Based on names, the duo of James Flamez and Creep (known together as TKO) might at first stir visions of an odd combination between a homosexual and a pedophile. However, upon one listen to their debut album, The Entrance, it's clear they're nothing of the sort. The Entrance, produced almost in full by Halifax rap/producer pioneer Classified, is an eclectic mix of consciousness, humour and club banging rap. Coming straight out of the woods of Truro, Nova Scotia, James Flamez and Creep demonstrate exceptional flow with the ability to mold verses to fit Classified's diverse production atmospheres. However, their lack of experience, what with this being their debut album, is demonstrated via their weaker rhyme schemes, best exemplified on the hilariously infectious 'Problems'. 'How It Comes' is the album's best cut, as Classified's production is iced with impressive samples. As well, Classified's featured verse illustrates his years of experience as it clearly outshines those of TKO. 'Industry and Enemies' is the most conscious song on the album as White Rain's production perfectly complements the message, making it one my favorites. 'The Northside' is a catchy track centered on representing TKO's hometown of Truro, and I assume the north meaning Canada. However, the song lacks real lyrical content and falters in that regard. 'Oh Yeah' sound like a typical Naughty By Nature club banger and features the amazing R&B stylings of G-Smooth. 'Let's Move' features an infectious chorus bound to get heads nodding at any house party. The Entrance shows great promise for the Nova Scotian rap duo known as TKO. The album was enjoyable and demonstrated TKO's impressive flow, but lacked a couple of true standout 'hit' tracks. Additionally, the vocals were at times low and a little boost would helped promote their flow. Watch for the experience gained on this debut album to work its way into a standout sophomore album. To order your copy of the TKO album, email James Flamez at lucasjames@hotmail.com . Troy NeilsonThis review was written February 28, 2003 |