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Chinese American Museum
Nathan Wang
Henry Mancini Institute review
What Columbus teaches us
Chen Kaige
Frank Gehry
Connection between science and art
Mike Figgis
Martin Scorsese
Celebrities are People Too
Curtis Hanson
Akira Kurosawa retrospective
Aging gracefully in the arts
Cheng Pei-pei
Jackie Chan's "Shanghai Knights"
Art is Identity
Steve Reich
Kronos Quartet's "Visual Music"
The Chaotic Goo of Life
Yo Yo Ma
UCLA film prof Edgar Brokaw Jr
Elvis Costello is missing
Margaret Cho
DVD piracy
Jar Jar Binks Rules
Eli Kaufman, UCLA graduate director
Judaism and Homosexuality
Memory is precious
Francis Ford Coppola
UCLA Fesival of Preservation
The New British Invasion
Susan McClary, UCLA musicologist
Direct-To-Video Goes Legitimate
Cultural Grammar
Paul Chihara, UCLA composer
Henry Mancini Institute
The problem with war films
Terry Riley, minimalist
UCLA Arts Camps
Hollywood's new Gilded Age
KNBC's Ted Chen
Rachmaninoff Piano Competition
Programming humans to like bad art
Tsai Ming Liang, Taiwanese auteur
College music tastes expand
Why Chinese films matter
"Y Tu Mama Tambien"
The Future of Classical Music
The crisis of dwindling attention spans
Random Voices, acapella women
UCLA's World Music Festival
A backstage look at the Grammys
West LA Symphony
China-Bulgarian Music
How to survive a classical music concert
LA Philharmonic concert (1/13/2002)
Hilliard Ensemble concert
Yet Lock of City News Service
Thomas Harmon, UCLA organist
CBS morning newswoman Suzanne Rico
Cirque du Soleil's Dralion
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