The Mystique of Rico Yan:
The Wholesome Kid as an Icon
by:
Sen. Blas F. Ople
Some guest had to be turned away
at the gates of La Salle Greenhills where the body of Rico Yan lay in
state. In any case, one would have to stand in line, and await one's turn
to view the remains of the young actor who was buried on Thursday, April
4. My grand daughter Anna, from St. Paul's in Pasig, was one of those who
joined the interminable queues. She folded her savings of PhP 1, 000 into
an envelope to donate to the Rico Yan Foundation and asked me for a
matching check as my donation. I signed a personal check for PhP 2, 000 as
my share.
The Rico Yan funeral far exceeded
the size of the crowd that accompanied the hearse of actress Nida Blanca.
The event also completely overshadowed the news about the death of the two
national artist for music, Lucio San Pedro and Levi Celerio, a point
belabored by the morning radio commentators of GMA 7, alluding the
one-sided coverage of the day's obituaries in favor of Rico Yan, putting
the blame for this on the rival channel, ABS-CBN.
I never met Rico Yan and as a
rule, I pass over the entertainment news as a minor distraction in a busy
life. But I must admit that the death of Rico touched a chord in my aging
skeptical heart.
It is evident that a youth cult
has formed around Rico Yan, the dimpled young man who died on Good Friday
in his rented cottage at the Dos Palmas resort in Palawan. The dimples
graced the soft lines of a very handsome face. The police ruled out foul
play and the autopsy did not support speculations that he had taken an
overdose of the drug, Ecstasy. The medics said that he died of
pancreatitis or, to put it in more popular term, "bangungot." On
the romantic angle, some people said he died of a broken heart because of
the break-up of his relationship with the young actress Claudine Barretto.
But I saw on TV an interview of Claudine who says that their lover's
quarrel had been settled even before Rico flew off to the Palawan resort
for the Lenten holidays. These are the ingredients of a tale that appealed
to a large audience of young and old alike, but especially to Rico's
thousands of fans in the country's student population.
Rico Yan did not go out of his
way to cultivate his popularity. But the tragedy of his passing at so
youthful an age and the legend of his many good works for the under
priviledged youth combined to make him a model-- an icon-- at a time when
the new generation is accused of failing morals and indifference to the
traditional Filipino values. Rico had once turned down a great career
opportunity, the premier role in a movie casting him as a drug addict
because this might set a bad example for the youth.
To this massive wave of sympathy,
his family properly responded by establishing a foundation in his name to
pursue his passion for the under priviledged Filipino youth. His elder
brother Bobby has offered to act the role of Rico's "messenger"
through the Rico Yan Youth Foundation. And why not? Rico Yan embodied the
symbol of the wholesome kid, one who refused the temptations of the age,
and one who never exploited the power of celebrity. There was a time not
too long ago when another young man out of Cuba, Che Guevarra, attracted a
youth cult around the world, for dying as he did in the wilderness of
Columbia, a hunted man fighting for his Marxist vision.
The mystique of Rico Yan owes
nothing to ideology. He was a victim of his own destiny as we all are in
our own turn. He is the wholesome kid, the good boy as an icon of his own
generation. We don't have to fathom the mystique of Rico Yan or of the
cult it has evoked. It has a validity of its own, and as my grand daughter
Anna argues, if we want to encourage wholesomeness and idealism in the
Filipino youth, why not send your penny's worth to the Rico Yan Youth
Foundation?