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In the introduction scene, why does Louisa choose to lie about her name and her age, telling Maria that she is Brigitta? Is she weird; is there something not quite right about Louisa? Remember that Maria, dripping and very sexy (the "wet look" Maria), in her fight with the Captain, tells him, "Louisa, I don't know--but someone's got to find out about her."
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We notice that the "little ones" (who just want to be loved, as the sexy and dripping Maria tells the Captain and therein perhaps lies the reason) are so easily swayed by Maria. Maria has barely been in the house for five minutes, and already they like her. Gretl warns Maria against her brothers and sisters, "Don't listen to a word they say. Because I like you!" |
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During the first dinner, Liesl's increased excitement is so obvious that the supposedly "inexperienced" Maria notices it. |
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Is Liesl the inspiration for Maria's "wet look"? As Maria is praying in her room, Liesl come in dripping wet after her rendezvous with Rolf. Perhaps Maria unconsciously stored this information for later reference.
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We think that the children, especially Friedrich, Louisa, Kurt, and Brigitta, are too old to be afraid of thunder and lightning. It is understandable that Marta and Gretl would be afraid.
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During the musical mélange with the children, why does Maria choose to throw the tomato to Gretl? Doesn't she know that Gretel, being only five years old, does not have well-developed muscle coordination yet? |
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Why do Maria and the other six children insist on walking, running, or skipping in the order of their age? This has
disastruous consequences for Gretl, as she is always the last in line. Being five years and having under-developed
muscular coordination, Gretl has a little trouble keeping up with the rest of her siblings. She even falls flat on her face one
time (when they were skipping along a body of water)! It is a wonder that she hasn't been forgotten and left behind
somewhere. It is no wonder, then, that she has little self-esteem that she is so easily swayed by Maria with just the words,
"My, you're practically a lady!"
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We notice that the Von Trapps own seven same-sized bicycles. How do they expect Gretl (and maybe Marta) to ride
them without falling flat on her face? She probably cannot even reach the pedals. |
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While Maria and the children are on a hill (which is alive with the sound of their music) having a picnic, Maria teaches
the children to sing "Do-Re-Mi." Why does Brigitta, on "Fa" (far), just throw her half-eaten apple without seeming to have
a care about littering the beautiful Austrian countryside? Is this her way of protesting the coming Anschluss? Since the
Nazis are coming to take over Austria anyway, why bother keeping it beautiful? |
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The children must be extremely talented. From not knowing how to sing, they evolve into singing machines who have
perfect pitch, perfect rhythm, perfect melody and even more surprising, perfect harmony! Liesl even learns how to play
the guitar. |
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During the puppet show, why is Marta so incompetent that even with her simple task of changing the background, she is
not on cue?
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During the party, when Liesl pretend to dance with somebody, why does Brigitta bother asking Liesl who her dance
partner is? Obviously, it's nobody, and even Liesl tells Brigitta exactly, "Nobody." |
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After Maria's and the Captain's fateful ländler dance, we notice that Maria is especially embarrassed. Yet Brigitta
chooses to add to her embarrassment by pointing out, "Your face is all red." Maria is correct in her assessment of Brigitta.
She (dripping and sexy) tells the Captain that Brigitta "notices everything." Does the Captain remember Maria's
assessment when Brigitta makes her comment? If not, is it because he was distracted by Maria's "wet look" then, or is it
because he is distracted now, having danced with Maria?
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During the children's performance of "So Long, Farewell," Louisa's part calls for her to "flit," "float," and "fly." Isn't she a
bit too old for that part? It would be better suited for Brigitta, Marta, or Gretl. Maybe Louisa does want to be Brigitta. |
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In the same performace, Gretl is the last to sing. Why does she actually fall asleep after she sings her part? Again, maybe
we can attribute this to the fact that being only five years old: she has little control over her body and bodily functions. |
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After Maria leaves, the children are depressed. They try to cheer themselves up, as Maria has taught them, by singing
"My Favorite Things." Yet as Gretl asks, "Why don't I feel better?" We ask, how can they feel better when the tempo in
which they sing the song is so slow? It makes us feel depressed too! |
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The children are unsuccessful in seeing Maria in the abbey. They come home and apparently miss dinner. When the
Captain asks them where they have been, Friedrich comes up with the ridiculous strawberry-picking excuse, and tops it
off, when the Captain presses them to tell the truth, with "It's been so cold lately, they turned blue." It's a stupid excuse.
Why doesn't Liesl, being the oldest, come up with a better one?
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The family, because the Captain does not wish to serve the Nazis, plan to escape to Switzerland. Why doesn't Kurt
have the foresight to wear long pants instead of shorts? He must have gotten pretty cold when they were climbing the
Alps.
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