quickie – in Juarez, Mexico – because I had to be back the Monday morning after the weekend we got married,” Mike explained. This time around the Landons shared a private, civil ceremony in their hotel suite with less than ten guests – including Lynn’s parents and Dan Blocker and his wife. They chose Reno cause that’s where Mike received the 1964 Silver Spurs Award as “The Most Popular TV Western Star,” and because Nevada is the local of Bonanza. Mike wore a business suit, Lynn a beige afternoon dress.
|
By Tex Maddox (1965)
|
|
By William Tusher - (February 1965) Every morning, as dawn’s early light filters into the San Fernando Valley, Michael Landon looks in on his infant son. He tiptoes into the nursery next to the master bedroom he shares with his lovely wife Lynn, talks fearless baby-talk, lets the infant enclose his forefinger in a chubby little hand, “chuckles” him under the chin-to use Mike’s own word-and then goes to the studio with a singing sense of well-being. When Mike compares his son with daughter Leslie at the same age, it ends up-despite papa’s studiedly stoic tones-as a celebration of the baby’s budding masculinity…."His appetite is double what hers was," Mike says. "He’s a huskier baby than she was. He’s all boy, and she was all girl. She’s very feminine-looking. She has dainty hands and feet. And he has great big hands and great big feet. He looks like a boy."
|
By Lynn Landon (August 1966) When Mike and I got married three years ago, we made a pact never to be separated from each other. To accomplish this, we have spent a lot of money, hired servants to keep the house and watch the children, and travelled together over tens of thousands of miles to rodeos and fairs and foreign countries. It gets hectic, and naturally it’s not all peaches and cream. But generally speaking, we are very secure and happy. I’m sure all wives know what I mean when I say it can get lonely when your husband works long hours and is away from home. Mike gets up very early in the morning, about five, and doesn’t get home until seven or eight in the evening. The most frightening time I had was when Mike was mobbed in New Jersey. We were on vacation in Atlantic City. One night we wanted to simply go for a stroll down the boardwalk and to the beach in the moonlight. We never made it. About two blocks down the boardwalk, he was recognized and soon a mob gathered out of nowhere – and they got out of hand and started pulling off his clothes and yanking out his hair. It was frightening for me. I don’t see how Mike smiled through it all and kept calm until the police arrived to get him out. When we don’t have to go on tour on behalf of the series, we play bridge with friends here at home. Occasionally we go out to a nightclub, sometimes with Dan and Dolphia Blocker. You know, it’s strange the way people treat Dan in public. All the hecklers and drunks seem to pick on him. It’s because of his tremendous size, I think. They want to act smart and tough. Of course, Dan could knock their blocks off. But Mike is never bothered that way. I think it’s because of his young, good boy role on “Bonanza.” People are very friendly to him. And I always have the glamorous aspects to look forward to. There is a lot of glamour to being the wife of a celebrity. We get preferential treatment and most people are extremely nice to us. I like going to the premieres and award dinners, stepping out of the chauffeured Cadillac limousine and having the spotlight going and the fans cheering for Mike. It kind of embarrasses him, but he enjoys it secretly. I like to go to all the glamorous affairs, and to the rodeos and personal appearances because otherwise – it’s just like being the wife of any working man. There’s no difference in Mike’s work than any man’s work – except for the element of glamour. Just like everyone, though, we like to get away from it all, the parties and the tours and the routine day to day existence. More than anything we love to spend a quiet weekend at our sea cottage in Laguna, south of Los Angeles on the coast. It’s very comfortable there. Our little house is built on stilts above the water and we have a glorious view of the ocean and the cliffs and the coves. At night, we barbeque our dinner on the veranda and cuddle up around the fireplace and listen to the surf hitting the rocks. It’s just the two of us there…and the Ponderosa is worlds away.
|
|
Mike’s Answers (May 1967) Have you ever fooled your wife? Only for a few minutes when I’ve teased her, as I do anyone I like a lot. I phone her from the studio several times a day, so we can tell each other how we feel about what’s happening. The other afternoon she couldn’t figure out why a man with a French accent was calling, or what he was saying – until I chuckled. What are your special preferences for an evening out? Both of us find cocktail parties boring. For some strange reason, too many people are invited to jam in noisily and you can’t have a satisfying conversation or be comfortable. Why must everyone stand? Lynn only drinks Coke, so we manoeuvre for a seat somewhere and talk into assorted navels. We enjoy seeing friends more leisurely. Twenty guests at most seem plenty. We like to dance, but still have danced only with each other since we realized we were in love. I don’t believe it’s wrong for married couples to dance with others, but every situation is different. For us, that could cause jealousy. Do you have a favourite song and band? Our song is ‘If Ever You Should Leave Me.’ We probably play our Shirley Bassey and Vic Damone albums most often when it’s time for singers on our stereo. We don’t want music constantly, though it can be piped through the house. Silence is soothing.
|
|
By Tex Maddox (November 1969) Cynics who claim a happy marriage is an impossible dream in today’s crazy world ought to meet the most romantic couple in Hollywood. For eight years Mike has happily built his personal life around the woman he adores. “I’m realistic!” he asserts. “At first we were equally jealous. Lynn never flirted with anyone else, but when a man glanced at her admiringly I imagined I was going to lose her. I’d discovered the only person who could make my life complete, so that thought made me miserable.” She recognized that a star like Mike was a target for every aggressive female. When he persuaded Lynn she could trust him, she saw he’d never been spoiled. Never a playboy, Mike’s conception of love and his desire to be responsible for those he cares for kept him from squandering his manhood. He’s proudly taken her everywhere he’s travelled for personal appearances since their wedding day. This year he started his three months vacation by first taking her on a jet to Acapulco. They’ve been sentimental about that tropical paradise since their five-week honeymoon there. “Lynn taught me to water ski on the bay there during our honeymoon. This time I tried parachute riding. Heights make her shiver, so she waved from the beach when a plane pulled me up into the air. It was so peaceful to be over the bay and the city, hearing only the wind as I looked down.”
|
|
By Tex Maddox (1970)
|
|
|
By Stacie Keyes (March 1972)
|
By Tex Maddox (April 1972)
|
|
By Larry Kain (February 1975)
|
|
By
Hazel Matthews (March 1975)
|
|
By Jane Ardmore (March 1975)
|
|
By Jane Ardmore (August 1975) “I call the new baby Louie,” Michael says, his face radiant under that mop of hair. “I don’t know why. My wife, Lynn, keeps telling me to stop, and I will when he’s old enough to know what I’m saying. Except, come to think of it, I call all the kids Louie: ‘Watcha doin’, Louie?’ They love it. They’re happy kids and they’re crazy about the new baby. Leslie (12) really wanted to have a brother. Michael (ten) wanted to have a sister, but he loves babies, loves family – he’s easy-going that way – and immediately switched to the idea of having a younger brother he can teach push-ups and the whole bit. And of course, our family is complete. Finis. There’s Cheryl Ann, who’s in college. There’s Leslie Ann, Michael Graham, Shawna Leigh (three) and now Christopher Beau – we give them second names in case they’re not too wild about the first one.”
|
|
By Norah Astor (August
1975)
|
By Eric
Rosenthal (March 1976)
|
|
|
(1977)
|
By Barbara Sternig (November 1979) Michael Landon’s secret diary reveals he was a miserably unhappy young man who turned into an obnoxious prima donna when he found overnight stardom on TV. Tormented by loneliness and fits of depression, he sought solace in pills and alcohol and vented his uncontrollable anger by starting vicious brawls with crew members on the old “Bonanza” show. “It amazes me to look back in the diary and see what a real pain in the rear I was.” But his whole life changed when he met his future wife Lynn – and his diary recorded that “red letter day” in a few touching words. “I wrote, ‘I fell in love today,’” Landon recalled. "From that day, my diary and my life changed. I mellowed and became happy and solid and wanted to do things to make Lynn proud. I began to take care of myself." Landon, who has since become a TV superstar on the long-running series “Little House on the Prairie,” admitted it still shocks him when he leafs through the diary he has kept since high school. Before the actor joined “Bonanza” in 1959, Landon began keeping his diary on a constant basis for the first time, writing down his innermost thoughts and feelings at the end of each day. “The habit was easy for me because I didn’t have anyone to talk to in the early years. I wasn’t particularly happy personally,” he recalled. “It surprises me to read in my diary about the abuse I heaped on myself. I’d hit the sauce or I’d hit the sauce and take tranquillisers at the same time. I’d go nuts if I was through work and the studio didn’t have a car waiting to take me away immediately. I’d do dumb things. I’d throw a tantrum. I’d take out my unhappiness on my fellow workers. Right in the middle of a planned and rehearsed fight scene, I’d kick in and do it for real. I’d scream profanity in the middle of filming – and not realize it at the time. “One time I was doing a fight scene with a stunt man and had no idea I was doing it for real. I’d bulldogged him off a horse and we rolled off a hill. He looked at me with the strangest look. I ran at him and we continued to fight. Afterwards, he told me he thought I was going to kill him. I mean I was a banana.” Landon was particularly vicious to the producer, Kent McCray, who has worked with him since the beginning of his show business career. “I was really rank with Kent,” he said. “And I love the man. But I know he wouldn’t be with me today if I’d stayed the pain in the rear that I was. My attitude was that everything should be my way. In side I was hurting about something that had nothing to do with show business. I just wanted bad things to happen. I wanted to have arguments, wanted to pick fights with people. I can see it in the diary. Writing about these incidents in his diary gave Landon an outlet for his feelings, a chance to be honest with himself and to reflect on his life. “If you write down enough things that upset you, you realize you can spend your whole life being upset about junk. The heart of my diary is: “Don’t be devastated if you have a few unhappy days and you don’t understand why. Everybody goes through that. I wanted to be upset about something but there was nothing important so I misdirected my rage. I had thought I’d be a star and that was going to make me happy. The trouble is it’s very frustrating to find out success doesn’t mean a damn thing. There is no link between success and happiness anywhere in my diary. Happiness was something else entirely, and Landon learned about it the day he met Lynn. “You better believe I wrote it in my diary,” he said. “It was a critical thing to find the person I could share my life with, the thing that changed me most. The revelation that hit me when I met Lynn was that I could be a very happy person. Before that, I didn’t have a faith that I would find someone to love. In fact, I had a faith that I would find pleasure solely from pretending to be someone else. That’s why I liked acting so much. But from that one day, everything in the diary was different. My reflections became more positive. And the things I enjoyed were simpler. Just being together was fun. I handled my temper better. I got along with people much better. Now I don’t have to make a stunt fight into a real fight to release my frustration. Now I go home – because that’s where I can talk about it."
|
|
|
By Tony Brenna and Donna Rosenthal (July 8 1980)
|
By Tony Brenna, Ken Potter & Donna Rosenthal (May 5 1981)
|
|
|
(April 1982)
|