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A
History of the Atlanta Scene 1985-93: Part 1
By Face
The Atlanta
scene goes way back before my time. Hell, the Sex Pistols
first U.S. date was in Atlanta at the Great South Music Hall in
January of 1979. Back in 1980, before I was old enough to get into
clubs, I'd sit on Spring St., drinking beer and watching the punks
walk back and forth between the 688 Club and the Bistro on Friday
and Saturday nights. 688 was the first punk club in Atlanta and
when Iggy Pop played there he painted his set list on the wall.
It became sort of a shrine. They repainted the graffiti covered
walls in the club a few times, but they always painted around the
song list. Sometime in the late 80s, when the owners blew all their
money on coke and couldn’t pay the electric bill, new management
took over, painted over the set list and turned the place into a
gay club. All the old punks had a fit. The Agora Ballroom and Hedgen's
were other clubs of yore.
Also at
the time all the original Atlanta punks lived, at one time or another
in the legendary Pershing Point Apts (now the site of the IBM building).
I moved out of Atlanta in `81 and missed a good bit of that early
scene. Bands like Freddy Vomit, Teens in Heat, and the
Restraints whose lead singer, Chris Woods, a diabetic would
shoot up insulin on stage and then stick the syringes into his bald
head. His girlfriend was killed in a mysterious shooting incident
and Chris went to jail for it. He eventually died in prison from
complications from his diabetes.
I spent
the summer of `85 down in Florida, and deciding to move back, traveled
to Atlanta in August to look for a place to live. At the time Little
5 Points was where everyone hung out, so I found an apartment near
there. L5P, like (big) 5 Points downtown, is at the intersection
of 5 roads, hence the name. Now L5P was been taken over by yuppies
and new hippies, back in `85 L5P's was the domain of the Atlanta
counter culture. Punks, skins, bums, runaways, ex 60s hippies and
the occasional rich folks slumming it and trying to take pictures
of kids with mohawks. The square was lined with used clothes and
furniture shops, a pawn shop, a record store (Wax and Facts), a
grocery store, a pizza place (Mellow Mushroom), a cool dive bar
(The Point), an abandoned high school, a movie theater that showed
art films, a lesbian book store and a liquor store. It was where
everyone went to hang out when there wasn't anything else going
on. You could brown bag it and the cops didn't give a shit. Now,
the Point has closed, the high school has been converted into expensive
loft apartments, the grocery store is now the MTV superstore and
the square is full of bongo playing hippies and drug dealers. At
least the liquor store is still there.
Lets get
back to `85. Apartment shopping successfully concluded, it was time
to finally check out the Atlanta scene. That weekend I made my first
trip to the Metroplex. The `Plex was hands down, no contest, the
greatest club in the American punk scene from `85 to `97. The original
`Plex was on Lucky St., but by the time I got to Atlanta it had
moved to a warehouse on Marietta St. Across the street from the
club was another warehouse owned by some punk chick’s mother. A
bunch of the punks and skins lived on the second floor. I remember
an old, beat up car parked out front with Agnostic
Front spray-painted on the side of it. I don't remember who played
the `Plex that night, but I'll never forget standing outside between
sets with my brother and all the other skins and punks waiting around,
when out of a second story window of the warehouse across the street,
somebody started playing the soundtrack to A Clockwork Orange.
You know, the theme music at the beginning of the film, the opening
scene a close up of Alex's face in the Milk Bar. Surreal.
I went
back to Florida for a month and moved all my shit to Atlanta in
September. I got a job in a warehouse that imported toys and every
weekend I'd hit the clubs. The `Plex was an all ages club and since
the last MARTA train left the Omni station around midnight, all
the shows began around 9:00. That was fine with me. I'd hit the
`Plex early, everyone would hang out and drink in the parking lot
before and between bands, then after the show I'd head over to the
688 to catch the last band. When that club closed at 4am, a bunch
of people usually went to the Majestic, a white trash diner. Pretty
funny scene. A bunch of punks and rednecks eating in the same place,
everyone drunk.
I guess
the skinhead scene in Atlanta didn't begin until `84 or early `85.
The skins pretty much ruled the `Plex and L5P. They had a bad rep
with some of the punks and the left wing media (Creative Loafing
and WRFG.) Like everywhere else they were portrayed as the rednecks
of the scene. I didn't know anything about skins at the time. After
hanging out with them I realized that most of what I'd heard about
the Atlanta skins was bullshit and that they were into the same
shit as I was. Eventually, I hung up my leather jacket and bought
a bomber. I guess everyone in my generation started like that. We
didn't have the luxury of walking out of high school into a flourishing
skin scene. There was no skin scene in America back when I was in
high school. There was no "bible" to tell you how to dress.
We all started out as punks. Hell, I had the "Never Mind The
Bollocks" on 8 track! (Editors note: for all those under 21
an 8 track is a large cassette tape predating the compact disk,
MP3s, high definition cassettes and Beta video tapes.) But I was
in the right place at the right time and managed to get into the
Atlanta skin scene within it’s first year. From what I can figure,
the Atlanta skins had two major influence, a bunch of guys importing
the style from St. Louis, and the Anti-Heros. Two skinheads, Townsend
and Alan Sullivan, later of Moonstomp, lived in St. Louis with their
mother. Their father lived in Atlanta and ran the Great South Music
Hall. In `84 or `85 they decided to move to Atlanta, bringing the
look and music with them. Traveling with them were Gary Yoxen and
Rob Bell, a black kid they picked up off the streets. By the time
I met them, their close crowd included Chris Lewis, Eric Bishoff,
Kira, Holly Winn, Tim Smith, Alison Anchors, Brian, Lorrie and Len
Todd (RIP). There wasn't any animosity between punks and skins back
then. Everyone went to the same parties and shows. Some of the other
folks hanging around in the scene were Scott Schlancker, Ira, Jordan,
Toni, Todd Sokul, Bert Westmoreland, Danny Mostella, Chris Edwards,
Christy, Bonnie, John, Ginger (2ea), Raul, Foster, Karina, Geordie,
Ginsie, Billy Asshole, Paul, Nancy, Melody, Rich, Lorelia, Kat,
Staphan and Chris Mills, Tina Lund, Chicken Mary and a bunch of
other people I am probably forgetting. Sorry.
As for
the Anti-Heros, they began a year or two earlier. Mark Noah had
moved to Atlanta to attend college. He was already a fan of the
music when one day in Piedmont Park, he saw two punks walking along.
One had a mohawk and a jacket with "Anti Heros" written
on the back. Mark got talking to these guys (Jay Jones and Joe Winograd)
and found out they wanted to start a band. They had a name for the
band but no lead singer. Mark told them he'd sing, write lyrics
and find them a place to practice. They started practicing in a
church on the campus of Emory University. With no permission from
anyone, they'd just walk in, set up and act like they were supposed
to be there.
One of
my favorite of Mark's stories comes from this time period. He was
living in an apartment near Emory and his neighbor was a good friend
of Amy Carter, the ex-President Jimmy Carter's daughter. On sundays,
everyone would go to a bar on Spring St. called Margaritaville and
hang out in the parking lot, drink and recover from the weekend.
Amy Carter showed up at Mark's neighbors one Sunday and they decided
to go up to Margaritaville. As they were pulling into the parking
lot, Amy Carter says. "Look at those punks, what a bunch of
poseurs." I guess she was the real thing.
Jay Jones
eventually left the Anti-Heros to play in a rockabilly band and
was replaced by Mike Jones. Mark, Joe, Mike and Tim Lawrence moved
into an apartment in an old house on Euclid Ave., stumbling distance
from L5P. I don't think they ever cleaned the place, but we would
have some great parties on their front porch, really annoying the
upstairs neighbor, Linda Sue. She was kinda wacko. Had a bunch of
plants and a couple of mannequins on her balcony. That's the kind
of people L5P attracted.
Toward
the end of `85, I had seen a lot of these people at shows and parties,
but hadn’t really gotten to know many of them yet, especially the
skins. One night I was watching TV and writing my brother a letter,
the news came on and said, “Coming up, members of local gang arrested.”
Knowing that skin were the flavor of the month with the local press
I wrote my brother that it was probably the Atlanta skins. After
the commercial, I learned that I had guessed correctly. It was the
night of the “Disco Riot.” The song is pretty self explanatory,
but I learned the details a few months later from the folks who
were there. The 688 club had some local bands playing and advertised
that they’d have free beer. If you’re like me, you can suffer through
some pretty bad music for free alcohol. On the other hand, when
the beer is free, you’re not so worried about wasting it.
Sometime
during the festivities someone got up on stage and threw a beer
at the band. Everyone was kicked out and a scuffle ensued. The owner
of the club jumped into his van and ran into Chris Lewis, breaking
his leg. An unnamed individual pulled the club owner out of his
van and beat him with a metal pipe. The cops came and almost everyone
took off. Joe hadn’t done anything, so he was hanging out and watching.
One of the band members fingered him and he was arrested. That ol’
guilt by association thing. I believe he eventually got some probation
for it. Two of the other guys, Chris and Eric jumped bail and left
town never to be seen again. Todd Sokul had put up their bail money
and needless to say he was pissed at them. I don’t know is he ever
got his money back. December 1985 was a pretty good month for me.
A new Clash album (Cut the Crap) came out. Suicidal Tendencies
played to one of the biggest crowds I had ever seen at the Metroplex.
I wasn't a big fan of their music, but the atmosphere in the club
was great. I got a $100 Christmas bonus from the toy warehouse,
went to the Big Star grocery store and bought every can of Black
Label beer they had. I had to throw away some food so I could fit
all the beer in my fridge. And finally, went to Nashville for New
Year's.
That pretty
much serves as an introduction and covers the 4 months of `85 that
I lived in Atlanta. I'm going to try and keep these stories in chronological
order, so join me next time for 1986: ice, commie Rick gets kicked
in the nuts and why you shouldn’t park your Mercedes in front of
a skinhead warehouse party.
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Opinions, rants, misconcieved
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