Satanic Sickies
{VII/XIX/XLI A.S. Alpha Blue Archives. Genre: Sinemaerotica}

Satanic Sickies is an amusing archival compendium of fictional sinemaerotic productions from the 70's & 80's with occult and demonic themes intended for adult entertainment, and do not display actual Satanic practices in all respects, although there are many obvious influences displayed deriving from The Satanic Bible & The Satanic Rituals books, Satanis: The Devil's Mass documentary, and Dr. LaVey's aesthetic persona.

Just to be clear, consider the following statements from The Satanic Bible:

"Under no circumstances would a Satanist sacrifice any animal or baby!" {TSB; 'On The Choice of A Human Sacrifice', page 89}

"Satanism does not advocate rape, child molesting, sexual defilement of animals, or any other form of sexual activity which entails the participation of those who are unwilling or whose innocence or naivete' would allow them to be intimidated or misguided into doing something against their wishes." {TSB; 'Satanic Sex', page 70}

Discriminate with care, sin well, and have fun!

Box Set 2

The front cover features a rendition of Dr, Anton Szandor LaVey standing before a Baphomet accompanied by Togare, a female nude altar holding a skull {in a similar pose to that of Jayne Mansfield}, a succubus emerging from a coffin a-la 'L'Air Epais' {see book: The Satanic Rituals}, The Golden Gate Bridge, a wrecked automobile, seemingly detailing the incident with the accursed Sam Brody, all amidst the hell fires of Lust.

Back Cover Description: "Includes bonus loops: Witch Sabbath Hexensabbat, Lucifer's Lust & more! Alpha Blue Proudly Presents this premier package of Satanic, vampire and Witchcraft Sex Films from the 70's! Seekers of the bizarre and obscure will not be disappointed with this collection that highlights the 1970's pre-occupation with Occult themes! Sometimes shocking, hilarious and always entertaining these films include themes of ritual sacrifice, mutilation, sex orgies, satanic possession & exorcism, vampirism & bloodsucking, haunted mansions, necrophilia, devil-worship and much more! FULL LENGTH FEATURE FILM TITLES INCLUDE: DEVIL INSIDE HER, SEDUCTION OF AMY, DEVIL'S DUE, SORCERESS, SUCKULA, LAST STEP DOWN, SATAN'S SEX SLAVES, BLUE VOODOO, SEXORCIST DEVIL, HOTTER THAN HELL, NIGHT OF THE WARLOCK, MADAM SATAN."

Disc I

Devil Inside Her
{XI A.S. A.K.A. "Metamorphosis". Taurus Productions. Written & Directed by Zebedy Colt. Produced by Jason West. Starring Jody Maxwell, Terri Hall, Dean Tait, Rod Dumont. 69 minutes.}

[Note: In an almost "Aristocrats" manner, this film seems to want to be as shocking as possible, trampling taboos left and right, and it does manage to be disturbing from time to time. Expressing the dualistic Judeo-Christian superstitious legends of antiquity, it manages to pull up just about every hysterical notion leveled against proposed diabolists to frighten their congregations firmly into church pews. Besides being propaganda, these tales not only provided propaganda for Catholic and Protestant churches, but also served as a convenient venue with which to express their own desperately repressed projections.]

Set in repressively Puritanical 1826 New England, Joseph {who resembles "Rocky" from RHPS} and Faith are just a couple in love, but he is also desired by her sister Hope, who will do anything to attain his affections, including making a deal with The Devil, if that's what it takes. But the rift has already begun when they are caught kissing by 'father', who whips Faith within an inch of her life, admonishing that she stand naked before "God" and read the bible, after calling her a harlot, and he a lecher.

Hope's request does not go unheeded, while agonizing in the forest, The Devil proclaims "Don't give up, 'Hope'", and appears as a hirsute, lascivious man with an elongated appendage in make-up that could be a cross between King Diamond's and Gene Simmons', with slicked hair forming a widow's peak and horns, wearing nothing but a cape, studded gauntlets, collar, and boots. Overall, resembling what could be a demonic Frank-N-Furter. Transforming into the form of Joseph, and to her self-deceptive trepidation, he takes Faith into the pinnacles of ecstasy.

Hope visits the village Witch at her hovel for advice, a pocked hag of a woman who mixes up a potion of love for her {containing some of the classical disgusting Shakespearian ingredients such as "bat's eyes", "lizard's tongue", "the puss from a dying virgin", "bone dust of a pilgrim lecher", "the menstrual fluid of a Persian Harlot", "the sweat of a goat", "the blood of a fresh-killed toad", and the final ingredient that makes it all work, the "love juice of Nicodemus" {she turns her parrot into a "wood sprite", a salacious man with no seed of his own, but is filled with a collection of that sove "spilled by naughty disobedient boys"}, which must be drawn from "the human snake that grows to fill the void", which lets forth its bounty into the bowl. After she leaves with a vial of the potion {in which she will "see her lover in her own eyes"; so of course, The Devil later takes advantage of this}, He then emerges wherein the crone collects her reward from his thorn.

In the process, she utters some zingers like,

"Is it not the evil in the world that makes good seem duller than it is? That frightened fathers send dry girls to seek My kind of truth..."

Next, He takes the form of Faith and seduces Joseph, while Hope has a fruit and vegetable salad. Then it really gets disturbing when 'father' gets into the action. Of course, one can tell who The Devil takes the form of by the blue eyeliner each of the characters wear and Hope now seems fulfilled and liberated from sanctimonious guilt.

Distressed, Faith seeks solace with mother, who inspects her to see if her hymen is still intact. Supposedly, if her suspicions are correct, that Joseph seemed "possessed", if it was a demon, then she should still be intact. But when 'father' spots himself consorting with Hope, the illusion is shattered, and is attacked by hell hounds. After the inspection, turns out she is still a virgin; but then The Devil appears and transforms again for another rather disturbing scenario... then it's off to The Witch's Sabbath!

When Hope is whisked away in a puff of red smoke, father and Joseph team up, and armed with wooden crosses, scour the forest in search of it. Cut to extensive scenes of deviant merry-making, 'neath lunar, red and amber light, where almost every conceivable orgiastic perversion is enacted as described by paranoid superstition, including the infamous 'Besse Infame', and much, much more. At one point, a woman is multiply-mounted until they are what appears to be one copulating beast. Now, the so-called "sacrifice" is prepared, which is not an actual killing, but actually a symbolic term to signify the introduction of this maiden into the pleasures of the flesh. But before this, Joseph and father' find the spot, and rescuing Faith, are met with a defiant Hope exclaiming,

"Go 'F' yourself in Heaven! You have ruined it all with your c*cks of impurity! I'll cut your balls off! Especially Joseph's!...

When admonished to rebuke Satan, she further proclaims,

"Never! I'll eat My own sh*t before I renounce My Lord, and Master of all desire!" At which point she perishes when the cross is applied... or did she?

The ending scene features The Devil gazing up, as if talking to "God", observing that if he was as prompt at answering prayers as Ol' Nick was, then there would not be so much trouble; at which point he envelops Hope in his cape and escorts her to meet with the rest of the "flock".

Devil Inside Her seems to be a combination of Young Goodman Brown and The Blood on Satan's Claw, though overall, this piece of celluloid could very well be described as "shock porn".

Seduction of Amy
{X A.S. A.K.A., "Phantasmes". Written & Directed by Jean Rollin. Starring Jean-Pierre Bouyxou, Catherine Castel, Marie-Pierre Castel, Alban Ceray, Mylene D'Antes, Corinne Lemoine, Mannuella Marino, Greg Masters, Rachel Mhas, Marlène Myller, Jean Rollin, Stéphane Saratoga, Monica Swinn, Evelyne Thomas, Jean-Louis Vattier, Claudia Zante. 69 minutes.}

The film begins with some mutant attempting to rape a lovely girl, and ends up striking her who falls into a lake, and is rescued by an immortal man inhabiting a glorious mansion, who is also related to The Marquis DeSade. This presentation is seemingly based in large part upon The Count of Monte Cristo by Alexandre Dumas.

Strange sexual rites were performed in a lower chamber, resulting in his everlasting condition, which features carvings, statues, he explains as he leads her through the manse, where its other inhabitants take their pleasures with each other for great mutual gratification, and where "Amy" learns the pleasures of the flesh herself, despite some inner contention, which she sheds upon the realization of her own blossoming body and her growing love for this mysterious man.

This precious maiden he rescued at the marsh takes his heart, destined to be his companion at least for another many years, as he persists unto timelessness, preserving her sweet memory.

This sinemaerotica is remarkable for its beautiful natural and aristocratic environments, attractive performers {including two lovely twins, a gorgeous redhead, the sweetly erotic Amy, and an Indian beauty}, indulgent situations, elegant accoutrement {befitting nobility}, with a plot that is much more thought-out than usual, actually complimenting the overall production.

5/5

Devil's Due
{Produced by Nino DeRoma, directed by Ernest Danna}

"Worshipping The Devil... it's the 'in thing' to do!"

When "Cindy" is traumatized in her home town by what she perceives to be "evil men"*, from being slipped a mickey by the High School's Dean who has his way with her in his office {she was actually a valedictorian; but if she reported him, he would deny it claiming she incited it, then she would no longer be valedictorian}, her boyfriend refusing to marry her after she discovers she is pregnant, to her best friend "Barbie" bedding down with her father {whereupon walking in on them, screams and loses her voice from the shock}, deciding all men are animals who are only interested in using women for sex. So she escapes to the big city seeking room mates and a new life, but who also just so happen to be members of a devil cult , inviting her to participate in their sex rites involving "Kampala", the supposed incarnation of The Devil.

"We believe that evil outweighs the good in the world, and as such, it is Satan who is our true savior."

Being that no one can view the rites of the cult except those initiated, she is lain naked upon The Altar, where Kampala appears in a white robe amidst bursts from a fog machine, who then begins screaming "the holy words" with His Chief Mistress 'Dawn':

"Satan is our savior!" At which point both begin enjoying her nubile body, and is "initiated".

After relating her troubled past to the other girls, they take compassion upon her which of course, yields to a lesbian scene. She considers Kampala to be a phony, only using the cult for the girls and for money. Now they reveal a secret of theirs to her - that they have been planning on taking over the cult for themselves. So at the very next ceremony, strichnine has been added to the ceremonial oil which is to be anointed upon the girl's breasts; so Kampala is challenged to prove his power, that all he has to do is just lay upon the Altar without partaking of the new succubus' breasts while she "rides the beast", as it were, but yields to temptation. Thus deceased, Cindy and Dawn are now the leaders of the cult. A lengthy celebratory orgy follows.

Now a "High Priestess", she decides to gain revenge against those who "fractured her life" as she put it, and calling each one, invites them for a visit...

3/5

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* Interesting to note that this attitude primarily originated in the 60's & 70's, wherein much of the gender-based ad-hominem terminology developed as a result of a veneer of erstwhile 'strength' to mask reactionary weakness, instead of pro-actionary evolution.

Disc II

Sorceress

A young couple decide to hang out a shingle and go into the "psychic biz", with her as a palm reader and he as a secret photographer behind a two-way mirror, to frame rich clients out of money. This healthy couple are quite communicative, wherein she fulfills two fantasies for him - one of a Spanish Princess and another as a French maid.

She sets up by donning a black robe, displaying a red candle, and scenes to the tune of The Exorcist's "Tubular Bells"; if they only concentrate, each client's fantasies are fulfilled: One desires a dancer, another a young virgin, and another's desires are for another woman {Lesbian scene}. However, they were not counting on the mysterious man {probably a hired goon} who enters one day, rapes and strangles her, then places her body into the convenient coffin propped up in the parlor with the Fiji mermaid dangling therefrom. Seems their chicanery was appreciated none too much by certain folks.

Interestingly, the boyfriend is no where to be found...

3/5

Suckula
{VIII A.S. Directed by Anthony Spinelli. Starring Pat Arno, Ann Finn, Art Gill. 54 minutes.}

In a comedic sex pulp men's magazine format, a-la in a very "Monty Python" style, the entire film is told from the position of a news reporter named "George Smutnam" in New York, relating the strange Vampiric happenings in Los Angeles, compiled by adventurous cameramen at great risk to themselves, chronologing alleged Vampire activity.

From the phallic cologne bottle commercial featuring masturbating model "Laura-Jean", to the efforts of Dracula / Suckula {the fanged actor actually has a necktie instead of the usual bow-tie} seducing several maidens, and indulging in both mutually-pleasurable oral and blood fetishes {particularly a very talented young lady with a perfectly-placed Devil's Mark}; an amusing Folger's coffee commercial featuring a couple sharing their intimate relations; to "Sandra VanOcre" {a hilariously mustached man in drag} for an abrupt interview with "Rodney Alucard the IIIrd", a direct descendant of Count Dracula. Then on to a parody of those "Go see Cal" Worthington car ads, complete with modified lyrics and a negro slave girl; then back to Sandra for an interview with a female vampire named "Moona Lisa" who virtually cannibalizes her/him; now please view your monitor for another seemingly gratuitous scene of a couple having sex, when the girl surprisingly turns into a vampire; then a final exchange with Sandra who meets a predictably temporary demise by the fangs of Alucard and Moona.

"Remember... you were there! ...And now for the late movie, 'The Mad Motorcycle Monster Who Ate Naked Hippies'. Thank you, and Good Night."

5/5.

The Last Step Down
{V A.S. A.K.A., "Even Devils Pray". Written by Arthur Allen, Phil Miller. Directed by Lawrence Ramport. Starring Uschi Digard, Olivia James, Terri Johnson, Malta, Beatrice Stolen, Michael Valentine. 67 minutes.}

The remarkably Satantric opening scene displays robed figures filing in to a church containing an ankh-like insignia on the wall, where the Phallus is risen forth to the congregants as if a "monstrance", dipping it into a chalice, and anointing its contents upon two female initiates, who writhe in carnal esctasy, are brought to orgasm, whom are thoroughly and passionately enjoyed

After seducing a nubile acolyte, these Satantric "Nuns" bring her forth into the Chambers of Lust where during this veritable Satantric Mass, is initiated into the pleasures of the flesh, collectively enjoyed by the congregants upon The Altar, until all find release.

During a discussion between the girls, they affirm the benefits of these healthy and naturally indulgent psychodramatic practices, with the neophyte stating that she had no idea that there were so many positions... Herein there are no sacrifices, no gore, no death or misery, just the life-affirming delights of the earth, promoting overall success, strength of character and ego. A great viewing pleasure.

5/5

Bonus Shorts

Witch Sabbath {Hexen Sabbat}: This one is essentially a music video, to the tunes of what sounds like Siouxie & The Banshees and David Bowie, in dim flickering candle light with robed and disrobed participants having group sex, who are apparently initiating a cute young woman into their Gothic-like cult, somewhat reminiscent of The Khlysty - there is even one participant who resembles Rasputin included. It is later revealed that one of the seemingly male participants is actually a girl wearing a strap-on, who joins in the fun with both the initiate and the others. Silver crosses abound.

Satanist: A diabolical man resembling Tim Skerrit, hypnotizes a voluptuous girl resembling a mannequin, using his fascination pendant, to perform his every desire, and she does... to his great satisfaction.

Lucifer's Lust {A.K.A., "'F' For Peace"}: A robed and bearded Lucifer appears to a couple, directing them to perform various "unspeakable" pleasurable acts, working them like puppets to sin well for his viewing pleasure. They are to remember in their dreams what Lucifer has taught them, for their carnal benefit. Here The Devil represents a sense of adventure and sexploration, instructing this previously boring couple to improve their sex lives, and they are all the better for it.

Disc III

Satan's Sex Slaves

Satan appears as a black-robed man roaming a carnival in white and red split face makeup, visiting several lustfully-unfortunate persons with promises of carnal indulgence, if they only give their 'souls' to Him, each of which becomes fulfilled. From the lonesome Victorian "Lady Violet DeGamba" who happily beds down with a blacksmith; to an impotent man healed of his malady, that he may be able to consummate his marriage, becomes generously endowed, receiving two succubi for his pleasure; and a frustrated, curious girl who desires satisfaction, experiences her every desire.

This film seems to assert that The Devil is a friend to man, despite the rottenly sanctimonious ingratitude expressed by the couple in the end, claiming that the restored virility allowed them to consummate their love by marriage, yet were only wed because of His bestowance, and so He is cheated from his rightful due. So it is supposed that as long as they indulge with only each other for the rest of their lives {thus avoiding "adultery"}, their souls are 'safe'. He departs with diabolic laughter, knowing full well he will claim his due in time.

4/5

Blue Voodoo

When a pretty young stripper is treated shamefully by her scumbag boyfriend {particularly rotten considering he stole money she gathered by all means necessary for their marriage, only to decide at the last moment - right after fellatio, in fact - that he did not intend to marry her at all}, a beautiful Witch comes to her aid after she becomes aware of the incident by viewing her on the Magic Mirror in her fog-permeated Chamber.

Depressed, the girl wishes for death. Seems he suddenly became infatuated by another young stripper with a really impressive act. The Witch calls upon "The Black Widow" by the power of Damballa to rightfully punish the lowlife.

After The Witch and The Black Widow enjoy each other, they conveniently become employed in the very same club, where The Black Widow teaches three guidos some culture by transporting them to Nero's Rome, resulting in quite a delightful spectacle of orgiastic indulgence. The Black Widow weaves her spell upon the audience, and eventually gains the attention of the boyfriend, whose life force is absorbed in a very intriguing way.

This film is primarily enjoyable for the "Black Magic" displayed, the succulent 'witches', the creatively-entertaining dance performances, and the Bachannalian spectacle.

4/5.

Sexorcist Devil
{IX A.S. A.K.A., "Undressed To Kill", "The Sexorcist", The Sexorcist's Devil". Directed by Ray Dennis Steckler. Written by Arnold Blatt. Starring Lilly Lamarr, Kelly Guthrie, Eva Gaulant, Wayne Williams. 61 minutes.}

"There is a beast in man that should be "{s}exercised, not exorcised." ASLV / DB.

Done in a documentary style, Carolyn is a reporter researching an article for an Occult magazine, and decides to accompany "occult expert & Sexorcist*" Dr. Von Kleinsmidt to "The Marsh" {a blighted (super) natural wilderness akin to The Devil's Canyon}, a dangerous environment steeped in nefarious superstition about a "sex-crazed Devil worship cult" supposedly performing rites of darkness out there, until he comes upon a mysterious box containing parchments, which he takes back with him to his study for translation. Unbeknownst to him, while he does so, he unwittingly calls forth a "perverse disciple of The Devil" named "Volta" {Wayne Williams} who takes possession of Diane's friend Janice, a prostitute he uses to seduce and kill everyone around her while taking his pleasures as well. He initiates her by bestowing a pendant displaying "Set" upon her, while together uttering "Hail Satan!" with uplifted Cornus.

When Carolyn becomes suspicious after a phone call to Diane, she returns home to find her afflicted with a demon trying to possess her, but it is all a ruse, and surprisingly, she is also dispatched, as is her pimp, but not before Von Kleinsmidt is alerted, who attempts to battle these "evil spirits" by using passages from The Goetia {The 'Lesser Key of Solomon', a blindlight tome by a blindlight author, who was subservient to the mythological Jehovic god}, admonishing demons to submit, yet because of Volta's quick efforts {with a gesture used by Crowley to signify horns on the sides of the head}, manages to materialize a knife in the hand of the possessed Diane, who stabs Von Kleinsmidt to death. A smiling Volta proclaims success, that Satan's will has been fulfilled, and walks back into the wilderness...

Mentionable are some of the intriguing paintings in Von Kleinsmidt's office {Satan arising, embracing a witch; a Reaper goosing a Lilithian witch holding a serpent, perhaps representing the kundalini; a demonic beast tearing prey limb from limb; and a portrait of the setting sun in The West}, which do resemble Dr. LaVey's style, and the recurrent appearance of an image of a lion resembling Togare. Also, the appearance of a Baphomet in the ending credits.

3/5

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* According to the film, "Sexorcism" is "removing The Devil from your body while he's sexually possessing it."

Disc IV

Hotter Than Hell
VI A.S.

Beginning with a delightfully lustful scene in Hell, Satan is enthroned wielding a sword receives a curious message that not as many souls are being damned, so he orders His two sons to ascend to earth to find out why this is so. While one is more committed to the duty, the other is rather comedically Lokian in countenance {rather like Little Nicky}, making for several humorous commentaries and situations. They seek to "corrupt" as many maidens as they can, but it seems that time and time again they are met with salacious women where the question of who is seducing who is contemplated.

Manifesting in demonic attire, they appear to a couple of salacious female room mates, concluding in a foursome; a stoner girl, a succulent virgin {wherein she is seduced after consuming a bubbling elixer made by 'dad'}, and a desperate brunette secretary, moving from an office desk to a rocking horse, where among other pleasing acts, perform "arabian style" [seated intercourse}.

Upon descending back to Hell to report with the secretary who subsequently expresses her wish to be a part of the plan to "corrupt all mankind", their passion unabated, continue their activities under the approving and enthusiastic gaze of Satan, wherein He also takes His pleasure after uttering the "Invocation Employed for The Conjuration of Lust" from The Satanic Bible!

With more effort placed into this production, this film stands out primarily for the choice of music {more than just the usual jazz, with some Middle-Eastern, some instrumental, and some tribal drumming thrown into the cauldron}; more attention paid to props & costumes {The Devil appearing quite Bacchus / Pan-like, in a fur suit, upon a throne, with sword, and the devilish attire of the sons}; the decent acting & personalities {the Lokian son is quite funny at times, and it seems the fatherly-endearing actor playing Satan actually has acting experience}; casting {well placed and hypothetically believable}, lighting {with uses of red, green and fire light}, sets {cave-like environment with hell fire and boulders, one of which is termed "The Altar"}; credits {several humorous animations of a horny seducing devil}, and the amusingly comedic plot, all make for an exceptional sinemaerotic gem overall.

Night of The Warlock

Amusingly, on a hand-written title and a typed paper printout, this film claims to be a comprehensive display of authentic occult rites, as well as all six "principals" of 'Satanic Films, Inc.' met with violent death by fire, as an entertaining tie-in with the plot. Also obvious propaganda employed for entertainment purposes, much like the warning on the Necronomicon book.

The film begins in a darkly draped chamber with a young lady strapped to a black platform who is "violated" by a young and pretty black lingerie-wearing 'witch' wearing a hip harness with a prosthetic phallus, while being observed by two cult members in robes. The Altar features a crudely-drawn red star upon which is super-imposed a vague white geometrical goat head, black candles, and a skull. Unfortunately, the young lady meets with a grisly demise.

Her sister seeks to discover what happened to her because of the suspicious death, though unbeknownst to her, she employs the very men who are responsible for her immolation. Her boyfriend is payed a visit from the incognito witch, hypnotizing him via her seductive wiles, while the sister is also hypnotized by the head cultist's scorpion pendant, where she is made to disrobe and is taken sexually on the office table.

Because she perceives their actions are unjustified, the young witch is punished via a whipping because of her disobedience to the cult. While copulating upon the platform in the ritual chamber, the boyfriend is "violated" by the harness, followed by she being punished again, when all that is left of her is a skeleton with a strap-on.

The sister is kidnapped and taken to the chamber where she is raped by the cultists, and just as she is also to meet with the same fate as her sister, police sirens send them on their way, but also meet with a firey demise themselves during the escape. The film concludes with a Rosemary's Baby inference, and thus, The Devil prevails again.

Throughout the movie, a demonic face appears from time to time, as if to assert the presence of The Devil. Where this production lacks in funds and effects, it makes up in imagination.

2/5.

Madam Satan

A psychic-buster seeks to expose the psychic biz, arranging an appointment under the pretense of attending a seance conducted by a 'Madam Cobra'; the three attending couples are Magically transported into the dark recesses of a sex cult where they participate in sex rites, and their fetishes are indulged.

Madam Cobra is actually Madam Satan, a Domanatrix who appears in black lingerie, boots with stiletto heels, and a cape, while others disrobe. They are led nude down a hallway to the sounds of a storm and herded by a man with a whip into a chamber where a caped "priest" awaits, reading from "his" bible, which are actually segments from The Seventh Enochian Key from The Satanic Bible.

The group imbibe an "elixer of love", and begin indulging in the delights of the flesh, except for one member who does not seem too responsive, so it is up to Madam Satan to figure out what his particular fetish is; so after a whipping, and with the aid of an inserted vibrator, he finds release. All the while observing the festivities, the priest signifies the Cornu, preserving all in attendance with the perspective of indulging in The Devil's pleasures.

When all are satisfied, they are materialized and returned to the "seance table" with no one the wiser. As to the investigator, it seems it was he who was exposed in the end!

This is actually a great fictional premise, and would like to see this film remade in higher quality.

3/5.

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