InterViews


RockNet Interview with Rob Zombie...

RockNet: Your old press releases used to say you were a couch potato. You look pretty healthy up close and personal.
Rob Zombie: I am healthy. It's one of those things where people think you're unhealthy and half dead. You can't really do what we do if you're half dead.

RN: Do you make some sort of effort to stay in shape?
RZ: Yeah, you kind of have to because as soon as you get sick, touring is a nightmare. Going on stage and trying to play a full show when you should be in bed is almost impossible. It's hard to stay healthy and it's definitely hard to find halfway decent food. "Once again breakfast at McDonalds!" What are you gonna do. I have those McSalads.

RN: You're a creative person, does your health affect your creativity?
RZ: It is amazing; if you have a few days of bad food, it puts you in a crummy mood. I got tired of eating garbage.

RN: For the first time in your career, you're playing places like Arkansas. Are there Bible Belt people telling you that you're hypocrites yet?
RZ: No. I think people think like that, but whether it's New York City, Nashville, or Tupelo, it always seems the same. It doesn't seem much different.

RN: C'mon Rob, hasn't anyone told you that you're Satanic?
RZ: People kind of ask that question, but I can never tell if they're serious. I never know how to respond to it.

RN: Do you realize with your makeup and energy, you look like jungle animals on stage?
RZ: (laugh) It's kind of weird. I feel pretty mellow most of the time, but when you hit the stage, it feels like you go nuts. You get an uncontrolled amount of energy. But luckily I have a place to get rid of it. I'd hate to think it'd be stuck inside of me all the time.

RN: Are you the kind of creative person who can't relax their mind?
RZ: I kind of wish it could, but I never can relax even if I'm lying in bed or half asleep. I'm like planning some other project everyday. I always write stuff, stick 'em in my pocket. I have a mini filing cabinet that I'm carrying on the road. I know a lot of them are ideas are I won't be able to get to for a year or so. I'll get to them eventually. I'm working on a couple of movie things. I never keep a daily journal of what I do, 'cause I never want to read it again. Once it's happened, it's good enough.

RN: Are any of your movie ideas going to be horror flicks like White Zombie starring Bela Lugosi?
RZ: Not necessarily. I don't know, there's all kinds of things I want to do. Someone offered me money to make a short film. I'm gonna do that and continue making our videos. We'll see where things go.

RN: Are videos a big, creative challenge for you?
RZ: Well, it all depends. Videos are kind of weird. They can be simple to work on or insane.
But the big thing when a video is a lot of work is you have to shoot it in such a short period of time. You have to get everything together, and you do it in one day. It takes a lot of organizing. If one thing screws up, your whole project is screwed. It's not like a movie, where something goes wrong, you can always re-shoot it. You gotta get in and do it and get out of there.

RN: So do you delegate people to do certain things at certain times like a relay race?
RZ: Yeah, it's really hectic getting organized.

RN: Which videos had the least and the most amount of people?
RZ: Well "Thunder Kiss" was probably the lowest budget video we've done. That was low-key and there were five extra people. But on the new one, "More Human than Human" had maybe 20 people. They all do things that people don't even notice. We do the whole thing indoors and people rig lights, changing film and all kinds of behind-the-scenes stuff.
You could do it with fewer people, but you couldn't do it as fast. There's a certain time element. Fewer people makes the work a lot harder.

RN: At the end of the "More Human than Human" video, someone's carrying a sign that says "The End is Near." Is that appropriate to the song or were you trying to be cool by using that?
RZ: What we were doing is we let loose some of our characters on Hollywood Boulevard and filmed them, mixing with the regular people kind of candidly. And for every goofy thing we did, there was a regular person doing goofy things - there were people with big signs and Jesus quotes. Strange things.

RN: Strange? These people were real. Don't you think that real life is becoming like the movies?
RZ: Especially if you watch these talk shows. Real life is way more bizarre than the movies. There are a lot of messed up people doing messed up stuff. The talk shows have a small portion of the population. But then you get out and travel and realize that most of the country is pretty bizarre - most people are sleeping with their stepbrother's mom's husband.

RN: Here's a statistic for you, Rob. One in every four teenagers has been either assaulted, attacked or abused somehow - and a chunk of the abuse came from their own parents. Can you believe that?
RZ: I'm sure it's true. Kids don't come to me, though. If anything, when they go to the shows, they're looking for an escape from any trouble they have like that. And the last thing they want to do is think about it. But sometimes when I do meet kids after shows, it's so obvious, they've got a lot of problems at home. It's hard to hide it sometimes.
When we do in-stores meeting 800 kids face-to-face, you realize every other kid's got a story, "this is for my neighbor who's in jail" or "I just got out of jail."

RN: More Human Than Human can be applied to these kids, huh? The song's got a Crow-like-vibe.
RZ: That's kind of like a general theme. That underlies what everything on the album's about. I think the whole band's come from that background. I think the more you get beaten down and get dished out crap in life, the stronger you become to succeed and overcome it all. That's kind of like a big thing in us.

RN: Did you feel stomped on in your career, or did you accept the rejection as something everyone goes through?
RZ: I never thought about it 'cause we were just doing what we were doing - we never did it with expectations of "Well, we're supposed to have what those people have. How come we're not getting it?" We never made music that was meant to be popular. We never felt particularly shafted about anything 'cause we were never particularly trying to appeal to anything. If anything, I feel it now more than ever.
Our record went top ten and is still selling really well. But there are a lot of magazines that want to ignore the fact that we exist. If it was a different band, they'd be jumping all over it. But with us they're praying that we go away.

RN: What magazines won't cover White Zombie?
RZ: More mainstream rock magazines that won't even mention us or review the record. It's pretty obvious who.

RN: No offense to a band like Poison or Warrant, but the kind of publications you're talking about are the magazines that prayed for a day when a band like you would come around...hip, underground, artsy, kind of punky.
RZ: I don't know what anyone thinks anymore. There seems to be a real trend to hide certain bands and over hype certain bands. There comes a point where no one really cares to buy that record. But the industry doesn't really care; it's kind of false right now.

RN: Well, the industry's always false. Do you know that you can't depend on the whims of the business. Are you going to depend on MTV the rest of your career?
RZ: You can't live or die by that stuff. When someone votes you "best band" today, they'll vote you "worst band" tomorrow. So it really doesn't matter. You gotta do what you do. Believe in yourself, no matter who does or doesn't. We didn't have an A&R person for two years. We broke ourselves by touring.

RN: Didn't Beavis & Butt-Head make you stars?
RZ: That really didn't do anything. No matter how hard you work, people always try to find an overnight success angle that they can exploit.

RN: Do you realize that you're going to offend these tastemakers of American rock and roll in the 1990s? When they read this, they're gonna set fire to White Zombie totem poles! They think they made you the stars you are today!
RZ: (seriously) It sounded like a fun story, so everyone blew it out of proportion. If it was easy as being played on some stupid show, I would have stayed home and watched the money roll in.

-Interview conducted by Bronx-based Ann Leighton-

B+BH
Beavis and Butt-Head Interview
Subject: Beavis and Butt-Head Rolling Stone Interview
Beavis and Butt-Head on What's Cool and What Sucks
[By Charles M. Young, Rolling Stone, August 19, 1993]

CY: Charles M. Young
BH: Butt-Head
B : Beavis

CY: You're selling more posters than "Jurassic Park." You're getting all-time high ratings on MTV. What does your success say about the current culture of American teenagers?
BH: Huh-huh, huh-huh.
B : He said "suck." Huh-huh, huh-huh.
BH: Huh-huh. Uh...could you repeat the question?
CY: What I'm getting at is, there's a whole new group of kids in junior high now, and your success -
BH: Huh-huh. He said it again.
B : Yeah. Huh-huh, huh-huh.
CY: Let me put it another way. Just this morning I watched a psychologist on TV talk about the horrible effect that heavy metal has on kids. Do you ever consider the influence you're having on today's youth?
BH: Uh...uh...well, I like to burn stuff, but that doesn't mean -
B : I like it when stuff blows up and knocks people over. Huh-huh.
BH: [Smacks Beavis on the head]
Shut up, Beavis. I was saying something. Huh-huh. Uh...what was I saying?
CY: Your influence on today's youth.
BH: What's today?
CY: Tuesday.
BH: Oh, yeah. What was I saying?
CY: Your effect on young people. You said you liked to burn stuff.
BH: Whoa! You must have one of those pornographic memories! Huh-huh. Uh...I like to burn stuff, but that doesn't mean *you* have to. Huh-huh, huh-huh. It would be cool if you did, though.
B : Yeah. Huh-huh. Fire! Fire! Fire!
CY: So what's the coolest thing you've ever burned?
BH: Uh...Beavis's eyebrows. Huh-huh.
B : Yeah, that was pretty cool. Huh-huh. It smelled cool, too.
CY: Why was that so cool?
BH: It was, like, unexpectant? We were torching a June bug with a can of Lysol and a lighter, and it ended up burning Beavis's face. Huh-huh, huh-huh. It was like a bonus.
B : Huh-huh. I burned my bonus.
CY: Well, let me ask you this: Do you guys find anything funny that isn't scatological?
BH: Uh...sure. Lots of stuff. Like, uh, butts are funny.
CY: Anything besides butts?
B : Farts are funny. Because they come out of your butt. Huh-huh.
BH: Did you know any time anyone is born, they come out right next to a butt? Huh-huh.
B : Yeah. Even the president of the Unites States.
CY: So what's your point?
BH: Well, uh...that's pretty cool. Huh-huh, huh-huh.
CY: What do you think of the disclaimer MTV sometimes runs before your show?
BH: It's cool.
CY: Do you know what I'm talking about?
BH: Uh...no. Huh-huh.
CY: Those words MTV runs before the show warning people about you.
B : Words suck.
BH: Yeah. If I wanted to read, I'd go to school.
B : So, like, what do they say?
CY: They say you're crude, self-destructive and anti-social, but for some reason you make them laugh.
BH: Cool! Huh-huh.
B : Yeah. MTV's cool.
CY: Even though the censors in their standards department won't let you say certain words?
BH: Yeah. MTV's cool - for a bunch of wussies. Huh-huh, huh-huh.
B : We can say "ass wipe."
BH: Not very often.
B : We can say "asshole."
BH: No we can't, Beavis.
B : Are you calling me a liar?
BH: No I'm calling you a waste of bum wipe.
B : We can say "butthole." Butthole! Butthole! Butthole!
BH: Shut up! MTV will fire you!
B : Fire! Fire! Fire!
BH: Settle down, Beavis!
CY: You seem to watch a lot of TV. Do you think television depicts an accurate view of the world? BH: Uh...like, are you really with the Rolling Stones?
CY: I'm with "Rolling Stone," the magazine.
BH: So, uh, do you get lots of chicks?
B : Hey, Butt-Head, when chicks find out we know someone with the Stones, we'll get some helmet.
Huh-huh, huh-huh.
CY: I'm with the magazine "Rolling Stone." I'm a writer, not a musician.
B : Wuss.
BH: So you don't get any chicks?
CY: Not like Mick Jagger.
B : Mick Jagger's not a chick.
BH: He didn't say he was a chick, Beavis. He said he doesn't *get* chicks.
B : He said he doesn't get chicks like Mick Jagger.
BH: That's right. Not like Mick Jagger.
B : But Mick Jagger's not a chick.
BH: Don't make me kick your ass again, Beavis.
B : You know who looks like a chick? Huh-huh. Vince Neil.
BH: Yeah. Huh-huh. And Dave Mustaine.
B : Yeah. That's why he wears glasses. So he doesn't look too much like a girl. Huh-huh, huh-huh.
CY: What do glasses have to do with masculinity?
BH: You know what you should do to, like, get chicks? Since you're a wuss? Huh-huh, huh-huh.
CY: What?
BH: You should get some binoculars and stand outside this apartment building we know and look in the windows. Huh-huh.
CY: How would that help me get chicks?
BH: Sometimes you can see 'em naked. Huh-hu, huh-huh.
B : Yeah. Huh-huh. Or you could go to Bible camp and hug chicks when they find Jesus.
BH: That would be cool. Huh-huh. "Give us this day our morning wood." Huh-huh, huh-huh.
CY: What kind of music do you like?
BH: Uh...uh...all different kinds.
B : Yeah. Like *loud* music.
BH: Yeah. And music that *rocks*! Huh-huh.
B : Music that kicks *ass*! Huh-huh. And fire music! Fire! Fire!
CY: What's fire music?
B : Oh, sorry, I was thinking about videos.
BH: I also like music that's about stuff. Huh-huh.
B : Yeah. Like that rap song about that guy who likes big butts.
BH: Yeah. That one speaks to me. Huh-huh, huh-huh.
CY: The rumor is, you guys have the same father.
BH: Uh...we're not sure. It's possible. Huh-huh.
B : Yeah. Huh-huh. He used to come around a lot.
CY: Are the two of you friends with anyone besides each other?
B : We're not friends.
BH: Beavis has a special friend. Huh-huh.
B : Yeah. Huh-huh.
BH: Sometimes he shakes hands with Little Beavis.
B : Yeah. [Pathetic attempt at Pakistani accent] "Hello, Meester Monkey." Huh-huh, huh-huh.
BH: Huh-huh. That was cool.
CY: Well, you two sound pretty friendly.
BH: We just do lots of stuff together. Huh-huh.
B : Just cool stuff.
BH: Yeah. I like stuff that's cool.
CY: Well, there must be a lot of cool stuff to do, because as far as I can tell, you two spend every moment of your life together.
BH: That's 'cause Beavis follows me around.
B : *You* follow *me* around.
BH: Only when I'm gonna kick your ass.
B : When you're gonna *lick* my ass?
BH: Shut up, booger wipe!
B : Peckerwood!
CY: Hey, break it up! Butt-Head, I have a question for you. I noticed that you often say, "I like stuff that's cool." But isn't that circular logic? I mean, what is the definition of "cool," other than an adjective denoting something the speaker likes?
BH: Huh-huh. Uh, did you, like, go to college?
CY: You don't have to go to college to know the definition of "redundant." What I'm saying is that essentially what you're saying is "I like stuff that I like."
B : Yeah. Huh-huh. Me, too.
BH: Also, I don't like stuff that sucks, either.
CY: But nobody likes stuff that sucks!
BH: Then why does so much stuff suck?
B : Yeah. College boy! Huh-huh, huh-huh.
BH: Huh-huh, huh-huh. Uh, I have a question for you.
CY: Go ahead.
BH: Pull my finger.
CY: That's not a question.
BH: Huh-huh. Uh...would you please pull my finger?
CY: Oh, all right.
[Butt-Head farts loudly.]
BH: Huh-huh, huh-huh. That's cool.
B : I taught him that joke. Huh-huh.
BH: I taught *you* that joke, bunghole!
B : But I taught you the part about where you fart.
BH: Oh, right, you did. Huh-huh, huh-huh. That's my favorite part.
CY: I have just a couple more things I'd like to cover.
BH: Huh-huh. He said "things."
B : He said "couple." Huh-huh, huh-huh.
CY: When I was your age, the big event that formed the values of my entire generation was the Vietnam War.
BH: Yeah. Huh-huh. Rambo was cool!
CY: So I was wondering if there was some similar experience, some unifying event, that has affected your life.
BH: Uh...well, once we bought this bullwhip at Stucky's? And we went around looking for stuff to whip. But like we couldn't find anything. No frogs or lizards or nothing.
B : We tried a bag of charcoal, but it wasn't alive.
BH: We found this big old grasshopper in the middle of the road. It was really big. It was like a freak grasshopper. Huh-huh. We whipped it and whipped it.
B : Yeah, yeah. And then I kicked it. Huh-huh.
BH: We slapped it around like a red-headed stepchild. Huh-huh, huh-huh. And then it looked like it was dead 'cause it hadn't moved in like an hour? And then all of a sudden these little white worms started crawling out of its butt, one by one. Huh-huh, huh-huh.
B : Yeah. They looked like long-grain rice. It's like they were trapped inside this grasshopper, and we came along and set 'em free.
BH: Huh-huh. Uh...they crawled out of its *butt*!
CY: You're comparing the Vietnam War to worms crawling out of a grasshopper's butt? How could that affect your life?
BH: Well, uh...if that hadn't happened, we would have had to, like, do something else.
CY: Well, I suppose it's pointless to ask this, but-
BH: Huh-huh. You said "butt."
CY: What advice do you have for America's youth?
B : Uh...sometimes at the arcade? If you rub your feet on the ground and touch the coin slot, it makes a spark and you get a free game. Huh-huh.
BH: Huh-huh. Uh...I got one. Like if you go to school and, like, study and stuff? And grow up and get a job at a company and, like, get promoted? You have to go there and do stuff that sucks for the rest of your life.
B : Yeah. You'll be trapped, just like those worms in that grasshopper's butt. Huh-huh, huh-huh. And then people will whip you, and you'll come crawling out and -
BH: Shut up, Beavis! Huh-huh. But what I was saying is, if you act like us and just do stuff that's cool? Like sit around and watch TV and burn stuff?
B : And choke your chicken. Huh-huh-huh.
BH: Yeah. Huh-huh. And choke your chicken. Then, ROLLING STONE magazine will come and kiss your butt!
CY: Huh-huh. You said "come."
B : Yeah. Huh-huh, huh-huh.
Beavis & Butt-Head: Huh-huh, huh-huh. Huh-huh, huh-huh. Huh-huh, huh-huh. Huh-huh, huh-huh.
BH: That was cool!

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SepLogo


RockNet Interview:
Max Cavalera of Sepultura

Vocals, Rhythm Guitar: Max Cavalera
Lead Guitar: Andreas Kiser
Bass: Paulo Jr.
Drums, Other Percussion : Igor Cavalera

Guests: Xavante tribe, Mike Patton, Jonathan Davis, DJ Lethal and Carlinhos Brown
Album "Roots"
Label: Roadrunner Records
Producer: Ross Robinson
Sepultura's new album, "Roots," is the best music the band has ever put together. The first week on radio, "Roots" became the number-one requested album, as well as the most added, leading to a debut in the top three on just about every rock chart.
"I've seen their live show as often as possible and this tour will be no exception. I always come away from their concerts with renewed hope".

I: Max, the album is fantastic. Let's start with the interview marathon you're on. You've got two more after me. What's the most-asked question?

I: Most everyone wants to know about the album. There's so much on it to talk about - the guest musicians, and our trip to record the Xavante tribe. How was the evolution of this album different from all the others?

M: It was time for a change, because we'd been listening to a lot of different kinds of music. I think as far as the subject goes, It's time to show some of the influences from our homeland. We're calling the album "Roots," which is a world-wide term, not just true of brazil. It's about the foundation of everything you want In a band.
After 13 years we're still holding strong. How can we struggle and how can we last so long? Because we have roots.

I: Did you record at indigo Ranch studios In Mali, California, because of the vintage equipment?

M: That's right. I never thought I'd ever record In California because I have this L.A. phobia. The studio doesn't look like L.A. It has a real ranch atmosphere. It's on top of a mountain and has all the gear you could ever possibly imagine. We took advantage of every single piece of equipment In the studio.

I: The song you recorded In the canyon near the studio. What that exciting?

M: The making of this album fostered more Ideas every day. One day Carlinhos' daughter was there and she started doing some percussion, and we got the Idea to move outside. We thought "Who says you have to record inside all the time. Let's break some rules here." We chose the canyon, It's a magical place. Really peaceful.

I: "Itsari" Is very much like the tune "Kaiowas" that you did on "Chaos A.D."

M: We just had to take It further. There was this opening road for us to go with on this album. I told the band we should just go for It. I think what we started on "Chaos A.D." Is something that needs to be continued. We just took the mixing of metal and hard rock with tribal percussion elements. The whole album Is so fresh. There were over 15 different percussion Instruments used In the recording of this album.

I: The unlisted cut Is 13 minutes 15 seconds of percussion. It's from the canyon recording. At the end of that It sounds like someone says "fresh." Was that you?

M: That's our producer who says that. That tune was the last 13 minutes of four hours of recording In that canyon. There's a really strange fact from that because In the beginning of the "Roots" album It sounds like metal pieces falling.

I: It sounded like crickets to me.

M: That's right but there's a crack, a metal thing that cracks, which Is a piece of percussion. We all stopped and It was real quiet. Then he (Carlinhos) performed this prayer and he kissed that piece of percussion and threw It Into the canyon. It was really a spiritual thing that happened. We all looked at Him, he had This great Expression on His face, as If he was complete with that Instrument. That's the beginning of that passage that goes for 13 minutes and In the end It's just his voice, with the wind and some of the metal percussion. We look at that as a whole song.
I ended up saving the piece of equipment he threw Into the canyon, because one of the artists recording with us came back from the canyon and told us he had found It. He didn’t want It and I spoke up that I wanted It. It was really cool, the whole experience.

I: What was your inspiration for "Ambush?"
"Ambush" was inspired by the book "Fronteiras De Sangue" ("bloody borders"). It tells the story of Chico Mendes, a great activist of the rain forests. He died protecting the trees from the burning and chainsaws of the bloodsucking multinationals. The band views him as a real hero and this song Is a tribute to him.

I: I would have loved to have been around when you were working with faith No More's Mike Paten, Korn's Jonathan Davis and House of Pain’s DJ Lethal.

M: It was great vibes. It was a combination that was quite out of this world. There was none of that "rock star" thing. It was just people who showed their soul 100%, In a really cool way. That's how the whole thing was. It's hard to describe. It was magical.

I: Another magical experience had to have been your trip Into the Brazilian jungle to visit and record with the Xavante people. I'm thrilled to learn that It was all documented on video tape and that I'll perhaps be able to see It for myself.

M: It was documented by Gloria (Cavalera) In a really cool diary of everything that happened. For me that was the spiritual highlight of the whole record, the song "Itsari." It takes you from the whole stress that's on the record, the heaviness and intensity of the stress. That's what It does for me. The whole healing ceremony Is there.

I: There Is certainly some healing there.

M: It's weird. We just picked up on the dynamics of It all. We learned later, when we asked what the song was about, that every song Is a ritual for them. They say that "Itsari" Is all about healing.

I: Was It hard to set up the trip?

M: It was hard, but with the mentality and attitude of a really tough camping trip. We had to get yellow fever shots and once we were there the mosquitoes ate us alive. I've never been In a place like It and I lived In Brazil for 20 years. I had no Idea This place existed. The humidity, It's really hot. It rains every day at the same time.

M: I ran Into Bobby Thompson at the Ozzy show In San Antonio, He told me there was a chance that you'd be touring with Ozzy again.
Bobby Is a great guy. That's cool. I hope that can come true.
Talk to Gloria about Thompson's statement. Maybe we can make It happen.
We have been out with them before. It'll be up to Ozzy whether he can take a band twice on the tour. It's a good vibe touring with Ozzy. We did some touring on "Chaos A.D." with him, his last two shows.
He stayed retired all of a couple of hours.
He's loves It too much too quit. I read an interview once with Bob Marley and he said to quit touring for him would be like quitting life. I use that as my philosophy. You can't quit your music.

I: Have you been around any of those Korn guys? They're great.

M: I don't know all of them, but we got close to John. their bassist also came to the sessions. John Is the sweetest guy. He's quiet and mellow.

I: The "Roots" cover Is very interesting.

M: It symbolises the connection with the Xavantes tribe. It's one of the highest moments of the project. It was a hard take, to pick the cover we wanted. We thought about putting pictures of brazil on the cover but then we thought, that would be too much of a refuse and resist kind of theme.
We came up with the face of an Indian, really serious and an expression of really thinking about something. It's beautiful but powerful. It's an intimidating kind of face. The roots around his head were added later. The original picture was just the face and we added the Sepultura logo on the necklace and the roots. It all makes the connection.

I: Do you think your fans really study your lyrics?

M: I don't know. I talk to our fan club very directly. I get a visit from our fan club person every week. I have him bring me all the best letters.
There was a letter from a 13-year-old kid from the suburbs of L.A. He wrote that he went to school every day and was surrounded by guns and gangs, racism and violence. The only thing that got him through was our music and he thanked us for our music. That letter struck me as being an inspiration for us to keep writing and performing. Someone Is getting the message. On the other hand, there are a lot of people who don't give a fuck, they just want to party or whatever. I party myself.

I: I believe you influence a lot of kids with your music. Thanks for your music and your time today!

M: I was Influenced by lyrics when I was growing up. Your questions are always great. I'll be talking to you soon. Thanks.
Interview conducted by Austin-based Sheila Rene'

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