Matsuo Bashô: Oku no Hosomichi

Postscript

 

In this little book of travel is included everything under the sky - not only that which is hoary and dry but also that which is young and colorful, not only that which is strong and imposing but also that which is feeble and ephemeral. As we turn every corner of the Narrow Road to the Deep North, we sometimes stand up unawares to applaud and we sometimes fall flat to resist the agonizing pains we feel in the depths of our hearts.* There are also times when we feel like taking to the road ourselves, seizing the raincoat lying nearby, or times when we feel like sitting down till our legs take root, enjoying the scene we picture before our eyes. Such is the beauty of this little book that it can be compared to the pearls which are said to be made by the weeping mermaids in the far off sea. What a travel it is indeed that is recorded in this book, and what a man he is who experienced it. The only thing to be regretted is that the author of this book, great man as he is, has in recent years grown old and infirm with hoary frost upon his eyebrows.

Early summer of the seventh year of Genroku (1694), Soryu.

 




Ogaki

Oku no Hosomichi, cuaderno de viaje, del gran Poeta de Haiku, Matshuo Bashô.

 

INDEX

  1. Prologue
  2. Departure
  3. Soka
  4. Muronoyashima
  5. Nikko
  6. Nasu
  7. Kurobane
  8. Unganji
  9. Sesshoseki
  10. Shirakawa
  11. Sukagawa
  12. Asaka
  13. Shinobu
  14. Sato Shoji
  15. Iizaka
  16. Kasajima
  17. Takekuma
  18. Sendai
  19. Tsubo no Ishibumi
  20. Shiogama
  21. Matsushima
  22. Ishinomaki
  23. Hiraizumi
  24. Dewagoe
  25. Obanazawa
  26. Ryushakuji
  27. Oishida
  28. Mogamigawa
  29. Hagurosan
  30. Gassan
  31. Sakata
  32. Kisigata
  33. Echigo
  34. Ichiburi
  35. Kanazawa
  36. Komatsu
  37. Natadera
  38. Daishoji
  39. Maruoka
  40. Fukui
  41. Tsuruga
  42. Ironohama
  43. Ogaki
  44. Postscript

Bosque de Bambú, Camino del Haiku.Camino del Haiku