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SEASON 9 (1967–1968)

According to TV Guide, 1967: Until recently, Landon willingly performed his stunt work free of charge, although his participation in such activities was not specified in his contract. Then he and producer Dortort began wrangling over salaries Landon felt were due a group of musicians he had taken on a personal-appearance tour. When management continued to refuse payment, Landon cited his contract and demanded compensation for his stunts. As he stood beneath the shower, making certain to keep his shaggy hair dry, he recalled completing a simple fight scene earlier in the day. The cameraman needed two takes to get it right. Landon promised that he would send Dortort a bill for $175.

From another article. About a year ago, on his return from a brief personal appearance tour, he was presented with a bill from NBC for the services of a small musical group that had accompanied him. It had been Landon's understanding that the group was to have been paid by the network. It had been the network's understanding that the group was Landon's own responsibility. The bill was $1500. After stating his case and reiterating his feelings that the bill was the network's responsibility, Landon suddenly caved in and paid it. A few days later Landon performed a difficult stunt on the show that ordinarily would have called for the services of a stuntman. There was nothing unusual in this. Mike is a strong, wiry young man, a former high school athlete and something of a physical fitness nut. From the beginning he has insisted on doing his own stunts - falls, fights, hard riding. He is quite good enough at it to qualify as a professional stuntman were he not an actor. This time, however, Landon sent the network a bill. Stuntman's services rendered. The network knew instantly that it had been had. Mike, for years, had saved them a considerable amount of money by doing his own stunts. If a stuntman were called for and he elected to do the stunt himself, he was legally entitled to be paid for it. The few stars who did their own stunts rarely asked for the money. Nor had Landon over a period of seven years. But he felt the network had been unfair with him in the matter of the $1500 for the musical group and he simply declared a quiet, and quite legal, little war. He has long since recovered the $1500 in stuntman checks and the "interest" now continues to rise with almost every episode Landon is in.   

From a 1991 article: Alex Sharp, who worked with Mike for many years as a stuntman on “Bonanza”, remembers: “When he (Michael) and Dan Blocker were doing PA’s (personal appearances) for NBC, NBC questioned their expense account. They got in a big squabble about it, so Mike said, ‘Okay, from now on, all the stunts I do, I want to get paid like a stuntman.' So the first one we did, we did this fight and it was over a railing and onto the horses and the whole thing. And he loved to do it. We got through and he looked at me and said, ‘What do you think we oughta charge ‘em?’ In those days a hundred dollars was a lot of money for a stunt. So I said, ‘Well, you’re the star, charge ‘em three hundred.’  ‘Three hundred!?!’ He looked at me as if to say, ‘God, that IS quite a bit we did.’ ‘Well,’ I said, ‘after all, you’re the star; they’re not gonna question it, are they?’ So here comes the assistant director to negotiate this and he’s kind of embarrassed about it. He’s hemming and hawing and he said, ‘What do you think?’ Mike kept looking at me, so I said, ‘Well, three hundred.’ The assistant director said, ‘THREE HUNDRED??!!' And then he looked at Mike and he looked at me and he said, ‘Well, I guess…okay.’ And Mike said, ‘Wait a minute! He negotiates his; now I want to negotiate my own deal.’ When he found out it was that easy he said, ‘Let him talk for himself!’ He wanted to find out just how far he could go. He didn’t know how much to ask but he sure found out in a hurry to wait for somebody else to say it and then ‘I’m gonna up it.’ I chased him down the road, I said, ‘You sonufabitch!!’”

The following is part of an article about filming in October, 1967. A bell rings. The set freezes. “Lights!” someone cries. There is a crack as they burst to life. “Speed – action!” The camera tracks back as Ben Cartwright and a girl talk and walk the courtyard. “Cut – print.” Two bells. The set unfreezes. They shoot it again for Ben Cartwright’s expressions and then the girl’s. Six times, counting rehearsals they do the short scene. The lights are reset. A bell rings…The cycle will continue until after dusk, just as it has five days a week for the past eight years. “When I’m asked about this tedium I always think of an executive friend of mine,” Lorne Greene says. “Now, he held the same job down for twenty years. Each day he couldn’t wait to get to the office to discover what new and exciting thing would happen. There are two others, I know in similar positions, who dread the routine and each new day at the office. It’s all a state of mind, you see.” Dan Blocker tells you frankly it rattles him more than the others. “Repetition, repetition, and more repetition. A body sure does get tired. But pepper my hide, I’m a professional! This here job pays mighty well, mighty well indeed. And I might as well be bored here as somewhere else…”

According to TV guide, this season was to include a comedy episode written by Michael Landon called, "It’s a Lot of Bull." The article talked about the problems in getting the episode approved. Part of it states: The story line features a 300-pound Indian girl, obviously a ploy for Blocker. "Continuity felt it was inconceivable that Hoss and Joe could speak to the Indians, since the Indians wouldn't understand English," Landon complained on the way to the masseur. "How many years has Hollywood been making pictures where cowboys and Indians speak to each other in English? We certainly should be able to take this much dramatic license. You begin to get the feeling that somebody's just trying to think of something to write down so they can send a memorandum."

If this episode was ever filmed, it never aired. Years later (in 1979) Michael used basically the same script for a “Little House on the Prairie” episode (with Laura and Albert playing the parts written for Joe and Hoss).

In the Bonanza script, Hoss and Joe are dressed as Indians (Hoss as a Chief and Joe a Brave), on their way to a fancy dress party. They are intercepted by real Indians. Hoss is thought to be Chief Running Bull. They are taken to the Indian village.

The following piece is from the script. This scene takes place in the tent where Hoss and Joe have been left alone and are trying to think of a way to escape.

        ******** 

As Hoss begins to think, he leans against the side post of the teepee. His hand touches something strange. We ZOOM IN to a close up of his face and slowly pan down his arm to a scalp.

FULL SHOT

Hoss screams! Leaping back away from the scalp. Little Joe jumps to his feet ready for action.

LITTLE JOE

What! What is it!

HOSS

What is it? It's a scalp, you little knot-head.

We suddenly HEAR the off stage voice of Chief Killowatt. Hoss and Joe turn to find him in the entrance of the teepee.

CHIEF KILLOWATT

I heard War cry! I am Chief Killowatt

Two more Chiefs enter the teepee. They are Sly Fox and Big Wolf.

CHIEF KILLOWATT

(continuing)

This is Sly Fox and Big Wolf

(he turns to the two Chiefs)

This is great Chief Running Bull and his Brave, Little Knothead.

Joe and Hoss exchange looks. 

        ******** 

In "The Little House on the Prairie" episode "Halloween Dream" Albert and Laura dress up as Indians (Albert as a Chief, Laura a Brave) to attend a Halloween party. They go to have a rest before leaving and Albert has a dream that they have left for the party and on the way are stopped by real Indians. Albert is thought to be the son of Running Bull. The following piece is from the "Little House" episode and is almost exactly the same as the Bonanza one above. 

        ******** 

Albert: Laura how can you just sit there. There must be a million Indians outside. 

Laura: Shhh will you please be quiet and let me think. 

Albert: Maybe we can sneak out of here and escape. 

Laura: Forget it. You just said it your self, there are a million Indians out there. 

Albert: Oh yeah. We've got to think of something. 

(He walks across the teepee and puts his hand on a pole where a scalp can be seen. Albert turns his head, sees the scalp. He screams. Laura looks over.) 

Laura: What is it! 

Albert (yelling the words): What is it? It's a scalp you knot head. 

Laura: A scalp. 

(Three Indians enter the teepee) 

Chief Killowatt: I heard war cry. I am Chief Killowatt of Blackfoot tribe. 

Chief Killowatt (He points to the other Indians): This is Sly Fox and Big Wolf. 

Chief Killowatt (He points to Albert and tells the other Indians): And this is son of great Chief Running Bull. (He points to Laura) And his Brave Knothead. 

(Laura and Albert look at each other). 

        ********  

Episode 270. Second Chance - First aired on September 17, 1967.

Blooper: After Joe is shot by an arrow, Hoss sees smoke and goes for help. He finds a small wagon train. He doesn’t introduce himself to anyone but Doctor Dawson calls him Mr. Cartwright.

Episode 271. Sense Of Duty – First aired on September 24, 1967. 

David Canary (Candy) made his first appearance in this episode. According to Robert Blees, (Bonanza line producer) "Canary is the sand in the gears. He's there to shake up the Cartwright establishment, put a bomb under all those cliche morality plays. While Papa Ben is yelling for a fair trial, Candy is capable of something a little more underhanded - and human."


Episode 272. The Conquistadors - First aired on October 1, 1967.

Episode 273. Judgment At Olympus - First aired on October 8, 1967.

 

Episode 274. Night Of Reckoning - First aired on October 15, 1967.

Episode 275. False Witness - First aired on October 22, 1967.

Episode 276. The Gentle Ones First aired on October 29, 1967.

Episode 277. Desperate Passage - First aired on November 5, 1967.

In the biography “My Father’s Voice” written about her father, Lorne, Linda Greene Bennett talks about some of the pranks that were played on her father. According to Linda, one of them happened during a scene where Michael (as Joe) fell from his horse into a river. Dan Blocker was standing there screaming and yelling that Michael had drowned. Every one else was in on the joke and they convinced Lorne that it was true. (We are not sure that happened during the filming of this episode but there are not a lot of episodes involving water where it could have happened.)  

Episode 278. The Sure Thing  - First aired on November 12, 1967.


Episode 279. Showdown At Tahoe – First aired on November 19, 1967.

A press conference was held during the making of this episode to introduce David Canary. This is part of an article from TV Guide: Greene and Landon (Blocker is temporarily detained) are preparing for the initiation ceremonies now. The jokes are rib-tickling and needle sharp. The executive producer and creator of Bonanza, David Dortort, acts as a sort of kindly referee. He begins by explaining the new Canary character. “Candy is a loner, a stray,” says Dortort. “He is not a Cartwright, so he is not necessarily bound by family ties. He has no Ben Cartwright to fall back upon in solving his problems.” “Yeah,” cracks Landon. “We find out he’s illegitimate only midway in the season.” From the same article: The day following the press conference we are sitting on the beach watching the director set up the pilot house shot aboard The Dixie and discussing the nuances of playing the outsider role both on the screen and off. “I’m the new kid on the block,” says David Canary pleasantly. “They don’t know me. I can’t expect to be accepted right away. They have too many memories, confidences. It’s hardest when they’re cutting up, telling stories on the set. I’m not there – like when you first walk into a party. I may never catch up. Maybe it’s not necessary that I do.”

Episode 280. Six Black Horses - First aired on November 26, 1967.

Teleplay by Michael Landon & William Jerome. Story by William Jerome.

Episode 281. Check Rein – First aired on December 3, 1967.

 

 

Episode 282. Justice Deferred - First aired on December 17, 1967.

Episode 283. The Gold Detector - First aired on December 24, 1967. 

 

Episode 284. The Trackers - First aired on January 7, 1968.

Episode 285. A Girl Named George - First aired January 14, 1968.

 

Episode 286. The Thirteenth Man - First aired on January 21, 1968.

 

 

Episode 287. The Burning Sky - First aired on January 28, 1968.

This was guest star Dawn Wells (Moon Holt) second appearance on Bonanza. In the following piece Dawn Wells talks about a fight scene with guest star Victor French (Aaron). “I was tackled, choked and shaken around. Victor was as gentle as he could be under the circumstances, especially since I didn’t have a stunt double. We worked out a lot of the action ourselves, rolling here and there in the dirt and hitting each other. By accident, I smacked Victor during rehearsal, and he had a great comeback. He said, ‘You’re a good actress, but you don’t have to be that good.'” 

Episode 288. The Price Of Salt - First aired on February 4, 1968.

Episode 289. Blood Tie First aired on February 18, 1968.

Episode 290. The Crime Of Johnny Mule First aired on February 25, 1968.

 

Episode 291. The Late Ben Cartwright - First aired on March 3, 1968.

Guest star, William Campbell (White) became friends with Michael Landon. I loved working on Bonanza, and Michael Landon was one of the great guys of the world. On Bonanza, I had a scene when I walked in and did that fast-talking scene, and as I walked out, I slammed the door, and it became very quiet, but they hadn't yelled 'cut.' Evidently they panned the camera, and then I heard the word, 'cut,' and then I heard Michael Landon say, 'Now, that's an actor,' which was sweet." Years after Bonanza, Michael bought the rights to a book called “Where Pigeons Go To Die” making the movie in 1990. The book was written by William Campbell’s brother, R. Wright Campbell.

Episode 292. Star Crossed - First aired on March 10, 1968.

Episode 293. Trouble Town - First aired on March 17, 1968.
Episode 294. Commitment At Angelus – First aired on April 7, 1968.

Blooper: After Joe talks to Ben at the ranch and starts to ride back to Angelus, when he starts out on the road he hasn't got his black gloves on but the next time we see him, his gloves are on. 

Blooper: Towards the end Ben shoots a man in the leg - the man clutches below his knee, Ben ties his bandana above the knee (it’s possible he’s trying to tie a tourniquet). In that scene it looks like Ben has split his trousers in the crotch.   

Episode 295. A Dream To Dream - First aired on April 14, 1968.

Blooper: After Hoss takes the little boy, Timmy, for a ride, Timmy tells Hoss that his father won’t let him have a horse. Just after this Hoss calls the boy, Johnnie. Timmy is played by Johnnie Whitaker.

Episode 296. In Defense Of Honor - First aired on April 28, 1968.

According to guest star Ned Romero (White Wolf) Lorne Greene and Ben Cartwright were almost the same person, saying, “I never worked with Lorne Greene. But I did work with Ben Cartwright, even off camera. It was something amazing to see. In fact, he even introduced himself to me as Ben Cartwright when I first walked onto the set.” About Michael Landon and Dan Blocker, he said, “It’s so sad that both died so young. Michael was a really nice guy. He reminded me, only because of his physical prowess, of Robert Conrad. I worked with both. Bob was kind of hard to get to know, which is okay; we worked well together, that was the main thing. But Michael was always very friendly.”     

Episode 297. To Die In Darkness – First aired on May 5, 1968.

Written & Directed by Michael Landon. 

This was the first episode that Michael directed. Michael said that before he was given a chance to direct, people believed that it was something he wouldn’t be able to do, he was only considered an actor. At a press conference during the filming of “Showdown At Tahoe,” David Dortort was talking and when he said that Michael had written some screenplays and someday may direct, Michael didn’t let the chance go by. In front of the press, Michael asked David Dortort when he would be given the chance to direct, when David tried to fob him off by saying he had to check the schedule, Michael said that show seventeen was free and that he had the screenplay written for it. There was no way David Dortort could get out of it so he agreed the episode would be Michael’s to direct.  

Episode 298. The Bottle Fighter – First aired on May 12, 1968.

(In an article Lorne Greene talked about his bad back and how guest star Albert Dekker (Barney Sturgess) suggested he try acupuncture. “Actually, I can’t really pinpoint how I hurt my back. But I think it happened one day on the Bonanza set. On any soundstage there are many electrical cables on the floor, and I tripped over one. I caught myself in time from falling to the floor. By doing this I believe something in my back snapped. You know, a lot of times it’s better to take a small fall instead of catching yourself – because your muscles get very tight and possibly strained. I started feeling great pain within a few days, and my doctor sent me to an orthopaedist. He admitted there was little he could do, and told me that ten percent of the people in the world are born with a back like mine. This really puzzled me, because I had never had any back problems before. In order to ease my discomfort slightly I started to wear a cumbersome back brace. Still the pain continued, and I was unable to sit down. In fact, they had to build me a special chair on the set so I could sort of lean against it. The pain increased as the weeks went by, and at times I felt like screaming out, I was in such misery. Fortunately, Albert Dekker was signed to guest star in a segment. Albert is a wonderful person, and his first morning on the set he noticed that I was in terrible pain. I remember I was perspiring heavily. My face was covered with sweat as I fought to continue working. Greatly concerned, he asked me if he could help. I told him about my back, and that nothing could be done. He told me I should see his Oriental doctor and try it. ‘Try what?’ I asked him. He mentioned acupuncture. I didn’t know then what the word meant….Albert explained it was the science of inserting needles into the body to reach nerve centers as a treatment in relieving or eliminating pain. I told him, ‘Forget it! Nobody is going to stick pins into me.’ Bless Albert! He persisted and the next day brought me a little book printed in 1823. I read it, and learned that the Chinese first discovered and used acupuncture some five thousand years ago. But I still had doubts – the method sounded too fancy for me. By the end of the week I was in such pain, I was willing to try anything, and so I told Albert, ‘Take me to your doctor.’ (Lorne goes on to talk about how the acupuncture relieved his pain.) 

Episode 299. The Arrival Of Eddie - First aired on May 19, 1968.


Episode 300. The Stronghold - First aired on May 26, 1968.


Episode 301. Pride Of A Man - First aired on June 2, 1968.


Episode 302. A Severe Case Of Matrimony - First aired on July 7, 1968.

Episode 303. Stage Door Johnnies - First aired on July 28, 1968.

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