| SAMANTHA GUITAR |
| Effects Processors |
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GT-6: Guitar Effects Processor Features Under the hood of the shiny GT-6 is BOSS' most advanced COSM® modeling engine ever—complete with 30 amp models, plus all-new COSM Distortion/Overdrive Pedal Modeling and Wah Modeling. Add to this all-new effects like "Uni-V" and "De-Fretter," plus superb 24-bit sound quality, and you've got the most powerful floor-based multiple effects processor in BOSS history. BOSS’ Most Advanced COSM Modeling Rather than adding a few bells and whistles, BOSS completely refined the GT-6’s COSM engine to include 30 of the finest amp and speaker cabinet models ever—from vintage classics to modern screamers. Then BOSS took the GT-6 even further by offering killer new Overdrive/Distortion Modeling (15 types of classic distortion and overdrive pedals) and COSM Wah Modeling (5 types of vintage and modern wah pedals). New “Uni-V” and “De-Fretter” Effects In addition to ultra high-quality BOSS effects like chorus, delay, reverb, phasing, flanging, tremolo, pitch shifting, Slicer, Acoustic Simulator and more, the GT-6 is the first BOSS unit to offer new Uni-V and De-Fretter effects, which provide cool phase shifting-vibrato effects and simulate the sound of a “fretless” guitar, respectively. Intuitive Operation and Customize Feature Even with all the great presets, chances are you’ll be anxious to create your own signature tones. To this end, the GT-6 offers 15 very tweakable knobs set up to control the Amp/Speaker models, Overdrive/Distortion, and other primary effects. And with the GT-6’s expanded Customize function, you can build your own amp and speaker models, along with distortion units and wah pedals. There’s never been a more flexible or intuitive guitar processor! 24-bit Sound Quality, Flexible Outputs Why did BOSS build the GT-6 with 24-bit A-D and D-A converters? Because we wanted our incredible effects and COSM models to sound their absolute best. So in addition to being extremely quiet, the GT-6 gives you phenomenal dynamic range; a coaxial digital output is provided for recording. And with eight output options including the classic Roland JC-120, plus cool combos, amp stacks, effect loops and more, you won’t find a more complete pedalboard than the shiny GT-6. |
| Plug into BOSS's most powerful rack processor ever. With a dual COSM effects engine and an expansive I/O section that includes XLR outputs, three sets of send/returns, and a USB port for data exchange and audio flow, the new GT-Pro is the perfect front-end for driving a wall of powered cabinets or for direct, pro-grade recording applications. Whether on stage or in the studio, you'll be amazed at how much power and performance this top-quality rack has to offer.
Features BOSS's most powerful rack processor for stage and studio! Expanded pro-grade I/O section with XLR outs, three sets of send/returns, and a variety of control jacks Dual COSM amp engines allows true two-channel operation Amp channels can be switched, layered, or panned in real-time; Dynamic mode allows channel switching based on picking dynamics 200 preset patches and 200 user patches; 44 effects categories, up to 15 simultaneous FX blocks User configurable effect chain; any effect can be in any order in the signal path Solo switch on the COSM amp section for instant lead tone Amp control jack for switching external guitar amp channels 24-bit converters and coaxial digital output for high-resolution recording Perfect for PC/Mac-based recording and patch management via single USB connection Dual COSM amp power With its dual COSM amp-modeling, the GT-Pro allows you to construct towering tones by combining any two of the 46 amp models -- then layer, switch, or pan between them as your play. Amp channels can even be controlled according to how hard you play (picking dynamics). In addition, no matter which amp model you've selected, you can instantly access a companion lead tone with the Solo switch. It's like having a separate solo channel for every COSM amp model! BOSS's best multi-FX Looking for BOSS's best effects? You'll find them here. As the top of GT line, the GT-Pro provides 44 effects categories, with 200 preset- and 200 user-patch locations. Choose from compressors, overdrives, delays, reverbs, choruses, EQs, wahs, and dozens of other BOSS-quality effects -- there's even a sitar and acoustic guitar emulator onboard. The GT-Pro also impresses with its ultra-flexible effects routing. Internally, the 15 effects blocks can be configured in any order you desire; externally, a trio of effects loops plus an array of assignable outputs enables the most flexible signal-routing configurations. Used as a rackmount guitar preamp, the GT-Pro crushes the competition with its advanced internal effects and routing flexibility. Pro connectivity Drive your tone in luxury through the GT-Pro's top-grade circuitry and balanced outputs. Thanks to its improved signal-to-noise ratio, the GT-Pro offers an incredibly pure signal path. Use the built-in ground-lift switch to keep your signal clean, no matter the stage or studio environment. If you wish to add some serious settings for the stage environments, you can split the signals independently to a couple of guitar amps with the stereo Sub Outs. I/O flexibility is the name of the game with the GT-Pro, as it also provides four 1/4 in. analog audio outputs, a pair of balanced XLR outputs, and three pairs of effects send/returns. Digital recording & patch management No matter how simple or complex your recording needs are, the GT-Pro has the tools you need to get pro-quality results. For pristine, high-resolution recording, plug into the 24-bit coaxial output -- the routing of which is user-definable. In recording situations, you could set up multiple signal paths -- one for the recording input, for example, one for your private monitor, and another to the digital out in the signal path, independent of the loop out and main outs. For one-cable patch management, a USB port is provided for connecting the GT-Pro to a computer of your choice; the GT-Pro comes with Mac/PC editor/librarian software at no additional cost. In addition, the GT-Pro provides USB-Audio functionality. Technical Info AD conversion: 24-bit + AF method (AF method (Adaptive Focus method) This is a proprietary method from Roland that vastly improves the signal-to-noise (S/N) ratio of the A/D and D/A converters.) DA conversion: 24-bit Sampling frequency: 44.1 kHz Program memories:400: 200 (User) + 200 (Preset) Nominal input level: -- PRE LOOP RETURN: -10 dBu -- LOOP 1/2 RETURN: -10 dBu/+4 dBu Input impedance: -- Input: 1 M ohms -- Return: 220 k ohms Nominal Output Level: -- Main out/sub out: -10 dBu/+4 dBu -- Sub output XLR: +4 dBu -- Pre loop send: -10 dBu -- Loop 1/2 send: -10 dBu/+4 dBu Output Impedance: -- Main out/sub out: 2 k ohms -- Sub output XLR: 600 ohms -- Pre loop send: 2 k ohms -- Loop 1/2 send: 2 k ohms Digital output: EIAJ CP1201, S/P DIF Dynamic range: 100 dB or greater (IHF-A) Display: 16 characters, 2 lines (backlit LCD) 2 characters, 7 segment LED, input peak indicator Connectors: -- Front panel: input jack, phones jack -- Rear panel: input jack, direct out/tuner out jack, main output jacks L(mono)/R, sub output jacks L (mono)/R, sub output XLR connector L/R, XLR ground lift switch, pre loop send jack, pre loop return jack, loop 1 send jack, loop 2 send jack, loop 1 return jack, loop 2 return jack, amp control 1 jack, amp control 2 jack, exp pedal 1 jack, ctl pedal1,2 jack, exp pedal 2/control pedal 3,4 jack, digital out connector (coaxial), USB connector, MIDI connectors IN/OUT/THRU Power Supply: AC117V, 230V or 240V Accessories: USB cable, GT-PRO software CD-ROM, owner's manual Options: MIDI foot controller: FC-200, GFC-50, Foot switch: FS-5U, FS-5L, Dual Foot switch: FS-6, Expression Pedal: EV-5 (Roland), FV-300L, Foot switch Cable: PCS-31 (Roland) |
| Available in Sri Lanka call 0775995566 for used or brand new. |
| The new GNX4 is a full-featured multi-modeling floor effects processor, portable digital 8-track recorder, MIDI drum machine, MP3 player, and 4 in 4 out USB audio computer interface combined into a single package. Never before has there been a product that gives the aspiring guitarist the ease and convenience to capture ideas and turn them into masterpieces at such an affordable price DigiTech has once again raised the bar in defining the performing/recording guitarist's ideal workstation. The new GNX4 is a full-featured multi-modeling floor effects processor, portable digital 8-track recorder, MIDI drum machine, MP3 player, and 4 in 4 out USB audio computer interface combined into a single package. Never before has there been a product that gives the aspiring guitarist the ease and convenience to capture ideas and turn them into masterpieces at such an affordable price. Features: Guitar multi-modeling recording workstation 15 guitar amp and 10 bass amp models Distortion stompbox modeling Hypermodel creation-unlimited tones Built-in 8-track digital recorder 6 channels of audio streaming via USB (record 4, playback 2) MP3 Playback High quality mic preamp with 48V phantom power Stereo line inputs Built-in MIDI Drum machine Compact Flash memory storage XLR and 1/4 in. stereo outputs with Speaker Compensation 80 User/80 Factory Presets 24-bit A/D/A converters Recorder remote control via optional GNXFC Boatloads of bundled software As a performing guitar processor, the GNX4 is unmatched in its class. At the heart of the GNX4 is DigiTech's multi-modeling amp and cabinet modeling engine, where the sky is the limit on the number of amp and cabinet models that are available. Combine your favorite amp tone with studio quality effects processing, including the legendary Whammy and you have an unparalleled processing device. Connect to both your onstage amp and the house mixer using both the XLR and 1/4 in. outputs and find out what a huge sound really is. When you are ready to record, so is the GNX4. Thanks to USB connectivity and the included Pro Tracks Plus recording software, hands-free recording has been taken to the next level. Just press the record footswitch and stream four channels of 24-bit audio to the computer while playing two channels back, all with zero latency monitoring. A high-quality mic input with true +48V phantom power and stereo line inputs let you professionally capture virtually any audio source with ease. For the finishing touch, process your work through world-class Lexicon? reverbs courtesy of the Pantheon reverb plug-in provided with both Pro Tracks Plus recording software for PC and BIAS Deck SE recording software for Mac. If you are out jamming with the band, the built-in 8-track recorder can capture the magic riffs that come out of nowhere and save the moment onto the Compact Flash memory card for transfer to the computer later. The GNX4 also features an advanced MIDI drum machine, providing a vast library of high quality drum kits and patterns to help craft your music with. You can even use your own MIDI files to playback the GNX4's drums. When not playing drums, the GNX4's drum machine playback engine can play back your favorite MP3s for something cool to rehearse with or for live performance. Included Software Pro Tracks Plus Lexicon? Pantheon Reverb Plug-in Cakewalk Pyro Express for CD burning BIAS? Deck 3.5 SE Mac Recording X-Edit Editor-Librarian Technical Info 24-bit analog-digital Delta Sigma converters Compact Flash Type I compatible card MIDI compatible Drum Machine 11 simultaneous Effects 80 User, 80 Artist Presets, 80 more User with optional CF card Guitar Input: 1/4 in. unbalanced Mic Input: XLR balanced with phantom power Line Inputs: Two 1/4 in. TRS Footswitch Connector: 1/4 in. stereo TRS Line Outputs: - Two 1/4 in. Balanced - Two XLR Balanced Headphone Output: 1/4 in. Stereo MIDI: In, Out, Thru USB: 1.1 |
| KORG AX3A TONEWORKS ELECTRO ACOUSTIC GUITAR EFFECTS PEDAL WITH 43 ACOUSTIC GUITAR / EFFECTS/ MICS MODELS
The Korg AX3A ToneWorks is a multi-effects floor processor optimized for piezo-equipped electro-acoustic guitars. Compressor and limiter, spatial effects such as echo, delay and reverb, as well as stereo chorus are powered by REMS modelling technology. Also included are simulations of 10 micing techniques used to capture the body resonances of 43 acoustic guitar models, ranging from dreadnoughts to resonators, and nylon string guitars to add life and depth to an electro-acoustic's piezo pickup output. 7 REMS modelling effects can be used simultaneously including noise reduction, with 40 user programs and 40 preset programs available in the AX3A. Each effect type is editable via both main parameter and sub-parameters. For live use, the AX3A contains an adjustable notch filter to cancel the frequency where acoustic feedback is ocurring, and an auto chromatic tuner with mute mode, muteing the AX3A output for onstage tuning. An easy-to-read LED indicator provides an instant visual read-out of program information. The AX3A expression pedal input that can be used to control wah-wah or volume. The AX3A modelling signal processors can be powered by four AA batteries or via an optional AC adapter. KORG AX3A TONEWORKS EFFECTS TYPES 10 PRE EFFECTS: COMP, LIMITER, XCITER, WAH, VIB/PH, CH/FLN, DRONE, OCTAVE, RINGMOD. 1 TONE. 1 NOTCH. 10 MIC & BODY: C-MIC, M-LARGE, G-LARGE, G-SMALL, T-LARGE, DRY, NYLON, STEEL, RESO. 10 MOD: CL CHO, MT CHO, CL FLN, BI CHO, DUO PH, TREM, ROTARY, PITCH, RND, FILT, FILTRON. 5 DELAYS: ECHO+, MLT HD, MOD DLY, ST DLY, PP DLY. 5 REVERBS: SLAP, SPRING, PLATE, ROOM, HALL. 1 Noise Reduction. KORG AX3A TONEWORKS ELECTRO ACOUSTIC PEDAL SPECIFICATIONS 43 Effects: Pre Effect: 10, Tone: 1, Notch: 1, Mic & Body Effect: 10, Modulation Effect: 10, Delay Effect: 5, Reverb Effect: 5, Noise Reduction: 1. 80 Programs: 40 users / 40 presets. Connections: INPUT 1/4“ phone jack, OUTPUT 1/4“ stereo phone jack. Signal Processing: 24-bit A/D and D/A conversion, 31.25 kHz sampling frequency. Tuner: Detection range: 27.5 Hz ~ 1318.5 Hz (A0 ~ E6), calibration: A4=438 ~ 445 Hz. Power Supply: Four AA alkaline batteries for over eight hours of battery life, DC 9 V optional AC adapter. Dimensions: 7.01“ (W) x 5.59“ (D) x 1.69“ (H), 178 (W) x 142 (D) x 43 (H) mm. Weight: 11.99 oz. / 340 g. KORG AX3A TONEWORKS FEATURES 43 AX seres "REMS" modelling effects. 10 Microphone and body effects that replicate the micing setups for acoustic guitar sounds. Notch filter that lets you cut the frequency at which acoustic feedback occurs. 40 User programs for storing your modelling effects. 40 Preset modelling programs. Each effect provides full editing. Auto chromatic tuner with mute function. Battery or AC adapter power supply. Connect an optional EXP-2 foot controller or XVP-10 expression/volume pedal and use it as a volume or wah pedal. |
| Every guitarist craves a better way to satisfy his hunger for ultimate tone and control. The new AX3000G satiates that need with a powerful multi-effect processor that reaches far beyond its predecessors. Featuring Korg's proprietary "REMS" modeling technology, the AX3000G delivers high-quality modeling sounds and numerous ways to control those sounds in real time. With an expression pedal, a control switch, and an expression step sequencer, the AX3000G Modeling Signal Processor has all the elements a guitarist needs to fulfill his expressive vision. Technical Info Main Features Korg's REMS modeling technology delivers 72 realistic classic and modern amp, cabinet and effects models. Assignable control switch and expression pedal with 8 point LED pedal indicator for real-time parameter control. New ESS (Expression Step Sequencer) automatically controls most effect parameters in a fixed or random step function that can create radical sound changes. Sixteen types of drive and amp models cover everything from vintage overdrive to high-gain metal. Eleven types of pre-effect, cabinet, modulation, delay and reverb modeled effects deliver a broad sound palette. Transform your guitar with pickup, acoustic body and top, plus synth modeling effects. Thirty-two preset programs are provided, plus the internal memory can hold 96 of your own original programs. Send/return jacks let you connect your favorite distortion pedal or other effect unit. MIDI IN/OUT allows you to edit and store original sounds on your computer using the dedicated editor/librarian software (Windows and Macintosh are supported). Up to seven effects can be used simultaneously. Amp/line selector is included for maximum output versatility. Heavy-duty metal chassis stands up to the rigors of travel and stage performance. Auto Chromatic tuner with highly visible 8 point LED allows bypassed or muted (silent) tuning. Backlit LCD ensures easy visibility. Knob-based interface for quick, intuitive editing. Effects Models Korg's legendary REMS technology delivers new amp, cabinet and effects models. The AX3000G packs 72 types of amp models and effect sounds delivered by Korg's world-acclaimed "REMS" modeling technology. In addition to true-to-life reproductions of a wide array of vintage and modern guitar amps and cabinets, REMS also provides standard effects such as chorus, delay and reverb, in gorgeous detail. These effects transcend the stereotypical concept of effects, and open up completely new vistas of sound for the electric guitar. There are synth effects that model a guitar synthesizer, and completely new effects such as the Filtron that goes far beyond the conventional auto-wah. You can use the Acoustic effect to transform the sound of your electric guitar into that of an electro-acoustic, or Pickup Modeling to transform the tonal character of your pickups without switching guitars. The AX3000G also provides send/return jacks that make it easy for you to connect your favorite effect unit There's even a digital output (S/P DIF optical) jack so you can digitally record your playing without losing any of the amazing sound produced by REMS. Expressive Power In addition to using the AX3000G's expression pedal in standard ways, such as to control volume or wah, you can freely assign the pedal to a variety of effect parameters for unrivaled expressive control. For example, if you assign the "MANUAL" parameter of a flanger to the pedal, you can use the pedal to control the sweep, creating a highly distinctive sound. By assigning the pedal to control the delay time of the "ECHO PLUS" effect (which models the sound of a tape echo), you can use the pedal to control delay time. There is virtually no limit to the new sounds you can create in this way - the pedal can control the reverberation time of a reverb effect, the modulation speed of a chorus, flanger, or phaser, and much more. The AX3000G also provides a control switch that is a great asset in live performance. For example, you can use it to switch each effect block (such as the pre-effect and insert effect) on/off, to set effect parameters such as tap tempo of a delay in real time, to switch the rotational speed of a rotary speaker effect, or to control the Expression Step Sequencer (ESS). The possibilities are endless! Expression Step Sequencer The Expression Step Sequencer (ESS) automatically controls most effect parameters in a fixed or random step function. You can assign up to eight steps of effect parameter values in the step sequencer, and specify one of seven ways in which the sequencer will play back these steps: Forward, Backward, Alternate 1/2, Random, Forward (one-shot), and Alternate 1/2 (one-shot). This lets you create sounds with complex movement that were unachievable until now. For example, use the ESS with a pitch shifter effect to specify the pitch shift amount of each step and produce sounds that are reminiscent of a synthesizer's arpeggiator. Or use the ESS with a wah effect and create wah sounds that move in stepwise fashion. Of course there's also a Smooth setting that lets you produce a continuous change between steps. Vary the ESS speed in real time with the ESS expression pedal or a control switch. Eight Large-diameter LEDs give you a clear visual indication of the total number of steps in the sequence and location of the step that is currently in use. Thirty-Two Amazing Programs Korg's team of tone technologists have poured their decades of unrivaled tone-creation experience into every one of the AX3000G's 32 wide variety of preset programs. Use the internal programs or save your own in the 96 program locations that are provided for you to store your settings. There's also an Individual mode in which you can use the foot switches to turn individual effects on/off just as if you were controlling a row of compact effects. Analog-Feeling Ease of Operation Because the AX3000G is so easy to use, you can select, edit and use all of its features effortlessly. You can select an effect model just by turning the effect select knobs provided for each effect block. And you can edit each individual effect simply by turning the knobs of the familiar, analog-style user interface. Effect parameters are shown on the panel as a clear, understandable matrix. Built-in Auto Chromatic Tuner The built-in auto chromatic tuner operates automatically when the AX3000G is bypassed or muted. Simply by selecting Mute mode when you're on stage, you can tune without producing sound from your guitar amp or other connected equipment. The note name is shown in the bank display, and the pedal indicator and name display provide an accurate pitch indication that is easy to see even on dimly lit stages. Designed for Maximum Ease of Use And The Ideal Playing Experience Since the Output of the AX3000G can be connected to a variety of guitar amps (all of which have a different tonality) - or a mixer/recorder - four different equalizer settings are provided so you can ideally match the output of the AX3000G for the best results. The output choices are AP1 for connection to an opened-back U.S. combo amp; AP2 for connection to an opened-back U.K. combo amp with a distinctive sounding mid-range; AP3 for connection to a stack with 4 x 12 cabinets; and Ln for use with the Line output (including S/P DIF OUT), to go directly to a mixer/recorder or the power amp input of your guitar amp. Key Lock The Key Lock function lets you prevent the switches and knobs from being accidentally changed during live performances. Every aspect of the AX3000G has been designed with the utmost attention to detail in order to ensure the ideal playing experience. Extended possibilities via MIDI The AX3000G can receive program change messages, and can also transmit MIDI messages in response to pedal operations to control other MIDI devices. You can also control the AX3000G from your DAW software, making it an ideal addition even to high-end recording setups. AX3000G Sound EditorThe "AX3000G Sound Editor" editor/librarian software lets you graphically view the many parameters of the AX3000G and easily edit them, as well as save and organize programs. This software can be downloaded from the website of your regional Korg distributor. Operating requirements: Windows 98/Me/2000/XP, Mac OS X v10.2 or later. Effect Types DRIVE/AMP MODEL (16 types): TUBE OD, BOUTIQUE OD, FAT DIST, ORANGE DIST, METAL DIST, SHRED DIST, FUZZ, OCTAFUZZ, BOUTIQUE CL, BLACK 2x12, AC15, AC30TB, UK 68P, UK ??80S, UK MODERN, US MODERN CABINET MODEL (11 types): TWEED 1x8, TWEED 1x12, TWEED 4x10, BLACK 2x10, BLACK 2x12, VOX AC15TBX, VOX AC30TBX, VOX AD120VTX, UK H30 4x12, UK T75 4x12, US V30 4x12 Pre Effect (11 types): COMP, PICKUP, ACOUSTIC, VOX WAH, AUTO WAH, U-VIBE/PHASE, CHORUS/FLANGER, OCTAVE, RING MOD, DRONE, SYNTH Modulation Effect (11 types): CLASSIC CHORUS, MULTI TAP CHORUS, CLASSIC FLANGER, BI CHORUS, DUO PHASE, TEXTREM, ROTARY, PITCH SHIFTER, RANDOM STEP FILTER, FILTRON, TALK MOD Delay Effect (11 types): ECHO PLUS, MULTI HEAD, ANALOG DELAY, MOD DELAY, SWEEP DELAY, 2TAP DELAY, CROSS DELAY, RHYTHM DELAY, HOLD DELAY, REVERSE DELAY, FREEZ Reverb Effect (11 types): SLAP, SPRING, BOUNCE, PLATE, GARAGE, CHAMBER, CANYON, ROOM, STUDIO, HALL, ARENA Noise Reduction |
| Boss / Digitech / Korg / Zoom |
| Zoom G92TT Energizer using 12AX7 tube Giving body to the guitar sound and adding supple power and intensity -- that is the task of the Energizer. Turning up the TUBE control to drive the 12AX7 produces warm crunch with rich harmonics. The BOOST control spruces up highs and lows, resulting in more transparency. Enjoy a powerful tone also when recording directly to a line input or via USB on a computer. ZFX-3 -- a 32-bit DSP designed by ZOOM The heart of any multi-effect device is its processor and decoder section. ZOOM has started a fresh chapter with its new ZFX-3 chip. The 32-bit architecture ensures outstanding performance and allows smooth and detailed signal processing. Accuracy and speed ensure that even delicate picking and fingering work come across with impressive clarity. Features DSP sound modeling plus tube circuitry create the ultimate in distortion 96 kHz sampling and 24-bit A/D/A conversion assure super high resolution sound. An abundance of signal processing power allows accurate recreation of the complex upper-range harmonics that are the hallmark of tube amplifiers. Analog circuitry using a 12AX7 tube then adds that classic warmth and sonic impact to the DSP sound. The result combines the best of the digital and analog worlds: distortion so advanced and sophisticated it elevates your guitar playing to the next level. Preamp section with two channels The preamp section, comprised of the amp/drive-modeling, and EQ modules offers two channels per patch. You can easily select a channel by simple foot switch operation. Toggle between a Fender clean sound for rhythm and a Marshall drive sound for lead, while keeping modulation and spatial effect settings the same. The user interface with analog knobs lets you shape the sound with the same facility as on a guitar amp. Great for stage work or direct recording The amp/drive-modeling blocks have two dedicated algorithms for each amp/drive type, designed for live playing and direct recording. The CABINET effect simulates amp and mic recording characteristics as well, and the algorithm is automatically switched according to the CABINET on/off setting.This lets you bring the same guitar sound that you used during practice or recording right on to the stage. Alternatively, sound settings that were determined during a session with the band can be used seamlessly in the studio as well. Amp select feature This function optimizes frequency response to match the amp that you are using. Settings are available to get the best out of popular models such as Roland JC-120, a Fender combo, and a Marshall stack. The -10 dBm/+4 dBm output level switch allows the G9.2tt to be used as a preamp, directly connected to the power amp input of a guitar amplifier. 6-band graphic equalizer The built-in EQ module has six frequency bands optimized for electric guitar. Peaking type filters in the crucial middle range (400 Hz, 800 Hz, 3. 2 kHz, 6.4 kHz) are augmented by shelving type filters at the low and high end (160 Hz and 12 kHz). This ensures the shortest possible route from inspiration to actual sound. Guitar amplifier/stomp box modeling Analog devices such as tubes and diodes have unique clipping characteristics. Sophisticated digital simulation finally makes it possible to recreate the sound of vintage tube amps and effect devices with astonishing realism. From popular names such as Fender, Marshall, and Vox to modern amps including Mesa Boogie, Hughes & Kettner, and Diezel -- the list of choices is extensive. The cabinet simulator even has settings for mic position, to achieve totally natural sounding performance. 32-bit processing for a wide choice of high-quality guitar sound effects Ranging from trusty old standards to advanced choices for specialized needs, the effect collection of the G9.2tt comprises 120 effects in 10 modules. Pick an MXR Dynacomp, famous for its unusual compression action, or select wah pedal simulations such as Vox and Crybaby. Choose from three types of chorus for creating a solid, wide sound stage. Access seven types of reverb with transparent, unblurred sound. And the list goes on: tremolo with selectable modulation waveform, bend chorus with individual pitch bending, harmonized pitch shifter, multi-tap delay even reverse delay. These professional quality effects will fuel the creativity of every guitarist. The preamp section and wah/filter effects allow changing the module insert position for even more advanced tonal control. Preset patches ready to use for recording or live performance Whether you are after a true-blue vintage tone or fat high-gain sound, you will find a choice here. There are settings that accurately simulate well-known amps and stomp boxes, settings that are modeled on the signature sound of famous guitarists, as well as totally original ZOOM effect sounds. The past and the future of guitar sound is right there at your fingertips. The G9.2tt comes preprogrammed with a total of 80 preset patches. For creative leeway, a user area capable of storing the same number of patches is also provided. Intuitive interface great for stage use Each of the four analog style rotary knobs let you directly edit parameters on-the-fly, a total of four simultaneously. The LCD panel clearly shows patch and parameter names. Direct access keys are provided for each module. The advanced user interface is designed to ensure hassle-free operation, while not getting in the way of your creativity. On stage, the foot switches allows easy effect bank selection, module and hold delay on/off switching or tap tempo input. The self-lit switches show module status at a glance. Real-time modulation for 4 simultaneous parameters fosters lively playing The built-in expression pedal allows control over effect parameters in realtime. Common pedal effects such as wah, pitch, and volume control are of course supported, but you can also opt to adjust drive gain, modulation rate, delay/reverb mix level, and other parameters. Up to four parameters can be assigned to a single pedal, allowing dramatic techniques such as raising the chorus, delay, and reverb at the same time. Create a rotary speaker style sound by varying tremolo, chorus, and auto-panning rate. Also,the ARRM (Auto Repeat Real-time Modulation) function is capable of producing rhythmical tone changes, opening up a wealth of possibilities. World's fastest patch change speed: 7 ms Switching patches has never been smoother or less noticeable. With its record-setting speed of 0.007 seconds (7ms), the G series never miss a beat. When changing to a lead preset in the middle a song, you no longer need to press the switch in advance, simply push the foot switch and start playing your solo. Built-in tuner supports special tuning requirements The guitar tuner can be called up instantly by pushing a dedicated footswitch. In addition to the standard auto-chromatic tuner, various other tuning methods for guitar and bass are possible, and open tunings are also supported. High-brightness LED indicators make the note readout easy to see on a dark stage. The calibration range is A 435 to 445 Hz, and muted tuning(without sound output) is also possible. Tuning your guitar has never been easier or more convenient. ZNR keeps playing pauses really quiet The built-in ZOOM Noise Reduction (ZNR) provides optimized signal performance for guitar. While minimizing any alteration of the original sound, ZNR cuts unwanted noise during pauses. Tails of sustained notes remain unaffected, with a long natural release. Ultra low noise design with 120 dB S/N ratio and -100 dB noise floor With an amazing rated signal-to-noise ratio of 120 dB and a -100 dB noise floor, background noise ceases to be a problem, leaving only superbly clean, transparent sound. Sturdy metal chassis and rubber damping for superior toughness and durability The combination of a solid metal chassis with shock-absorbant rubber damping ensures that the unit can stand up to the rigors of on stage use. Take it on the road or bring it into the studio, the G9.2tt will not let you down. And it looks great, too, the stylish two-tone coloring using silver and black, rounded shape, and chrome-plated parts give the unit a high-class, futuristic appearance. USB based audio interface functions The USB port allows the unit to function as an audio interface for a computer. Simply plug the unit in to your computer with a USB cable to use the high-quality sound of the G9.2tt in a computer-based recording system. The high-performance DAW application "Cubase LE" comes bundled with the unit, so you can start creating sophisticated music straight away. Because playback from the DAW application can be monitored at the unit itself, there are no latency problems during recording. Supported OS: Windows XP / Mac OS X 10.2 or later MIDI IN/OUT jacks allow linking to other equipment The ability to exchange MIDI data with other devices opens up a wealth of possibilities. You can switch patches in conjunction with a MIDI enabled preamp, or use the unit as a real-time controller for other MIDI equipment. By connecting the MIDI interface to a computer, you may use a dedicated editor/librarian application to edit and store patch data. AUX IN jacks accommodate external sources The playback signal from external sources can be plugged-into the AUX input. Jam along with a rhythm machine, external CD or mp3 player. You may also utilize the connectors as a stereo line input to record audio into your computer via the USB interface. Accelerator blends tube and solid state sound The analog input section incorporates an Accelerator that can amplify the signal in a tube or a solid-state based circuit. The 12AX7 tube produces fat, sturdy sound that can be mixed with the clear and transparent sound from the solid-state circuit. Blending natural compression with typical tube saturation characteristics creates a rich, organic tone. Z-pedal takes pedal performance to the next level The pedal on the right side of the G9.2tt supports 3D action by sensing not only conventional up/down but also sideways movement. The Z-pedal lets you build highly complex sound control patterns by allowing you to assign up to four parameters in each axis of pedal movement (vertical and horizontal). There are also effects specifically designed for use with the Z-pedal. Get creative in ways never imagined before, and explore a whole new realm of pedal performance. Recommended setting of Z pedal: -- Vertical parameter: wah, horizontal parameter: drive gain -- Vertical parameter: wah, horizontal parameter: pitch shift -- Vertical parameter: modulation rate, horizontal parameter: cross-fade of original/effect sound -- Vertical parameter: delay time, horizontal parameter: delay feedback -- Vertical parameter: delay/reverb mix, horizontal parameter: delay/reverb pan -- Vertical parameter: oscillator pitch, horizontal parameter: oscillator vibrato -- Vertical parameter: formant shift (o -- a), horizontal parameter: formant shift (a -- i) External send/return loop connectors A separate stomp box, rack-mount effect or other device can be connected to the G9.2tt's effects loop and used as part of a patch. Send/return level as well as on/off status are stored as part of the patch. Find new uses for your favorite pedals and spark your creativity in a variety of unexpected ways. Effect List COMP module: Compressor Rack Comp Limiter WAH/EFX1 module: Auto Wah, Tremolo, Ring Modulator, Crybaby Wah, Octave Auto Resonance, Phaser, Slow Attack, Multi Wah, Booster, Fixed Phaser, Vox Wah, Pedal Resonance EXT LOOP module: External Loop ZNR Module: ZNR Noise Gate, Dirty Gate PRE AMP module: FD Clean, HW Clean, Tweed Bass, Z Combo, MS Drive, Rect Modern, HK Drive, DZ Drive, Z Stack, Centaur, DS-1, Fuzz Face, TSF Combo, Z OD, Z Clean , VX Clean, UK Blues, BG Crunch, MS #1959, Rect Clean, HK Clean, DZ Clean, ENGL Drive, Over Drive, Guv'nor , dist?, Big Muff, SDM Stack, Extreme DS, Acoustic Sim., JC Clean, US Blues, VX Crunch, MS Crunch, Rect Vintage, HK Crunch, DZ Crunch, PV Drive, TS808, RAT, Hot Box, Metal Zone, FZM Stack, Digi Fuzz EQ module: 6 Band Equalizer CABINET module: Cabinet Sim. MOD/EFX2 module: Chorus, Modulation Delay, Pedal Pitch, Delay, Dynamic Flanger, Pedal Mono Pitch, Bend Chorus, Stereo Chorus, Flanger, Vibrato, Tape Echo, Mono Pitch, Cry, Comb Filter, Chorus Ensemble, Pitch Shifter, Step, Dynamic Delay, Harmonized Pitch, Reverse Delay, Air DELAY module: Delay, Ping Pong Echo, Air, Ping Pong Delay, Analog Delay, Echo, Reverse Delay REVERB module: Hall, Arena, Early Reflection, Ping Pong Delay, Room, Tiled Room, Multi Tap Delay, Ping Pong Echo, Spring, Modern Spring, Pan Delay, Auto Pan For Z-Pedal: Z-Delay, Z-MonoPitch, Z-Step, X-Flanger, X-Vibe, Z-Dimension, Z-Oscillator, Z-Talking, X-Phaser, X-Wah, Z-Echo, Z-Pitch, Z-Tornado, X-Step Technical Info Effect types: 120 Effect modules: 10 Maximum simultaneous effects: 10 Patch memory: user 100+ preset 100, total 200 Sampling frequency: 96kHz A/D conversion: 24 bit, 64 times over-sampling D/A conversion: 24 bit, 128 times over-sampling Signal processing: 32 bit Frequency response: 20Hz-40kHz +1.0dB, -3.0dB (10kohmload) Guitar input: 1/4 in. phone jack (rated input level: -10dBm, Input impedance: 1Mohm) AUX input: 1/8 in. stereo phone jack (rated input level: -10dBm, Input impedance: 10kohm) External return: 1/4 in. phone jack (rated input level: -10dBm / +4dBm) Line output(L/MONO, R): 2 x 1/4 in. phone jack (Rated output level: -10dBm / +4dBm, Maximum output level: +19dBm, output load impedance: 10kohm or more, output impedance: 1kohm or less) Headphone output: 1/4 in. stereo phone jack (Rated output: 60mW / 32ohm load, 20mW / 300ohm load, Output impedance: 47kohm) External send: 1/4 in. phone jack (Rated output level: -10dBm / +4dBm) Tube circuitry: 2 x 12AX7 MIDI: in/out USB interface: 16 bit, 32kHz / 44.1kHz/48kHz Display: 2 digit 7 segment LED, backlit LCD Power requirements: 15V AC, 1.5A Dimensions: 595(W)x 235(D)x 85(H)mm Weight: 5.5kg Supplied accessory: AC adaptor(AD-0012) * 0dBm=0.775Vrms |
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