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Dear Sir, ....My homepage was be promoted the 6 types of Thai fabric heritage in each the heritage , traditional way

Over all called the six types of thai classical woven fabrics
 
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..... PHRAE-WA , FABRIC WEAVING GROUP IS NORMALLY MADE BY BY GROUP OF PEOPLE WHO RESIDE BY AMPHOE KHAM MOUNG OF KALASIN PROVINCE WHERE THEY PRODUCE " PHRAE-WA " A FAMOUS SILK WEAVING STYLE.
[ 6 types ]
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..... Phrae-wa , fabric weaving group is normally made by group of people who reside by Amphoe Kham Moung of Kalasin province where they produce " Phrae-wa " a famouse silk weaving style.
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....Mud-mee weaving style , the raw materials were be used for weaving such as silk or cotton, This woven has been dyeing process by which the silk threads were tied in the desirable patterns before dyeing.
[ Mud-mee ]
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.....Khid weaving style , the special technique of weaving by scatching . Weaving was be used the reel hook to pick up the weft yarn and then insert the shuttle under them from one side to another along the warp yarn direction , local called " khid " . This will result in a variety of designing patterns.
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.....Tin-jok weaving style , this weaving style is a technique to do stitching as weaving. The fabric is woven with pre-designed patterns by adding special weft yarns along the width direction of the fabric at designed intervals , by using a wooden reel hook ( a wooden quill ) , for example , to do stitching with silk yarn and cotton yarn combined to make a desirable patterns.
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.....Yok-muk or lai-muk weaving style , this weaving style is a technique to do emboss printing on the fabrics which was designed in gem-colored shape favorably. Weaving by using the reel hook to pick up the warp yarns and added the special yarns to design in patterns.
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Thai-Lue lai-nam-lai with their imagination design.
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A natural and organic dye for fabrics have been used for dyeing such as the heart of the tree , leaves , bark , frower , skin , fruit , root and etc . A natural dye for fabrics which its made from red cotton tree bark give a pink to orange color , mango bark give a light to pink color , irvingiaceae bark give a yellow color. These are resources of different colors and also a types of vegetable dye formerly were used to give color as well as fragrance to cotton yarn.
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Phuthai natural dye cotton with Mukdan heritable pattern design.
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Phuthai phrae-wa with their heritable pattern design.
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A natural or organic dye for fabrics have been used for dyeing such as the heart of the tree , leaves , bark , frower , skin , fruit , root and etc . A natural dye for fabrics which its made from red cotton tree bark give a pink to orange color , mango bark give a light to pink color , irvingiaceae bark give a yellow color. These are resources of different colors and also a types of vegetable dye formerly were used to give color as well as fragrance to cotton yarn.
Samples
Phuthai mud-mee silk with Mukdahan heritable pattern design.
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A characteristic Thai design in decorative art on the fabric can be classified according to animal , plant and material in shapes , designs as follows. Remark ; For the silk's dictionary in the " Highlight " column which i was describeb within my imagination to show about the way to understand in Thaifabric's story. Please enjoy reading about its that's only me who is described in this webpage.
Nature and environment
Type of shape design
Description in
a designing patterns
[1]. Animal Kai design ; a cock , hen , chicken in generic meaning ; was being designed IN patterns and features on the fabric especially a family of a jungle fowl , turkey, bantum, pheasant , fireback. There are various kind of animals in Thai classic literature.
Ngu-loi-nam design ; the snake design which It's shape looks like the bended stick , the small- to medium-scale shapes . The tradition Phuthai-early symbol of their patterned heritage which was being designed in horizonatl-patterns , what is called Lai-khun . While those the minority of designing patterns which it's former was being designed in the bottom edge in connecting shapes . It is called Lai-cho.
Nak-kieaw design nak ; a naka , a snake-like arrow used by one of the demons in the Ramayana ; The naga-shaped designs were differently within each local.
kieaw ; coiling or involveing in action. Especially the naga design " was alternated with the tree design ". The former which looks like the slender stem of a climbing plants , it is called the nak kieaw kan-yaeng design . The old Thai classical design.


nak , lai-nak-----> the naga design in a couple or upside-down nagas , the Y - headed naga and the Y - handed naga designs shown . For examoles ; Y = 1 , 2 , 3 , 4 , 5 , 6 more ... But those design in large-scale naga , its so called the King naga and if the former which looks like the slender stem of a climbing plant , they called the nak-kieaw kan-yaeng designs shown that the traditional naga applique a 20th-24th-centuries look with this quilt .
kha-khe , sometime called shortly " khe " , It's shape which looks like the boomerang in shape.
nak kha-khe ; the boomerang-bowlegged naga design , an ancient design woven on the fabrics.
Pla-tapion design ; the carp-shaped pattern design.
Singha design ; a great lion. An ancient design woven on the fabrics within the imagination of tradition Khmer-early symbol of their patterned heritage . Especially , its was being designed on the Khmer , Hole Prabon Mud-mee woven fabrics. The Khmer mud-mee with animal-shaped designs in dark country-garden colors . Surin-style , Sri Saket-style and Buriram-style designs.
the Ung-tin-mhee design ; paw , the bear's pawse in shape the track a trail of bear 's paws , design in horizotal-line , curved path , the former were being designed in pattern. A very closely the sunflower design. The one of Phrae-wa traditional-style designs.
[2]. Plants Dok design ; names of flowers in thai are preceded by..... Dok
; a design on printed or embroidered fabric , a flueron , a dot especially a polka dot. such as brocaded , tapestry and etc.
Dok-phikul design ; mimusops , erythroxylon
Dok-kaeo ; the phikul flower motif, named after the blossom of the tree Mimusops elegi , is an ancient design woven on the fabric of the Thai peoples in nearly all regions. [ The phikul flower is simply " Dok-kaeo " ]

The phikul is one of the round floral motifs in Thai decorative art. Flowers having four petals are called " Dok-jan " , but those with six or eight small petals called " Phikul " , there may be more than six or eight petals .

The name of the pikul motif various in a confusing way from place to place as the designin such an ancient one. As already mentioned , in the North and Northeast , it known as Dok kaeo . However, in some place , the maeng ngot [ scorpion ] motif is called phikul . What is more , in some places , there are pieces of Silk Phum Riang [ Nakhon Sithammarat ] cloth bearing designs called phikul-lom and dok- kaeo-lom , each of which is distinct from the other , the former having ten petals : the latter , four. Among the Thai-Laos , Khid Dok-kaeo is so called ta-leo [ or , in standard Thai , cha-leo , which is a star-like symbol used as a boundary marker ] , while among the White Thai , it is called " Dok-ben " or " Dok-wen " or sunflower. Confusing as it might be , this variation is further evidence of the great age of the phikul motif in Thai woven fabric.
Remark Dok-jik[ cloverleaf which having trifoliate leaves ] , Dok-jan [ asterisk or star , a mark like a star " * " ] , Dok-phikul and Dok-kaeo [ Re-create an early-16th-18th-centuries " U Thong , Suwannaphum , Lopburi and finally by the Ayothaya Period " Native-Thai 3- to 12 -petalled flower design in fabrics .
.....The 3 -petalled flower design in small- to medium-scale floral carvings called dok-jik , the 4 - petalled flower design in small- to medium-scale floral carvings called dok-jan , the blossomy 8-petalled flower design in circular medium- to large-scale floral blooms called dok-phikul or the circular flower design . But those the 6-petalled flower design in medium- to large-scale floral carvings , it is called dok-kaew . As its might be included background fabrics shown which leaf design in carvings or friezes for each piece of floral blooms ]

Yok-dok ; brocade weaing style , the tecnique to do an emboss printing on the fabric such as

; Silk yok phumriang with phikul design.
[ 1 ]. phumriang is the name of village where they produce phumriang silk in Chai Ya district of Surat Thani province. The southern Thailand.
[ 2 ]. yok-dok is the shape's former which was made an emboss printing , and showed in any colors dominantly such as phikul flower and yok-bed [ fishhook ] designs.


; Silk yok Lumpun with lace-yarn design.
[ 1 ]. Lumpun is the source name where they produce silk-yok in Lumpun province , the northern Thailand. Such as Baan Yue [ village ] etc..
[ 2 ]. yok-dok is the shape's former which was made an emboss printing , and showed in any colors dominantly such as
[2.1]. flower's shape design in an emboss printing which uses brocaded silk thread to weave.
[2.2]. flower's shape design in an emboss printing which uses brocaded cotton yarn to weave.
[2.3]. flower's shape design in an emboss printing which its combine between a brocaded silk thread and brocaded cotton yarn to weave


; Silk yok muk with lace-yarn design.
[ muk is name of gem or can put the source name where they produce silk-yok like this
; Silk yok Tha Uthen with lace yarn design.
[ 1 ]. Tha Uthen is the source name where they produced silk-yok in Tha Uthen district of Nakhon Phanom province.The northeastern Thailand.
[ 2 ]. yok-dok is the shape's former which was made an emboss printing [ the yok-dok design on the fabrics ] and showed in any colors. Especially the floral design in the gleaming gem- etched shapes favorably.
Cha-leo design Thai-laos called ta-leo , a device shaped like Solomon's seal and made of strip of bamboo , serving a sign that a thing is for sale , as a charm on a pot containing a potion , or as a boundary mark. Sometime , people called the dok keao or dok phikul design.
Dok-jik design ; Dok-jik name of flower in Thai ; English called cloverleaf which having trifoliate leaves ----> The 3 -petalled flower design in small- to medium-scale floral carvings called dok-jik , the 4 - petalled flower design in small- to medium-scale floral carvings called dok-jan , the blossomy 8-petalled flower design in circular medium- to large-scale floral blooms called dok-phikul or the circular flower design . But those the 6-petalled flower design in medium- to large-scale floral carvings , it is called dok-kaew . As its might be included background fabrics shown which leaf design in carvings or friezes for each piece of floral blooms
Dok-jan design ;Dok-jik name of flower in Thai ; English called cloverleaf which having trifoliate leaves ----> The 3 -petalled flower design in small- to medium-scale floral carvings called dok-jik , the 4 - petalled flower design in small- to medium-scale floral carvings called dok-jan , the blossomy 8-petalled flower design in circular medium- to large-scale floral blooms called dok-phikul or the circular flower design . But those the 6-petalled flower design in medium- to large-scale floral carvings , it is called dok-kaew . As its might be included background fabrics shown which leaf design in carvings or friezes for each piece of floral blooms
 
Dok-soi design ; the golden rod design in consisting of row upon row of petals, the former was being designed on printed or embroidered fabric. The several-petalled flower design.
Dok-jun-king design ; the red sandawood , a large tree with fragrant white flowers , a betals shape was being designed on printed or embroidered fabric. the dok-jun-king design is the one of traditional Phuha early symbol of their patterned heitage.
Dok-pak-wan design ; a hydrocotyle plant , name of flower in Thai , which having very small petals. The several-petalled flower design.
Baiboon- Kankong design ; Bai Boon ; artificial flower , the tongue of a wind bell in the shape of the leaf ; heart-shaped like the bo tree , the pipal tree , peepul , the fig tree , the caricature plant.

; Kan ; the stem of a leaf or a flower or a fruit , stalk , petiole ; the midrib of a pinnate leaf.

; Kong ; the stem of a leaf or flower was bendding in action.

; Bai-boon Kan-kong ; being have been used in religious rite. It's shape was being designed in various size on the fabrics . The traditonl Phtha-early symbol of their patterned heritae
Dok-bua design ; the lotus design in consisting of row upon row of lotus's petals.
Dok-kratin design ; the lead tree. This type of flower which looks like a rambutan in shape but very smaller than size.
Kap ; Kap ; tree's bark---> cross-setion of the tree , the favorarite background in Thai decorative arts . Design shown in rough texture. Especially the phrae-wa , mud-mee , and khid-patterned fabrics.
Kap-dok-bad design ; Kap ; tree's bark -----> cross-section of the tree , the favorite background in Thai decorative arts .
; Dok-bad ; name of flower in Thai. Especially ,the leaf design in carvings or friezes . Designs includes backgound fabrics with such floral blooms Phuthai phrae-wa patterned fabric.
Kria design ; kria ;dendritic to sub-dendritic , espalier , grapevine , trellis patterns , the former which looks like the slender stem of a climbing plant. The very famous of traditional Thailao-early symbol of their patterned heritage in Northeastern Thailand.
Kria-kho design ; kria ; the slender stem of a climbing plant.

; Kho ; a hook , the S-shaped design -----> Hook design in horizontal line which curved or bent sharply in the end , but those the S-shaped lenght design , it is called kho-buay or long hook . As it might be called kho-lek-sam which looks like the figure 3

; kria-kho , the group of hooks , the former which looks like the slender stem of a climbing plant.

; For those the former design in connecting S-shaped like rank of hooks , it is called the kho-kai design.
Kra-jub [ma-jub] design ; the water-chestnut design.
Kra-jub kria [ma-jub kria or kria ma-jub] design ; the group of water-chestnuts , the former which looks like the slender stem of a climbing plant. As its might be called the " Kria ma-jub " design as well.
Kra-jub wong [Ma-jub wong] design ; the group of water-chestnuts , the former design in connecting waterchestnuts-ring which looks like circular water-chesnut design . While those the design alternately consisting of and dendritic to sub-dendritic , espalier , grapevine , trellis , angulate , annular or radial patterns , which looks like the slender stem of a climbing plant . Its is called kria design called the kra-jub kria or kria ma-jub design for the one which looks like the slender stem of a climbing plant.
Lai-aie design ; an ancient design woven on the fabric -----> The former design in the slightly wavy-lines " zigzag " on the fabrics such as Northeastern mud-mee and khid with naga design minor the aie-patterned design in slightly wavy-line at the bottom adge of fabrics .
Pak or Phak ; phak is nearly always prefixed to the name of a vegetable. When the plant is meant rather than the vegetable such as lettuce or cabage plant shape.
Puang ma-lai or ma-lai design ; the necklace or lei of flowers , the former design in floral-shaped ring , floral-radial patterns.
Ton bai-ngoen- bai-thong design ; the caricature plat , Graptophyllum pictum , was being used in the religious rite , what is the traditional Thai-early symbol of old Thai-style ceremonies. It's shape was being designed on the fabric.
Ton bai-pho design ; the tongue of a wind bell in the shape of a leaf , the heart-shaped design.
Ton bai-prong design ; a plant of the genus Cycas.
; a leaf design in carvings or friezes.
Sai-bua design ; the nymphaea-shaped design.
Toom design ; the pendulum design , almost circular in shape.
Ton-sone design ; a dwarfed trees , English called pine tree. It's extended planting along the highway all regions of Thailand. The tree-shaped design in carvings or fiezes.
Ta-suparot design ; the pine apple's skin design-----> boxwork design , net-marked design . As it might be design the X , Y or Z -shaped like florals ,animals , material or combination inside. inside the rhombus.
(3). Other matters Cho-khanmark design Cho ; a foral bouquet
Khan ; the bowl which is used to carry betels and arecas , presents , or offerings to the priests in former times.

Mark ; the areca palm or betel palm

Khan-mark ; when it was used to carry betels , arecas , and dowry to the bride's home as a troth , it was called Khan-mark

; the cho-khanmark-shaped design in striking small- to large-scale shapes , Shown in Northeastern mud-mee and khid-patterned fabrics .
Dow design ; the star design , a rhomboid in shape.
Dok-dow design ; the star design in one point dominantly on the fabric.
; as its might be called shortly " dow " , which its former design in the small-scale shapes .
Dow-lom-dian design ; an asteroid design , Thai classical design such as the triangle , square , rhombic , pentagon , hexagon with such florals take center stage . It is called an asteriod design . While those quilt shown in one of small planets occupying orbit mainly between those of Mar and Jupeter it is call Dow-lom-dian . Sometime , combined floral prints [ Dok-jik , Dok-jun , Dok-phikul or Dok-kaeo ] with rhombus-look . It is called an asteriod [ Dow-lom-dian ] design . For those design to creat the background fabrics which several-petalled flowers with such florals take center stage , its also called an asteroid [ Dow-lom-dian ] designs . ]
Hang-plawa design ; a fluke , one of phrae- wa designing patterns.
Hang-krarok design ; a various of Thai silk , made of different-colored weft and warp yarns. [ used two silk yarns of two colors twisted together and wove as 2 ply , as its might be used 3-4 color yarns to weave . The fabrics comes in both are smooth and rough texture. ]
Ho-yuen design ; the hall which was stand out. It's shape was being designed on the fabric. The one of phrae wa designing patterns.
Ka-nok design : a characteristic Thai design in decorative art resembling tongues of frame.An ancient design woven on the fabrics
Kha-khe design ; kha-khe , sometime called shortly " khe " , the S-shaped design in the boomerang .
; the bowlegged stick-shaped like a boomerang but very smaller than size. Sometime called shortly " khe ".
Khid-mee design ; the fabric was combined between mud-mee and khid woven techniques in the same piece . The former design alternately consisting of X , Y and/or Z ----->Remark ; X = type of florals , Y = Type of anumals , Z = Type of materials . That local people called pha mee-khid or pha khid-mee as well.
Kom-fire design ; a floating lam , a form of firework which floats in the air.
mee-kom-7 or kom-7 design ; a seven pieces of floating lamps , the former design alternately consisting of 7-pieced floating lamps in one point dominantly and other X , Y , Z ------> While those mud-mee design in the alternate blocks of co-ordinating 7-pieced block of floating lamps and X , Y ,Z . Its also called mee-ta-nang-kom-7 or boxwork mud-mee with kom-7 design
Kha-jon design ; a climber of the milkweed , one of Traditional Phuthai-early symbol of their patterned heritage .
Kun-jae design ; a lock , a padlock in shape. A very closely the brickwork-shaped----->rhombic , square-blocked design consisting of such X , Y , Z take center stage as well. X , Y and/or Z ----->Remark ; X = type of florals , Y = Type of anumals , Z = Type of materials
Lai-hin design ; a rock's fresh-surface design. Especially the rock types of marble , igneous and slightly metamorphic rocks were favor. [ the favorite background in Thai decorative arts.]
Lai-pie design ; a tassel , braid pattern , interlacing pattern , these words are came from The mud-mee story which the local people called "Jai-mai " , a calico , the silk thread or cotton yarn were be queued before retting. It's shape was being designed on the fabric.
Lai-roipee design ; the century , an ancient design woven on the fabric. The special pattern which was the Prarat chahatlaekha [ the special design within the imagination of Her Majesty The Queen Mother. ]
Mongkut-pet design ; a diamond crown design.
Nam-phomg design Namphomg is name of the river where located 49 Km. away from Khon Kaen province. This pattern might be designed by following the river's name where the original source of this woven pattern. Especially Thai-Lao mud-mee patterned fabrics.
Pan-Bai-Sri-Su-Kwan design

Pan ; a pedestal for a bowl , often used as a tray , for the custom of Bai-Sri-su-Kwan , usually used " Pan " which is made of bronze , sometimes used to carry betels and arecas , presents , or offerings to the...

Bai-Sri-Su-Kwan
Bai-Sri ; cooked rice topped with a boiled egg, used as offering [ usually put on the tray , and the witch doctor who makes trade of restoring souls are said to show knavish tendencies and are often refered to in playful banter; metaphorically , the seat of a person's spirit; the tutelary spirit guarding a person. ]

Su-Kwan ; to pay damages or compensation, to give something for consolation; [ of the people of north and northeast Thailand ] to perform rites of welcoming [ a distinguished visitor ] , to bring back one's spirit ; gift, offering, donation;heart and soul, someting precious or invaluable, one's belove.
Pa-tae [ Cloth , Salong ] dyed in Batic , Indonesia , by dipping in a fast dye made from areca nuts.
Praratchahatlaekha design ; a letter in Her Majesty The Queen Mother , a letter written by the Majesty grandmother of His Majesty the King Bhumibol Adulyadej scribes. [ this pattern whcih the special design within Her Majesty The Queen Mother ] , and also the Som-det design. Especially the Northeastern khid patterned fabric.
Pum-kawbin design ; wax or real flowers arranged in the form of a bush , used as an offering to Buddha or priest , popped rice and flowers , thrown on festive occasions. An ancient design woven on the fabrics.
Pha Lai-tiu mai design ; The stripe-patterned design in alternate bands . The former design alternately consisting of X , Y and/or Z ----->Remark ; X = type of florals , Y = Type of anumals , Z = Type of materials.
Pan-maha design ; One of Traditional Phuthai-early symbol of their patterned heritage.
Pra-sat design ; a tower , a castle. One of Traditional Phuthai-early symbol of their patterned heritage.
Prasat-pung design ; a honeycomb design. A structural shaped like a square , rhombic or rectangular in shape which was designed the x-shaped inside the blank's form such as a small asterrisk , cloverleaf , spotty shape or the 4 to 8-petalled flowers etc.
Sa-bai ; shoulder cloth ; a shawl , a wrap formerly used by a woman to wrap around her chest and back. When one end of the wrap is brought over the shoulder , it is called shouldercloth.
Sabai lai-khid ; khid patterned shoulder cloth ; a shawl , a wrap formerly used by a woman to wrap around her chest and back. When one end of the wrap is brought over the shoulder , it is called shouldercloth.
Som det design ; majesty; serenity, holiness, mostly used as a first element in stylesand titles of sovereigns and names of princes of the blood and priests of high rank , as Her Majesty the Queen Sirikit [ The special design within the imagination of Her Majesty The Queen Sirikit. ]
Supanahong design ; a royal boat , a state barge with a swan as a figurehead. " The Supanahong " have been used for the king's bed to travel In the ancient and untill be now as well. The Supanahong shape was being designed in many decorative arts , also on the fabric.
Ta-bung design ; the mygal eyes design , a spider of the genus.
; the mygal eyes shaped like a caterpillar which
was being designed in pattern on fabric . Tradition Phuthai-early symbol of their patterned heritage.
Thum-mart design ; a pulpit in the form of an elaborately caved seat.
Tra-kho or kho design ; Tra-kho design in S-shaped like hook or fish hook -----> Hook design in horizontal line which curved or bent sharply in the end , but those the S-shaped lenght design , it is called kho-buay or long hook . As it might be called kho-lek-sam which looks like the figure 3
Trakho-Longko design ; the group of hooks ] , Ta-Pao-Long-Ko-1 , Ta-Pao-Long-Ko-2 [ the track a trail of quinea pig's paws , design in curved paths or the meandering of rivers " namental linear pattern " , the former design alternately consisting of country cottages and curved paths of quinea pig's paws . It is called Ta-Pao-Long-Ko . While these the meandering of river where the junk passes through on its way , it also called Ta-Pao-Long-Ko . But those the former design alternately consisting of hooks [ kho ] and curved paths or meandering of rivers , it is called Tra-Kho-Long-Ko ] , Kho-Ngo [ Hook design in horizontal line which curved or bent sharply in the end , but those the S-shaped lenght design , it is called kho-buay or long hook . As it might be called kho-lek-sam which looks like the figure 3 ] .
 
 
 
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Dear Sir , this webpage's construction was be promoted " The Agricultural housekeeper group products " heritage designs ...
  • Beginning in June , B.E.2525 , the villagers recieved significant encouragement from Their Majesties the King Bhumibol and Queen Sirikit of Thailand when they came to stay at the Royal " Phupan " Palace in Sakol Nakhon Province for their annual visit. Her Majesty the Queen has rendered special interest to the khid-patterned fabrics which they have been presented to her. She thereby recommended the new patterns such as khid with som-det , kam-poo , kab-shaba , phikul , century designs. If you are interested. Please click [ here ]

  • She has also suggested that silk thread be used instead of cotton. Hence the villagers were able to delvelop new khid patterns , used of proper dyes and new weaving skills. The finished silk goods are both for sale and annual prize competition when the loyal couple came to reside at the royal palace.
  • Khid designs ?
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