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Trivia in RED |
Bloopers
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SEASON 9
(1967–1968)
According
to TV Guide, 1967: Until recently, Landon willingly performed his stunt work
free of charge, although his participation in such activities was not specified
in his contract. Then he and producer Dortort began wrangling over salaries
Landon felt were due a group of musicians he had taken on a personal-appearance
tour. When management continued to refuse payment, Landon cited his contract and
demanded compensation for his stunts. As he stood beneath the shower, making
certain to keep his shaggy hair dry, he recalled completing a simple fight scene
earlier in the day. The cameraman needed two takes to get it right. Landon
promised that he would send Dortort a bill for $175.
From
another article. About a year ago, on his return from a brief personal
appearance tour, he was presented with a bill from NBC for the services of a
small musical group that had accompanied him. It had been Landon's understanding
that the group was to have been paid by the network. It had been the network's
understanding that the group was Landon's own responsibility. The bill was
$1500. After stating his case and reiterating his feelings that the bill was the
network's responsibility, Landon suddenly caved in and paid it. A few days later
Landon performed a difficult stunt on the show that ordinarily would have called
for the services of a stuntman. There was nothing unusual in this. Mike is a
strong, wiry young man, a former high school athlete and something of a physical
fitness nut. From the beginning he has insisted on doing his own stunts - falls,
fights, hard riding. He is quite good enough at it to qualify as a professional
stuntman were he not an actor. This time, however, Landon sent the network a
bill. Stuntman's services rendered. The network knew instantly that it had been
had. Mike, for years, had saved them a considerable amount of money by doing his
own stunts. If a stuntman were called for and he elected to do the stunt
himself, he was legally entitled to be paid for it. The few stars who did their
own stunts rarely asked for the money. Nor had Landon over a period of seven
years. But he felt the network had been unfair with him in the matter of the
$1500 for the musical group and he simply declared a quiet, and quite legal,
little war. He has long since recovered the $1500 in stuntman checks and the
"interest" now continues to rise with almost every episode Landon is
in.
From
a 1991 article: Alex Sharp, who worked with Mike for many years as a stuntman on
“Bonanza”, remembers: “When he (Michael) and Dan Blocker were doing PA’s
(personal appearances) for NBC, NBC questioned their expense account. They got
in a big squabble about it, so Mike said, ‘Okay, from now on, all the stunts I
do, I want to get paid like a stuntman.' So the first one we did, we did this
fight and it was over a railing and onto the horses and the whole thing. And he
loved to do it. We got through and he looked at me and said, ‘What do you
think we oughta charge ‘em?’ In those days a hundred dollars was a lot of
money for a stunt. So I said, ‘Well, you’re the star, charge ‘em three
hundred.’ ‘Three hundred!?!’
He looked at me as if to say, ‘God, that IS quite a bit we did.’ ‘Well,’
I said, ‘after all, you’re the star; they’re not gonna question it, are
they?’ So here comes the assistant director to negotiate this and he’s kind
of embarrassed about it. He’s hemming and hawing and he said, ‘What do you
think?’ Mike kept looking at me, so I said, ‘Well, three hundred.’ The
assistant director said, ‘THREE HUNDRED??!!' And then he looked at Mike and he
looked at me and he said, ‘Well, I guess…okay.’
And Mike said, ‘Wait a minute! He negotiates his; now I want to
negotiate my own deal.’ When he found out it was that easy he said,
‘Let him talk for himself!’ He wanted to find out just how far he could go.
He didn’t know how much to ask but he sure found out in a hurry to wait for
somebody else to say it and then ‘I’m gonna up it.’ I chased him down the
road, I said, ‘You sonufabitch!!’”
The
following is part of an article about filming in October, 1967. A bell rings.
The set freezes. “Lights!” someone cries. There is a crack as they burst to
life. “Speed – action!” The camera tracks back as Ben Cartwright and a
girl talk and walk the courtyard. “Cut – print.” Two bells. The set
unfreezes. They shoot it again for Ben Cartwright’s expressions and then the
girl’s. Six times, counting rehearsals they do the short scene. The lights are
reset. A bell rings…The cycle will continue until after dusk, just as it has
five days a week for the past eight years. “When I’m asked about this tedium
I always think of an executive friend of mine,” Lorne Greene says. “Now, he
held the same job down for twenty years. Each day he couldn’t wait to get to
the office to discover what new and exciting thing would happen. There are two
others, I know in similar positions, who dread the routine and each new day at
the office. It’s all a state of mind, you see.” Dan Blocker tells you
frankly it rattles him more than the others. “Repetition, repetition, and more
repetition. A body sure does get tired. But pepper my hide, I’m a
professional! This here job pays mighty well, mighty well indeed. And I might as
well be bored here as somewhere else…”
According
to TV guide, this season was to include a comedy episode written by Michael
Landon called, "It’s a Lot of Bull." The article talked about the problems
in getting the episode approved. Part of it states: The story line features a 300-pound Indian girl, obviously a ploy
for Blocker. "Continuity felt it was inconceivable that Hoss and Joe could
speak to the Indians, since the Indians wouldn't understand English,"
Landon complained on the way to the masseur. "How many years has Hollywood
been making pictures where cowboys and Indians speak to each other in English?
We certainly should be able to take this much dramatic license. You begin to get
the feeling that somebody's just trying to think of something to write down so
they can send a memorandum."
If
this episode was ever filmed, it never aired. Years later (in 1979) Michael used
basically the same script for a “Little House on the Prairie” episode (with
Laura and Albert playing the parts written for Joe and Hoss).
In
the Bonanza script, Hoss and Joe are dressed as Indians (Hoss as a Chief and Joe a
Brave), on their way to a fancy dress party. They are intercepted by real
Indians. Hoss is thought to be Chief Running Bull. They are taken to the Indian
village.
The
following piece is from the script. This scene takes place in the tent
where Hoss and Joe have been left alone and are trying to think of a way to
escape.
********
As
Hoss begins to think, he leans against the side post of the teepee. His hand
touches something strange. We ZOOM IN to a close up of his face and slowly
pan down his arm to a scalp.
FULL
SHOT
Hoss
screams! Leaping back away from the scalp. Little Joe jumps to his feet ready
for action.
LITTLE
JOE
What!
What is it!
HOSS
What
is it? It's a scalp, you little knot-head.
We
suddenly HEAR the off stage voice of Chief Killowatt. Hoss and Joe turn to find
him in the entrance of the teepee.
CHIEF
KILLOWATT
I
heard War cry! I am Chief Killowatt
Two
more Chiefs enter the teepee. They are Sly Fox and Big Wolf.
CHIEF
KILLOWATT
(continuing)
This
is Sly Fox and Big Wolf
(he
turns to the two Chiefs)
This
is great Chief Running Bull and his Brave, Little Knothead.
Joe
and Hoss exchange looks.
********
In "The
Little House on the Prairie" episode "Halloween Dream"
Albert and Laura dress up as Indians (Albert as a Chief, Laura a Brave) to
attend a Halloween party. They go to have a rest before leaving and Albert has a
dream that they have left for the party and on the way are stopped by real
Indians. Albert is thought to be the son of Running Bull. The following
piece is from the "Little House" episode and is almost exactly the
same as the Bonanza one above.
********
Albert:
Laura how can you just sit there. There must be a million Indians outside.
Laura:
Shhh will you please be quiet and let me think.
Albert:
Maybe we can sneak out of here and escape.
Laura:
Forget it. You just said it your self, there are a million Indians out there.
Albert:
Oh yeah. We've got to think of something.
(He
walks across the teepee and puts his hand on a pole where a scalp can be seen.
Albert turns his head, sees the scalp. He screams. Laura looks over.)
Laura:
What is it!
Albert
(yelling the words): What is it? It's a scalp you knot head.
Laura:
A scalp.
(Three
Indians enter the teepee)
Chief
Killowatt: I heard war cry. I am Chief Killowatt of Blackfoot tribe.
Chief
Killowatt (He points to the other Indians): This is Sly Fox and Big Wolf.
Chief Killowatt
(He points to Albert and tells the other Indians): And this is son of great
Chief Running Bull. (He points to Laura) And his Brave Knothead.
(Laura
and Albert look at each other).
********
![](ep270secondchance.jpg)
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Episode 270. Second Chance - First aired on
September 17, 1967.
Blooper: After Joe is shot
by an arrow, Hoss sees smoke and goes for help. He finds a small wagon
train. He doesn’t introduce himself to anyone but Doctor Dawson calls
him Mr. Cartwright.
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![](ep271senseofduty.jpg)
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Episode 271.
Sense Of Duty – First aired on September 24, 1967.
David Canary (Candy) made his first appearance in
this episode. According
to Robert Blees, (Bonanza line producer) "Canary is the sand in
the gears. He's there to shake up the Cartwright establishment, put a bomb
under all those cliche morality plays. While Papa Ben is yelling for a
fair trial, Candy is capable of something a little more underhanded - and
human."
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![](ep272theconquistadors.jpg)
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Episode
272. The Conquistadors -
First aired on
October 1, 1967. |
![](ep273judgementsatolympus.jpg)
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Episode
273. Judgment At Olympus - First aired on October 8,
1967.
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![](ep274nightofreckoning.jpg)
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Episode 274. Night Of Reckoning - First aired on
October 15, 1967. |
![](ep275falsewitness.jpg)
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Episode 275. False Witness - First aired on
October 22, 1967.
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![](ep276thegentleones.jpg)
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Episode 276. The Gentle Ones – First aired on October
29, 1967. |
![](ep277desperatepassage.jpg)
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Episode 277. Desperate Passage - First aired on
November 5, 1967.
In the biography
“My Father’s Voice” written about her father, Lorne, Linda Greene
Bennett talks about some of the pranks that were played on her father.
According to Linda, one of them happened during a scene where Michael (as
Joe) fell from his horse into a river. Dan Blocker was standing there
screaming and yelling that Michael had drowned. Every one else was in on
the joke and they convinced Lorne that it was true. (We are not sure that
happened during the filming of this episode but there are not a lot of
episodes involving water where it could have happened.)
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![](ep278thesurething.jpg)
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Episode 278. The Sure Thing - First aired on
November 12, 1967.
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![](ep279showdownattahoe.jpg)
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Episode
279. Showdown At Tahoe –
First aired on November 19, 1967.
A press conference was
held during the making of this episode to introduce David Canary. This is
part of an article from TV Guide: Greene and Landon (Blocker is
temporarily detained) are preparing for the initiation ceremonies now. The
jokes are rib-tickling and needle sharp. The executive producer and
creator of Bonanza, David Dortort, acts as a sort of kindly referee. He
begins by explaining the new Canary character. “Candy is a loner, a
stray,” says Dortort. “He is not a Cartwright, so he is not
necessarily bound by family ties. He has no Ben Cartwright to fall back
upon in solving his problems.” “Yeah,” cracks Landon. “We find out
he’s illegitimate only midway in the season.” From the same article:
The day following the press conference we are sitting on the beach
watching the director set up the pilot house shot aboard The Dixie and
discussing the nuances of playing the outsider role both on the screen and
off. “I’m the new kid on the block,” says David Canary pleasantly.
“They don’t know me. I can’t expect to be accepted right away. They
have too many memories, confidences. It’s hardest when they’re cutting
up, telling stories on the set. I’m not there – like when you first
walk into a party. I may never catch up. Maybe it’s not necessary that I
do.”
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![](ep280sixblackhorses.jpg)
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Episode 280. Six Black Horses - First aired on
November 26, 1967.
Teleplay by
Michael Landon & William Jerome. Story by William Jerome.
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![](ep281checkrein.jpg)
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Episode
281. Check
Rein – First aired on December 3,
1967.
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![](ep282justicedeferred.jpg)
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Episode 282. Justice
Deferred - First aired on
December 17, 1967. |
![](ep283thegolddetector.jpg)
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Episode 283. The
Gold Detector - First aired on December 24, 1967.
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![](ep284thetrackers.jpg)
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Episode 284. The Trackers - First aired on
January 7, 1968. |
![](ep285agirlnamedgeorge.jpg)
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Episode 285. A Girl Named George - First aired
January 14, 1968.
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![](ep286thethirteenthman.jpg)
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Episode 286. The
Thirteenth Man - First aired on
January 21, 1968.
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![](ep287theburningsky.jpg)
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Episode
287.
The Burning Sky - First aired on January 28, 1968.
This was guest star Dawn Wells (Moon Holt) second appearance on
Bonanza. In the following piece Dawn Wells talks about a fight scene with
guest star Victor French (Aaron). “I was tackled, choked and shaken
around. Victor was as gentle as he could be under the circumstances,
especially since I didn’t have a stunt double. We worked out a lot of
the action ourselves, rolling here and there in the dirt and hitting each
other. By accident, I smacked Victor during rehearsal, and he had a great
comeback. He said, ‘You’re a good actress, but you don’t have to be
that good.'”
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![](ep288thepriceofsalt.jpg)
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Episode 288. The Price Of Salt - First aired on
February 4, 1968. |
![](ep289bloodtie.jpg)
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Episode 289. Blood
Tie –
First aired on
February 18, 1968.
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![](ep290thecrimeofjohnnymule.jpg)
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Episode 290. The
Crime Of Johnny Mule –
First aired on
February 25, 1968.
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![](ep291thelatebencartwright.jpg)
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Episode 291. The Late Ben Cartwright - First aired on
March 3, 1968.
Guest star,
William Campbell (White) became friends with Michael Landon. I
loved working on Bonanza, and Michael Landon was one of the great guys of
the world. On Bonanza, I had a scene when I walked in and did that
fast-talking scene, and as I walked out, I slammed the door, and it became
very quiet, but they hadn't yelled 'cut.' Evidently they panned the
camera, and then I heard the word, 'cut,' and then I heard Michael Landon
say, 'Now, that's an actor,' which was sweet." Years after
Bonanza, Michael bought the rights to a book called “Where Pigeons Go To
Die” making the movie in 1990. The book was written by William
Campbell’s brother, R. Wright Campbell.
|
![](ep292starcrossed.jpg)
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Episode 292. Star Crossed - First aired on
March 10, 1968. |
![](ep293troubletown.jpg)
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Episode 293. Trouble Town - First aired on
March 17, 1968. |
![](ep294commitmentatangelus.jpg) |
Episode 294. Commitment
At Angelus – First aired
on April 7, 1968.
Blooper:
After Joe talks
to Ben at the ranch and starts to ride back to Angelus, when he
starts out on the road he hasn't got his black gloves on but the next time
we see him, his gloves are on.
Blooper:
Towards the end Ben shoots a man in the
leg - the man clutches below his knee, Ben ties his bandana above the
knee (it’s
possible he’s trying to tie a tourniquet). In that scene it looks like
Ben has split his trousers in the crotch.
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![](ep295adreamtodream.jpg)
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Episode 295. A Dream To Dream - First aired on
April 14, 1968.
Blooper:
After Hoss takes the little boy, Timmy, for a ride, Timmy tells Hoss that
his father won’t let him have a horse. Just after this Hoss calls the
boy, Johnnie. Timmy is played by Johnnie Whitaker.
|
![](ep296indefenseofhonor.jpg)
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Episode 296. In Defense Of Honor - First aired on
April 28, 1968.
According to
guest star Ned Romero (White Wolf) Lorne Greene and Ben Cartwright were
almost the same person, saying, “I never worked with Lorne Greene. But I
did work with Ben Cartwright, even off camera. It was something amazing to
see. In fact, he even introduced himself to me as Ben Cartwright when I
first walked onto the set.” About Michael Landon and Dan Blocker, he
said, “It’s so sad that both died so young. Michael was a really nice
guy. He reminded me, only because of his physical prowess, of Robert
Conrad. I worked with both. Bob was kind of hard to get to know, which is
okay; we worked well together, that was the main thing. But Michael was
always very friendly.”
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![](ep297todieindarkness.jpg)
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Episode 297. To
Die In Darkness –
First aired on May 5, 1968.
Written
& Directed by Michael Landon.
This was the first episode that Michael
directed. Michael said that before he was given a chance to direct, people
believed that it was something he wouldn’t be able to do, he was only
considered an actor. At a press conference during the filming of
“Showdown At Tahoe,” David Dortort was talking and when he said that
Michael had written some screenplays and someday may direct, Michael
didn’t let the chance go by. In front of the press, Michael asked David
Dortort when he would be given the chance to direct, when David tried to
fob him off by saying he had to check the schedule, Michael said that show
seventeen was free and that he had the screenplay written for it. There
was no way David Dortort could get out of it so he agreed the episode
would be Michael’s to direct.
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![](ep298thebottlefighter.jpg)
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Episode 298. The
Bottle Fighter – First aired on May 12, 1968.
(In an article Lorne Greene talked about his bad back and how
guest star Albert Dekker (Barney Sturgess) suggested he try acupuncture.
“Actually, I can’t really pinpoint how I hurt my back. But I think it
happened one day on the Bonanza set. On any soundstage there are many
electrical cables on the floor, and I tripped over one. I caught myself in
time from falling to the floor. By doing this I believe something in my
back snapped. You know, a lot of times it’s better to take a small fall
instead of catching yourself – because your muscles get very tight and
possibly strained. I started feeling great pain within a few days, and my
doctor sent me to an orthopaedist. He admitted there was little he could
do, and told me that ten percent of the people in the world are born with
a back like mine. This really puzzled me, because I had never had any back
problems before. In order to ease my discomfort slightly I started to wear
a cumbersome back brace. Still the pain continued, and I was unable to sit
down. In fact, they had to build me a special chair on the set so I could
sort of lean against it. The pain increased as the weeks went by, and at
times I felt like screaming out, I was in such misery. Fortunately,
Albert Dekker was signed to guest star in a segment. Albert is a wonderful
person, and his first morning on the set he noticed that I was in terrible
pain. I remember I was perspiring heavily. My face was covered with sweat
as I fought to continue working. Greatly concerned, he asked me if he
could help. I told him about my back, and that nothing could be done. He
told me I should see his Oriental doctor and try it. ‘Try what?’ I
asked him. He mentioned acupuncture. I didn’t know then what the word
meant….Albert explained it was the science of inserting needles into the
body to reach nerve centers as a treatment in relieving or eliminating
pain. I told him, ‘Forget it! Nobody is going to stick pins into me.’
Bless Albert! He persisted and the next day brought me a little book
printed in 1823. I read it, and learned that the Chinese first discovered
and used acupuncture some five thousand years ago. But I still had doubts
– the method sounded too fancy for me. By the end of the week I was in
such pain, I was willing to try anything, and so I told Albert, ‘Take me
to your doctor.’ (Lorne goes on to talk about how the acupuncture
relieved his pain.)
|
![](ep299thearrivalofeddie.jpg)
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Episode
299. The Arrival Of Eddie - First aired on May 19, 1968.
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![](ep300thestronghold.jpg)
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Episode 300. The
Stronghold - First aired on
May 26, 1968.
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![](ep301prideofaman.jpg)
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Episode 301. Pride Of A Man - First aired on
June 2, 1968.
|
![](ep302aseverecaseofmatrimony.jpg)
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Episode
302. A Severe Case Of Matrimony - First aired on
July 7, 1968. |
![](ep303stagedoorjohnnies.jpg)
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Episode
303. Stage Door Johnnies - First aired on
July 28, 1968. |
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